Tiana pa makulu
- Group of Lunda women and Albertina Kashiala, Hugh Tracey
- Authors: Group of Lunda women and Albertina Kashiala , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo Democratic Republic Katanga f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139528 , vital:37747 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-12
- Description: The antiphonal form of this item is interesting, the chorus changing their response to match the lead by the soloist, often repeating the final word of the solo as the first word of the chorus. Sikinta dance with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Lunda women and Albertina Kashiala , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo Democratic Republic Katanga f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139528 , vital:37747 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-12
- Description: The antiphonal form of this item is interesting, the chorus changing their response to match the lead by the soloist, often repeating the final word of the solo as the first word of the chorus. Sikinta dance with clapping.
- Full Text: false
- Date Issued: 1957
Kankola kame
- Group of Lunda women and Albertina Kashiala, Hugh Tracey
- Authors: Group of Lunda women and Albertina Kashiala , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo Democratic Republic Katanga f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139513 , vital:37746 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-11
- Description: The song is introduced in a long statement by the leader while the others accompany her with a double clap in triple time. The song ends with the leader calling out: "A-ya-ya-ya." to which they reply: "A-ya." Sikinta dance with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Lunda women and Albertina Kashiala , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo Democratic Republic Katanga f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139513 , vital:37746 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-11
- Description: The song is introduced in a long statement by the leader while the others accompany her with a double clap in triple time. The song ends with the leader calling out: "A-ya-ya-ya." to which they reply: "A-ya." Sikinta dance with clapping.
- Full Text: false
- Date Issued: 1957
Chapache
- Jean Kota and group of Lunda women, Hugh Tracey
- Authors: Jean Kota and group of Lunda women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo Democratic Republic Kabinda f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139546 , vital:37749 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-14
- Description: Both the drum and the hands beat out the usual double beat, with the stick providing the simple syncopation of 3 beats and a double beat followed by 2 beats and a double, so commonly found throughout Southern Congo, regardless of the measure of the song. The song ends with the leader calling out to the singers "Manyoka" to which they answer with a set phrase which sounds like: "A pinda akwezhi." Party song with clapping and small goblet drum tapped on the side as well as beaten (14.52251-).
- Full Text: false
- Date Issued: 1957
- Authors: Jean Kota and group of Lunda women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo Democratic Republic Kabinda f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139546 , vital:37749 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-14
- Description: Both the drum and the hands beat out the usual double beat, with the stick providing the simple syncopation of 3 beats and a double beat followed by 2 beats and a double, so commonly found throughout Southern Congo, regardless of the measure of the song. The song ends with the leader calling out to the singers "Manyoka" to which they answer with a set phrase which sounds like: "A pinda akwezhi." Party song with clapping and small goblet drum tapped on the side as well as beaten (14.52251-).
- Full Text: false
- Date Issued: 1957
Mukala bwanga
- Kabanga, Prospere, And friends, Composer not specified, Tracey, Hugh
- Authors: Kabanga, Prospere , And friends , Composer not specified , Tracey, Hugh
- Date: 1957-07-18
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic Cite Indigene f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/243974 , vital:51209 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT522-L144 , Research no. L3C14
- Description: Indigenous folk song of lament, with singing accompanied by a 10 note chisashi with soundholes.
- Full Text: false
- Date Issued: 1957-07-18
- Authors: Kabanga, Prospere , And friends , Composer not specified , Tracey, Hugh
- Date: 1957-07-18
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic Cite Indigene f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/243974 , vital:51209 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT522-L144 , Research no. L3C14
- Description: Indigenous folk song of lament, with singing accompanied by a 10 note chisashi with soundholes.
- Full Text: false
- Date Issued: 1957-07-18
Ntende
- Kalemba and a large group of Lunda women, Composer not specified, Tracey, Hugh
- Authors: Kalemba and a large group of Lunda women , Composer not specified , Tracey, Hugh
- Date: 1957-07-18
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic Cite Indigene f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/243749 , vital:51184 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT519-L141 , Research no. L3C1
- Description: Indigenous folk song for the 'Kawidi dance' with singing accompanied by 2 pinned and weighted, handbeaten goblet drums with mirlitons, and handclapping.
- Full Text: false
- Date Issued: 1957-07-18
- Authors: Kalemba and a large group of Lunda women , Composer not specified , Tracey, Hugh
- Date: 1957-07-18
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic Cite Indigene f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/243749 , vital:51184 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT519-L141 , Research no. L3C1
- Description: Indigenous folk song for the 'Kawidi dance' with singing accompanied by 2 pinned and weighted, handbeaten goblet drums with mirlitons, and handclapping.
