The South African Commercial Advertiser and the Eastern Frontier, 1834-1847: an examination of the ways in which and the sources from which it reported frontier conflicts
- Authors: Frye, John
- Date: 1968
- Subjects: Fairbairn, John, 1794-1864 , South African Commercial Advertiser (Newspaper) , South Africa -- History -- Frontier Wars, 1811-1878
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2622 , http://hdl.handle.net/10962/d1014918
- Description: [From Introduction]. The name of John Fairbairn is remembered with honour in South Africa for the part he played in the achievement of a freer press in the Cape Colony, in the campaign to prevent Britain from establishing a convict station on Cape soil, and in the movement which resulted in the establishment of a form of representative government in the Cape in 1853. More controversial is his share, as the editor of the first modern newspaper in the Colony, in a campaign to secure just treatment for the natives both inside and outside of the Colony. It is with his treatment of the conflicts, both small and great, between the Colony and the AmaXhosa tribes on its Eastern Frontier that this study is concerned.
- Full Text:
- Date Issued: 1968
- Authors: Frye, John
- Date: 1968
- Subjects: Fairbairn, John, 1794-1864 , South African Commercial Advertiser (Newspaper) , South Africa -- History -- Frontier Wars, 1811-1878
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2622 , http://hdl.handle.net/10962/d1014918
- Description: [From Introduction]. The name of John Fairbairn is remembered with honour in South Africa for the part he played in the achievement of a freer press in the Cape Colony, in the campaign to prevent Britain from establishing a convict station on Cape soil, and in the movement which resulted in the establishment of a form of representative government in the Cape in 1853. More controversial is his share, as the editor of the first modern newspaper in the Colony, in a campaign to secure just treatment for the natives both inside and outside of the Colony. It is with his treatment of the conflicts, both small and great, between the Colony and the AmaXhosa tribes on its Eastern Frontier that this study is concerned.
- Full Text:
- Date Issued: 1968
Tragic themes in the plays of Arthur Miller
- Authors: Wortham, Christopher John
- Date: 1968
- Subjects: Miller, Arthur, 1915-2005 , American drama (Tragedy) -- History and criticism -- 20th century
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2306 , http://hdl.handle.net/10962/d1012875
- Description: Aeschylus wrote that we learn through suffering. Whether one agrees with this statement or not, one has to recognise that it has given rise to a great deal of discussion about tragedy. What kind of suffering we can associate with tragedy will be considered in the chapters which follow. The more immediate concern is the business of learning. Man can learn a good deal about the problems that confront him, but he cannot learn all there is to know about anything. His knowledge is relative. He may postulate the absolute, but it is beyond the grasp of the human mind to perceive the absolute in its absoluteness. The relativist can avoid an epistemological quagmire by simply accepting that a relativistic attitude is only of relative value; he has the intellectual humility to recognise that whatever he thinks or says is likely to reveal only part of the truth. Arthur Miller has suggested that the best serious literature is concerned with the absolute, in that he criticises one of his contemporary playwrights for writing a work which "fails to extend itself so as to open up ultimate causes". Chap. 1, p. 1.
- Full Text:
- Date Issued: 1968
- Authors: Wortham, Christopher John
- Date: 1968
- Subjects: Miller, Arthur, 1915-2005 , American drama (Tragedy) -- History and criticism -- 20th century
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2306 , http://hdl.handle.net/10962/d1012875
- Description: Aeschylus wrote that we learn through suffering. Whether one agrees with this statement or not, one has to recognise that it has given rise to a great deal of discussion about tragedy. What kind of suffering we can associate with tragedy will be considered in the chapters which follow. The more immediate concern is the business of learning. Man can learn a good deal about the problems that confront him, but he cannot learn all there is to know about anything. His knowledge is relative. He may postulate the absolute, but it is beyond the grasp of the human mind to perceive the absolute in its absoluteness. The relativist can avoid an epistemological quagmire by simply accepting that a relativistic attitude is only of relative value; he has the intellectual humility to recognise that whatever he thinks or says is likely to reveal only part of the truth. Arthur Miller has suggested that the best serious literature is concerned with the absolute, in that he criticises one of his contemporary playwrights for writing a work which "fails to extend itself so as to open up ultimate causes". Chap. 1, p. 1.
- Full Text:
- Date Issued: 1968
A study of the novels of F. Scott Fitzgerald
- Authors: Rodda, Peter
- Date: 1967
- Subjects: Fitzgerald, F. Scott (Francis Scott), 1896-1940 , American literature -- Criticism and interpretation , American fiction -- 20th century
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2311 , http://hdl.handle.net/10962/d1013072
- Description: Henry Dan Piper has exploded the legend that all of Fitzgerald' s books where out of print when he died. There may be similar romantic exaggeration which does not bear examination in the popular view that Fitzgerald's reputation as an artist was eclipsed in his later years and magically revived after his death by the editing and publication by Edmund Wilson in 1941 of the unfinished novel Last Tycoon, and of The Crack-Up. Investigation by Matthew J. Bruccoli has shown the essential oversimplification inherent in the widely-held belief that Fitzgerald's last complete novel to be published, Tender is the Night was dismissed or ignored by reviewers demanding novels of social conscience. Fitzgerald attracted legends and since his death has become something of a folk-hero the type of the golden boy who achieved early and instantaneous fame, lives riotously and is then engulfed by the backwash of his own youthful folly somehow leaving an unpublished masterpiece to confound his critics at his early death. Preface, p. 1.
- Full Text:
- Date Issued: 1967
- Authors: Rodda, Peter
- Date: 1967
- Subjects: Fitzgerald, F. Scott (Francis Scott), 1896-1940 , American literature -- Criticism and interpretation , American fiction -- 20th century
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2311 , http://hdl.handle.net/10962/d1013072
- Description: Henry Dan Piper has exploded the legend that all of Fitzgerald' s books where out of print when he died. There may be similar romantic exaggeration which does not bear examination in the popular view that Fitzgerald's reputation as an artist was eclipsed in his later years and magically revived after his death by the editing and publication by Edmund Wilson in 1941 of the unfinished novel Last Tycoon, and of The Crack-Up. Investigation by Matthew J. Bruccoli has shown the essential oversimplification inherent in the widely-held belief that Fitzgerald's last complete novel to be published, Tender is the Night was dismissed or ignored by reviewers demanding novels of social conscience. Fitzgerald attracted legends and since his death has become something of a folk-hero the type of the golden boy who achieved early and instantaneous fame, lives riotously and is then engulfed by the backwash of his own youthful folly somehow leaving an unpublished masterpiece to confound his critics at his early death. Preface, p. 1.
