Chaminuka teera wamwe (Chaminuka follows others)
- Manyoni Wanyamande, Hugh Tracey
- Authors: Manyoni Wanyamande , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Fort Victoria f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180241 , vital:43341 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-13
- Description: Chaminuka is the name given to a whole line of religious prophets who for many generations led the spiritual life and thoughts of the Karanga people. One of the Chaminuka prophets is said to have smitten the waters of the Zambezi so that the river parted. The Karanga people came over dry foot. His soul, they say, first flew across the river in the form of a dove. Towards the end of the song, the singer breaks into the local patois, representing a conversation between him and a 'Mujoni'. a policeman on a horse. Humorous song with Njari (Mbira).
- Full Text: false
- Date Issued: 1949
- Authors: Manyoni Wanyamande , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Fort Victoria f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180241 , vital:43341 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-13
- Description: Chaminuka is the name given to a whole line of religious prophets who for many generations led the spiritual life and thoughts of the Karanga people. One of the Chaminuka prophets is said to have smitten the waters of the Zambezi so that the river parted. The Karanga people came over dry foot. His soul, they say, first flew across the river in the form of a dove. Towards the end of the song, the singer breaks into the local patois, representing a conversation between him and a 'Mujoni'. a policeman on a horse. Humorous song with Njari (Mbira).
- Full Text: false
- Date Issued: 1949
Iye wonde
- Manyoni Wanyamande, Performer not specified, composer not specified, Tracey, Hugh
- Authors: Manyoni Wanyamande , Performer not specified , composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/358708 , vital:64890 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0013-C6M14
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
- Authors: Manyoni Wanyamande , Performer not specified , composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/358708 , vital:64890 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0013-C6M14
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
Mbiriwiri ya Mondoro
- Manyoni Wanyamande, Hugh Tracey
- Authors: Manyoni Wanyamande , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Fort Victoria f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180222 , vital:43334 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-11
- Description: The name of this tune 'Mbiriwiri' has been associated with the playing of Mbira type instruments from time immemorial. In this case it is also connected with the spirit concept of the Mondoro or Lion spirit. The singer uses several quotations from older songs such as "Regai ndi baiwa ne banga chena, kufa kwandida." This is to be the prophet Chaminuka's last words when he was surrounded by Ndebele soilders who had come to kill him. They could not harm him and he died by being pierced in the armpit with a sharp knife held by a small boy. "Let me be stabbed by a bright knife, the death of my desiring." Song for Mashawi souls with Njari (Mbira).
- Full Text: false
- Date Issued: 1949
- Authors: Manyoni Wanyamande , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Fort Victoria f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180222 , vital:43334 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-11
- Description: The name of this tune 'Mbiriwiri' has been associated with the playing of Mbira type instruments from time immemorial. In this case it is also connected with the spirit concept of the Mondoro or Lion spirit. The singer uses several quotations from older songs such as "Regai ndi baiwa ne banga chena, kufa kwandida." This is to be the prophet Chaminuka's last words when he was surrounded by Ndebele soilders who had come to kill him. They could not harm him and he died by being pierced in the armpit with a sharp knife held by a small boy. "Let me be stabbed by a bright knife, the death of my desiring." Song for Mashawi souls with Njari (Mbira).
- Full Text: false
- Date Issued: 1949
Shokora ndinozwa mumba muno (Pound the grain, I am listening inside here)
- Manyoni Wanyamande and his wife, Hugh Tracey
- Authors: Manyoni Wanyamande and his wife , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Fort Victoria f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180231 , vital:43335 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-12
- Description: The Shangara dance has enjoyed many years of popularity amongst the younger generation. Its pronunciation is unusual being Shangara and not as one might have expected Shangara. It is swiftly moving step dance performed by each of the dancers in turn. The singer remarks among other things on the expense involved if you visit a town. Dance song for Shangara dance for me and women with Njari (Mbira).
