Amama nkhawawone
- Eliya Chaya, Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Eliya Chaya , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi city not specified f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/389026 , vital:68403 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0758-D2A6a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Eliya Chaya , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi city not specified f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/389026 , vital:68403 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0758-D2A6a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Amama nkhawawone; Azungu musinjilo
- Eliya Chaya, Composer not specified, Tracey, Hugh
- Authors: Eliya Chaya , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi city not specified f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/307991 , vital:58867 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2429-XYZ5946
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Eliya Chaya , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi city not specified f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/307991 , vital:58867 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2429-XYZ5946
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Oo! madoda!
- Falesi Phiri, Chewa women and girls, Tracey, Hugh
- Authors: Falesi Phiri , Chewa women and girls , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187298 , vital:44598 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-09
- Description: "Men, rejoice and honour the flag of our King George!" This is the kind of African dance tune in which the qauntity of noise is more important than the quality of its production. The style of singing appears to be influenced by the songs usually taught in schools and cannot be said to be wholly indigenous in form. The women first sing and then circle around to the sound of the drums. They shake to and fro side to side, their fronts counter balancing their sterns in opposite motion. The comparative simplicity of the music and drumming indicates the subtle influence of school (foreign) music teaching. Kasodo dance song for women and girls with Barrel drum, double heade, laced, and a tin (-12.16-) and whistles (-11.515-)
- Full Text: false
- Date Issued: 1950
- Authors: Falesi Phiri , Chewa women and girls , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187298 , vital:44598 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-09
- Description: "Men, rejoice and honour the flag of our King George!" This is the kind of African dance tune in which the qauntity of noise is more important than the quality of its production. The style of singing appears to be influenced by the songs usually taught in schools and cannot be said to be wholly indigenous in form. The women first sing and then circle around to the sound of the drums. They shake to and fro side to side, their fronts counter balancing their sterns in opposite motion. The comparative simplicity of the music and drumming indicates the subtle influence of school (foreign) music teaching. Kasodo dance song for women and girls with Barrel drum, double heade, laced, and a tin (-12.16-) and whistles (-11.515-)
- Full Text: false
- Date Issued: 1950
Ndilandile kalata kwa Masula
- Falesi Phiri, Chewa women and girls, Tracey, Hugh
- Authors: Falesi Phiri , Chewa women and girls , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187306 , vital:44601 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-10
- Description: "When I receive a letter from Masula i'ii read it with all my heart." The women circle and dance around the drummer in the centre. The comparative simplicity of the music and drumming indicates the subtle influence of school (foreign) music teaching. Kasodo dance song for women and girls with Barrel drum, double heade, laced, and a tin (-12.16-) and whistles (-11.515-)
- Full Text: false
- Date Issued: 1950
- Authors: Falesi Phiri , Chewa women and girls , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187306 , vital:44601 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-10
- Description: "When I receive a letter from Masula i'ii read it with all my heart." The women circle and dance around the drummer in the centre. The comparative simplicity of the music and drumming indicates the subtle influence of school (foreign) music teaching. Kasodo dance song for women and girls with Barrel drum, double heade, laced, and a tin (-12.16-) and whistles (-11.515-)
- Full Text: false
- Date Issued: 1950
Kawoza ndirinde
- Filimon Phiri, Tonga women, Hugh Tracey
- Authors: Filimon Phiri , Tonga women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184911 , vital:44286 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-12
- Description: The story is about a chief who died and left a window. People used to come and visit her every evening. She would play them a magical drum both to entertain her visitors and also to remind her of her husband. The drum would play rhythms by itself being touched. Story song
- Full Text: false
- Date Issued: 1950
- Authors: Filimon Phiri , Tonga women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184911 , vital:44286 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-12
- Description: The story is about a chief who died and left a window. People used to come and visit her every evening. She would play them a magical drum both to entertain her visitors and also to remind her of her husband. The drum would play rhythms by itself being touched. Story song
- Full Text: false
- Date Issued: 1950
Je-je-je nyoli yangu
- Filimon Phiri, Tonga women, Hugh Tracey
- Authors: Filimon Phiri , Tonga women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184902 , vital:44285 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-11
- Description: The story is about a violent person who used to go about stealing chickens. He would claim that all the chicken in the village were his. It is not usual for the teller of the story to talk over the singing as is done in this case. Story song
- Full Text: false
- Date Issued: 1950
- Authors: Filimon Phiri , Tonga women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184902 , vital:44285 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-11
- Description: The story is about a violent person who used to go about stealing chickens. He would claim that all the chicken in the village were his. It is not usual for the teller of the story to talk over the singing as is done in this case. Story song
- Full Text: false
- Date Issued: 1950
zapoke muchere uno
- Foch Manda, Tumbuka men, Hugh Tracey
- Authors: Foch Manda , Tumbuka men , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185534 , vital:44395 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-17
