Transgression and transcultural blending: reading the work of Adelaide Fassinou
- Authors: Ishaya, Nandi Salome
- Date: 2017
- Subjects: Fassinou, Adélaïde, 1955- -- Criticism and interpretation , Fassinou, Adélaïde, 1955- -- Jeté en pâture , Fassinou, Adélaïde, 1955- -- Modukpè, le rêve brisé. , African literature (French) -- History and criticism
- Language: French , English
- Type: Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/7500 , vital:21266
- Description: In Adelaide Fassinou’s novel Jete en pature (“Thrown to the lions/wolves”), the female character Fifame declares that “novels/books have sides that one is attached to. The lives of people roll pass our eyes. Some stories resemble ours” (JP, 147). Fassinou herself says: By reading this book dear friend, the stories of all these women who lived nowhere except in my imagination, may be like yours. But the fiction in which they themselves moved makes it so close and we share in their tragedy (MRB, 7). The above comments reflect the idea of sociocriticism which opines that a literary work could be a representation of the society of its author. This goes to say that real events can feed literary imagination more and more. Also, Fifame continues that “a book/novel is a path marked by steps, falls, and races towards a future that is bright or a bleak” (JP, 147). The verbs which connote ‘bright’ and ‘bleak’ in this comment unveil the writing idea/conception which Fassinou adheres to. “Bright” in our opinion could connote the gains of cross cultural blending, the precise outcome/result of modernity. “Bleak” on the other hand could refer to the violation of certain cultural values and or better still to transgressive attitudes in a society that is in the process of radical transformation. As such, transgression and cross cultural blending are the focal points of our discussion in this research. We have chosen to analyse some literary works of Adelaide Fassinou, a beninoise who came into the literary scene at the threshold of the new millennium, in 2000. It could then be said that Fassinou belongs to a new generation of African writers, the writers of the new millennium. The title of her first novel is revealing. Its title, Modukpe, le reve brise could imply that man always has a dream but in the course of time, this dream could be broken due to one factor or the other. In Fassinou, the lack of the realization of dreams could be the result of our vision of the world where new ideas oppose tradition to the extent that modernity is seen simply as a transgression of the laws of tradition. Admittedly, it is transgression in the fictional novel, a transgression against tradition and or nature because “nature has its laws”. The life experiences of man especially the female gender, “A whole lifetime is not enough to speak about it” And the story of being “Thrown to the lions” is one of such experiences. Reading Fassinou’s work, one vi could note that she presents enough social problems which reflect the notion of transgression. As a result, for the woman to liberate herself, the author who represents the woman, resorts to writing “Poems of love and brambles” of “Her exiles and her loves” because it is needful to speak so as to feel better within oneself. This action of breaking the silence by the woman constitutes in itself a transgression because, in the culture of the author, the woman should be reduced to silence. Fassinou has the urge to show that cruelty in the home, inflexible will, excessive masculinity and insensibility could lead to rebellion, dissatisfaction and violence which could affect the whole society. In view of this, to love one child above the others could compromise family cohesion. It is in this regard that suicide formed part of the theme of this research. This could represent the image of national violence provoked by tribalism and geopolitics which could be noticed in many countries on the African continent. For most critics, the transgression of traditional values is due to cultural blending because this blending is seen as the evolution of the society and the culture which represent a society that finds itself at the cross roads. Transgression in Fassinou’s works is the demystification of certain traditional beliefs. The transgression of some characters leads to bitter and traumatic experiences. Be that as it may, the author recommends/advocates, through her writing, a way of escape: hope. It shows through the representations made by the author that determination to overcome the challenges faced and the decision to put a cross on past bitter experiences are strong indications for individual transformation which would lead to the desired transformation and development of Africa. Transgression and cultural blending in the works of Fassinou are not limited to thematic study; it is also about the transgression of standard language codes and the mixing of languages. The second part of this thesis is devoted to the stylistic study of Fassinou’s works. As such, we are going to equally study formal aspects of Fassinou’s writing as a symbol of transgression and transcultural blending. , Dans le roman Jete en pature d’Adelaide Fassinou, le personnage feminin, Fifame, declare que « les livres ont un cote attachant. Ils deroulent sous nos regards la vie de personnes qui nous semblent si proches que nous nous identifions a elles. Certaines histoires ressemblent a la notre » (JP, 147). Fassinou elle-meme dit : En lisant ce livre, chere amie, tu feras egalement tienne I ’histoire de toutes ces femmes qui n ’ont vecu nulle part, sauf dans mon imagination. Mais la fiction dans laquelle elles se meuvent nous les rend encore plus proches st nous faitpartager leurs drames (MRB, 7). Ces propos refletent l’idee de la sociocritique qui indique qu’une reuvre litteraire pourrait etre une representation de la societe de son auteur(e). Ceci revient a dire que des evenements reels peuvent alimenter de plus en plus l’imagination litteraire. Aussi, poursuit-elle, « un livre est un chemin jalonne de marches, de chutes et de courses vers des lendemains qui chantent ou qui dechantent » (JP, 147). Les verbes « chanter » et « dechanter » dans ces propos devoilent la conception de l’ecriture a laquelle Fassinou adhere. « Chanter », a notre avis, pourrait denoter les gains des croisements des cultures, le resultat meme du modernisme. « Dechanter » pour sa part pourrait renvoyer a la violation de certaines valeurs traditionnelles et ou mieux encore aux attitudes transgressives dans une societe en pleine mutation. Ainsi donc la transgression et le metissage culturel constituent le point central de la discussion de cette recherche. Nous avons choisi d’analyser quelques reuvres litteraires d’Adelaide Fassinou, une ecrivaine beninoise qui est entree sur la scene litteraire au seuil du nouveau millenaire, en 2000. Par ce fait, on dirait que Fassinou appartient a une nouvelle generation d’ecrivains : les ecrivains du nouveau millenaire. Le titre du premier roman de Fassinou est revelateur. Il s’institule Modukpe, le reve brise, qui implique que l’homme a toujours un reve mais au cours du temps, ce reve pourrait etre brise. Chez Fassinou, ce manque de materialisation de reves serait le resultat de notre vision du monde ou les conceptions nouvelles rivalisent avec la tradition au point que la modernite soit simplement vue comme une transgression de lois de la tradition. C’est certes la transgression dans l’univers romanesque, une transgression contre la tradition et / ou la nature car « la nature a ses lois ». Et les experiences vecues par l’homme et surtout par la femme, Toute une vie ne viii suffirait pas pour en Parler. Et l’histoire d’etre Jete en pature est l’une de ses experiences. En lisant l’reuvre de Fassinou, on peut constater qu’elle presente assez de problemes sociaux qui renvoient a la notion de la transgression. Il en resulte que, pour se liberer, l’auteure qui represente la femme, recourt a ecrire des Poemes d ’amour et de ronces, de [S]es exiles, [s]es amours car il faut parler pour se sentir bien en soi-meme. Cette action de briser le silence par la femme constitue aussi en elle, une transgression car dans la tradition de l’auteure, la femme devrait etre reduite au silence. Fassinou a besoin de montrer que la cruaute au foyer, la volonte inflexible, la masculinite excessive et l’insensibilite conduisent a la revolte, au mecontentement et a la violence pouvant affecter toute la societe. Eu egard a cela, aimer un enfant au-dessus des autres compromettrait la cohesion familiale. C’est ainsi que le sujet du suicide fait partie de cette recherche. Ceci pourrait representer l’image de la violence nationale provoquee par le tribalisme et la geopolitique qu’on pourrait remarquer dans plusieurs pays sur le continent africain. Pour la plupart des critiques, la transgression des valeurs traditionnelles est due au metissage culturel car ce metissage est vu comme une evolution de la societe et de la culture qui represente une societe qui se trouve a la croisee des chemins. La transgression dans l’reuvre de Fassinou est la demystification de certaines croyances traditionnelles. La transgression de certains personnages conduit aux experiences ameres et traumatisantes. Quoi qu’il en soit, l’auteure preconise toujours, au moyen de son ecriture, une voie de sortie : l’espoir. Il transparait des representations que fait l’auteure que la determination pour surmonter les defis et la decision de mettre une croix sur les experiences ameres du passe sont des indications fortes pour la transformation individuelle qui amenera a la transformation et au developpement tant desire de l’Afrique. La transgression et le metissage culturel dans l’reuvre de Fassinou ne se limitent pas aux etudes thematiques ; il s’agit egalement de la transgression du code langagier standard et du melange des langues. La deuxieme partie de cette these est consacree a une etude stylistique de l’reuvre de Fassinou. Pour cela, nous avons etudie egalement les aspects des aspects formels de l’ecriture de Fassinou comme symbole de la transgression et du metissage culturel.