- Full Text:
- Date Issued: 1967
Absenteeism in the footwear industry in South Africa
- Authors: Townsend, A C
- Date: 1967
- Subjects: Absenteeism (Labor) -- South Africa , Footwear industry -- South Africa , Employees -- South Africa , South Africa -- Industries
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3384 , http://hdl.handle.net/10962/d1013408
- Description: From Introduction: During the past three decades or more, the study of absenteeism in industry has been carried on in many different ways, by numerous investigators and in a wide range of industries. The purpose of such studies has varied; sometimes they have been stimulated by purely academic interest and have sought to investigate the relationship between absenteeism and various other measurable factors in the work situation such as age, race, sex, length of service and wage rates. Most studies, however, have been prompted by the urgent necessity to determine whether an absence problem existed within a specific factory, community or industry and to discover some effective means of dealing with it. Most studies have been empirical and pragmatic as has befitted their intentions. Inevitably, those who have conducted studies of the latter type have asked two questions (a) how do the absence rates emerging from this investigation compare with those from other studies and (b) are they 'normal' or 'abnormal'? In other words, does the data which has been gathered indicate the existence of an absence problem? The main purpose of this monograph is to demonstrate that the Gross Absence Rate is not an effective basis for the discovery of answers to either of these questions. It will seek, in other words, to demonstrate the truth of the following fundamental postulate: THE GROSS ABSENCE RATE IS NOT, IN ITSELF, A SUFFICIENT BASIS FOR THE COMPARISON OF THE ABSENCE BEHAVIOUR OF ONE GROUP OF WORKERS WITH THAT OF ANOTHER OR WITH A PRE-ESTABLISHED NORM, NOR IS IT AN ADEQUATE INDICATOR OF THE PRESENCE OR OTHERWISE OF AN ABSENCE PROBLEM AMONG ANY GIVEN GROUP OF WORKERS. Although this study will include some account of investigations into the relationship between absence rates and various socio-economic factors, it will do so primarily in order to seek support for the above postulate.
- Full Text:
- Date Issued: 1967
- Authors: Townsend, A C
- Date: 1967
- Subjects: Absenteeism (Labor) -- South Africa , Footwear industry -- South Africa , Employees -- South Africa , South Africa -- Industries
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3384 , http://hdl.handle.net/10962/d1013408
- Description: From Introduction: During the past three decades or more, the study of absenteeism in industry has been carried on in many different ways, by numerous investigators and in a wide range of industries. The purpose of such studies has varied; sometimes they have been stimulated by purely academic interest and have sought to investigate the relationship between absenteeism and various other measurable factors in the work situation such as age, race, sex, length of service and wage rates. Most studies, however, have been prompted by the urgent necessity to determine whether an absence problem existed within a specific factory, community or industry and to discover some effective means of dealing with it. Most studies have been empirical and pragmatic as has befitted their intentions. Inevitably, those who have conducted studies of the latter type have asked two questions (a) how do the absence rates emerging from this investigation compare with those from other studies and (b) are they 'normal' or 'abnormal'? In other words, does the data which has been gathered indicate the existence of an absence problem? The main purpose of this monograph is to demonstrate that the Gross Absence Rate is not an effective basis for the discovery of answers to either of these questions. It will seek, in other words, to demonstrate the truth of the following fundamental postulate: THE GROSS ABSENCE RATE IS NOT, IN ITSELF, A SUFFICIENT BASIS FOR THE COMPARISON OF THE ABSENCE BEHAVIOUR OF ONE GROUP OF WORKERS WITH THAT OF ANOTHER OR WITH A PRE-ESTABLISHED NORM, NOR IS IT AN ADEQUATE INDICATOR OF THE PRESENCE OR OTHERWISE OF AN ABSENCE PROBLEM AMONG ANY GIVEN GROUP OF WORKERS. Although this study will include some account of investigations into the relationship between absence rates and various socio-economic factors, it will do so primarily in order to seek support for the above postulate.
- Full Text:
- Date Issued: 1967
Community leadership in Grahamstown
- Authors: Van der Merwe, Hendrik W
- Date: 1967
- Subjects: Sociology, Urban -- South Africa -- Grahamstown , Community leadership -- South Africa -- Grahamstown , Community development, Urban -- South Africa -- Grahamstown
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3390 , http://hdl.handle.net/10962/d1014564
- Description: In this study an analysis was made of the leadership structure of the community of Grahamstown. It was hypothesized that the leadership structure is pluralistic i.e. that leaders are divided along themselves on different issues. An historical and documentary analysis of various aspects of community life revealed that leaders were not united on almost all issues. An analysis of the voluntary associations in which the top leaders took an active part revealed great discrepancy in terms of orientation toward the community, society, and social exclusiveness. A schedule was administered to 90 leaders who were identified by the Cooperating- Informant Technique. Data. were collected about their background characteristics, attitudes toward certain local issues and their general ideological orientations. It was found that stands taken on local issues can best be interpreted in terms of ideological orientation. We conclude that local community leadership is pluralistic. In view of the relationship between local issues and the larger society, several selected problems merit further investigation.
- Full Text:
- Date Issued: 1967
- Authors: Van der Merwe, Hendrik W
- Date: 1967
- Subjects: Sociology, Urban -- South Africa -- Grahamstown , Community leadership -- South Africa -- Grahamstown , Community development, Urban -- South Africa -- Grahamstown
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3390 , http://hdl.handle.net/10962/d1014564
- Description: In this study an analysis was made of the leadership structure of the community of Grahamstown. It was hypothesized that the leadership structure is pluralistic i.e. that leaders are divided along themselves on different issues. An historical and documentary analysis of various aspects of community life revealed that leaders were not united on almost all issues. An analysis of the voluntary associations in which the top leaders took an active part revealed great discrepancy in terms of orientation toward the community, society, and social exclusiveness. A schedule was administered to 90 leaders who were identified by the Cooperating- Informant Technique. Data. were collected about their background characteristics, attitudes toward certain local issues and their general ideological orientations. It was found that stands taken on local issues can best be interpreted in terms of ideological orientation. We conclude that local community leadership is pluralistic. In view of the relationship between local issues and the larger society, several selected problems merit further investigation.
- Full Text:
- Date Issued: 1967
Mite-poësie : die mite-skepping in die poësie van William Butler Yeats en Adriaan Roland Holst
- Authors: Milne, Sarah Elizabeth
- Date: 1967
- Subjects: Yeats, W. B. (William Butler), 1865-1939 -- Poetic works , Yeats, W. B. (William Butler), 1865-1939 -- Criticism and interpretation , Roland Holst, Adrianus, 1888-1976 -- Criticism and interpretation , English poetry -- 20th century -- History and criticism , Dutch poetry -- 20th century -- History and criticism , Mythology, Celtic , Mythology in literature
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3640 , http://hdl.handle.net/10962/d1013518
- Description: In my kennismaking met die poësie van Yeats en Roland Holst het ek onvermydelik opgemerk dat hulle sekere simbole ooreenkomstig gebruik, dat hulle dieselfde hoë, aristokratiese waardes handhaaf en gevolglik 'n afkeer het van die moderne massa-demokrasieë. Later het ek ontdek dat albei digters sterk in die Keltiese mites en sages belang gestel het en dat Roland Holst Yeats as 'n belangrike invloed eien. Dit alles, en die feit dat hulle albei enkele gegewens uit die Griekse mitologie daarby voeg in wat hulle "mites" word, het my voorgekom as goeie rede vir 'n vergelykende studie. So 'n ideë-studie het egter gedreig om iets heel anders te word as die literêre beskouing wat ek beoog het. Geleidelik het dit egter geblyk dat die mite méér moet wees dan die ideë-sisteem; en juis dit waardeur die mite meer is dan ideë-sisteem het die belangrikste regverdiging geword vir 'n vergelykende studie, en terselfdertyd, vir 'n toespitsing van die aandag op die poësie.