- Description: A typical song from the Lundazi District which makes use of the local variety of yodeling and chorus. The recording was made in a hall which gives a false acoustic to the song which as a folk song should be heard in the open air. Chiparaparu dance song
- Full Text: false
- Date Issued: 1952
- Authors: Foch Manda , Tumbuka men , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185534 , vital:44395 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-17
- Description: A typical song from the Lundazi District which makes use of the local variety of yodeling and chorus. The recording was made in a hall which gives a false acoustic to the song which as a folk song should be heard in the open air. Chiparaparu dance song
- Full Text: false
- Date Issued: 1952
Zapoke muchere uno
- Foch Manda, Tumbuka men, Composer not specified, Tracey, Hugh
- Authors: Foch Manda , Tumbuka men , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zambia city not specified f-za
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/308703 , vital:58948 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , FTP2447-XYZ5991
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
- Authors: Foch Manda , Tumbuka men , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zambia city not specified f-za
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/308703 , vital:58948 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , FTP2447-XYZ5991
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
A Mkandawire mulizye makora Bangwe
- Fumba Mkandawile, performer not specified, Tracey, Hugh
- Authors: Fumba Mkandawile , performer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zambia Lusaka f-za
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/379522 , vital:67353 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0539-C4Q21
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
- Authors: Fumba Mkandawile , performer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zambia Lusaka f-za
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/379522 , vital:67353 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0539-C4Q21
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
Ndapata muvyala wane
- Fumba Mkandawile, performer not specified, Tracey, Hugh
- Authors: Fumba Mkandawile , performer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zambia Lusaka f-za
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/379509 , vital:67352 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0539-C4Q20
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
- Authors: Fumba Mkandawile , performer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zambia Lusaka f-za
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/379509 , vital:67352 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0539-C4Q20
- Description: Indigenous music
- Full Text: false
- Date Issued: 1949
Okoma sakwatana
- Ganizani Nyirenda, Hugh Tracey
- Authors: Ganizani Nyirenda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186612 , vital:44517 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-17
- Description: This is his own composition. The apparent over-modulation of the voice seems to be caused by the vibration of the mirliton buzzer. Self delectative song with 10 note Kalimba (Mbira)
- Full Text: false
- Date Issued: 1950
- Authors: Ganizani Nyirenda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186612 , vital:44517 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-17
- Description: This is his own composition. The apparent over-modulation of the voice seems to be caused by the vibration of the mirliton buzzer. Self delectative song with 10 note Kalimba (Mbira)
- Full Text: false
- Date Issued: 1950
Paja mundikonda mundilembele kalata
- Ganizani Nyirenda, Hugh Tracey
- Authors: Ganizani Nyirenda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186594 , vital:44515 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-17
- Description: This song has heavy mirliton buzzing, but the fourth is clearer as he tightened up the membrane of the mirliton to make it less pronounced. Self delectative song with 10 note Kalimba (Mbira)
- Full Text: false
- Date Issued: 1950
- Authors: Ganizani Nyirenda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186594 , vital:44515 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-17
- Description: This song has heavy mirliton buzzing, but the fourth is clearer as he tightened up the membrane of the mirliton to make it less pronounced. Self delectative song with 10 note Kalimba (Mbira)
- Full Text: false
- Date Issued: 1950
A Yotamu amati andimange
- Ganizani Nyirenda, Hugh Tracey
- Authors: Ganizani Nyirenda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186585 , vital:44514 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-14
- Description: "Yotamu wanted the the chief to imprison me." The plaer sings, not in unison with his instrument, but in paraell with it. Tuning:- 792, 720, 592, 536, 476, 456, 396, 360, 296, 228. The player learnt his playing from a Nshenga at Fort Jameson called Jeremia Phiri in 1931. Self delectative song with 10 note Kalimba (Mbira)
- Full Text: false
- Date Issued: 1950
- Authors: Ganizani Nyirenda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186585 , vital:44514 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-14
- Description: "Yotamu wanted the the chief to imprison me." The plaer sings, not in unison with his instrument, but in paraell with it. Tuning:- 792, 720, 592, 536, 476, 456, 396, 360, 296, 228. The player learnt his playing from a Nshenga at Fort Jameson called Jeremia Phiri in 1931. Self delectative song with 10 note Kalimba (Mbira)
- Full Text: false
- Date Issued: 1950
Tiziyendelana
- Ganizani Nyirenda, Hugh Tracey
- Authors: Ganizani Nyirenda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186617 , vital:44518 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-18
- Description: This is his own composition. The apparent over-modulation of the voice seems to be caused by the vibration of the mirliton buzzer. Self delectative song with 10 note Kalimba (Mbira)
- Full Text: false
- Date Issued: 1950
- Authors: Ganizani Nyirenda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186617 , vital:44518 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-18
- Description: This is his own composition. The apparent over-modulation of the voice seems to be caused by the vibration of the mirliton buzzer. Self delectative song with 10 note Kalimba (Mbira)
- Full Text: false
- Date Issued: 1950
Ndamutemba Nyanja
- Ganizani Nyirenda, Hugh Tracey
- Authors: Ganizani Nyirenda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186565 , vital:44512 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-13
- Description: "I will counteract the diviners charms," Self delectative song with 10 note Lalimba (Mbira).
