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Hela Banana (Hey! Girls!)

- Mamojela Letsipa, Mahanyane Rakaki, James Mofokeng and group of women, Hugh Tracey

Kob'a ntja (The blanket made of dog skin)

- Mamojela Letsipa, Mahanyane Rakaki, James Mofokeng and group of women, Hugh Tracey

  • Authors: Mamojela Letsipa, Mahanyane Rakaki, James Mofokeng and group of women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161127 , vital:40594 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0101-13
  • Description: Note the interesting change in the middle of the song. "O Mother! She is wearing a dog's skin blanket. The people despise her. They want me in the cool places, where the Dhlamini live. I am not a Zulu. I am a 'Portuguese'. I, Maboshabane, speak. I speak with a sore heart. I tell you, I am suffering from a stomach-ache. Come and cure me." The singer could not explain the reference to being a 'Portuguese'. African tribesmen who come from the Portuguese territory of Mozambique often refer to themselves as 'Portuguese', i.e. a citizen of Portuguese territory. Mathuela diviner's song with small drum (-14.03-), frame drum (-14.92-) and clapping (-12.03-).
  • Full Text: false
  • Date Issued: 1959

He Khalumo-lumo (He! The Khalumo-lumo)

- Mamojela Letsipa, Mahanyane Rakaki, James Mofokeng and 5 women, Hugh Tracey

  • Authors: Mamojela Letsipa, Mahanyane Rakaki, James Mofokeng and 5 women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161048 , vital:40585 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0101-06
  • Description: Sung by the chief woman diviner, assisted by both a man and a woman diviner and group of women, all of whom clapped. The assistant woman diviner beat a smal drum slung round her neck. "He, the Khalumo-lumo. It ate a whole nation and left a small boy." This refers to an old Sotho legend. The small boy grew up to be the saviour of his race. Many snares were laid for him from which he escaped. Mathuela, diviner's dance song, with small drum (-14.03-), frame drum (-14.92-) and clapping (-12.03-).
  • Full Text: false
  • Date Issued: 1959

Ba mo loile

- Mamojela Letsipa, Mahanyane Rakaki, James Mofokeng and 5 women, Hugh Tracey

  • Authors: Mamojela Letsipa, Mahanyane Rakaki, James Mofokeng and 5 women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161056 , vital:40586 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0101-07
  • Description: Much of the divining ceremonial seems to follow the Xhosa pattern from which it appears to be borrowed. One girl beats a small frame drum made of metal. Some of the phrases used in the divining procedure are Xhosa such as "Siyavuma". "They have bewitched him. The child of the gods. Mahayane has been bewitched. Ntate Sekhobe has been bewitched. Ntate Ntsopa has been bewitched." This song was followed by a Lithoko in praise of the singer. After the Lithoko the same song was repeated, followed by another Lithoko in which further reference was made to the singer, who she was and how she had been cured by another Lethuela (diviner) when she was ill. Mathuela, diviner's dance song, with small drum (-14.03-), frame drum (-14.92-) and clapping (-12.03-).
  • Full Text: false
  • Date Issued: 1959

He! MaRahia (Hey! Russians)

- Mamojela Lesojane and large group of Sotho women, Hugh Tracey

He! MaRahia (Hey! Russians)

- Mamojela Lesojane and large group of Sotho women, Hugh Tracey

Hai li holope (Who will bring Mamosi down?)

- Mamogeneholo Lephoto, Hugh Tracey

  • Authors: Mamogeneholo Lephoto , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161336 , vital:40616 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-07
  • Description: "Let them gallop girls, let them gallop! I will not leave mu child behind. Donki is as close to me as my belt. Donki is the belt which I tie around my waist. The Semani people have released me, so I can go away. They have allowed me to take my children and go. I am not afraid of trying up my blankets and going. Girls, you are not backing me up (in singing). You sound half-hearted (addressed to the other singers with her). I am in the care of a christian woman. If I have had a meal at the Chief's place it is enough. I do not like food given me by common people. Mokibo women's kneeling dances, with clapping.
  • Full Text: false
  • Date Issued: 1959

Hai li holope (Who will bring Mamosi down?)

- Mamogeneholo Lephoto, Hugh Tracey

  • Authors: Mamogeneholo Lephoto , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161334 , vital:40617 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0103-07
  • Description: "Let them gallop girls, let them gallop! I will not leave mu child behind. Donki is as close to me as my belt. Donki is the belt which I tie around my waist. The Semani people have released me, so I can go away. They have allowed me to take my children and go. I am not afraid of trying up my blankets and going. Girls, you are not backing me up (in singing). You sound half-hearted (addressed to the other singers with her). I am in the care of a christian woman. If I have had a meal at the Chief's place it is enough. I do not like food given me by common people. Mokibo women's kneeling dances, with clapping.
  • Full Text: false
  • Date Issued: 1959

Mokema (Name of a place near Maseru)

- Mamatela Raphuthing and large group of women, Hugh Tracey

  • Authors: Mamatela Raphuthing and large group of women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161908 , vital:40689 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0104-12
  • Description: "Taung Moletsane's place, my home! If I speak, I shall cause sorrow, some would remember things. And I would be bringing back the dead. Women on the Rand are vagrants, they wear shoes without stockings. You can see our mountains in Basutoland. The hawk which dwells on the cliff at Ramalile catches the chickens when they go out to feed." Mokhibo women's knee dance with clapping.
  • Full Text: false
  • Date Issued: 1959