- Full Text: false
- Date Issued: 1949
- Authors: Manyoni Wanyamande and his wife , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Fort Victoria f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180231 , vital:43335 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-12
- Description: The Shangara dance has enjoyed many years of popularity amongst the younger generation. Its pronunciation is unusual being Shangara and not as one might have expected Shangara. It is swiftly moving step dance performed by each of the dancers in turn. The singer remarks among other things on the expense involved if you visit a town. Dance song for Shangara dance for me and women with Njari (Mbira).
- Full Text: false
- Date Issued: 1949
Shangara
- Manyoni Wanyamande and his wife, Hugh Tracey
- Authors: Manyoni Wanyamande and his wife , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Gwelo f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180185 , vital:43330 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-07
- Description: Drinking song with Njari (Mbira)
- Full Text: false
- Date Issued: 1949
- Authors: Manyoni Wanyamande and his wife , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Gwelo f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180185 , vital:43330 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-07
- Description: Drinking song with Njari (Mbira)
- Full Text: false
- Date Issued: 1949
Ziriya yapasharo
- Manyoni Zhou and Simoni Mashoko Shawa, Hugh Tracey
- Authors: Manyoni Zhou and Simoni Mashoko Shawa , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Chilimanzi f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181444 , vital:43734 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR175-04
- Description: It is usual for semi-professional entertainers of this kind to keep up running patter of amusing remarks and scandal to the traditional airs played on the Njari in the background. Like many other players of this instrument Manyoni Zhou calls himself "The player of Mbira". The two musicians come from neighbouring districts, Zhou from Chilimanzi and Mashoko from Buhera, the district in which the Njari originated about 1760 A.D. Topical song with two Njari Mbira, one with 33 notes and one with 31 notes.
- Full Text: false
- Date Issued: 1949
- Authors: Manyoni Zhou and Simoni Mashoko Shawa , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Chilimanzi f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181444 , vital:43734 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR175-04
- Description: It is usual for semi-professional entertainers of this kind to keep up running patter of amusing remarks and scandal to the traditional airs played on the Njari in the background. Like many other players of this instrument Manyoni Zhou calls himself "The player of Mbira". The two musicians come from neighbouring districts, Zhou from Chilimanzi and Mashoko from Buhera, the district in which the Njari originated about 1760 A.D. Topical song with two Njari Mbira, one with 33 notes and one with 31 notes.
- Full Text: false
- Date Issued: 1949
Nhandi gava
- Manyurure Moyo, Duma men, Composer not specified, Tracey, Hugh
- Authors: Manyurure Moyo , Duma men , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/394829 , vital:69018 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO888-C6P12
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
- Authors: Manyurure Moyo , Duma men , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/394829 , vital:69018 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO888-C6P12
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
Ndera wandera
- Manyurure Moyo, Duma men, Composer not specified, Tracey, Hugh
- Authors: Manyurure Moyo , Duma men , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/394820 , vital:69015 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO888-C6P11
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
- Authors: Manyurure Moyo , Duma men , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/394820 , vital:69015 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO888-C6P11
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
Eiye mujejiwe
- Maponda Moyo, performer not specified, Composer not specified, Tracey, Hugh
- Authors: Maponda Moyo , performer not specified , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/394875 , vital:69023 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO889-C6P6
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
- Authors: Maponda Moyo , performer not specified , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/394875 , vital:69023 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO889-C6P6
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
Ndinoda kuyenda mbuyawe
- Authors: Mashanje Shawa , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180492 , vital:43394 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-07
- Description: These three short tunes also demonstrate the sound of the friction bow as heard by the player. One end of the palm leaf strip is held across the open mouth and the whole is set in vibration by the rattle stick rubbing across serations in the bow. The mouth harmonies can be heard through the piercing noise of the rattle and the rubbing. Self delectative songs, with Chipendani musical bow and Chimazambi friction bow.
- Full Text: false
- Date Issued: 1949
- Authors: Mashanje Shawa , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180492 , vital:43394 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-07
- Description: These three short tunes also demonstrate the sound of the friction bow as heard by the player. One end of the palm leaf strip is held across the open mouth and the whole is set in vibration by the rattle stick rubbing across serations in the bow. The mouth harmonies can be heard through the piercing noise of the rattle and the rubbing. Self delectative songs, with Chipendani musical bow and Chimazambi friction bow.