- Full Text: false
- Date Issued: 1957-07-18
Atufundi uyanganje
- Kalemba and a large group of Lunda women, Composer not specified, Tracey, Hugh
- Authors: Kalemba and a large group of Lunda women , Composer not specified , Tracey, Hugh
- Date: 1957-07-18
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic Cite Indigene f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/243902 , vital:51201 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT521-L143 , Research no. L3C10
- Description: Indigenous folk song for divination, with singing, intermittent yodelling and clapping.
- Full Text: false
- Date Issued: 1957-07-18
- Authors: Kalemba and a large group of Lunda women , Composer not specified , Tracey, Hugh
- Date: 1957-07-18
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic Cite Indigene f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/243902 , vital:51201 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT521-L143 , Research no. L3C10
- Description: Indigenous folk song for divination, with singing, intermittent yodelling and clapping.
- Full Text: false
- Date Issued: 1957-07-18
Kalombo
- Kalemba and a large group of Lunda women, Composer not specified, Tracey, Hugh
- Authors: Kalemba and a large group of Lunda women , Composer not specified , Tracey, Hugh
- Date: 1957-07-18
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic Cite Indigene f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/243765 , vital:51185 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT519-L141 , Research no. L3C2
- Description: Indigenous folk song for the 'Kawidi dance' with singing accompanied by 2 pinned and weighted, handbeaten goblet drums with mirlitons, and handclapping.
- Full Text: false
- Date Issued: 1957-07-18
- Authors: Kalemba and a large group of Lunda women , Composer not specified , Tracey, Hugh
- Date: 1957-07-18
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic Cite Indigene f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/243765 , vital:51185 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT519-L141 , Research no. L3C2
- Description: Indigenous folk song for the 'Kawidi dance' with singing accompanied by 2 pinned and weighted, handbeaten goblet drums with mirlitons, and handclapping.
- Full Text: false
- Date Issued: 1957-07-18
Tulele mam' we u chiku chimbudu
- Kalemba and a large group of Lunda women, Composer not specified, Tracey, Hugh
- Authors: Kalemba and a large group of Lunda women , Composer not specified , Tracey, Hugh
- Date: 1957-07-18
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic Cite Indigene f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/243804 , vital:51190 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT519-L141 , Research no. L3C4
- Description: Indigenous folk song for the 'u chiku chimbundu' party dance, with singing accompanied by a hand-beaten box drum and a goblet drum struck on the side with a wooden beater.
- Full Text: false
- Date Issued: 1957-07-18
- Authors: Kalemba and a large group of Lunda women , Composer not specified , Tracey, Hugh
- Date: 1957-07-18
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic Cite Indigene f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/243804 , vital:51190 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT519-L141 , Research no. L3C4
- Description: Indigenous folk song for the 'u chiku chimbundu' party dance, with singing accompanied by a hand-beaten box drum and a goblet drum struck on the side with a wooden beater.
- Full Text: false
- Date Issued: 1957-07-18
Ya ya, waye
- Kalemba and a large group of Lunda women, Composer not specified, Tracey, Hugh
- Authors: Kalemba and a large group of Lunda women , Composer not specified , Tracey, Hugh
- Date: 1957-07-18
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic Cite Indigene f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/243788 , vital:51188 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT519-L141 , Research no. L3C3
- Description: Indigenous folk song for the 'Kawidi dance' with singing accompanied by 2 pinned and weighted, handbeaten goblet drums with mirlitons.
- Full Text: false
- Date Issued: 1957-07-18
- Authors: Kalemba and a large group of Lunda women , Composer not specified , Tracey, Hugh
- Date: 1957-07-18
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic Cite Indigene f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/243788 , vital:51188 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT519-L141 , Research no. L3C3
- Description: Indigenous folk song for the 'Kawidi dance' with singing accompanied by 2 pinned and weighted, handbeaten goblet drums with mirlitons.
- Full Text: false
- Date Issued: 1957-07-18
Tulele mam'we we u chiku chimbundu (We sleep here / The night mist)
- Kalemba and large group of Lunda women, Hugh Tracey
- Authors: Kalemba and large group of Lunda women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo Democratic Republic Kabinda f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139537 , vital:37748 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-13
- Description: The box drum was a roughly made instrument from the sides of a box or packing case, one side being covered by a skin to form the membrane. The player sat on his box and raised the pitch of the membrane by pressure from one heel. U chiku chimbundu dance with 1 goblet drum struck on the side by wooden beater, 1 box drum, hand beaten.