- Full Text:
- Date Issued: 2017
- Authors: Ishaya, Nandi Salome
- Date: 2017
- Subjects: Fassinou, Adélaïde, 1955- -- Criticism and interpretation , Fassinou, Adélaïde, 1955- -- Jeté en pâture , Fassinou, Adélaïde, 1955- -- Modukpè, le rêve brisé. , African literature (French) -- History and criticism
- Language: French , English
- Type: Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/7500 , vital:21266
- Description: In Adelaide Fassinou’s novel Jete en pature (“Thrown to the lions/wolves”), the female character Fifame declares that “novels/books have sides that one is attached to. The lives of people roll pass our eyes. Some stories resemble ours” (JP, 147). Fassinou herself says: By reading this book dear friend, the stories of all these women who lived nowhere except in my imagination, may be like yours. But the fiction in which they themselves moved makes it so close and we share in their tragedy (MRB, 7). The above comments reflect the idea of sociocriticism which opines that a literary work could be a representation of the society of its author. This goes to say that real events can feed literary imagination more and more. Also, Fifame continues that “a book/novel is a path marked by steps, falls, and races towards a future that is bright or a bleak” (JP, 147). The verbs which connote ‘bright’ and ‘bleak’ in this comment unveil the writing idea/conception which Fassinou adheres to. “Bright” in our opinion could connote the gains of cross cultural blending, the precise outcome/result of modernity. “Bleak” on the other hand could refer to the violation of certain cultural values and or better still to transgressive attitudes in a society that is in the process of radical transformation. As such, transgression and cross cultural blending are the focal points of our discussion in this research. We have chosen to analyse some literary works of Adelaide Fassinou, a beninoise who came into the literary scene at the threshold of the new millennium, in 2000. It could then be said that Fassinou belongs to a new generation of African writers, the writers of the new millennium. The title of her first novel is revealing. Its title, Modukpe, le reve brise could imply that man always has a dream but in the course of time, this dream could be broken due to one factor or the other. In Fassinou, the lack of the realization of dreams could be the result of our vision of the world where new ideas oppose tradition to the extent that modernity is seen simply as a transgression of the laws of tradition. Admittedly, it is transgression in the fictional novel, a transgression against tradition and or nature because “nature has its laws”. The life experiences of man especially the female gender, “A whole lifetime is not enough to speak about it” And the story of being “Thrown to the lions” is one of such experiences. Reading Fassinou’s work, one vi could note that she presents enough social problems which reflect the notion of transgression. As a result, for the woman to liberate herself, the author who represents the woman, resorts to writing “Poems of love and brambles” of “Her exiles and her loves” because it is needful to speak so as to feel better within oneself. This action of breaking the silence by the woman constitutes in itself a transgression because, in the culture of the author, the woman should be reduced to silence. Fassinou has the urge to show that cruelty in the home, inflexible will, excessive masculinity and insensibility could lead to rebellion, dissatisfaction and violence which could affect the whole society. In view of this, to love one child above the others could compromise family cohesion. It is in this regard that suicide formed part of the theme of this research. This could represent the image of national violence provoked by tribalism and geopolitics which could be noticed in many countries on the African continent. For most critics, the transgression of traditional values is due to cultural blending because this blending is seen as the evolution of the society and the culture which represent a society that finds itself at the cross roads. Transgression in Fassinou’s works is the demystification of certain traditional beliefs. The transgression of some characters leads to bitter and traumatic experiences. Be that as it may, the author recommends/advocates, through her writing, a way of escape: hope. It shows through the representations made by the author that determination to overcome the challenges faced and the decision to put a cross on past bitter experiences are strong indications for individual transformation which would lead to the desired transformation and development of Africa. Transgression and cultural blending in the works of Fassinou are not limited to thematic study; it is also about the transgression of standard language codes and the mixing of languages. The second part of this thesis is devoted to the stylistic study of Fassinou’s works. As such, we are going to equally study formal aspects of Fassinou’s writing as a symbol of transgression and transcultural blending. , Dans le roman Jete en pature d’Adelaide Fassinou, le personnage feminin, Fifame, declare que « les livres ont un cote attachant. Ils deroulent sous nos regards la vie de personnes qui nous semblent si proches que nous nous identifions a elles. Certaines histoires ressemblent a la notre » (JP, 147). Fassinou elle-meme dit : En lisant ce livre, chere amie, tu feras egalement tienne I ’histoire de toutes ces femmes qui n ’ont vecu nulle part, sauf dans mon imagination. Mais la fiction dans laquelle elles se meuvent nous les rend encore plus proches st nous faitpartager leurs drames (MRB, 7). Ces propos refletent l’idee de la sociocritique qui indique qu’une reuvre litteraire pourrait etre une representation de la societe de son auteur(e). Ceci revient a dire que des evenements reels peuvent alimenter de plus en plus l’imagination litteraire. Aussi, poursuit-elle, « un livre est un chemin jalonne de marches, de chutes et de courses vers des lendemains qui chantent ou qui dechantent » (JP, 147). Les verbes « chanter » et « dechanter » dans ces propos devoilent la conception de l’ecriture a laquelle Fassinou adhere. « Chanter », a notre avis, pourrait denoter les gains des croisements des cultures, le resultat meme du modernisme. « Dechanter » pour sa part pourrait renvoyer a la violation de certaines valeurs traditionnelles et ou mieux encore aux attitudes transgressives dans une societe en pleine mutation. Ainsi donc la transgression et le metissage culturel constituent le point central de la discussion de cette recherche. Nous avons choisi d’analyser quelques reuvres litteraires d’Adelaide Fassinou, une ecrivaine beninoise qui est entree sur la scene litteraire au seuil du nouveau millenaire, en 2000. Par ce fait, on dirait que Fassinou appartient a une nouvelle generation d’ecrivains : les ecrivains du nouveau millenaire. Le titre du premier roman de Fassinou est revelateur. Il s’institule Modukpe, le reve brise, qui implique que l’homme a toujours un reve mais au cours du temps, ce reve pourrait etre brise. Chez Fassinou, ce manque de materialisation de reves serait le resultat de notre vision du monde ou les conceptions nouvelles rivalisent avec la tradition au point que la modernite soit simplement vue comme une transgression de lois de la tradition. C’est certes la transgression dans l’univers romanesque, une transgression contre la tradition et / ou la nature car « la nature a ses lois ». Et les experiences vecues par l’homme et surtout par la femme, Toute une vie ne viii suffirait pas pour en Parler. Et l’histoire d’etre Jete en pature est l’une de ses experiences. En lisant l’reuvre de Fassinou, on peut constater qu’elle presente assez de problemes sociaux qui renvoient a la notion de la transgression. Il en resulte que, pour se liberer, l’auteure qui represente la femme, recourt a ecrire des Poemes d ’amour et de ronces, de [S]es exiles, [s]es amours car il faut parler pour se sentir bien en soi-meme. Cette action de briser le silence par la femme constitue aussi en elle, une transgression car dans la tradition de l’auteure, la femme devrait etre reduite au silence. Fassinou a besoin de montrer que la cruaute au foyer, la volonte inflexible, la masculinite excessive et