Showing items 4581 - 4600 of 4692

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Webo we kabanda

- Shonongo, Jailosi, Composer not specified, Tracey, Hugh

Were

- Zaka Shawa, Hugh Tracey

  • Authors: Zaka Shawa , Hugh Tracey
  • Date: 1949
  • Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
  • Language: Shona
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/180372 , vital:43357 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-05
  • Description: The Songano Souls (Mashawi) are the guardians of the parental instinct in both men and women. They are said to be the most important of all the souls. They represent the affection for children on the part of both parents. The traditional instrument with which to honour the Masongano souls in this part of panpipes of which there are very few left. The player, a very old man holds the panpipes in one hand and a gourd rattle in the other. This brief recording of less than half a minute's duration may be one of the best echoes of a faith which believed in the virtue of the sound of the panpipes as a devotional exercise. Tune for the Songano Mashawi with Mikwati Wenyere (Pan pipes) and Hosho (rattke).
  • Full Text: false
  • Date Issued: 1949

Whistling Language

- Didmas Murigwa and Muyapi Mutema, Hugh Tracey

  • Authors: Didmas Murigwa and Muyapi Mutema , Hugh Tracey
  • Date: 1949
  • Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Umtali f-rh
  • Language: Shona
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/180547 , vital:43400 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-13
  • Description: The second small boy, in the whistling item with words, sometimes forgot to whistle the full sentence as he was so carried away by his own repartee. This recording was taken eighteen months later than the previous item. There is first a whistling conversation between two small boys about ten yards apart, and then another conversation ith spoken explanations of the sentences whistled. They bandy small boy's ruderies at each other, hence the laughter from the others. The recording is somewhat marred by tape echo.
  • Full Text: false
  • Date Issued: 1949

Zainyanyatoko

- Muchuru Zhou, Hugh Tracey

  • Authors: Muchuru Zhou , Hugh Tracey
  • Date: 1949
  • Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
  • Language: Shona
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/180520 , vital:43397 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-10
  • Description: The story of a woman who was driven away from the village as they said she was a 'witch' and her husband too rude. The common name for a person whose behaviour or presence is a cause of offence to the others in the community was a 'witch' as used in the mediaeval sense. Story song.
  • Full Text: false
  • Date Issued: 1949

Zanzali nkemene kwa na chungabulula

- Liso, Edward, Tonga men, Composer not specified, Tracey, Hugh

Ziriya (The stone trap)

- Saimoni Mashoka, Hugh Tracey

Ziriya yapasharo

- Manyoni Zhou and Simoni Mashoko Shawa, Hugh Tracey

  • Authors: Manyoni Zhou and Simoni Mashoko Shawa , Hugh Tracey
  • Date: 1949
  • Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Chilimanzi f-rh
  • Language: Shona
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/181444 , vital:43734 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR175-04
  • Description: It is usual for semi-professional entertainers of this kind to keep up running patter of amusing remarks and scandal to the traditional airs played on the Njari in the background. Like many other players of this instrument Manyoni Zhou calls himself "The player of Mbira". The two musicians come from neighbouring districts, Zhou from Chilimanzi and Mashoko from Buhera, the district in which the Njari originated about 1760 A.D. Topical song with two Njari Mbira, one with 33 notes and one with 31 notes.
  • Full Text: false
  • Date Issued: 1949

Zuwa na mwezi

- Yelele Lungu, Nsenga women, Hugh Tracey

  • Authors: Yelele Lungu , Nsenga women , Hugh Tracey
  • Date: 1949
  • Subjects: Folk music--Africa , Nsenga (African people) , Ngoni (African people) , Folk songs, Tonga (Zambezi) , Tonga (Zambezi people) , Field recordings , Africa, Sub-Saharan , Africa Zambia Petauke f-za
  • Language: Nsenga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/184464 , vital:44225 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR185-08
  • Description: The sun and the moon are contrasted as lovers. The son returns to his mother if he is unsucceful in love and the mother sees in the hooting of the owls the omen of death to come. The player Yelele Lungu is one of two blind muscians in the Petauke district. Blind from birth he has developed an unusual degree of petic imagery. He had bever seen either the sun or the moon and his poetry consequently reflected a blind man's conception of natural phenomena. Unfortunately owing to technical difficulties both his recordings on this disc are poor, but his poetry warranted their inclusion. Love song, with Kalimba of 10 notes
  • Full Text: false
  • Date Issued: 1949