- Full Text:
- Date Issued: 1967
- Authors: Milne, Sarah Elizabeth
- Date: 1967
- Subjects: Yeats, W. B. (William Butler), 1865-1939 -- Poetic works , Yeats, W. B. (William Butler), 1865-1939 -- Criticism and interpretation , Roland Holst, Adrianus, 1888-1976 -- Criticism and interpretation , English poetry -- 20th century -- History and criticism , Dutch poetry -- 20th century -- History and criticism , Mythology, Celtic , Mythology in literature
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3640 , http://hdl.handle.net/10962/d1013518
- Description: In my kennismaking met die poësie van Yeats en Roland Holst het ek onvermydelik opgemerk dat hulle sekere simbole ooreenkomstig gebruik, dat hulle dieselfde hoë, aristokratiese waardes handhaaf en gevolglik 'n afkeer het van die moderne massa-demokrasieë. Later het ek ontdek dat albei digters sterk in die Keltiese mites en sages belang gestel het en dat Roland Holst Yeats as 'n belangrike invloed eien. Dit alles, en die feit dat hulle albei enkele gegewens uit die Griekse mitologie daarby voeg in wat hulle "mites" word, het my voorgekom as goeie rede vir 'n vergelykende studie. So 'n ideë-studie het egter gedreig om iets heel anders te word as die literêre beskouing wat ek beoog het. Geleidelik het dit egter geblyk dat die mite méér moet wees dan die ideë-sisteem; en juis dit waardeur die mite meer is dan ideë-sisteem het die belangrikste regverdiging geword vir 'n vergelykende studie, en terselfdertyd, vir 'n toespitsing van die aandag op die poësie.
- Full Text:
- Date Issued: 1967
Reason and eros
- Authors: Chalmers, W D
- Date: 1967 , 2014-06-09
- Subjects: Philosophy , Love , Reasoning
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2748 , http://hdl.handle.net/10962/d1013331
- Description: This study is not intended as a work of research into any existing body of philosopny. It is, rather, an independent inquiry into the origins and the objective of philosophical activity. In this it assumes the somewhat enigmatic role of a philosophy of philosophy.
- Full Text:
- Date Issued: 1967
- Authors: Chalmers, W D
- Date: 1967 , 2014-06-09
- Subjects: Philosophy , Love , Reasoning
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2748 , http://hdl.handle.net/10962/d1013331
- Description: This study is not intended as a work of research into any existing body of philosopny. It is, rather, an independent inquiry into the origins and the objective of philosophical activity. In this it assumes the somewhat enigmatic role of a philosophy of philosophy.
- Full Text:
- Date Issued: 1967
The naive moral as a possible mental attitude behind the outlaw-motif in English medieval narratives and its influence upon the structure of Thomas Lodge's "Rosalynde" and Shakespeare's "As you like it"
- Authors: Ruthrof, Horst
- Date: 1967
- Subjects: Literature and morals , English literature -- Middle English, 1100-1500 , English literature -- Early modern, 1500-1700
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2312 , http://hdl.handle.net/10962/d1013105
- Description: The idea for this thesis originated in a seminar concerned with short forms of epic literature. It is meant to throw some light on the development of rudimentary narrative technique, especially on the influence a particular motif can exert on a writer's mind and the final form of his work. Preface, p. 7.
- Full Text:
- Date Issued: 1967
- Authors: Ruthrof, Horst
- Date: 1967
- Subjects: Literature and morals , English literature -- Middle English, 1100-1500 , English literature -- Early modern, 1500-1700
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2312 , http://hdl.handle.net/10962/d1013105
- Description: The idea for this thesis originated in a seminar concerned with short forms of epic literature. It is meant to throw some light on the development of rudimentary narrative technique, especially on the influence a particular motif can exert on a writer's mind and the final form of his work. Preface, p. 7.
- Full Text:
- Date Issued: 1967
Describing behaviour: a philosophical analysis
- Authors: Bunting, I A
- Date: 1966
- Subjects: Human behaviour -- Philosophy , Analysis (Philosophy)
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2744 , http://hdl.handle.net/10962/d1009991 , Human behaviour -- Philosophy , Analysis (Philosophy)
- Description: Questions revolving around the possibility and justifiability of reductive analyses of the concept 'not', lie at the heart of many of the problems in the philosophical interpretation of not-descriptions. In this thesis, I wish to show, by discussing various problems in the logic of not-descriptions, that, and why, reductive analyses must be unsatisfactory.
- Full Text:
- Date Issued: 1966
- Authors: Bunting, I A
- Date: 1966
- Subjects: Human behaviour -- Philosophy , Analysis (Philosophy)
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2744 , http://hdl.handle.net/10962/d1009991 , Human behaviour -- Philosophy , Analysis (Philosophy)
- Description: Questions revolving around the possibility and justifiability of reductive analyses of the concept 'not', lie at the heart of many of the problems in the philosophical interpretation of not-descriptions. In this thesis, I wish to show, by discussing various problems in the logic of not-descriptions, that, and why, reductive analyses must be unsatisfactory.
- Full Text:
- Date Issued: 1966
Shylock's origins and evolution : the image of the Jew in English literature from the middle ages to the mid-seventeenth century
- Authors: Durbach, Errol
- Date: 1966
- Subjects: Shakespeare, William, 1564-1616 -- Characters -- Shylock , Judaism and literature , English literature -- Early modern, 1500-1700 , English literature -- Middle English, 1100-1500
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2322 , http://hdl.handle.net/10962/d1014821
- Description: [From Preface]. Any study centred in the exploratlon and analysis of the medieval and Elizabethen images of the Jew might, with some justification. seem redundant and impertinent to a modern reader; for the third quarter of this century has witnessed the almost total obviatlon of a great many such time-honoured images and symbols. The immemorial figure of the Wandering Jew, to cite a sIngle instance, has for the past two decades, attained his country and place of destination - history no longer condemning him to tarry until the Second Coming of the Messiah. Even the deicide Jew has been granted complete absolution, by an offlcial decree from the Vatican, for his complicity in the killing of Christ. It would seem, moreover, that the atrocities perpetrated against the Jews during the course of the Second World War have resulted in an alteration of the Jewish image radically transforming It from one of contempt into one of compassion a living symbol of "man's inhumanlty to man"; and the modern European dramatist has revived the Jewlsh figure on the stage as an instance of almost personal atonement or, alternatively, as a means of scourging the state of middle-class mind which abetted the persecution of the Nazi regime, attacking state policies of inactio and deploring the failure of influentlal powers to resist the blatant inhumanlty perpetrated within Its boundaries. Max Frisch's Andorre and Rolf Hochhuth's The Representative embody, each in its own way the 2Oth century's sense of shame and horror at those events with which the century has yet to come to terms. They are both extreme reactions agalnst the image of the Jew whlch the Nazi propogandized in the 1930s. And the image which the Nazis propogandized was curiously consistent wlth the medieval and Elizabethan images of the Jew.