- Full Text: false
- Date Issued: 1950
- Authors: Ganizani Nyirenda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186565 , vital:44512 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-13
- Description: "I will counteract the diviners charms," Self delectative song with 10 note Lalimba (Mbira).
- Full Text: false
- Date Issued: 1950
Uku ndapita ine
- Ganizani Nyirenda, Hugh Tracey
- Authors: Ganizani Nyirenda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186603 , vital:44516 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-16
- Description: Self delectative song with 10 note Kalimba (Mbira)
- Full Text: false
- Date Issued: 1950
- Authors: Ganizani Nyirenda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186603 , vital:44516 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-16
- Description: Self delectative song with 10 note Kalimba (Mbira)
- Full Text: false
- Date Issued: 1950
Wagona muntowa
- Gindiloni Ngoma, Composer not specified, Tracey, Hugh
- Authors: Gindiloni Ngoma , Composer not specified , Tracey, Hugh
- Date: 1951
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi city not specified f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/306181 , vital:58658 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2380-XYZ5929a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1951
- Authors: Gindiloni Ngoma , Composer not specified , Tracey, Hugh
- Date: 1951
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi city not specified f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/306181 , vital:58658 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2380-XYZ5929a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1951
Hinya nade
- Gindiloni Ngoma, Composer not specified, Tracey, Hugh
- Authors: Gindiloni Ngoma , Composer not specified , Tracey, Hugh
- Date: 1951
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi city not specified f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/306211 , vital:58661 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2380-XYZ5929b
- Description: Indigenous music
- Full Text: false
- Date Issued: 1951
- Authors: Gindiloni Ngoma , Composer not specified , Tracey, Hugh
- Date: 1951
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi city not specified f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/306211 , vital:58661 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2380-XYZ5929b
- Description: Indigenous music
- Full Text: false
- Date Issued: 1951
Wagona muntowa
- Gindiloni Ngoma, performer not specified, Composer not specified, Tracey, Hugh
- Authors: Gindiloni Ngoma , performer not specified , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi city not dpecified f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/386339 , vital:68131 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0711-DY5a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Gindiloni Ngoma , performer not specified , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi city not dpecified f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/386339 , vital:68131 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0711-DY5a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Wagona muntowa
- Gindiloni Ngoma, Hugh Tracey
- Authors: Gindiloni Ngoma , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185231 , vital:44355 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-01
- Description: The Ugubu was a popular instrument with the Zulu of Natal several generations ago but few are now left in Natal. With the exception of one or two minor details this instrument is in the same as that of the Zulu. The chief modification is the use of a straining bridge to increase the tension of the bark string. This bow was made of a length of Tete reed 5 ft. 2 1/4 inches long and about 1 1/4 ins. diameter, and had an unusual method of straining the single string. There was a small bridge inserted between the reed and the string near the lower end and the resonating gourd was attached by means of a wore which also acted as a moveable tuning device dividing the string into two segments. The top segment was 3 ft. 10 ins. long and emitted a note of 71 vs. (81 vs. when stopped by clasping between the finger and thumb). The lower segment was not used. The interval between the two notes used is 220 cents. Self delectative song with Ugubu, musical bow, stressed and resonated
- Full Text: false
- Date Issued: 1950
- Authors: Gindiloni Ngoma , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185231 , vital:44355 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-01
- Description: The Ugubu was a popular instrument with the Zulu of Natal several generations ago but few are now left in Natal. With the exception of one or two minor details this instrument is in the same as that of the Zulu. The chief modification is the use of a straining bridge to increase the tension of the bark string. This bow was made of a length of Tete reed 5 ft. 2 1/4 inches long and about 1 1/4 ins. diameter, and had an unusual method of straining the single string. There was a small bridge inserted between the reed and the string near the lower end and the resonating gourd was attached by means of a wore which also acted as a moveable tuning device dividing the string into two segments. The top segment was 3 ft. 10 ins. long and emitted a note of 71 vs. (81 vs. when stopped by clasping between the finger and thumb). The lower segment was not used. The interval between the two notes used is 220 cents. Self delectative song with Ugubu, musical bow, stressed and resonated
- Full Text: false
- Date Issued: 1950