Zuwa rawira mukaiwe (The sun is setting, wake up)

- Muchuru Zhou with a man and woman, Hugh Tracey

  • Authors: Muchuru Zhou with a man and woman , Hugh Tracey
  • Date: 1949
  • Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
  • Language: Shona
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/180501 , vital:43395 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-08
  • Description: There was, once upon a time a baboon who was walking in amongst the hills and found plenty of fruit. Matamba ('Kaffir oranges', strychnos spinosa). He ate a great many and went to sleep on the path, full to the brim. Presently an old woman who was collecting firewood came along and said "My child, why are you sleeping on the path like this?" He did not reply. So she said, "Wake up, the sun is setting." He said, "I don't want to, I am full." Then he said "Come here and listen to my song". So she came near and the baboon sang his song. "The sun is setting, wake up, wake up! Ha-hey-ha, old woman! She makes me laugh. I have discovered this hill here. Which is full of fruit, so I go here and there, eating my fill and laughing." Now when he had finished singing, he woke up, got up and followed the old woman all the way to her home. Son story.
  • Full Text: false
  • Date Issued: 1949

Magonde

- Chabarwa Musunda Moyo, Hugh Tracey

Mbiriwiri

- Chabarwa Musunda Moyo, Hugh Tracey

  • Authors: Chabarwa Musunda Moyo , Hugh Tracey
  • Date: 1948
  • Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Nedgiwe f-rh
  • Language: Shona
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/181511 , vital:43741 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR175-09
  • Description: This famous piece of music, here played brilliantly by Chabarwa Musunda Moyo was first recorded by me in 1933 when played by a musician called Chigogo. It is a progressive story of various experiences of a wandering player who meets different people along the path to each of whom he does a service and in turn they all give him a present with which he is able to benefit his next acquaintance. For many years I have attempted to locate the player in order to re-record his music on tape instead of on disc as this one, but so far in vain. No one knows where or how he is. Traditional airs on Njari dza maNjanjae
  • Full Text: false
  • Date Issued: 1948

Ndoende Sinoia

- Simon Sitole, Hugh Tracey

  • Authors: Simon Sitole , Hugh Tracey
  • Date: 1948
  • Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Mt. Selinda f-rh
  • Language: Shona
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/181780 , vital:43767 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR176-10
  • Description: Simon Sitole from Mt. Selinda was working in a native carpenter's shop in Sophiatown, Johannesburg. The town of Sinoial is a hundred miles or so to the west of Salisbury and about 300 miles from the singer's home. "I go to Sinoia because my home is too far away." Topical song with Mbira dza WaNdau
  • Full Text: false
  • Date Issued: 1948

Ndoerera

- Simon Sitole, Hugh Tracey

  • Authors: Simon Sitole , Hugh Tracey
  • Date: 1948
  • Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Mt. Selinda f-rh
  • Language: Shona
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/181769 , vital:43766 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR176-09
  • Description: Simon Sitole from Mt. Selinda was working in a native carpenter's shop in Sophiatown, Johannesburg. "Ndoerera, the girl who disappointed me, saying, wash before I accept you. Johannesburg the place that worries me. Joni, Joni, the place I have come to. I was nearly dead when I left it. My father died while I was still young." Topical song with Mbira dza WaNdau
  • Full Text: false
  • Date Issued: 1948