- Full Text:
- Date Issued: 1966
- Authors: Durbach, Errol
- Date: 1966
- Subjects: Shakespeare, William, 1564-1616 -- Characters -- Shylock , Judaism and literature , English literature -- Early modern, 1500-1700 , English literature -- Middle English, 1100-1500
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2322 , http://hdl.handle.net/10962/d1014821
- Description: [From Preface]. Any study centred in the exploratlon and analysis of the medieval and Elizabethen images of the Jew might, with some justification. seem redundant and impertinent to a modern reader; for the third quarter of this century has witnessed the almost total obviatlon of a great many such time-honoured images and symbols. The immemorial figure of the Wandering Jew, to cite a sIngle instance, has for the past two decades, attained his country and place of destination - history no longer condemning him to tarry until the Second Coming of the Messiah. Even the deicide Jew has been granted complete absolution, by an offlcial decree from the Vatican, for his complicity in the killing of Christ. It would seem, moreover, that the atrocities perpetrated against the Jews during the course of the Second World War have resulted in an alteration of the Jewish image radically transforming It from one of contempt into one of compassion a living symbol of "man's inhumanlty to man"; and the modern European dramatist has revived the Jewlsh figure on the stage as an instance of almost personal atonement or, alternatively, as a means of scourging the state of middle-class mind which abetted the persecution of the Nazi regime, attacking state policies of inactio and deploring the failure of influentlal powers to resist the blatant inhumanlty perpetrated within Its boundaries. Max Frisch's Andorre and Rolf Hochhuth's The Representative embody, each in its own way the 2Oth century's sense of shame and horror at those events with which the century has yet to come to terms. They are both extreme reactions agalnst the image of the Jew whlch the Nazi propogandized in the 1930s. And the image which the Nazis propogandized was curiously consistent wlth the medieval and Elizabethan images of the Jew.
- Full Text:
- Date Issued: 1966
The imagery of night: the significance of night in artistic images and philosophies
- Authors: Matthews, Thomas
- Date: 1966
- Subjects: Night in art
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2455 , http://hdl.handle.net/10962/d1007616 , Night in art
- Description: Introduction: At first glance, darkness is merely the absence of light, and is therefore negative; hence the traditional equation of night with death, evil and the creatures of the underworld. But a closer study will reveal that darkness is also a positive force; examples can be cited from various cultures where darkness was thought to have given birth to light. The subterranean is the realm of fertility; the worshippers of Dionysius realised this, as did the followers of the world-wide cult of the Great Earth Mother. The realm of darkness is also the habitat of the mystic. In this essay, we will attempt to define the nature of nocturnal imagery, and to trace the various ways in which mankind has sought to reconcile himself with the powers of darkness.
- Full Text:
- Date Issued: 1966
- Authors: Matthews, Thomas
- Date: 1966
- Subjects: Night in art
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2455 , http://hdl.handle.net/10962/d1007616 , Night in art
- Description: Introduction: At first glance, darkness is merely the absence of light, and is therefore negative; hence the traditional equation of night with death, evil and the creatures of the underworld. But a closer study will reveal that darkness is also a positive force; examples can be cited from various cultures where darkness was thought to have given birth to light. The subterranean is the realm of fertility; the worshippers of Dionysius realised this, as did the followers of the world-wide cult of the Great Earth Mother. The realm of darkness is also the habitat of the mystic. In this essay, we will attempt to define the nature of nocturnal imagery, and to trace the various ways in which mankind has sought to reconcile himself with the powers of darkness.
- Full Text:
- Date Issued: 1966
The morality play as prelude to Elizabethan drama
- Authors: Oosthuizen, Ann
- Date: 1966
- Subjects: Moralities, English , English drama -- Early modern and Elizabethan, 1500-1600 -- Classical influences
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2309 , http://hdl.handle.net/10962/d1012990
- Description: Although it is generally accepted that the Morality Plays greatly influenced Elizabethan drama, this statement is often followed by the rider that they are dull and lifeless and that their chief legacy is a sense of moral earnestness which also characterises the best Elizabethan drama. The aim of this thesis has been to read the Morality Plays closely and in an appreciative spirit in order to find out what significant contribution they do make to the techniques of Elizabethan drama and to a proper understanding of it. Chapter I discusses the earliest complete Morality, The Castle of Perseverance, which is the longest and most comprehensive of all the Moralities. The chapter tries to show what a Morality is about and how it differs from the great mediaeval cyclus, the Mystery Plays. It is also an attempt to relate the early Morality Play to other mediaeval literature and to show that it is closely linked to the homeletic literature of the period. Chapter II is a study of three Moralities of the period 1500- 1520. There are fewer Moralities in this period and the plays chosen show a marked similarity to The Castle of Perserverance in their structure, although they differ from the earlier Moralities in their attitude to their subject matter and in their portrayal of the different allegorical characters. The plays under discussion are Nature, Mundus et Infans and Magnyfycence Chapter III; the period after 1535 was a period of great political and religious upheaval and this chapter discusses the plays written for propaganda purposes in the strife between Catholic and Protestant. John Bale's Three Laws, an anti-Catholic play, was chosen because Bale is a startlingly original dramatist who makes use of techniques derived from the liturgy and from emblematic devices, and because he tries to mould the Mystery Plays and the History Plays into a Morality framework. The other plays The Conflict of Conscience was chosen because of its affinity to Dr Faustus and also because it tries to show the psychomachia in psychological, personal terms rather than in a general allegorical manner. Chapter IV discusses three later Moralities, Cambyses, Horestes and Appius Virginia, which portray historical or fictional characters in situations of conflict. They were chosen because they seem to show that the Morality Plays laid the bases for the Elizabethan tragic situation and the Elizabethan tragic hero. With such diverse material, it is difficult to trace a clear line of development from one play to the next, but each group of plays has its own contribution to make to our understanding of Elizabethan drama.
- Full Text:
- Date Issued: 1966
- Authors: Oosthuizen, Ann
- Date: 1966
- Subjects: Moralities, English , English drama -- Early modern and Elizabethan, 1500-1600 -- Classical influences
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2309 , http://hdl.handle.net/10962/d1012990
- Description: Although it is generally accepted that the Morality Plays greatly influenced Elizabethan drama, this statement is often followed by the rider that they are dull and lifeless and that their chief legacy is a sense of moral earnestness which also characterises the best Elizabethan drama. The aim of this thesis has been to read the Morality Plays closely and in an appreciative spirit in order to find out what significant contribution they do make to the techniques of Elizabethan drama and to a proper understanding of it. Chapter I discusses the earliest complete Morality, The Castle of Perseverance, which is the longest and most comprehensive of all the Moralities. The chapter tries to show what a Morality is about and how it differs from the great mediaeval cyclus, the Mystery Plays. It is also an attempt to relate the early Morality Play to other mediaeval literature and to show that it is closely linked to the homeletic literature of the period. Chapter II is a study of three Moralities of the period 1500- 1520. There are fewer Moralities in this period and the plays chosen show a marked similarity to The Castle of Perserverance in their structure, although they differ from the earlier Moralities in their attitude to their subject matter and in their portrayal of the different allegorical characters. The plays under discussion are Nature, Mundus et Infans and Magnyfycence Chapter III; the period after 1535 was a period of great political and religious upheaval and this chapter discusses the plays written for propaganda purposes in the strife between Catholic and Protestant. John Bale's Three Laws, an anti-Catholic play, was chosen because Bale is a startlingly original dramatist who makes use of techniques derived from the liturgy and from emblematic devices, and because he tries to mould the Mystery Plays and the History Plays into a Morality framework. The other plays The Conflict of Conscience was chosen because of its affinity to Dr Faustus and also because it tries to show the psychomachia in psychological, personal terms rather than in a general allegorical manner. Chapter IV discusses three later Moralities, Cambyses, Horestes and Appius Virginia, which portray historical or fictional characters in situations of conflict. They were chosen because they seem to show that the Morality Plays laid the bases for the Elizabethan tragic situation and the Elizabethan tragic hero. With such diverse material, it is difficult to trace a clear line of development from one play to the next, but each group of plays has its own contribution to make to our understanding of Elizabethan drama.