l’insensibilite conduisent a la revolte, au mecontentement et a la violence pouvant affecter toute la societe. Eu egard a cela, aimer un enfant au-dessus des autres compromettrait la cohesion familiale. C’est ainsi que le sujet du suicide fait partie de cette recherche. Ceci pourrait representer l’image de la violence nationale provoquee par le tribalisme et la geopolitique qu’on pourrait remarquer dans plusieurs pays sur le continent africain. Pour la plupart des critiques, la transgression des valeurs traditionnelles est due au metissage culturel car ce metissage est vu comme une evolution de la societe et de la culture qui represente une societe qui se trouve a la croisee des chemins. La transgression dans l’reuvre de Fassinou est la demystification de certaines croyances traditionnelles. La transgression de certains personnages conduit aux experiences ameres et traumatisantes. Quoi qu’il en soit, l’auteure preconise toujours, au moyen de son ecriture, une voie de sortie : l’espoir. Il transparait des representations que fait l’auteure que la determination pour surmonter les defis et la decision de mettre une croix sur les experiences ameres du passe sont des indications fortes pour la transformation individuelle qui amenera a la transformation et au developpement tant desire de l’Afrique. La transgression et le metissage culturel dans l’reuvre de Fassinou ne se limitent pas aux etudes thematiques ; il s’agit egalement de la transgression du code langagier standard et du melange des langues. La deuxieme partie de cette these est consacree a une etude stylistique de l’reuvre de Fassinou. Pour cela, nous avons etudie egalement les aspects des aspects formels de l’ecriture de Fassinou comme symbole de la transgression et du metissage culturel.
- Full Text:
- Date Issued: 2017
Tree toppling by elephants and its consequences in thicket mosaic vegetation of Addo Elephant National Park
- Authors: Mgqatsa, Nokubonga
- Date: 2017
- Subjects: Elephants -- Behavior -- South Africa -- Addo Elephant National Park Woody plants -- South Africa -- Addo Elephant National Park
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10948/19365 , vital:28859
- Description: This study explored the extent of elephant tree toppling and possible cascading effects in Karoo Thicket Mosaic habitat in the Eastern Cape Province, South Africa. While the notion that elephants topple trees is well recognised, little is known about their indirect effects and the possible influence on several trophic levels. Changes brought about by elephants have the potential to influence microclimatic conditions, soil litter processes, plant community composition and other animals. Therefore, this study determined the impacts of elephants on tree toppling, and hence the production of coarse woody debris and the Coarse Woody Debris Profile. Additionally, I explored the consequences of elephant tree toppling on the plant community, small mammals and seed removal. Furthermore, I explored the potential factors facilitating the coexistence of woody plants and elephants. I compared coarse woody debris production and the Coarse Woody Debris Profile between sites with and without elephants. Further, I assessed the consequences of tree toppling in the elephant present site at a patch scale to explore the possible cascading effects of elephants. Firstly, I showed that elephants impacted woody plants through branch/stem breakages and toppling of trees, but that effects vary for different categories of the Coarse Woody Debris Profile. This result confirms the most recent findings that woody plants are at risk from elephant herbivory in Karoo Thicket Mosaic habitat. The elephant toppling effect on these landscapes is largely influenced by plant growth form, with woody trees suffering high levels of elephant toppling than shrubs of comparable size. However, toppled Pappea capensis is able to persist from being toppled by elephants, either through coppicing or resprouting. Additionally, I showed that toppled trees form discrete patches on the landscape, with altered microclimate and browsing pressures. While I detected no significant effect of these changes on plant composition and abundance within these patches, these findings indicate the possible influence of elephants on facilitating plant recruitment and altering plant communities of thicket through toppling of trees. Moreover, I showed that elephant toppling of trees provide habitat patches for small mammals, thus affecting seed removal by vertebrates within patches. These changes had no discernable effect on soil seed banks. However, they highlight the need to better understand the temporal dynamics of these patches and implications for seed dynamics and plant communities on the landscape. The results show the patterns of elephant impacts on woody plants and possible cascading effects in the presence of elephants. Therefore, the study advances our understanding of top-down effects of elephants and shows the relevance of understanding these effects in order to effectively manage elephant impacts in different systems.
- Full Text:
- Date Issued: 2017
- Authors: Mgqatsa, Nokubonga
- Date: 2017
- Subjects: Elephants -- Behavior -- South Africa -- Addo Elephant National Park Woody plants -- South Africa -- Addo Elephant National Park
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10948/19365 , vital:28859
- Description: This study explored the extent of elephant tree toppling and possible cascading effects in Karoo Thicket Mosaic habitat in the Eastern Cape Province, South Africa. While the notion that elephants topple trees is well recognised, little is known about their indirect effects and the possible influence on several trophic levels. Changes brought about by elephants have the potential to influence microclimatic conditions, soil litter processes, plant community composition and other animals. Therefore, this study determined the impacts of elephants on tree toppling, and hence the production of coarse woody debris and the Coarse Woody Debris Profile. Additionally, I explored the consequences of elephant tree toppling on the plant community, small mammals and seed removal. Furthermore, I explored the potential factors facilitating the coexistence of woody plants and elephants. I compared coarse woody debris production and the Coarse Woody Debris Profile between sites with and without elephants. Further, I assessed the consequences of tree toppling in the elephant present site at a patch scale to explore the possible cascading effects of elephants. Firstly, I showed that elephants impacted woody plants through branch/stem breakages and toppling of trees, but that effects vary for different categories of the Coarse Woody Debris Profile. This result confirms the most recent findings that woody plants are at risk from elephant herbivory in Karoo Thicket Mosaic habitat. The elephant toppling effect on these landscapes is largely influenced by plant growth form, with woody trees suffering high levels of elephant toppling than shrubs of comparable size. However, toppled Pappea capensis is able to persist from being toppled by elephants, either through coppicing or resprouting. Additionally, I showed that toppled trees form discrete patches on the landscape, with altered microclimate and browsing pressures. While I detected no significant effect of these changes on plant composition and abundance within these patches, these findings indicate the possible influence of elephants on facilitating plant recruitment and altering plant communities of thicket through toppling of trees. Moreover, I showed that elephant toppling of trees provide habitat patches for small mammals, thus affecting seed removal by vertebrates within patches. These changes had no discernable effect on soil seed banks. However, they highlight the need to better understand the temporal dynamics of these patches and implications for seed dynamics and plant communities on the landscape. The results show the patterns of elephant impacts on woody plants and possible cascading effects in the presence of elephants. Therefore, the study advances our understanding of top-down effects of elephants and shows the relevance of understanding these effects in order to effectively manage elephant impacts in different systems.