- Full Text: false
- Date Issued: 1957
- Authors: Kalemba and large group of Lunda women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo Democratic Republic Kabinda f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139537 , vital:37748 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-13
- Description: The box drum was a roughly made instrument from the sides of a box or packing case, one side being covered by a skin to form the membrane. The player sat on his box and raised the pitch of the membrane by pressure from one heel. U chiku chimbundu dance with 1 goblet drum struck on the side by wooden beater, 1 box drum, hand beaten.
- Full Text: false
- Date Issued: 1957
Tiana pa makulu
- Kashiala, Albertine, Group of Lunda women, Composer not specified, Tracey, Hugh
- Authors: Kashiala, Albertine , Group of Lunda women , Composer not specified , Tracey, Hugh
- Date: 1957-07-18
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic Cite Indigene f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/243969 , vital:51208 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT521-L143 , Research no. L3C9
- Description: Indigenous folk song for the 'Sikwita dance', with singing, intermittent yodelling and handclapping.
- Full Text: false
- Date Issued: 1957-07-18
- Authors: Kashiala, Albertine , Group of Lunda women , Composer not specified , Tracey, Hugh
- Date: 1957-07-18
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic Cite Indigene f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/243969 , vital:51208 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT521-L143 , Research no. L3C9
- Description: Indigenous folk song for the 'Sikwita dance', with singing, intermittent yodelling and handclapping.
- Full Text: false
- Date Issued: 1957-07-18
Kazembe mayo
- Kasumali, Stephen Tsotsi, Composer not specified, Tracey, Hugh
- Authors: Kasumali, Stephen Tsotsi , Composer not specified , Tracey, Hugh
- Date: 1957-07-16
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zambia Kitwe f-za
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/240690 , vital:50862 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT497-L118 , Research no. L2V4
- Description: Lament accompanied by guitar and bottle, about circumstances surrounding the death of Chief Kazembe XV.
- Full Text: false
- Date Issued: 1957-07-16
- Authors: Kasumali, Stephen Tsotsi , Composer not specified , Tracey, Hugh
- Date: 1957-07-16
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zambia Kitwe f-za
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/240690 , vital:50862 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT497-L118 , Research no. L2V4
- Description: Lament accompanied by guitar and bottle, about circumstances surrounding the death of Chief Kazembe XV.
- Full Text: false
- Date Issued: 1957-07-16
Chapache
- Kota, Jean, Group of Lunda women, Composer not specified, Tracey, Hugh
- Authors: Kota, Jean , Group of Lunda women , Composer not specified , Tracey, Hugh
- Date: 1957-07-18
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic Cite Indigene f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/243924 , vital:51203 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT521-L143 , Research no. L3C11
- Description: Indigenous party dance folk song, with singing and clapping accompanied by a small goblet drum (beaten as well as tapped on the side).
- Full Text: false
- Date Issued: 1957-07-18
- Authors: Kota, Jean , Group of Lunda women , Composer not specified , Tracey, Hugh
- Date: 1957-07-18
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo (Democratic Republic Cite Indigene f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/243924 , vital:51203 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT521-L143 , Research no. L3C11
- Description: Indigenous party dance folk song, with singing and clapping accompanied by a small goblet drum (beaten as well as tapped on the side).
- Full Text: false
- Date Issued: 1957-07-18
Kalombo (Thank you)
- Large group of Lunda women and Kalemba, Hugh Tracey
- Authors: Large group of Lunda women and Kalemba , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo Democratic Republic Kabinda f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139490 , vital:37743 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-09
- Description: The larger drum was also tapped on the side by a stick. The clapping was done with cupped hands. The Chief de Centre Kapenda, was the head of this group. Jadotville is the headquaters of the central region of the Union Miniere, the other 2 towns being Elizabethville in the East and Kolwezi in the West. It was originally famous for the fact that one of the mines, Shinkolobwe, was the first place in the world from which the famous Curie family obtained the radium for their experiments. At Panda, there is a museum of mineral crystals discovered in the Katanga mines. Kawidi dance with 2 goblet drums, pinned, weighted, with mirlitons, hand beaten.