- Full Text:
- Date Issued: 1966
The reminiscences of Thomas Stubbs, 1820 - 1877
- Authors: McGeoch, Robert Thomas
- Date: 1965
- Subjects: Stubbs family , British settlers of 1820 (South Africa) -- Personal narratives , South Africa -- History -- Frontier Wars, 1811-1878 , Cape of Good Hope (South Africa) -- History
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2609 , http://hdl.handle.net/10962/d1012851
- Description: The "Reminiscences" of Thomas Stubbs are one of several such compositions which have survived from the 1820 Settlers. The manuscript offers one of the fullest and most lively accounts of frontier life, and the experiences of the Settlers as seen through the eyes of Thomas Stubbs. The object of this thesis has been to reconstruct the life of Thomas Stubbs which has proved an arduous yet absorbing task and to comment upon and evaluate some of the views Stubbs expressed when he wrote the "Reminiscences" between 1874 and 1875, as well as to test, where possible, the validity of the opinions and sentiments formed during a half-century's acquaintance with the Eastern frontier of the Cape of Good Hope.
- Full Text:
- Date Issued: 1965
- Authors: McGeoch, Robert Thomas
- Date: 1965
- Subjects: Stubbs family , British settlers of 1820 (South Africa) -- Personal narratives , South Africa -- History -- Frontier Wars, 1811-1878 , Cape of Good Hope (South Africa) -- History
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2609 , http://hdl.handle.net/10962/d1012851
- Description: The "Reminiscences" of Thomas Stubbs are one of several such compositions which have survived from the 1820 Settlers. The manuscript offers one of the fullest and most lively accounts of frontier life, and the experiences of the Settlers as seen through the eyes of Thomas Stubbs. The object of this thesis has been to reconstruct the life of Thomas Stubbs which has proved an arduous yet absorbing task and to comment upon and evaluate some of the views Stubbs expressed when he wrote the "Reminiscences" between 1874 and 1875, as well as to test, where possible, the validity of the opinions and sentiments formed during a half-century's acquaintance with the Eastern frontier of the Cape of Good Hope.
- Full Text:
- Date Issued: 1965
An investigation of the role of conflict in the stratificationary process of the African in the copper mining industry of Northern Rhodesia between the years, 1943-1961
- Authors: Coetzee, J A G
- Date: 1964
- Subjects: Social conflict -- Zambia , Conflict management -- Zambia , Copper industry and trade -- Zambia
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3382 , http://hdl.handle.net/10962/d1013332
- Description: The aim of this study is to investigate the role of CONFLICT in the stratificationary process of the African in the Copper Mining Industry of Northern Rhodesia between the years 1943 - 1961. The hypothesis and assumptions which it is desired to prove can be classified as falling into four categories: 1. that which accepts human beings as individuals acting in group structures, each group having its appropriate goals and ends forming discernable patterned action systems; 2. that these groups can be reconstructed to show variable patterns of action which might be either accommodative or initially contradictory as conflicts emerge within the system; 3. that items 1 and 2 above can be objectivised by empirical materials and that they change in time, and, in so doing, are modified in structure-functional relations; 4. that conflict is the process which animates the patterns and prescribes new goals and ends within the patterned activity systems. An indefinite number of causality factors are possible in explaining social change, but we confine ourselves to the concept CONFLICT, with special reference to the Copperbelt of Northern Rhodesia. The economic factors operating, together with the political and social factors, producing a typical stratification of the African in the industry, sofar as this reveals changing patterns of progressive and aggressive goal thrusts and redefinition of the social positions of the contesting participants, are dealt with in the appropriate sections of this investigation. The model has been developed in relation to the study of the total social system with special emphasis on their overtly political and economical aspects. Part 1, in its entirety, deals with the theory of conflict. It also contains our own development of the theme. The empirical data are contained in parts 2, 3, with a section on envisaged future social developments. The conclusion, to this investigation, forms the last part , with an exhaustive testing of the TEN-POINT HYPOTHESIS given at the end of Part 1.
- Full Text:
- Date Issued: 1964
- Authors: Coetzee, J A G
- Date: 1964
- Subjects: Social conflict -- Zambia , Conflict management -- Zambia , Copper industry and trade -- Zambia
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3382 , http://hdl.handle.net/10962/d1013332
- Description: The aim of this study is to investigate the role of CONFLICT in the stratificationary process of the African in the Copper Mining Industry of Northern Rhodesia between the years 1943 - 1961. The hypothesis and assumptions which it is desired to prove can be classified as falling into four categories: 1. that which accepts human beings as individuals acting in group structures, each group having its appropriate goals and ends forming discernable patterned action systems; 2. that these groups can be reconstructed to show variable patterns of action which might be either accommodative or initially contradictory as conflicts emerge within the system; 3. that items 1 and 2 above can be objectivised by empirical materials and that they change in time, and, in so doing, are modified in structure-functional relations; 4. that conflict is the process which animates the patterns and prescribes new goals and ends within the patterned activity systems. An indefinite number of causality factors are possible in explaining social change, but we confine ourselves to the concept CONFLICT, with special reference to the Copperbelt of Northern Rhodesia. The economic factors operating, together with the political and social factors, producing a typical stratification of the African in the industry, sofar as this reveals changing patterns of progressive and aggressive goal thrusts and redefinition of the social positions of the contesting participants, are dealt with in the appropriate sections of this investigation. The model has been developed in relation to the study of the total social system with special emphasis on their overtly political and economical aspects. Part 1, in its entirety, deals with the theory of conflict. It also contains our own development of the theme. The empirical data are contained in parts 2, 3, with a section on envisaged future social developments. The conclusion, to this investigation, forms the last part , with an exhaustive testing of the TEN-POINT HYPOTHESIS given at the end of Part 1.
- Full Text:
- Date Issued: 1964
Industrial development in a border area: facts and figures from East London
- Authors: Barker, John Percy
- Date: 1964
- Subjects: Industrialization , East London (South Africa) -- Industries
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:1078 , http://hdl.handle.net/10962/d1009504 , Industrialization , East London (South Africa) -- Industries
- Description: In the early 1950's the area of the eastern Cape Province adjoining the Transkei was the object of an intensive study known as the Border Regional Survey and five volumes have already been published. This work is a more detailed investigation of one aspect of the economy, namely the growth of manufacturing industry. Its importance lies in the fact that not only is the African population increasing rapidly, but that effective rehabilitation of peasant farming in the Transkei and Ciskei must necessarily displace large numbers from the land. Expansion of manufacturing industry would appear to be the most effective means of providing remunerative employment for these people. Moreover, the government has embarked upon a policy of encouraging the establishment of factories on the periphery of the Bantu areas, and the eastern Cape is an important area in this general scheme. It may well be the most crucial testing point of the whole policy of 'border industries', because with its large Transkeian hinterland it is the area most in need of expanding employment opportunities; but, at the same time, by reason of locational and other disabilities, it is the area in which industrial expansion may be most difficult to achieve.