- Full Text:
- Date Issued: 2017
Understanding suicide: a psychobiographical study of Ian Kevin Curtis
- Authors: Kitching, Philip Herman
- Date: 2017
- Subjects: Psychology -- Biographical methods Personality -- Research -- Methodology , Suicide Suicidal behavior
- Language: English
- Type: Thesis , Doctoral , DPhil
- Identifier: http://hdl.handle.net/10948/18178 , vital:28583
- Description: Psychobiography can be viewed as the re-writing of an individual‟s life story previously undetected. In general, it consists of a combination of two central elements: biography and psychological theory, which aim to explain the particular individual‟s psychological development. This particular study serves to explore the extraordinary life of renowned singer and songwriter, Ian Kevin Curtis (1956-1980), who died by suicide at the early age of 23. The basis for this investigation will take the form of notable biographical accounts of the subject‟s life, together with the application of Thomas Joiner‟s (2005) interpersonal-psychological theory of suicide which identifies factors that lead to suicidal ideation - in an attempt to understand the psychological circumstances that contributed to Curtis‟s suicide. In doing so, Adler‟s (1929) theory of Individual Psychology was applied to the life of Curtis in an attempt to build on Joiner‟s theory. This led to the concept of control being introduced and contributed to the development of an intake form to identify those at risk for suicide. It is hoped that exploring the psychological circumstances that contributed to Curtis‟s suicide and their interpretation by the subject will bring about an understanding of the risk factors that may induce suicide and, by extension, will highlight the relevance of this psychobiographical study as a tool for investigating and promoting preventative measures concerning suicide. The psychobiographical data collection and analysis for this research thesis will be guided by Yin‟s (2003) theory of „analytic generalisation‟ which uses a theoretical framework in selecting relevant data which develops a matrix as a descriptive framework for organising and integrating that data, and Alexander‟s (1988) analytical model which focuses on lifting out themes through principal identifiers of salience.
- Full Text:
- Date Issued: 2017
- Authors: Kitching, Philip Herman
- Date: 2017
- Subjects: Psychology -- Biographical methods Personality -- Research -- Methodology , Suicide Suicidal behavior
- Language: English
- Type: Thesis , Doctoral , DPhil
- Identifier: http://hdl.handle.net/10948/18178 , vital:28583
- Description: Psychobiography can be viewed as the re-writing of an individual‟s life story previously undetected. In general, it consists of a combination of two central elements: biography and psychological theory, which aim to explain the particular individual‟s psychological development. This particular study serves to explore the extraordinary life of renowned singer and songwriter, Ian Kevin Curtis (1956-1980), who died by suicide at the early age of 23. The basis for this investigation will take the form of notable biographical accounts of the subject‟s life, together with the application of Thomas Joiner‟s (2005) interpersonal-psychological theory of suicide which identifies factors that lead to suicidal ideation - in an attempt to understand the psychological circumstances that contributed to Curtis‟s suicide. In doing so, Adler‟s (1929) theory of Individual Psychology was applied to the life of Curtis in an attempt to build on Joiner‟s theory. This led to the concept of control being introduced and contributed to the development of an intake form to identify those at risk for suicide. It is hoped that exploring the psychological circumstances that contributed to Curtis‟s suicide and their interpretation by the subject will bring about an understanding of the risk factors that may induce suicide and, by extension, will highlight the relevance of this psychobiographical study as a tool for investigating and promoting preventative measures concerning suicide. The psychobiographical data collection and analysis for this research thesis will be guided by Yin‟s (2003) theory of „analytic generalisation‟ which uses a theoretical framework in selecting relevant data which develops a matrix as a descriptive framework for organising and integrating that data, and Alexander‟s (1988) analytical model which focuses on lifting out themes through principal identifiers of salience.
- Full Text:
- Date Issued: 2017
Understanding the reading practices of Fort Hare students
- Authors: O’Shea, Cathy
- Date: 2017
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/6886 , vital:21197
- Description: Universities world-wide are battling to offer access to far greater numbers than ever before. The University of Fort Hare, specifically, is also part of a troubled South African education system and is located in a disadvantaged, rural area. The main aim of this study was to understand Fort Hare students’ reading practices, as reported by the students themselves. This thesis used a framework of New Literacy Studies, which views student learning as a process of mastering discipline-specific, socially constructed norms and values, and sees the adopting of a literacy as including the adoption of an identity. Since discourse, in the NLS tradition, has been found to be a mediating mechanism in the social construction of identity, a critical discourse analysis was adopted to begin understanding aspects of Fort Hare students’ reading practices and the links between these and their identities. Critical realism is the ontological underpinning of this thesis. This means that the study aimed to identify the tendencies of certain mechanisms - in this case, Discourses - to affect students’ reading practices, by analysing interview transcripts of focus group discussions held with 30 students. Frameworks and tools provided by Fairclough and Gee were applied to interview data analysis. The ‘We blacks’ Discourse was one of one of the prominent Discourses that interviewees drew on when talking about their reading practices. It was closely allied to the ‘Resistance to reading’ Discourse, as participants explained that they tended to disregard books and did not enjoy reading for leisure. The ‘We blacks’ Discourse in this way homogenised class and other differences between black students, and indicated the ways in which their experiences were outside of academic Discourses. This Discourse served as a constraining mechanism for some, and indicated that those who used it tended not to identify with the academy. There was an evident link between the ‘We blacks’ Discourse, the ‘Resistance to reading’ Discourse and the ‘Better than us’ Discourse, in which students who enjoyed reading were called names for supposedly being conceited. Two opposing discourses (with a small ‘d’) emerged when students talked about literacy sponsors like parents and lecturers. Some used the ‘Our parents don’t chase us’ discourse to depict family members who were not encouraging, overlapping with the ‘We blacks’ Discourse. The contrasting ‘Go read anything’ discourse described more encouraging teachers and relatives. This discourse was also used to describe educators who had forced them to read, with several interviewees describing corporal punishment as being a necessary part of school-based literacy practices. It also became clear that Fort Hare’s institutional identity played a role in some interviewees’ self-identities, as the ‘Resistance to reading’ Discourse was linked to the ‘Why bother?’ Discourse. The latter seemed part of a defensive positionality that arose partly because some students see Fort Hare as a university with relatively low academic standards. However, the implication is that lecturers and others can work towards changing Discourses and so endeavour to enable reading practices. Educators could also take steps to address resistant attitudes and encourage reading.