- Full Text: false
- Date Issued: 1957
- Authors: Large group of Lunda women and Kalemba , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo Democratic Republic Kabinda f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139490 , vital:37743 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-09
- Description: The larger drum was also tapped on the side by a stick. The clapping was done with cupped hands. The Chief de Centre Kapenda, was the head of this group. Jadotville is the headquaters of the central region of the Union Miniere, the other 2 towns being Elizabethville in the East and Kolwezi in the West. It was originally famous for the fact that one of the mines, Shinkolobwe, was the first place in the world from which the famous Curie family obtained the radium for their experiments. At Panda, there is a museum of mineral crystals discovered in the Katanga mines. Kawidi dance with 2 goblet drums, pinned, weighted, with mirlitons, hand beaten.
- Full Text: false
- Date Issued: 1957
Atufundi uyanganje (Go straight off and keep together - do not linger
- Large group of Lunda women and Kalemba, Hugh Tracey
- Authors: Large group of Lunda women and Kalemba , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kasai f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139436 , vital:37738 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-05
- Description: This is sung by people who suffer from eye diseases, when they consult a diviner or herbalist. Diviner's song with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Large group of Lunda women and Kalemba , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo (Democratic Republic) Kasai f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139436 , vital:37738 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-05
- Description: This is sung by people who suffer from eye diseases, when they consult a diviner or herbalist. Diviner's song with clapping.
- Full Text: false
- Date Issued: 1957
Ya ya woye
- Large group of Lunda women and Kalemba, Hugh Tracey
- Authors: Large group of Lunda women and Kalemba , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo Democratic Republic Kabinda f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139495 , vital:37744 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-10
- Description: The larger drum was also tapped on the side by a stick. The clapping was done with cupped hands. The Chief de Centre Kapenda, was the head of this group. Jadotville is the headquaters of the central region of the Union Miniere, the other 2 towns being Elizabethville in the East and Kolwezi in the West. It was originally famous for the fact that one of the mines, Shinkolobwe, was the first place in the world from which the famous Curie family obtained the radium for their experiments. At Panda, there is a museum of mineral crystals discovered in the Katanga mines. Kawidi dance with 2 goblet drums, pinned, weighted, with mirlitons, hand beaten.
- Full Text: false
- Date Issued: 1957
- Authors: Large group of Lunda women and Kalemba , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo Democratic Republic Kabinda f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139495 , vital:37744 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-10
- Description: The larger drum was also tapped on the side by a stick. The clapping was done with cupped hands. The Chief de Centre Kapenda, was the head of this group. Jadotville is the headquaters of the central region of the Union Miniere, the other 2 towns being Elizabethville in the East and Kolwezi in the West. It was originally famous for the fact that one of the mines, Shinkolobwe, was the first place in the world from which the famous Curie family obtained the radium for their experiments. At Panda, there is a museum of mineral crystals discovered in the Katanga mines. Kawidi dance with 2 goblet drums, pinned, weighted, with mirlitons, hand beaten.
- Full Text: false
- Date Issued: 1957
Ntende
- Large group of Lunda women and Kalemba, Hugh Tracey
- Authors: Large group of Lunda women and Kalemba , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo Democratic Republic Kabinda f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139481 , vital:37742 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-08
- Description: The larger drum was also tapped on the side by a stick. The clapping was done with cupped hands. The Chief de Centre Kapenda, was the head of this group. Jadotville is the headquaters of the central region of the Union Miniere, the other 2 towns being Elizabethville in the East and Kolwezi in the West. It was originally famous for the fact that one of the mines, Shinkolobwe, was the first place in the world from which the famous Curie family obtained the radium for their experiments. At Panda, there is a museum of mineral crystals discovered in the Katanga mines. Kawidi dance with 2 goblet drums, pinned, weighted, with mirlitons, hand beaten.
- Full Text: false
- Date Issued: 1957
- Authors: Large group of Lunda women and Kalemba , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Luba (African people) , Southern Lunda (African people) , Folk music , Africa, Sub-Saharan , Africa Congo Democratic Republic Kabinda f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139481 , vital:37742 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR048-08
- Description: The larger drum was also tapped on the side by a stick. The clapping was done with cupped hands. The Chief de Centre Kapenda, was the head of this group. Jadotville is the headquaters of the central region of the Union Miniere, the other 2 towns being Elizabethville in the East and Kolwezi in the West. It was originally famous for the fact that one of the mines, Shinkolobwe, was the first place in the world from which the famous Curie family obtained the radium for their experiments. At Panda, there is a museum of mineral crystals discovered in the Katanga mines. Kawidi dance with 2 goblet drums, pinned, weighted, with mirlitons, hand beaten.
