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Tang'oroki neirut olodwa airora

- Baiyani Medurek, Arusha men, Folk, Tracey, Hugh

Tang'oroki neirut olodwa airora

- Baiyani Medureki, Arusha men, composer not specified, Tracey, Hugh

Tanga lenu funga kae

- Shaibi Hemed, Swahili men, Folk, Tracey, Hugh

Tanga lenu funga kae

- Shaibu Hemed, Swahili men, composer not specified, Tracey, Hugh

Tanganyika

- chapi, Yobwa, Gogo men and women, Tracey, Hugh

Tanganyika Part I

- Yobwa Chapi with Gogo men and women, Hugh Tracey

  • Authors: Yobwa Chapi with Gogo men and women , Hugh Tracey
  • Date: 1950
  • Subjects: Gogo (African people) , Songs, Gogo , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mvumi f-tz
  • Language: Gogo
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/174272 , vital:42461 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR155-04
  • Description: "Let us play the Zeze lute so that we can remember our old songs. Do not sing in a hurry. Take your time. We, the Gogo are singing in Tanganyika the land of our birth. Why do people sing all my tunes?" A lovely slow chant in which all the people joined, men, women and chidldren. It is clear that the Gogo are a poetic people with great lyrical ability. The local composer comes forward and starts each line for the people to follow. The song was recorded out in the open in the village of Mvumi without reharsal of any kind. It seems likely that it could have continued almost indefinitely, but the exigencies of the recording apparatus and the fact that it was taken before the advent of long playing records made abbreviation necessary. The unexpected loud passages were unfortunately slightly over modulated but, with the technical faults except this recording gives a fair idea of the artistic ca[abilities of these remarkable performers. The recording is in two parts, the second pitched lower than the first and accompanied by a flute obligato which has little if any direct bearing on the melody itself. Nindo praise song with Mulanzi flute in Part II.
  • Full Text: false
  • Date Issued: 1950

Tanganyika Part II

- Yobwa Chapi with Gogo men and women, Hugh Tracey

  • Authors: Yobwa Chapi with Gogo men and women , Hugh Tracey
  • Date: 1950
  • Subjects: Gogo (African people) , Songs, Gogo , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mvumi f-tz
  • Language: Gogo
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/174278 , vital:42462 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR155-05
  • Description: "Let us play the Zeze lute so that we can remember our old songs. Do not sing in a hurry. Take your time. We, the Gogo are singing in Tanganyika the land of our birth. Why do people sing all my tunes?" A lovely slow chant in which all the people joined, men, women and chidldren. It is clear that the Gogo are a poetic people with great lyrical ability. The local composer comes forward and starts each line for the people to follow. The song was recorded out in the open in the village of Mvumi without reharsal of any kind. It seems likely that it could have continued almost indefinitely, but the exigencies of the recording apparatus and the fact that it was taken before the advent of long playing records made abbreviation necessary. The unexpected loud passages were unfortunately slightly over modulated but, with the technical faults except this recording gives a fair idea of the artistic ca[abilities of these remarkable performers. The recording is in two parts, the second pitched lower than the first and accompanied by a flute obligato which has little if any direct bearing on the melody itself. Nindo praise song with Mulanzi flute in Part II.
  • Full Text: false
  • Date Issued: 1950

Tangu Kwaita m'cembele

- Kwenda, Khwele, Tracey, Hugh

  • Authors: Kwenda, Khwele , Tracey, Hugh
  • Date: 1950
  • Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi City not specified f-mw
  • Language: Nyanja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/281658 , vital:55750 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1357-XYZ4803
  • Description: Indigenous music
  • Full Text: false
  • Date Issued: 1950

Tangu kwata m'cembele

- Khwele Kwenda, Composer not specified, Tracey, Hugh

Tangu kwata m'cembele

- Khwele Kwenda, Hugh Tracey

  • Authors: Khwele Kwenda , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
  • Language: Tumbuka , Chewa, Chichewa, Nyanja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/186498 , vital:44505 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-09
  • Description: The Sansi was fixed onto the Chigubu resonator by three point suspensions, 2 at the straining bar and 1 at the foot, all secured by bark string. The Njela (s. and pl.) reeds were made from the spokes of an umbrella and the player said that in times past the reeds used to be made of bamboo. "I married three girls, later I found that all three were unfaithful to me so I decided to marry one fully grown woman instead." Tuning:- 704, 584, 520, 448, 384, (352 missing), 332, 292, 260, 224, 176. This pentatonic sansi mbira is mounted in the mouth of a gourd resonator with a number of pieces of tin as buzzers, Mangwere, attached to two thirds of the periphery of the gourd. Self delectative song, with Sansi mbira
  • Full Text: false
  • Date Issued: 1950

Tate o mwale de

- Shawa, Govati, Chewa women, Hugh Tracey

Tausi

- Bulawayo Sweet Rythms, Composer not specified, Tracey, Hugh

Tauyawo

- Julius Mapaike, Chibi men, Tracey, Hugh

Taxim Higaz

- Bom Ambaron, Egyptian Musical Club, Tracey, Hugh

Taxim hijaz

- Egyptian Musical Club, Performer not specified, Bom, Ambaron, Tracey, Hugh

Taxim hijaz

- Egyptian Musical Club, Performer not specified, Bom, Ambaron, Tracey, Hugh

Taxim hijaz

- Egyptian Musical Club, Performer not specified, Bom, Ambaron, Tracey, Hugh

Taxim hijaz

- Egyptian Musical Club, Performer not specified, Bom, Ambaron, Tracey, Hugh

Taxim hijaz

- Egyptian Musical Club, Performer not specified, Bom, Ambaron, Tracey, Hugh

Taxim hijaz

- Egyptian Musical Club, Performer not specified, Bom, Ambaron, Tracey, Hugh

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