- Full Text:
- Date Issued: 2017
- Authors: O’Shea, Cathy
- Date: 2017
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/6886 , vital:21197
- Description: Universities world-wide are battling to offer access to far greater numbers than ever before. The University of Fort Hare, specifically, is also part of a troubled South African education system and is located in a disadvantaged, rural area. The main aim of this study was to understand Fort Hare students’ reading practices, as reported by the students themselves. This thesis used a framework of New Literacy Studies, which views student learning as a process of mastering discipline-specific, socially constructed norms and values, and sees the adopting of a literacy as including the adoption of an identity. Since discourse, in the NLS tradition, has been found to be a mediating mechanism in the social construction of identity, a critical discourse analysis was adopted to begin understanding aspects of Fort Hare students’ reading practices and the links between these and their identities. Critical realism is the ontological underpinning of this thesis. This means that the study aimed to identify the tendencies of certain mechanisms - in this case, Discourses - to affect students’ reading practices, by analysing interview transcripts of focus group discussions held with 30 students. Frameworks and tools provided by Fairclough and Gee were applied to interview data analysis. The ‘We blacks’ Discourse was one of one of the prominent Discourses that interviewees drew on when talking about their reading practices. It was closely allied to the ‘Resistance to reading’ Discourse, as participants explained that they tended to disregard books and did not enjoy reading for leisure. The ‘We blacks’ Discourse in this way homogenised class and other differences between black students, and indicated the ways in which their experiences were outside of academic Discourses. This Discourse served as a constraining mechanism for some, and indicated that those who used it tended not to identify with the academy. There was an evident link between the ‘We blacks’ Discourse, the ‘Resistance to reading’ Discourse and the ‘Better than us’ Discourse, in which students who enjoyed reading were called names for supposedly being conceited. Two opposing discourses (with a small ‘d’) emerged when students talked about literacy sponsors like parents and lecturers. Some used the ‘Our parents don’t chase us’ discourse to depict family members who were not encouraging, overlapping with the ‘We blacks’ Discourse. The contrasting ‘Go read anything’ discourse described more encouraging teachers and relatives. This discourse was also used to describe educators who had forced them to read, with several interviewees describing corporal punishment as being a necessary part of school-based literacy practices. It also became clear that Fort Hare’s institutional identity played a role in some interviewees’ self-identities, as the ‘Resistance to reading’ Discourse was linked to the ‘Why bother?’ Discourse. The latter seemed part of a defensive positionality that arose partly because some students see Fort Hare as a university with relatively low academic standards. However, the implication is that lecturers and others can work towards changing Discourses and so endeavour to enable reading practices. Educators could also take steps to address resistant attitudes and encourage reading.
- Full Text:
- Date Issued: 2017
Uphononongo nzulu lokusetyenziswa kweenkumbulo nokulibala ngabalinganiswa kwiincwadi ezikhethiweyo zesiXhosa
- Authors: Notshe, Lwandlekazi
- Date: 2017
- Subjects: Xhosa literature Xhosa drama -- Criticism and interpretation
- Language: English
- Type: Thesis , Doctoral , MBA
- Identifier: http://hdl.handle.net/10948/20087 , vital:29105
- Description: Olu phando luza kuphendla ukusetyenziswa kweenkumbulo nokulibala ngabalinganiswa kwiincwadi ezichongiweyo zesiXhosa. Apha kuvezwa ukuba iinkumbulo zinika umkhombandlela womakwenziwe. Kuza kugocwagocwa ezi ncwadi zilandelayo: Ingalo ngokubhalwe ngu-K.S. Bongela Elundini loThukela ngokubhalwe ngu-J.J.R. Jolobe Ukuqhawuka kwembeleko ngokubhalwe ngu-D.M. Jongilanga Ingqumbo yeminyanya ngokubhalwe ngu-A.C. Jordan Bhota Nonceba ibhalwe ngu-B.B. Mafuya UMakhwekhwetha ngokubhalwe ngu-R.F. Mcimeli Umqol’ uphandle ngokubhalwe ngu-M.A.P. Ngani Umkhonto kaTshiwo ngokubhalwe ngu-M.A.P. Ngani Unyana womntu ngokubhalwe ngu- N.Saule Vuleka mhlaba ngokubhalwe nguN. Saule Imijelo yegazi ngokubhalwe ngu-Z.S. Zotwana Apha kwezi ncwadi kuza kuhlutywa ukuba ukukhumbula nokulibala luyasetyenziswa ngabantu abantetho isisiXhosa nokuba wonke umntu unazo iinkumbulo, ingaba ziinkumbulo ezimnandi okanye ezinxunguphalisayo. Isahluko sokuqala salo msebenzi siza kunika amagqabantshintshi ngolu phando. Esi sahluko siqulathe: - Ingabula-zigcawu - Iinjongo zophando - Imibuzo ekhokelele ekwenziweni kolu phando - Indlela yokwenza olu phando - Ukubaluleka kolu phando - Okuthethwa zezinye iingcali ngeenkumbulo nokulibala - Ingcaciso magama Isahluko sesibini siqulathe iingcingane yeenkumbulo, ingcingane yobume bengqondo kwakunye nengcingane yokuqonda. Kukwajongwe abasunguli bezi ngcingane nemisebenzi yabo. Isahluko sesithathu siqwalasele iinkumbulo nempembelelo yazo kwinkcubeko nasentlalweni kwiincwadi ezichongiweyo. Isahluko sesine sijonge iinkumbulo zembali yepolitiki eMzantsi Afrika. Isahluko sesihlanu sicubungula iinkumbulo nokulibala kwezomthetho. Isahluko sesithandathu nesisesokugqibela - sishwankathela iziphumo zophando kukwanikwa nezindululo.
- Full Text:
- Date Issued: 2017
- Authors: Notshe, Lwandlekazi
- Date: 2017
- Subjects: Xhosa literature Xhosa drama -- Criticism and interpretation
- Language: English
- Type: Thesis , Doctoral , MBA
- Identifier: http://hdl.handle.net/10948/20087 , vital:29105
- Description: Olu phando luza kuphendla ukusetyenziswa kweenkumbulo nokulibala ngabalinganiswa kwiincwadi ezichongiweyo zesiXhosa. Apha kuvezwa ukuba iinkumbulo zinika umkhombandlela womakwenziwe. Kuza kugocwagocwa ezi ncwadi zilandelayo: Ingalo ngokubhalwe ngu-K.S. Bongela Elundini loThukela ngokubhalwe ngu-J.J.R. Jolobe Ukuqhawuka kwembeleko ngokubhalwe ngu-D.M. Jongilanga Ingqumbo yeminyanya ngokubhalwe ngu-A.C. Jordan Bhota Nonceba ibhalwe ngu-B.B. Mafuya UMakhwekhwetha ngokubhalwe ngu-R.F. Mcimeli Umqol’ uphandle ngokubhalwe ngu-M.A.P. Ngani Umkhonto kaTshiwo ngokubhalwe ngu-M.A.P. Ngani Unyana womntu ngokubhalwe ngu- N.Saule Vuleka mhlaba ngokubhalwe nguN. Saule Imijelo yegazi ngokubhalwe ngu-Z.S. Zotwana Apha kwezi ncwadi kuza kuhlutywa ukuba ukukhumbula nokulibala luyasetyenziswa ngabantu abantetho isisiXhosa nokuba wonke umntu unazo iinkumbulo, ingaba ziinkumbulo ezimnandi okanye ezinxunguphalisayo. Isahluko sokuqala salo msebenzi siza kunika amagqabantshintshi ngolu phando. Esi sahluko siqulathe: - Ingabula-zigcawu - Iinjongo zophando - Imibuzo ekhokelele ekwenziweni kolu phando - Indlela yokwenza olu phando - Ukubaluleka kolu phando - Okuthethwa zezinye iingcali ngeenkumbulo nokulibala - Ingcaciso magama Isahluko sesibini siqulathe iingcingane yeenkumbulo, ingcingane yobume bengqondo kwakunye nengcingane yokuqonda. Kukwajongwe abasunguli bezi ngcingane nemisebenzi yabo. Isahluko sesithathu siqwalasele iinkumbulo nempembelelo yazo kwinkcubeko nasentlalweni kwiincwadi ezichongiweyo. Isahluko sesine sijonge iinkumbulo zembali yepolitiki eMzantsi Afrika. Isahluko sesihlanu sicubungula iinkumbulo nokulibala kwezomthetho. Isahluko sesithandathu nesisesokugqibela - sishwankathela iziphumo zophando kukwanikwa nezindululo.