- Full Text:
- Date Issued: 1964
- Authors: Barker, John Percy
- Date: 1964
- Subjects: Industrialization , East London (South Africa) -- Industries
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:1078 , http://hdl.handle.net/10962/d1009504 , Industrialization , East London (South Africa) -- Industries
- Description: In the early 1950's the area of the eastern Cape Province adjoining the Transkei was the object of an intensive study known as the Border Regional Survey and five volumes have already been published. This work is a more detailed investigation of one aspect of the economy, namely the growth of manufacturing industry. Its importance lies in the fact that not only is the African population increasing rapidly, but that effective rehabilitation of peasant farming in the Transkei and Ciskei must necessarily displace large numbers from the land. Expansion of manufacturing industry would appear to be the most effective means of providing remunerative employment for these people. Moreover, the government has embarked upon a policy of encouraging the establishment of factories on the periphery of the Bantu areas, and the eastern Cape is an important area in this general scheme. It may well be the most crucial testing point of the whole policy of 'border industries', because with its large Transkeian hinterland it is the area most in need of expanding employment opportunities; but, at the same time, by reason of locational and other disabilities, it is the area in which industrial expansion may be most difficult to achieve.
- Full Text:
- Date Issued: 1964
The use of certain myths in the work of T.S. Eliot
- Authors: Hall, R F
- Date: 1964
- Subjects: Eliot, T. S. (Thomas Stearns), 1888-1965 -- Knowledge -- Literature , Eliot, T. S. (Thomas Stearns), 1888-1965 -- Criticism and interpretation , Mythology in literature
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2300 , http://hdl.handle.net/10962/d1012129 , Eliot, T. S. (Thomas Stearns), 1888-1965 -- Knowledge -- Literature , Eliot, T. S. (Thomas Stearns), 1888-1965 -- Criticism and interpretation , Mythology in literature
- Description: T.S. Eliot's statement that myth is an ordering device in literature 'is constantly belied by his use of myth in his own poems'. This is the belief of the American critic Richard Chase, noted for his work on myths and mythological themes in English and American literature. Whether or not Chase is right must emerge from the chapters which follow. The purpose will be to examine the effects of the use of myths and mythological patterns on Eliot's work in general, rather than to annotate individual mythological allusions. Simply to recognise an allusion is to raise a question, not to answer one: for we have then to decide what the writer hope to achieve by its use, and whether or not he has succeeded. Unless they lead on to such questions, lists of sources contribute little to our understanding of a work. Far more important than incidental allusions are the mythological themes and patterns on the larger scale, which reveal themselves in recurrent allusions and in basic patterns of symbolism. Again, merely to recognise such a pattern is inadequate: in every case a discovery of its function in both the poem's (or play's) structure and the poet's technique should be our main concern. ... Eliot himself has made it clear that in his case the use of myths and mythological patterns has often been a fully conscious, even self-conscious process. Therefore we may apply to his work the questions mention by Norman: what functions the myths fulfil within individual works; and why Eliot uses them in the first place. This last question leads us back to a more fundamental one; why do many writers, especially modern ones, use myths 'in the first place'? The problem involves discussion of the relation between myths and literature and of the nature of myths themselves, this forms the material of the first chapter. The other chapters will deal with some of Eliot's works, attempting to explain and analyse his use of myths in them, and to illustrate its importance in each case.
- Full Text:
- Date Issued: 1964
- Authors: Hall, R F
- Date: 1964
- Subjects: Eliot, T. S. (Thomas Stearns), 1888-1965 -- Knowledge -- Literature , Eliot, T. S. (Thomas Stearns), 1888-1965 -- Criticism and interpretation , Mythology in literature
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2300 , http://hdl.handle.net/10962/d1012129 , Eliot, T. S. (Thomas Stearns), 1888-1965 -- Knowledge -- Literature , Eliot, T. S. (Thomas Stearns), 1888-1965 -- Criticism and interpretation , Mythology in literature
- Description: T.S. Eliot's statement that myth is an ordering device in literature 'is constantly belied by his use of myth in his own poems'. This is the belief of the American critic Richard Chase, noted for his work on myths and mythological themes in English and American literature. Whether or not Chase is right must emerge from the chapters which follow. The purpose will be to examine the effects of the use of myths and mythological patterns on Eliot's work in general, rather than to annotate individual mythological allusions. Simply to recognise an allusion is to raise a question, not to answer one: for we have then to decide what the writer hope to achieve by its use, and whether or not he has succeeded. Unless they lead on to such questions, lists of sources contribute little to our understanding of a work. Far more important than incidental allusions are the mythological themes and patterns on the larger scale, which reveal themselves in recurrent allusions and in basic patterns of symbolism. Again, merely to recognise such a pattern is inadequate: in every case a discovery of its function in both the poem's (or play's) structure and the poet's technique should be our main concern. ... Eliot himself has made it clear that in his case the use of myths and mythological patterns has often been a fully conscious, even self-conscious process. Therefore we may apply to his work the questions mention by Norman: what functions the myths fulfil within individual works; and why Eliot uses them in the first place. This last question leads us back to a more fundamental one; why do many writers, especially modern ones, use myths 'in the first place'? The problem involves discussion of the relation between myths and literature and of the nature of myths themselves, this forms the material of the first chapter. The other chapters will deal with some of Eliot's works, attempting to explain and analyse his use of myths in them, and to illustrate its importance in each case.
- Full Text:
- Date Issued: 1964
Poësie in 'n Grensland-situasie : verkenning van die ontwikkeling van 'n tema en 'n houding in die Afrikaanse digkuns
- Authors: Vorster, Jo-Anne
- Date: 1963
- Subjects: Afrikaans poetry -- History and criticism
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3638 , http://hdl.handle.net/10962/d1013452
- Description: From Introduction. In hierdie studie word 'n poging aangewend om 'n sekere aspek van, en 'n sekere ontwikkeling binne die Afrikaanse Poesie toe te lig. Onder Afrikaanse Poësie verstaan ons enige digwerk in Afrikaans, sy dit epies, liries of dramaties. Omdat ons o.m. belangstel in 'n sekere ontwikkeling, is ons uiteraard op 'n chronologiese indeling aangewys. Verskeie faktore (geskiedenis, kwaliteit van digwerk of gebrek aan kwaliteit, ens.) het daartoe bygedra dat ons in die Afrikaanse Poësie vyf groot periodes het wat vrywel onbestrede aanvaar word: die tydperk van die Genootskappers (vóór 1900); die tydperk van die Driemanskap (tussen 1900 en 1920); die insinking van die twintigerjare (1920 tot 1934); die vernuwing van Dertig (1934 tot 1945); die jongste tydperk (tot 1962). Hierdie algemeen aanvaarde indeling dien ons doel. Dit is egter noodsaaklik om dit onomwonde te stel dat die geesteshouding van die digter, soos ons dit uit die gedig leer ken, van groter belang is by ons studie as die ontstaansdatum van die gedig.
- Full Text:
- Date Issued: 1963
- Authors: Vorster, Jo-Anne
- Date: 1963
- Subjects: Afrikaans poetry -- History and criticism
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3638 , http://hdl.handle.net/10962/d1013452
- Description: From Introduction. In hierdie studie word 'n poging aangewend om 'n sekere aspek van, en 'n sekere ontwikkeling binne die Afrikaanse Poesie toe te lig. Onder Afrikaanse Poësie verstaan ons enige digwerk in Afrikaans, sy dit epies, liries of dramaties. Omdat ons o.m. belangstel in 'n sekere ontwikkeling, is ons uiteraard op 'n chronologiese indeling aangewys. Verskeie faktore (geskiedenis, kwaliteit van digwerk of gebrek aan kwaliteit, ens.) het daartoe bygedra dat ons in die Afrikaanse Poësie vyf groot periodes het wat vrywel onbestrede aanvaar word: die tydperk van die Genootskappers (vóór 1900); die tydperk van die Driemanskap (tussen 1900 en 1920); die insinking van die twintigerjare (1920 tot 1934); die vernuwing van Dertig (1934 tot 1945); die jongste tydperk (tot 1962). Hierdie algemeen aanvaarde indeling dien ons doel. Dit is egter noodsaaklik om dit onomwonde te stel dat die geesteshouding van die digter, soos ons dit uit die gedig leer ken, van groter belang is by ons studie as die ontstaansdatum van die gedig.