- Full Text: false
- Date Issued: 1949
(a) Ndinoda kuyenda mbuyawe
- Mashanje Shawa, performer not specified, Composer not specified, Tracey, Hugh
- Authors: Mashanje Shawa , performer not specified , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/395026 , vital:69039 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0892-C6O3
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
- Authors: Mashanje Shawa , performer not specified , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/395026 , vital:69039 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0892-C6O3
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
Chigamba
- Matimba Shava, performer not specified, Composer not specified, Tracey, Hugh
- Authors: Matimba Shava , performer not specified , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/394779 , vital:69010 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO887-C6P15b
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
- Authors: Matimba Shava , performer not specified , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/394779 , vital:69010 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO887-C6P15b
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
Doro rabikwa
- Matimba Shava, performer not specified, Composer not specified, Tracey, Hugh
- Authors: Matimba Shava , performer not specified , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/394762 , vital:69009 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO887-C6P15a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
- Authors: Matimba Shava , performer not specified , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/394762 , vital:69009 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO887-C6P15a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
Zainyanyatoko
- Authors: Muchuru Zhou , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180520 , vital:43397 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-10
- Description: The story of a woman who was driven away from the village as they said she was a 'witch' and her husband too rude. The common name for a person whose behaviour or presence is a cause of offence to the others in the community was a 'witch' as used in the mediaeval sense. Story song.
- Full Text: false
- Date Issued: 1949
- Authors: Muchuru Zhou , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180520 , vital:43397 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-10
- Description: The story of a woman who was driven away from the village as they said she was a 'witch' and her husband too rude. The common name for a person whose behaviour or presence is a cause of offence to the others in the community was a 'witch' as used in the mediaeval sense. Story song.
- Full Text: false
- Date Issued: 1949
Dududu ndakaringo mudzimure
- Muchuru Zhou, Duma men, Composer not specified, Tracey, Hugh
- Authors: Muchuru Zhou , Duma men , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/394950 , vital:69031 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO891-C6O4
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
- Authors: Muchuru Zhou , Duma men , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/394950 , vital:69031 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO891-C6O4
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
Zuwa rawira mukaiwe (The sun is setting, wake up)
- Muchuru Zhou with a man and woman, Hugh Tracey
- Authors: Muchuru Zhou with a man and woman , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180501 , vital:43395 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-08
- Description: There was, once upon a time a baboon who was walking in amongst the hills and found plenty of fruit. Matamba ('Kaffir oranges', strychnos spinosa). He ate a great many and went to sleep on the path, full to the brim. Presently an old woman who was collecting firewood came along and said "My child, why are you sleeping on the path like this?" He did not reply. So she said, "Wake up, the sun is setting." He said, "I don't want to, I am full." Then he said "Come here and listen to my song". So she came near and the baboon sang his song. "The sun is setting, wake up, wake up! Ha-hey-ha, old woman! She makes me laugh. I have discovered this hill here. Which is full of fruit, so I go here and there, eating my fill and laughing." Now when he had finished singing, he woke up, got up and followed the old woman all the way to her home. Son story.
- Full Text: false
- Date Issued: 1949
- Authors: Muchuru Zhou with a man and woman , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180501 , vital:43395 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-08
- Description: There was, once upon a time a baboon who was walking in amongst the hills and found plenty of fruit. Matamba ('Kaffir oranges', strychnos spinosa). He ate a great many and went to sleep on the path, full to the brim. Presently an old woman who was collecting firewood came along and said "My child, why are you sleeping on the path like this?" He did not reply. So she said, "Wake up, the sun is setting." He said, "I don't want to, I am full." Then he said "Come here and listen to my song". So she came near and the baboon sang his song. "The sun is setting, wake up, wake up! Ha-hey-ha, old woman! She makes me laugh. I have discovered this hill here. Which is full of fruit, so I go here and there, eating my fill and laughing." Now when he had finished singing, he woke up, got up and followed the old woman all the way to her home. Son story.