- Full Text:
- Date Issued: 2017
Utilisation of the Auditor-General's reports in improving the audit outcomes at selected municipalities within Amathole District Municipality (2006- 2015)
- Kwaza, Makhosandile Hercules
- Authors: Kwaza, Makhosandile Hercules
- Date: 2017
- Subjects: Auditing -- South Africa -- Eastern Cape Public administration -- South Africa -- Eastern Cape Finance, Public -- South Africa -- Eastern Cape Civil service -- South Africa -- Eastern Cape
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10353/1664 , vital:27540
- Description: Amathole District Municipality has for the past five consecutive years been receiving an unqualified audit opinion from the AGSA. This has been the trend, despite the commitment made by the Executive Mayor in April 2012 to the then Auditor-General, Mr Nombembe, that the leadership of the municipality would deliver a clean audit outcome by 30 June 2013. This scenario is replicated in the local municipalities within the district. Two of the district municipalities have for the past three consecutive years been receiving a disclaimer audit opinion. In one of the municipalities, this trend changed; and this municipality received an unqualified audit opinion for two consecutive years; while in the third year, it received a qualified audit opinion. The stagnation and regression in the audit outcomes of these municipalities may be as a result of either the non-implementation of audit-action plans to address the previous year’s audit findings; or there could be other factors resulting in the above scenario. The main objective of this study is to investigate whether the utilisation of the Auditor-General’s reports improve the audit outcomes in selected municipalities within Amathole District Municipality for the period 01 July 2006 to 30 June 2015.
- Full Text:
- Date Issued: 2017
- Authors: Kwaza, Makhosandile Hercules
- Date: 2017
- Subjects: Auditing -- South Africa -- Eastern Cape Public administration -- South Africa -- Eastern Cape Finance, Public -- South Africa -- Eastern Cape Civil service -- South Africa -- Eastern Cape
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10353/1664 , vital:27540
- Description: Amathole District Municipality has for the past five consecutive years been receiving an unqualified audit opinion from the AGSA. This has been the trend, despite the commitment made by the Executive Mayor in April 2012 to the then Auditor-General, Mr Nombembe, that the leadership of the municipality would deliver a clean audit outcome by 30 June 2013. This scenario is replicated in the local municipalities within the district. Two of the district municipalities have for the past three consecutive years been receiving a disclaimer audit opinion. In one of the municipalities, this trend changed; and this municipality received an unqualified audit opinion for two consecutive years; while in the third year, it received a qualified audit opinion. The stagnation and regression in the audit outcomes of these municipalities may be as a result of either the non-implementation of audit-action plans to address the previous year’s audit findings; or there could be other factors resulting in the above scenario. The main objective of this study is to investigate whether the utilisation of the Auditor-General’s reports improve the audit outcomes in selected municipalities within Amathole District Municipality for the period 01 July 2006 to 30 June 2015.
- Full Text:
- Date Issued: 2017
Video games as “play assemblages”: applying philosophical concepts from deleuze and guattari to create a novel approach to video games
- Authors: Du Plessis, Corné
- Date: 2017
- Subjects: Video games Video games -- Research , Video games -- History and criticism Video games -- Analysis, appreciation
- Language: English
- Type: Thesis , Doctoral , DPhil
- Identifier: http://hdl.handle.net/10948/16119 , vital:28322
- Description: The phenomena that we collectively refer to as “play” form a significant part of life at numerous levels. According to the play scholar, Johan Huizinga, play has not only been part of all human societies, it is also at the root of the development of numerous cultural activities, including structured games and sports, certain judicial and legal activities, war, and numerous forms of art. Despite its importance, play, with its various manifestations, is often relegated to being a children’s activity or an occasion of pure waste, and is a surprisingly marginalized topic in academic scholarship. In part to remedy this deficit, my aim in this thesis is to explore the comparatively new phenomenon of video games as a particular form of play. While there are undoubtedly many philosophical approaches that can respond to different aspects of the “problem” of video games, I propose that Gilles Deleuze and Felix Guattari’s philosophy of “difference” and “becoming” is particularly useful. On the one hand, Deleuze and Guattari’s philosophy provides a viable framework through which to determine the limitations of the current prominent theories in the field of video game studies, which include “narratology”, “ludology”, and the more recent “hybrid approach”. On the other hand, their philosophy enables one to extend the creative and transformative potential that is inherent to a philosophical “problem”, in this case the “problem” of video games. By adapting selected Deleuzian and Deleuzoguattarian philosophical concepts, including “assemblage”, “percept”, “affect”, “transversal becoming”, and “becoming-imperceptible”, I aim to establish a philosophical framework through which different forms of play, and different video games, can be analyzed in terms of their capacity to generate “difference” and “becoming”. More specifically, I argue that video games can be understood as particular kinds of “play assemblages” that can potentially open the player to “transversal becomings”. The video games that I analyze as play assemblages that can generate “transversal becomings” are Thatgamecompany’s Flower (2009) and Journey (2012). Importantly, “transversal becomings”, understood in this instance as the “becoming-other” of human individuals, have the potential to contribute to the individual’s capacity for creative thought and action. Therefore, I argue that video games, far from being activities of pure waste, can potentially open the player to various forms of “becoming-other”, which can, in turn, increase the player’s capacity to think differently, to become different and to create differences. Ultimately, I aim to promote the value of play and video games on the one hand, and the value of Deleuze and Guattari’s philosophy on the other hand, for the aim of extending the questioning power of life, and increasing our capacity to effectively respond to a continuously changing world of problems.
- Full Text:
- Date Issued: 2017
- Authors: Du Plessis, Corné
- Date: 2017
- Subjects: Video games Video games -- Research , Video games -- History and criticism Video games -- Analysis, appreciation
- Language: English
- Type: Thesis , Doctoral , DPhil
- Identifier: http://hdl.handle.net/10948/16119 , vital:28322
- Description: The phenomena that we collectively refer to as “play” form a significant part of life at numerous levels. According to the play scholar, Johan Huizinga, play has not only been part of all human societies, it is also at the root of the development of numerous cultural activities, including structured games and sports, certain judicial and legal activities, war, and numerous forms of art. Despite its importance, play, with its various manifestations, is often relegated to being a children’s activity or an occasion of pure waste, and is a surprisingly marginalized topic in academic scholarship. In part to remedy this deficit, my aim in this thesis is to explore the comparatively new phenomenon of video games as a particular form of play. While there are undoubtedly many philosophical approaches that can respond to different aspects of the “problem” of video games, I propose that Gilles Deleuze and Felix Guattari’s philosophy of “difference” and “becoming” is particularly useful. On the one hand, Deleuze and Guattari’s philosophy provides a viable framework through which to determine the limitations of the current prominent theories in the field of video game studies, which include “narratology”, “ludology”, and the more recent “hybrid approach”. On the other hand, their philosophy enables one to extend the creative and transformative potential that is inherent to a philosophical “problem”, in this case the “problem” of video games. By adapting selected Deleuzian and Deleuzoguattarian philosophical concepts, including “assemblage”, “percept”, “affect”, “transversal becoming”, and “becoming-imperceptible”, I aim to establish a philosophical framework through which different forms of play, and different video games, can be analyzed in terms of their capacity to generate “difference” and “becoming”. More specifically, I argue that video games can be understood as particular kinds of “play assemblages” that can potentially open the player to “transversal becomings”. The video games that I analyze as play assemblages that can generate “transversal becomings” are Thatgamecompany’s Flower (2009) and Journey (2012). Importantly, “transversal becomings”, understood in this instance as the “becoming-other” of human individuals, have the potential to contribute to the individual’s capacity for creative thought and action. Therefore, I argue that video games, far from being activities of pure waste, can potentially open the player to various forms of “becoming-other”, which can, in turn, increase the player’s capacity to think differently, to become different and to create differences. Ultimately, I aim to promote the value of play and video games on the one hand, and the value of Deleuze and Guattari’s philosophy on the other hand, for the aim of extending the questioning power of life, and increasing our capacity to effectively respond to a continuously changing world of problems.