Neuru

- Chabarwa Musunda Moyo, Hugh Tracey

Shuga

- Chabarwa Musunda Moyo, Hugh Tracey

  • Authors: Chabarwa Musunda Moyo , Hugh Tracey
  • Date: 1948
  • Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Nedgiwe f-rh
  • Language: Shona
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/181520 , vital:43742 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR175-10
  • Description: This is an old recording taken on disc and not on tape. For this item the player took his Njari out of its resonating gourd with its pieces of shell buzzers, so the sound is clear or Musheshe. 'Shuga' is also an old traditional Karanga tune. Traditional airs on Njari dza maNjanjae
  • Full Text: false
  • Date Issued: 1948

1st Movement "Msitso wo Khata"

- Katini we Nyamombe (Leader), Tracey, Hugh

  • Authors: Katini we Nyamombe (Leader) , Tracey, Hugh
  • Date: 1943
  • Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/194824 , vital:45499 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-01
  • Description: This is the first Chopi Ngodo ever recorded and published. It is described in my book "Chopi Muscians" Oxford University Press. The recordings were taken on glass based acetate discs in November 1943 and copied onto tape in October 1963. With the exception of a few verses omitted from one or two of the lyrics this version, performed away from home in the broadcasting studios of SABC Durban, Natal, is the same as a village performance but without the dancers. The players themselves sang all the words which are normally sung by the dancers. As there were no dance routines to be completed during the performance, each item is rather shorter than it would have been in the home village. With these minor exceptions the Ngodo is the complete work; all of it the composition of its leader Katini, a leading figure in Chopi music for 40 years. He died in 1948 about 60 years old. Orchestral dance with six Timbila xylophones.
  • Full Text: false
  • Date Issued: 1943

1st Movement "Msitso" I

- Komukomu wa Simbi (Leader), Tracey, Hugh

  • Authors: Komukomu wa Simbi (Leader) , Tracey, Hugh
  • Date: 1943
  • Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/194905 , vital:45508 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-10
  • Description: This Msitso, orchestral introductions to the Ngodo dance are fine examples of the classical style of starting the performance. Each Msitso is composed as pure music without a lyric base and Komukomu who dies in 1962 was a master of his craft, both as leader of his orchestra and a composer for over 30 years (See "Chopi Musicians" page 39). Orchestral dance with six Timbila xylophones.
  • Full Text: false
  • Date Issued: 1943

1st Movement "Msitso" II

- Komukomu wa Simbi (Leader), Tracey, Hugh

  • Authors: Komukomu wa Simbi (Leader) , Tracey, Hugh
  • Date: 1943
  • Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/194914 , vital:45509 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-11
  • Description: This Msitso, orchestral introductions to the Ngodo dance are fine examples of the classical style of starting the performance. Each Msitso is composed as pure music without a lyric base and Komukomu who dies in 1962 was a master of his craft, both as leader of his orchestra and a composer for over 30 years (See "Chopi Musicians" page 39). Orchestral dance with six Timbila xylophones.
  • Full Text: false
  • Date Issued: 1943

1st Movement "Msitso" III

- Komukomu wa Simbi (Leader), Tracey, Hugh

  • Authors: Komukomu wa Simbi (Leader) , Tracey, Hugh
  • Date: 1943
  • Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/194923 , vital:45510 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-12
  • Description: This Msitso, orchestral introductions to the Ngodo dance are fine examples of the classical style of starting the performance. Each Msitso is composed as pure music without a lyric base and Komukomu who dies in 1962 was a master of his craft, both as leader of his orchestra and a composer for over 30 years (See "Chopi Musicians" page 39). Orchestral dance with six Timbila xylophones.
  • Full Text: false
  • Date Issued: 1943

1st Movement "Msitso" IV

- Komukomu wa Simbi (Leader), Tracey, Hugh

  • Authors: Komukomu wa Simbi (Leader) , Tracey, Hugh
  • Date: 1943
  • Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/194931 , vital:45511 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-13
  • Description: This Msitso, orchestral introductions to the Ngodo dance are fine examples of the classical style of starting the performance. Each Msitso is composed as pure music without a lyric base and Komukomu who dies in 1962 was a master of his craft, both as leader of his orchestra and a composer for over 30 years (See "Chopi Musicians" page 39). Orchestral dance with six Timbila xylophones.
  • Full Text: false
  • Date Issued: 1943
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