Showing items 61 - 80 of 85

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Mora Motlole (Motlole's son)

- Mahlapane Qoalike and group of women, Hugh Tracey

Paseka oa tseka (Paseka is complaining)

- Mahlapane Qalike and group of Sotho women, Hugh Tracey

  • Authors: Mahlapane Qalike and group of Sotho women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Tebang f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162304 , vital:40831 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0106-13
  • Description: "Paseka is disputing over a piece of land, foolishly. He is disputing over the site behind Semoti's house. You, Mampolletse of Makhaba, The thing becomes more serious at night. Do not give Mahlapane any corn she does not hoe her cornfields. If my voice were a clock I would be ringing it through to Natal. To my friend at Monyameng. The length of a bundle of reeds." Lelingoana women's initiation song.
  • Full Text: false
  • Date Issued: 1959

Makholane (Makholane, name)

- Mahlapane Qalike and group of Sotho women, Hugh Tracey

Lumela Koete(Good morning, sir)

- Mahehlohonolo Lebesa and Maletsoara Johane and Sotho women, Hugh Tracey

Lumela Koete(Good morning, sir)

- Mahehlohonolo Lebesa and Maletsoara Johane and Sotho women, Hugh Tracey

Ha ke a ota kenamphane (I am so thin

- Mahehlohonolo Lebesa and Maletsoara Johane and Sotho women, Hugh Tracey

Lumela Koete(Good morning, sir)

- Mahehlohonolo Lebesa and Maletsoara Johane and Sotho women, Hugh Tracey

Ha ke a ota kenamphane (I am so thin

- Mahehlohonolo Lebesa and Maletsoara Johane and Sotho women, Hugh Tracey

Likhomo (Cattle)

- Liphapang Mokopu and small group of men, Hugh Tracey

Mammalo Sebolelo

- Lesoli Maboka and large group of young men, Hugh Tracey

Sekupu ! (Drums)

- Lesole Motsoari, 3 diviners and a group of women, Hugh Tracey

  • Authors: Lesole Motsoari, 3 diviners and a group of women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161028 , vital:40583 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0101-05
  • Description: The leader shook his shoulders and body during the song, which movement can be heard in his voice. "Drums!" "At Sione they caught a baboon with long hair Maupha's anger! It is father - boy - (untranslatable). Their anger!. It is father 'Manyetse' (long hair). I am the baby boy." Chorus "Siyavuma." The speaker ends each line with the word "Khanya" (light). The frame drum had crossed wires at the back which were used to hold the drum in the left hand. Both drums were of metal and the usual membrane, they say, is either cow or horse hide. Mathuela, diviner's dance song, with small drum (-14.03-), frame drum (-14.92-) and clapping (-12.03-).
  • Full Text: false
  • Date Issued: 1959

Litsoanya II (A nice song)

- Julius Mochekoana and Leboea March, Hugh Tracey

Litsoanya I (A nice song)

- Julius Mochekoana and Leboea March, Hugh Tracey

Ba tsetse ka likepe

- Jane Mosese and large group of men, Hugh Tracey

Seolhla (song)

- Jane Mosese and large group of men, Hugh Tracey

  • Authors: Jane Mosese and large group of men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Maseru f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162101 , vital:40759 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0105-09
  • Description: "Seolhla" is another way of saying "song". It may also be the name of a person as in this song. "Seolhla has left us. Those men on the way to Matsieng have left us behind. Seolhla is riding. If I eat food I will die and leave them to thie love. These wicked people." Mohobelo dance song with stamping of feet.
  • Full Text: false
  • Date Issued: 1959

Lithoko tsa hae (Praise for himself)

- James Mofokeng, Hugh Tracey

  • Authors: James Mofokeng , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161204 , vital:40602 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0102-06
  • Description: These praises were personal and referred to the speaker and opened the divining procedure which follwed. The small group of diviners was composed of a man and two women all wearing theri traditional diviners costume and beads. The older woman wore a skin cap, the younger one's long dress was of cloth treated with red ochre and lightly embroidered and decorated with white beads. Praise song.
  • Full Text: false
  • Date Issued: 1959

Kunyete (Girls dresses)

- Jacquot Mokete, Hugh Tracey

  • Authors: Jacquot Mokete , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161117 , vital:40593 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0101-12
  • Description: The player placed an empty condensed milk tin picked up off the ground nearby, over the free end of the harmonica, vibrating it to and from as far as his mouth position would allow, thus producing not only greater resonance to his own ear but a vibrato as well. Self delectative song, with harmonica.
  • Full Text: false
  • Date Issued: 1959

Sutha tseleng (Get out of the way)

- Jacquot Mokete, Hugh Tracey

  • Authors: Jacquot Mokete , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161104 , vital:40592 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0101-11
  • Description: "Get out of the way. Don't be frightened by gossip, girls, gossip is always a storm in a village. Don't change your abode just because somebody says he loves you. You will find people like that wherever you go. A woman is a dog for whom everybody wants to die." The last line seems to mean that just as an owner is ready to die for his dog should anyone molest it, so a man is ready to die for a woman should she be attacked. The player placed an empty condensed milk tin picked up off the ground nearby, over the free end of the harmonica, vibrating it to and from as far as his mouth position would allow, thus producing not only greater resonance to his own ear but a vibrato as well. Self delectative song, with harmonica.
  • Full Text: false
  • Date Issued: 1959

Thota peli na Molapo (The rolling downs of Molapo)

- Group of 20 women, Hugh Tracey

  • Authors: Group of 20 women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Berea f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/161066 , vital:40588 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0101-08
  • Description: The soloist rises in pitch throughout the song. "Rolling downs of Molapo. Mokale and Khethisa are quarreling over the spring at Nkala. Horses are saddled. Who is the mother of the unmarried girl? Giver her a letter, Makamore, the marriage letter. There is a fight at the rolling downs. Horses should be saddled. They are going to Maseru. The worst singer is Raphane's mother. I shouted with a sad voice. I shouted and shook the graves. Women's party song with clapping.
  • Full Text: false
  • Date Issued: 1959

Khutsanyana (An orphan)

- Group of 15 Sotho girls, Hugh Tracey

  • Authors: Group of 15 Sotho girls , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Sotho , Sotho (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Lesotho Mokoroane f-lo
  • Language: Sotho
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/162286 , vital:40829 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0106-11
  • Description: "I want to write to my brother, Lethula, to come and see this cruel act perpetrated on his mother's child who has gone round Kolo (mountain) five times looking for the women's charm. She has seen it today. Women are hard hearted, they will not initiate a decent person. They initiate orphans. An orphan who has lost her mother. Whom death has imbued with courage. Losing one's parent is painful. I should have had an uncle who would have given me a goat to give to the waterman. To please the waterman so that he would return to the water." The "waterman" is a water sprite. Lelingoana women's initiation song with slapping hands on leather skirts.
  • Full Text: false
  • Date Issued: 1959
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