- Full Text:
- Date Issued: 2017
Visual narratives of division in contemporary Palestinian art and social space
- Authors: Baasch, Rachel Mary
- Date: 2017
- Subjects: Art, Palestinian Arab , Art, Palestinian Arab -- Political aspects , Art and society -- Palestine
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/41770 , vital:25132
- Description: This study analyses artworks by contemporary Palestinian artists that respond to visual narratives of division in social space from a perspective grounded in a South African context. The state of Israel is built on Historic Palestine. Political Zionism has created an ideological narrative of division that positions people of the Jewish faith as the rightful heirs to the land on which Palestinians have lived for centuries. In order to execute their vision of an exclusively Jewish nation state, the founding pioneers of political Zionism colonised and ethnically cleansed Historic Palestine, establishing Israel in 1948. To sustain the exclusive claim to Palestinian land, Israel has divided the space and the people in it at every possible level. The greatest testament to these efforts is the Israeli apartheid wall and checkpoint security system that can be described as a monumental visual narrative of division. With each second that passes, Israel claims more Palestinian land and expands on existing fences, walls and barriers. It is no secret that the Occupied Palestinian Territories are rapidly transforming into open-air prisons. Israel has stolen the Palestinian horizon line and replaced it with a concrete wall that blocks out light, vision and optimism. Within the shadows of these conflicted, traumatised sites of division, Palestinian artists seek openings, cracks and loopholes that signal the possibility for physical and psychological transgression of these seemingly impenetrable structures of division. I have developed a creative methodology that can be understood through the metaphor of ‘looking with the skin’ as a way to identify and analyse visual narratives of division and artistic responses to sites of division in Palestinian social space. Looking with the skin combines aspects of participant observation (specifically the emphasis on engaged fieldwork) from the discipline of Anthropology with the method of visual analysis from the discipline of Art History. In my application of this method through primary fieldwork conducted within the Occupied Palestinian West Bank Territory from 2013 and 2014, I have learnt that Israel’s colonisation, military occupation and system of apartheid directly impacts the ability of Palestinian artists to make and disseminate their work as well as the choice of content within their artwork. The artworks analysed in this thesis by the artists Khaled Jarrar, Y ael Bartana, Larissa Sansour, Hasan Darahgmeh, Fareh Saleh and Emily Jacir can be positioned in relation to artworks by artists based within a South African context, namely Thando Mama, Serge Alain Nitegeka and Doung Anwar Jahangeer. In this thesis I present a combination of my own photographic documentation of sites of division with the West Bank OPT in relation to the specific artworks made by the artists mentioned above. In my analysis of the photographic documentation and the artists’ work I highlight similarities, parallels, threads and intersecting narratives that connect different artists to one another and to the sites of division they are responding to within their artistic practice. This study carves a small conceptual pathway through ideological and physical walls from South Africa to Palestine through the study of contemporary art and visual culture.
- Full Text:
- Date Issued: 2017
- Authors: Baasch, Rachel Mary
- Date: 2017
- Subjects: Art, Palestinian Arab , Art, Palestinian Arab -- Political aspects , Art and society -- Palestine
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/41770 , vital:25132
- Description: This study analyses artworks by contemporary Palestinian artists that respond to visual narratives of division in social space from a perspective grounded in a South African context. The state of Israel is built on Historic Palestine. Political Zionism has created an ideological narrative of division that positions people of the Jewish faith as the rightful heirs to the land on which Palestinians have lived for centuries. In order to execute their vision of an exclusively Jewish nation state, the founding pioneers of political Zionism colonised and ethnically cleansed Historic Palestine, establishing Israel in 1948. To sustain the exclusive claim to Palestinian land, Israel has divided the space and the people in it at every possible level. The greatest testament to these efforts is the Israeli apartheid wall and checkpoint security system that can be described as a monumental visual narrative of division. With each second that passes, Israel claims more Palestinian land and expands on existing fences, walls and barriers. It is no secret that the Occupied Palestinian Territories are rapidly transforming into open-air prisons. Israel has stolen the Palestinian horizon line and replaced it with a concrete wall that blocks out light, vision and optimism. Within the shadows of these conflicted, traumatised sites of division, Palestinian artists seek openings, cracks and loopholes that signal the possibility for physical and psychological transgression of these seemingly impenetrable structures of division. I have developed a creative methodology that can be understood through the metaphor of ‘looking with the skin’ as a way to identify and analyse visual narratives of division and artistic responses to sites of division in Palestinian social space. Looking with the skin combines aspects of participant observation (specifically the emphasis on engaged fieldwork) from the discipline of Anthropology with the method of visual analysis from the discipline of Art History. In my application of this method through primary fieldwork conducted within the Occupied Palestinian West Bank Territory from 2013 and 2014, I have learnt that Israel’s colonisation, military occupation and system of apartheid directly impacts the ability of Palestinian artists to make and disseminate their work as well as the choice of content within their artwork. The artworks analysed in this thesis by the artists Khaled Jarrar, Y ael Bartana, Larissa Sansour, Hasan Darahgmeh, Fareh Saleh and Emily Jacir can be positioned in relation to artworks by artists based within a South African context, namely Thando Mama, Serge Alain Nitegeka and Doung Anwar Jahangeer. In this thesis I present a combination of my own photographic documentation of sites of division with the West Bank OPT in relation to the specific artworks made by the artists mentioned above. In my analysis of the photographic documentation and the artists’ work I highlight similarities, parallels, threads and intersecting narratives that connect different artists to one another and to the sites of division they are responding to within their artistic practice. This study carves a small conceptual pathway through ideological and physical walls from South Africa to Palestine through the study of contemporary art and visual culture.