- Full Text:
- Date Issued: 1963
Roman-waarheid en roman-fiksie: 'n ondersoek na die waarheidsgehalte van sekere Afrikaanse aktualiteitsromans en na die waarheidsmaatstaf in die aktualiteitsromankritiek
- Authors: Mulock-Houwer, F A M
- Date: 1963
- Subjects: Afrikaans fiction -- History and criticism
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3633 , http://hdl.handle.net/10962/d1012910
- Description: Dit het my herhaaldelik getref dat, by die beoordeling van bepaalde tipes Afrikaanse romans, deur die kritici sekere maatstawwe aangelê word wat as artistieke of literêre kriteria nie geldig, nie ter sake nie, en daarom meestal ook ontoelaatbaar is. Ek bedoel meer bepaaldelik die historiese en aktualiteitsromans: genres wat hul tematiese materiaal grotendeels betrek uit die verbye of hedendaagse "werklikheid" van die gemeenskap waartoe, in prakties alle gevalle, én die auteurs én die kritici van daardie romans behoort. Die ongeldige, slegs ten dele geldige of verkeerd gebruikte geldige kriteria vind hul oorsprong in 'n foutiewe vereenselwiging van die letterkundige kriterium "waarheid in die roman" met die aktualiteitsmaatstawwe "objektiewe werklikheid" en "oordeel oor hierdie werklikheid wat in die roman gevel word". 'n Ondersoek na die grondbeginsels van die romankritiek, die mate van ooreenkoms wat die Afrikaaner kritiek daarmee vertoon, en dus ook na die "waarheidsgehalte" van die betrokke romans self, vorm die opset van hierdie verhandeling. In die loop van die ondersoek het dit egter spoedig geblyk dat die onderwerp te wyd was, en dat dit die beste beperk kon word deur te konsentreer op 'n kleiner aantal romans binne een genre. Die keuse het geval op die aktualiteitsroman, en meer bepaaldelik op 'n negetal romans i.v.m. die "nie-blanke aktualiteit" en "rasseverhoudings in Suid-Afrika". Hierdie keuse is gedoen om twee hoofredes. Eerstens omdat die rasseprobleem veral sedert die Tweede Wêreldoorlog en meer bepaaldelik sedert die Atlantiese Oorkonde (1942) dié heersende wêreldprobleem geword het. Die rassebeleid in Suid-Afrika is derhalwe skerp in die lig gestel, met die gevolg dat Suid-Afrikaners daartoe gedryf is om hulle houding nie net in die praktyk te handhaaf nie, maar ook teoretiee en godsdienstig te verdedig. As aktualiteitsprobleem is die rassesituasie dus die interessantste en dié wat die meeste opspraak wek. Die tweede rede vir my keuae is die feit dat die kritieke oor die "romans oor rasseverhoudings", juis weens die aktualiteitstweedrag oor hierdie situasie, die volledigste voorbeeld vorm van die heersende "werklikheid"/"waarheid"-verwarring in die Afrikaanse aktualiteitsroman-kritiek. Die skripsie is in drie hoofdele verdeel: ʹn ondersoek na die waarheidemaatstaf in die kritiek, toepassing van hierdie maatstaf op romans oor die naturel en op die kritieke daaroor, en die verdere uitwerking daarvan i.v.m. romans oor die kleurling. Die nege romans wat ter sprake gebring is, mag beskou word as die noemenewaardigste kuns-en-aktualiteitspogings in hul genre, en tewens as 'n volledige aanduiding van die algemene ontwikkelingsgang van daardie genre. Die gekose volgorde van die romans dien dan ook om twee hooffaktore te omlyn: (a) die ontwikkeling van die aktualiteitsiening vanuit die idilliese plaasverband van Franz se romans, via die beperkte siening van die nie-blanke stadsproblematiek, na ʹn paging tot 'n volledige Suid-Afrikaanse probleemstelling in Rabie se Ons, die Afgod, en (b) die kunsgehalte van die betrokke romans en die mate waarin dit die draagkrag van die tendens beinvloed, en wederom die mate waarin die keuse van die tema en tendens die waarheidsgehal teen draagkrag van die romans as aktualiteitskommentare bepaal. Ons het gevolglik die romans oor die naturel, wat die eerste fase van die aktualiteitsiening behandel, in Deel II geplaas, en die romans oor die kleurling, van die staanspoor af meer problematies van aard, en as groep dié wat die mees gevorderde aktualiteitsiening vertoon in Deel III. Die slotbeskouing is ʹn kort samevatting van die mate van ontwikkeling in die Afrikaanse aktualiteitsroman oor die nie-blanke, en 'n vasstelling van die aard van die werklikheiq/waarheid-digotomie in die kritieke daaromtrent.