- Full Text: false
- Date Issued: 1957
Muta
- Authors: Louis Mulowa , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Ruund (African people) , Field recordings , Africa, Sub-Saharan , Africa Zambia Mwinilunga f-za
- Language: Lunda , Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182998 , vital:43901 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR179-15
- Description: When the people were dancing together they were called because it was time to go. They were sorry to break up the party and leave the dance. It is not easy to understand the relationships between the pitch of the instrument and the pitch of the players voice. It appears to be consistant and must therefore bear some relationship in his mind. The scale of his Chisanzhi was:- 424, 380, 344, 304, 280, 266, 232, 212 vs. The tips of the players fingers were constantly moist and sticky and he kept a supply of dry sand beside him to rub on his finger tips before playing. Personal laments, with Chizanzhi Mbira
- Full Text: false
- Date Issued: 1952
- Authors: Louis Mulowa , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Ruund (African people) , Field recordings , Africa, Sub-Saharan , Africa Zambia Mwinilunga f-za
- Language: Lunda , Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182998 , vital:43901 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR179-15
- Description: When the people were dancing together they were called because it was time to go. They were sorry to break up the party and leave the dance. It is not easy to understand the relationships between the pitch of the instrument and the pitch of the players voice. It appears to be consistant and must therefore bear some relationship in his mind. The scale of his Chisanzhi was:- 424, 380, 344, 304, 280, 266, 232, 212 vs. The tips of the players fingers were constantly moist and sticky and he kept a supply of dry sand beside him to rub on his finger tips before playing. Personal laments, with Chizanzhi Mbira
- Full Text: false
- Date Issued: 1952
Kanenga
- Authors: Louis Mulowa , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Ruund (African people) , Field recordings , Africa, Sub-Saharan , Africa Zambia Mwinilunga f-za
- Language: Lunda , Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182985 , vital:43900 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR179-14
- Description: A player was sorry when his friend finished his food so he sat down to sing to his Chisanzhi Mbira. It is not easy to understand the relationships between the pitch of the instrument and the pitch of the players voice. It appears to be consistant and must therefore bear some relationship in his mind. The scale of his Chisanzhi was:- 424, 380, 344, 304, 280, 266, 232, 212 vs. The tips of the players fingers were constantly moist and sticky and he kept a supply of dry sand beside him to rub on his finger tips before playing. Personal laments, with Chizanzhi Mbira
- Full Text: false
- Date Issued: 1952
- Authors: Louis Mulowa , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Ruund (African people) , Field recordings , Africa, Sub-Saharan , Africa Zambia Mwinilunga f-za
- Language: Lunda , Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/182985 , vital:43900 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR179-14
- Description: A player was sorry when his friend finished his food so he sat down to sing to his Chisanzhi Mbira. It is not easy to understand the relationships between the pitch of the instrument and the pitch of the players voice. It appears to be consistant and must therefore bear some relationship in his mind. The scale of his Chisanzhi was:- 424, 380, 344, 304, 280, 266, 232, 212 vs. The tips of the players fingers were constantly moist and sticky and he kept a supply of dry sand beside him to rub on his finger tips before playing. Personal laments, with Chizanzhi Mbira
- Full Text: false
- Date Issued: 1952
Chihibalumuna bembi
- Louis Mulowa and Lunda men, Hugh Tracey
- Authors: Louis Mulowa and Lunda men , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Ruund (African people) , Field recordings , Africa, Sub-Saharan , Africa Zambia Mwinilunga f-za
- Language: Lunda , Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183004 , vital:43902 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR179-16
- Description: "A man who wears a waistcoat without a jacket looks a perfect fool." The most trivial remarks are quite enough to suggest a good dance tune. The lower notes of this Chisanzhi were tuned with wax attached to the underside of the tips of the reeds. Sikinta dances with Chizanzhi Mbira and gourd.
- Full Text: false
- Date Issued: 1952
- Authors: Louis Mulowa and Lunda men , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Luba (African people) , Ruund (African people) , Field recordings , Africa, Sub-Saharan , Africa Zambia Mwinilunga f-za
- Language: Lunda , Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183004 , vital:43902 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR179-16
- Description: "A man who wears a waistcoat without a jacket looks a perfect fool." The most trivial remarks are quite enough to suggest a good dance tune. The lower notes of this Chisanzhi were tuned with wax attached to the underside of the tips of the reeds. Sikinta dances with Chizanzhi Mbira and gourd.
- Full Text: false
- Date Issued: 1952