- Full Text:
- Date Issued: 2017
William Blake’s animal symbols: tensions and intersections between science and allegory In Eighteenth-Century attitudes towards animals
- Authors: Singh, Jyoti
- Date: 2017
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/4590 , vital:20696
- Description: This thesis explores the tensions and intersections between science, allegory, and related eighteenth-century attitudes towards animals in William Blake’s poetry through detailed analysis of individual animal symbols and tropes. It will focus specifically on the period between 1794 and 1820, to coincide with the dates of Blake’s major works. Chapter One outlines Blake’s key philosophies, concentrating on his particular approach to symbolism. By rejecting certain Enlightenment ideals and beliefs surrounding allegory, Blake created his own form of the literary tradition, and the subjects and symbols of his poetry clearly demonstrate shifting allegorical frames. The chapter also explains why he argued for the recognition, and even valorisation, of the imaginative faculty, or “Poetic Genius”, in an era which accepted reason and rational thinking as one of the main means of apprehending the world. Chapter Two considers the significance of Blake’s use of predatory animals in the SONGS Of INNOCENCE and Of EXPERIENCE. In focussing on symbolic animals, the chapter assesses whether the ‘real’ animals (with all their scientific associations) are alluded to, and the extent to which they influence their symbolic counterparts. In choosing these symbols to represent key themes throughout his oeuvre, Blake drew on some familiar associations and contemporary attitudes towards animals, but offered no critique of society’s attitudes to animals. Chapter Three identifies and analyses the “fragments of Eternity” represented in the contraries of “Good” and “Evil”, and “Energy” and “Reason” embodied by the animals in THE MARRIAGE of HEAVEN and HELL. The symbols’ division between “Reason” and “Energy” develops an understanding of the complex attitudes towards animals, both in Blake’s mind, and in that of the eighteenth-century British public. Chapter Four is concerned with Blake’s depictions of the Worm and Serpent in his poetry, and how his conception of “Beulah” provides more insight into these symbols and their functions. It also grapples with Rod Preece’s argument that the poet recognised the sanctity and divinity in all forms of life, and sought to endorse these beliefs through his animal symbols. As the thesis illustrates, though, Blake is not arguing for the sanctity of all life to be upheld, nor does he see any divinity in the beings and objects found in nature. Sanctity and divinity are constructs of the imagination, and it is through exercising the imaginative faculty - the “Poetic Genius’’ - along with our senses and instincts, that we are able to make sense of the world. The study thus concludes by considering the extent to which ‘real’ animals intrude upon Blake’s oeuvre, and attempts to determine the value of reading the symbols through an “animal studies” paradigm. It also argues that ‘real’ animals are inseparable from their cultural and symbolic representations, because these are the only means of interpretation we have.
- Full Text:
- Date Issued: 2017
- Authors: Singh, Jyoti
- Date: 2017
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/4590 , vital:20696
- Description: This thesis explores the tensions and intersections between science, allegory, and related eighteenth-century attitudes towards animals in William Blake’s poetry through detailed analysis of individual animal symbols and tropes. It will focus specifically on the period between 1794 and 1820, to coincide with the dates of Blake’s major works. Chapter One outlines Blake’s key philosophies, concentrating on his particular approach to symbolism. By rejecting certain Enlightenment ideals and beliefs surrounding allegory, Blake created his own form of the literary tradition, and the subjects and symbols of his poetry clearly demonstrate shifting allegorical frames. The chapter also explains why he argued for the recognition, and even valorisation, of the imaginative faculty, or “Poetic Genius”, in an era which accepted reason and rational thinking as one of the main means of apprehending the world. Chapter Two considers the significance of Blake’s use of predatory animals in the SONGS Of INNOCENCE and Of EXPERIENCE. In focussing on symbolic animals, the chapter assesses whether the ‘real’ animals (with all their scientific associations) are alluded to, and the extent to which they influence their symbolic counterparts. In choosing these symbols to represent key themes throughout his oeuvre, Blake drew on some familiar associations and contemporary attitudes towards animals, but offered no critique of society’s attitudes to animals. Chapter Three identifies and analyses the “fragments of Eternity” represented in the contraries of “Good” and “Evil”, and “Energy” and “Reason” embodied by the animals in THE MARRIAGE of HEAVEN and HELL. The symbols’ division between “Reason” and “Energy” develops an understanding of the complex attitudes towards animals, both in Blake’s mind, and in that of the eighteenth-century British public. Chapter Four is concerned with Blake’s depictions of the Worm and Serpent in his poetry, and how his conception of “Beulah” provides more insight into these symbols and their functions. It also grapples with Rod Preece’s argument that the poet recognised the sanctity and divinity in all forms of life, and sought to endorse these beliefs through his animal symbols. As the thesis illustrates, though, Blake is not arguing for the sanctity of all life to be upheld, nor does he see any divinity in the beings and objects found in nature. Sanctity and divinity are constructs of the imagination, and it is through exercising the imaginative faculty - the “Poetic Genius’’ - along with our senses and instincts, that we are able to make sense of the world. The study thus concludes by considering the extent to which ‘real’ animals intrude upon Blake’s oeuvre, and attempts to determine the value of reading the symbols through an “animal studies” paradigm. It also argues that ‘real’ animals are inseparable from their cultural and symbolic representations, because these are the only means of interpretation we have.
- Full Text:
- Date Issued: 2017
Young adults' experiences of romantic love relationships in virtual space
- Authors: Lambert, Tania
- Date: 2017
- Subjects: Online dating , Intimacy (Psychology) , Young adults
- Language: English
- Type: Thesis , Doctoral , DPhil
- Identifier: http://hdl.handle.net/10948/7577 , vital:21930
- Description: The arena for finding an intimate partner has changed significantly in the 21st century with online love relationships becoming more prevalent. Research indicates that individuals do experience meaningful online romantic love relationships and that these relationships often lead to face to face (FTF) relationships. However, limited research has been done on exploring the experiences of those who are/were involved in online romantic love relationships. Furthermore, research conducted on online love romantic relationships generally fails to investigate how people experience passion online, hereby ignoring this integral component of romantic love. The primary aim of the research study was to explore young adults’ experiences of romantic love relationships in virtual space. More specifically, the study explored how young adults experienced intimacy and passion as elements of romantic love online. The study was viewed from an interpretative paradigm and made use of a qualitative approach. The researcher conducted in-depth, semi-structured interviews with seven participants which were transcribed, and analysed using Interpretative Phenomenological Analysis (IPA). Four superordinate themes were identified, namely, Online Intimacy, Online Romance and Passion, Online Love, and Social Exchange Online. The participants experienced romantic love online and reported that these relationships were very significant, real and impacted on their psychological well-being. The study created a heuristic base that will provide impetus for this emerging field in research.
- Full Text:
- Date Issued: 2017
- Authors: Lambert, Tania
- Date: 2017
- Subjects: Online dating , Intimacy (Psychology) , Young adults
- Language: English
- Type: Thesis , Doctoral , DPhil
- Identifier: http://hdl.handle.net/10948/7577 , vital:21930
- Description: The arena for finding an intimate partner has changed significantly in the 21st century with online love relationships becoming more prevalent. Research indicates that individuals do experience meaningful online romantic love relationships and that these relationships often lead to face to face (FTF) relationships. However, limited research has been done on exploring the experiences of those who are/were involved in online romantic love relationships. Furthermore, research conducted on online love romantic relationships generally fails to investigate how people experience passion online, hereby ignoring this integral component of romantic love. The primary aim of the research study was to explore young adults’ experiences of romantic love relationships in virtual space. More specifically, the study explored how young adults experienced intimacy and passion as elements of romantic love online. The study was viewed from an interpretative paradigm and made use of a qualitative approach. The researcher conducted in-depth, semi-structured interviews with seven participants which were transcribed, and analysed using Interpretative Phenomenological Analysis (IPA). Four superordinate themes were identified, namely, Online Intimacy, Online Romance and Passion, Online Love, and Social Exchange Online. The participants experienced romantic love online and reported that these relationships were very significant, real and impacted on their psychological well-being. The study created a heuristic base that will provide impetus for this emerging field in research.
- Full Text:
- Date Issued: 2017