- Full Text:
- Date Issued: 1963
- Authors: Mulock-Houwer, F A M
- Date: 1963
- Subjects: Afrikaans fiction -- History and criticism
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3633 , http://hdl.handle.net/10962/d1012910
- Description: Dit het my herhaaldelik getref dat, by die beoordeling van bepaalde tipes Afrikaanse romans, deur die kritici sekere maatstawwe aangelê word wat as artistieke of literêre kriteria nie geldig, nie ter sake nie, en daarom meestal ook ontoelaatbaar is. Ek bedoel meer bepaaldelik die historiese en aktualiteitsromans: genres wat hul tematiese materiaal grotendeels betrek uit die verbye of hedendaagse "werklikheid" van die gemeenskap waartoe, in prakties alle gevalle, én die auteurs én die kritici van daardie romans behoort. Die ongeldige, slegs ten dele geldige of verkeerd gebruikte geldige kriteria vind hul oorsprong in 'n foutiewe vereenselwiging van die letterkundige kriterium "waarheid in die roman" met die aktualiteitsmaatstawwe "objektiewe werklikheid" en "oordeel oor hierdie werklikheid wat in die roman gevel word". 'n Ondersoek na die grondbeginsels van die romankritiek, die mate van ooreenkoms wat die Afrikaaner kritiek daarmee vertoon, en dus ook na die "waarheidsgehalte" van die betrokke romans self, vorm die opset van hierdie verhandeling. In die loop van die ondersoek het dit egter spoedig geblyk dat die onderwerp te wyd was, en dat dit die beste beperk kon word deur te konsentreer op 'n kleiner aantal romans binne een genre. Die keuse het geval op die aktualiteitsroman, en meer bepaaldelik op 'n negetal romans i.v.m. die "nie-blanke aktualiteit" en "rasseverhoudings in Suid-Afrika". Hierdie keuse is gedoen om twee hoofredes. Eerstens omdat die rasseprobleem veral sedert die Tweede Wêreldoorlog en meer bepaaldelik sedert die Atlantiese Oorkonde (1942) dié heersende wêreldprobleem geword het. Die rassebeleid in Suid-Afrika is derhalwe skerp in die lig gestel, met die gevolg dat Suid-Afrikaners daartoe gedryf is om hulle houding nie net in die praktyk te handhaaf nie, maar ook teoretiee en godsdienstig te verdedig. As aktualiteitsprobleem is die rassesituasie dus die interessantste en dié wat die meeste opspraak wek. Die tweede rede vir my keuae is die feit dat die kritieke oor die "romans oor rasseverhoudings", juis weens die aktualiteitstweedrag oor hierdie situasie, die volledigste voorbeeld vorm van die heersende "werklikheid"/"waarheid"-verwarring in die Afrikaanse aktualiteitsroman-kritiek. Die skripsie is in drie hoofdele verdeel: ʹn ondersoek na die waarheidemaatstaf in die kritiek, toepassing van hierdie maatstaf op romans oor die naturel en op die kritieke daaroor, en die verdere uitwerking daarvan i.v.m. romans oor die kleurling. Die nege romans wat ter sprake gebring is, mag beskou word as die noemenewaardigste kuns-en-aktualiteitspogings in hul genre, en tewens as 'n volledige aanduiding van die algemene ontwikkelingsgang van daardie genre. Die gekose volgorde van die romans dien dan ook om twee hooffaktore te omlyn: (a) die ontwikkeling van die aktualiteitsiening vanuit die idilliese plaasverband van Franz se romans, via die beperkte siening van die nie-blanke stadsproblematiek, na ʹn paging tot 'n volledige Suid-Afrikaanse probleemstelling in Rabie se Ons, die Afgod, en (b) die kunsgehalte van die betrokke romans en die mate waarin dit die draagkrag van die tendens beinvloed, en wederom die mate waarin die keuse van die tema en tendens die waarheidsgehal teen draagkrag van die romans as aktualiteitskommentare bepaal. Ons het gevolglik die romans oor die naturel, wat die eerste fase van die aktualiteitsiening behandel, in Deel II geplaas, en die romans oor die kleurling, van die staanspoor af meer problematies van aard, en as groep dié wat die mees gevorderde aktualiteitsiening vertoon in Deel III. Die slotbeskouing is ʹn kort samevatting van die mate van ontwikkeling in die Afrikaanse aktualiteitsroman oor die nie-blanke, en 'n vasstelling van die aard van die werklikheiq/waarheid-digotomie in die kritieke daaromtrent.
- Full Text:
- Date Issued: 1963
The role of the artist in society as seen in the novels of Henry James
- Authors: Middleton, D F
- Date: 1963
- Subjects: James, Henry, 1843-1916 , Journalists as artists , Art and society , Fiction -- History and criticism -- 19th century
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2305 , http://hdl.handle.net/10962/d1012874
- Description: Henry James (1843-1916) is a curious and, by his own choice, enigmatic figure. We have a great many dates, a few letters, and little else. James's fragment of autobiography, vast as it is; is strangely unrevealing. There is a wealth of impressions as one would expect from such a writer but precious little about the man. Henry James was chary of describing his personal feelings - so much so that some doubted his ability to have any strong emotions. His autobiography, interesting as it is, is pure observation, memories of people, places and impressions, all marvellously sensitive, but little personal feeling. Intro., p. 1.
- Full Text:
- Date Issued: 1963
- Authors: Middleton, D F
- Date: 1963
- Subjects: James, Henry, 1843-1916 , Journalists as artists , Art and society , Fiction -- History and criticism -- 19th century
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2305 , http://hdl.handle.net/10962/d1012874
- Description: Henry James (1843-1916) is a curious and, by his own choice, enigmatic figure. We have a great many dates, a few letters, and little else. James's fragment of autobiography, vast as it is; is strangely unrevealing. There is a wealth of impressions as one would expect from such a writer but precious little about the man. Henry James was chary of describing his personal feelings - so much so that some doubted his ability to have any strong emotions. His autobiography, interesting as it is, is pure observation, memories of people, places and impressions, all marvellously sensitive, but little personal feeling. Intro., p. 1.
- Full Text:
- Date Issued: 1963
John X. Merriman : the making of a South African statesman (1869-1878)
- Authors: Gruber, R F J
- Date: 1961
- Subjects: Merriman, John Xavier, 1841-1926 , Statesmen -- South Africa -- Biography , South Africa -- Politics and government -- 1836-1909
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2623 , http://hdl.handle.net/10962/d1015002
- Description: With the possible exception of Hofmeyr and Schreiner, there is no Cape statesman whose career raises more tantalising questions than that of John X. Merr1man. Last Prime Minister of the Cape Colony, doyen of Parliamentarians, brilliant orator, versatile administrator, veteran politician, his public life stretched across fifty-five years of south African History. He entered upon it before the grant of Responsible Government, the discovery of diamonds and gold, and the awakening. of Afrikaner Nationalism; he departed from it on the eve of the Statute of Westminster, the establishment of Iscor and the coming to power of Hertzog and Malan. His contemporaries looked upon him as a man of immense knowledge and olympian ability. In the eyes of many his position as leader of the largest and oldest settled community in South Africa, not to mention his role as heir to the Cape tradition, made him the natural choice as first Prime Minister of the Union he had helped to establish. He was not called to office. Barely seventy, in the full maturity of his years, he withdrew trom active political leadership in the country of his adoption. He is hardly remembered today. This thesis seeks to contribute something to an understanding of the man and an assessment of his qualities by a study of his formative years. It attempts both to reconstruct his personality and analyse the nature of his statesmanship - not only by an examination of the role he played in the years under review, but also by an assessment of the part he failed to play. For this purpose both the structure of Cape politics and the ramifications of the various problems that presented themselves have been explored in greater detail than might otherwise have been the case.
- Full Text:
- Date Issued: 1961
- Authors: Gruber, R F J
- Date: 1961
- Subjects: Merriman, John Xavier, 1841-1926 , Statesmen -- South Africa -- Biography , South Africa -- Politics and government -- 1836-1909
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2623 , http://hdl.handle.net/10962/d1015002
- Description: With the possible exception of Hofmeyr and Schreiner, there is no Cape statesman whose career raises more tantalising questions than that of John X. Merr1man. Last Prime Minister of the Cape Colony, doyen of Parliamentarians, brilliant orator, versatile administrator, veteran politician, his public life stretched across fifty-five years of south African History. He entered upon it before the grant of Responsible Government, the discovery of diamonds and gold, and the awakening. of Afrikaner Nationalism; he departed from it on the eve of the Statute of Westminster, the establishment of Iscor and the coming to power of Hertzog and Malan. His contemporaries looked upon him as a man of immense knowledge and olympian ability. In the eyes of many his position as leader of the largest and oldest settled community in South Africa, not to mention his role as heir to the Cape tradition, made him the natural choice as first Prime Minister of the Union he had helped to establish. He was not called to office. Barely seventy, in the full maturity of his years, he withdrew trom active political leadership in the country of his adoption. He is hardly remembered today. This thesis seeks to contribute something to an understanding of the man and an assessment of his qualities by a study of his formative years. It attempts both to reconstruct his personality and analyse the nature of his statesmanship - not only by an examination of the role he played in the years under review, but also by an assessment of the part he failed to play. For this purpose both the structure of Cape politics and the ramifications of the various problems that presented themselves have been explored in greater detail than might otherwise have been the case.
- Full Text:
- Date Issued: 1961