Sekhobe (the name of a Chief)

- Maliketso Rasehoja and 12 Sotho women, Hugh Tracey

Ea Tuka (It burns)

- Malefetsane Mosese and large group of men, Hugh Tracey

  • Authors: Malefetsane Mosese and large group of men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162139 , vital:40763 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0105-12
  • Description: "It is burning! An island is burning! Thaba Bosiu is burning! At the pass there are flames. Thaba Bosiu is burning. You will burn and burst into flames, you witches. You have left the son of God out on the veld. You will have to go back and fetch him. The island is burning!" The song refers to the wild storm which raged around the mountain Thaba Bosiu in 1957 which blew away the roof of a Church and did much damage to homes in the region. Although the song is an initiation song, it is couched in essentially Christian trems. Lengae men's initiation song.
  • Full Text: false
  • Date Issued: 1959

Hela, Koqo (Hey! Koqo)

- Malefetsane Mosese and large group of men, Hugh Tracey

  • Authors: Malefetsane Mosese and large group of men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162130 , vital:40761 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0105-11
  • Description: "Step slowly, you Tebele (Ndebele) youth. These people have come to listen to you and you make me sad. I always speak, Mohlakoana's son. I Thato's father, always speak. Step slowly, you Mohlakoana Tebele. I, Sekhaela's son, always speak." This song is an example of what can be done with a humming accompaniment. Lengae men's initiation song.
  • Full Text: false
  • Date Issued: 1959

Hela libenche (Hey, benches)

- Malefetsane Mosese and large group of men, Hugh Tracey

  • Authors: Malefetsane Mosese and large group of men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162220 , vital:40821 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0106-05
  • Description: "Hey, benches. Hey, lelingoana, benches are just enough for the Chiefs. I have no sister. I swearby stones. I swear by a rock of flint stone. Machache, Makotoko's place, Metolong. Machache is slippery because of the smoothness of the flat stones (slate). Remove your dress from the railway line, vagabond." Metolong, place near Machache. Lengae men's initiation song
  • Full Text: false
  • Date Issued: 1959

Ha Molelle (Molelle's place)

- Malebaka Moroke, Hugh Tracey

  • Authors: Malebaka Moroke , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161792 , vital:40677 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0104-02
  • Description: "Far, far away, at Molelle's place. Where is the train going? He has been away at the mines too long now. I, poor child, always say that I have lost my relatives and have nobody to tell me what to tell me what to do. You, Nohela women, you do not give me sufficient support. I speak rudely in the presence of other people." Grinding song
  • Full Text: false
  • Date Issued: 1959

Hlophe

- Malebaka Moroke, Hugh Tracey

  • Authors: Malebaka Moroke , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161890 , vital:40687 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0104-10
  • Description: "Death is painful! My husband has remained in Egypt. He is sitting in the water. He is eaten by the crabs. I did not know that that would be his fate. Pako, my child, is weeping." Her husband has gone North to the war (1939-1945). A divining song with clapping
  • Full Text: false
  • Date Issued: 1959

Khajoane Ntseke (The Crow)

- Malebaka Moroke, Hugh Tracey

Mampharoane (Gecko Lizard)

- Malebaka Moroke, Hugh Tracey

  • Authors: Malebaka Moroke , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161805 , vital:40678 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0104-03
  • Description: "Lizard soften the hide (for making skin blankets). Mother come and see the thing that has been biting me. I have been bitten by fleas and bed-bugs. This person who is grinding is Malikhetla living in the village of Motemekoane," This grinding song is taken from a local initiation song. Grinding song.
  • Full Text: false
  • Date Issued: 1959

Lithoko (Praises)

- Makopo Macheli and John Mahase, Hugh Tracey

  • Authors: Makopo Macheli and John Mahase , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161213 , vital:40603 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0102-07
  • Description: The first speaker spoke shortly his own personal praises. The second spoke the praises of the late Morena Tumaole Koali Masupha, husband of the present 'Regent'. These Lithoko were followed by Tlala performed by various men who dashed out leaping and exclaiming. In Basutoland several widows of various chiefs act as 'Chief' or 'Deputy' during the minority of their sons who will eventually become chief of the clan. This, they say, is unusual but was made necessary by the endless factions and jealousies perpetrated by the near relatives of the dead chief in the hope pf takin over the chieftainship illegally. Praise song.
  • Full Text: false
  • Date Issued: 1959

Marumo (Spears)

- Makopo Macheli and group of about 12 men, Hugh Tracey

  • Authors: Makopo Macheli and group of about 12 men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161148 , vital:40596 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0102-01
  • Description: In the Lithoko following the song the speaker used the phrase: "Whe spring kisses the summer" a typical poetic phrase, they say characteristic of Lithoko praises. This Mokorotlo was accompanied by a slow and stately stamping dance, raising the legs slowly upwards, then with a bend of the knee they bring the foot back under the body and stamp. Mokorotlo riding song.
  • Full Text: false
  • Date Issued: 1959

Libajele (They have eaten them)

- Makhooa Mosese and Sotho men, Hugh Tracey

  • Authors: Makhooa Mosese and Sotho men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161992 , vital:40745 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0105-02
  • Description: The use of the word 'Amen' is not to be taken as religious. Without knowing its meaning, they used it here to indicate the end of the song. "They have eaten them (people) and left nothing except their faces. Seeiso left his Chieftainship place and went to the outlaying villages. Amen!" Mokorotlo riding song.
  • Full Text: false
  • Date Issued: 1959
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