- Full Text: false
- Date Issued: 1949
Chimwandikonda
- Munthuanengwi Muhlanga, Performer not specified, composer not specified, Tracey, Hugh
- Authors: Munthuanengwi Muhlanga , Performer not specified , composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/358618 , vital:64880 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0011-C6M5
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
- Authors: Munthuanengwi Muhlanga , Performer not specified , composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/358618 , vital:64880 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0011-C6M5
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
Chimwanikoda
- Munthuanengwi Muhlanga, Hugh Tracey
- Authors: Munthuanengwi Muhlanga , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Gwelo f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180348 , vital:43355 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-04
- Description: An unusual musical bow on account of the use of a bridge ith which to divide the string into two segements and convey the sound direct to a small drum like resonator attached to the bow near its center. This simple little bow is played with an ox-tail bow near the point of stress. A thin stick is inserted between the gourd's membrane and the wire, conveying the sound down to the resonator and also dividing the single string into two unequal segments. The player stops the shorter of the two, thus producing the fundamental note on the longer segment and two or three notes on the shorter. It is perhaps strange to think that this product could prove entertaining and satisfactory to the performer. Self delectative song, with Chimwanikoda bowed musical bow, braced.
- Full Text: false
- Date Issued: 1949
- Authors: Munthuanengwi Muhlanga , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Gwelo f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180348 , vital:43355 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-04
- Description: An unusual musical bow on account of the use of a bridge ith which to divide the string into two segements and convey the sound direct to a small drum like resonator attached to the bow near its center. This simple little bow is played with an ox-tail bow near the point of stress. A thin stick is inserted between the gourd's membrane and the wire, conveying the sound down to the resonator and also dividing the single string into two unequal segments. The player stops the shorter of the two, thus producing the fundamental note on the longer segment and two or three notes on the shorter. It is perhaps strange to think that this product could prove entertaining and satisfactory to the performer. Self delectative song, with Chimwanikoda bowed musical bow, braced.
- Full Text: false
- Date Issued: 1949
Ndinosara nani (With whom shall I stay)
- Muroiwa Musobenzo, Hugh Tracey
- Authors: Muroiwa Musobenzo , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180403 , vital:43360 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-06
- Description: a) This tune in 5 time is very well known in the southern part of the country, and has been set to the Njari Mbira as well as the bow and was recorded by H. T. T. in 1933, sixteen years earlier. b) The player strained up his bow for the second tune. Both tunes were recorded with the microphone very near the performer's mouth in order to demonstrate the sound of the Chipedani as heard by the player himself. The mouthed harmonics can be clearly heard. Only those very nearby would in fact hear the bow clearly and the mouth harmonics. Self delectative songs, with Chipendani musical bow and Chimazambi friction bow.
- Full Text: false
- Date Issued: 1949
- Authors: Muroiwa Musobenzo , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180403 , vital:43360 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-06
- Description: a) This tune in 5 time is very well known in the southern part of the country, and has been set to the Njari Mbira as well as the bow and was recorded by H. T. T. in 1933, sixteen years earlier. b) The player strained up his bow for the second tune. Both tunes were recorded with the microphone very near the performer's mouth in order to demonstrate the sound of the Chipedani as heard by the player himself. The mouthed harmonics can be clearly heard. Only those very nearby would in fact hear the bow clearly and the mouth harmonics. Self delectative songs, with Chipendani musical bow and Chimazambi friction bow.
- Full Text: false
- Date Issued: 1949
Ayapela mashitibeta
- Musekiwa Mate, Bigi Sibanda Shumba, Composer not specified, Tracey, Hugh
- Authors: Musekiwa Mate , Bigi Sibanda Shumba , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/394757 , vital:69008 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0886-C6Q7
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
- Authors: Musekiwa Mate , Bigi Sibanda Shumba , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe city not specified f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/394757 , vital:69008 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0886-C6Q7
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949