1st Movement "Msitso wo Khata"
- Katini we Nyamombe (Leader), Tracey, Hugh
- Authors: Katini we Nyamombe (Leader) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194824 , vital:45499 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-01
- Description: This is the first Chopi Ngodo ever recorded and published. It is described in my book "Chopi Muscians" Oxford University Press. The recordings were taken on glass based acetate discs in November 1943 and copied onto tape in October 1963. With the exception of a few verses omitted from one or two of the lyrics this version, performed away from home in the broadcasting studios of SABC Durban, Natal, is the same as a village performance but without the dancers. The players themselves sang all the words which are normally sung by the dancers. As there were no dance routines to be completed during the performance, each item is rather shorter than it would have been in the home village. With these minor exceptions the Ngodo is the complete work; all of it the composition of its leader Katini, a leading figure in Chopi music for 40 years. He died in 1948 about 60 years old. Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
- Authors: Katini we Nyamombe (Leader) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194824 , vital:45499 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-01
- Description: This is the first Chopi Ngodo ever recorded and published. It is described in my book "Chopi Muscians" Oxford University Press. The recordings were taken on glass based acetate discs in November 1943 and copied onto tape in October 1963. With the exception of a few verses omitted from one or two of the lyrics this version, performed away from home in the broadcasting studios of SABC Durban, Natal, is the same as a village performance but without the dancers. The players themselves sang all the words which are normally sung by the dancers. As there were no dance routines to be completed during the performance, each item is rather shorter than it would have been in the home village. With these minor exceptions the Ngodo is the complete work; all of it the composition of its leader Katini, a leading figure in Chopi music for 40 years. He died in 1948 about 60 years old. Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
1st Movement "Msitso" I
- Komukomu wa Simbi (Leader), Tracey, Hugh
- Authors: Komukomu wa Simbi (Leader) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194905 , vital:45508 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-10
- Description: This Msitso, orchestral introductions to the Ngodo dance are fine examples of the classical style of starting the performance. Each Msitso is composed as pure music without a lyric base and Komukomu who dies in 1962 was a master of his craft, both as leader of his orchestra and a composer for over 30 years (See "Chopi Musicians" page 39). Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
- Authors: Komukomu wa Simbi (Leader) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194905 , vital:45508 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-10
- Description: This Msitso, orchestral introductions to the Ngodo dance are fine examples of the classical style of starting the performance. Each Msitso is composed as pure music without a lyric base and Komukomu who dies in 1962 was a master of his craft, both as leader of his orchestra and a composer for over 30 years (See "Chopi Musicians" page 39). Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
1st Movement "Msitso" II
- Komukomu wa Simbi (Leader), Tracey, Hugh
- Authors: Komukomu wa Simbi (Leader) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194914 , vital:45509 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-11
- Description: This Msitso, orchestral introductions to the Ngodo dance are fine examples of the classical style of starting the performance. Each Msitso is composed as pure music without a lyric base and Komukomu who dies in 1962 was a master of his craft, both as leader of his orchestra and a composer for over 30 years (See "Chopi Musicians" page 39). Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
- Authors: Komukomu wa Simbi (Leader) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194914 , vital:45509 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-11
- Description: This Msitso, orchestral introductions to the Ngodo dance are fine examples of the classical style of starting the performance. Each Msitso is composed as pure music without a lyric base and Komukomu who dies in 1962 was a master of his craft, both as leader of his orchestra and a composer for over 30 years (See "Chopi Musicians" page 39). Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
1st Movement "Msitso" III
- Komukomu wa Simbi (Leader), Tracey, Hugh
- Authors: Komukomu wa Simbi (Leader) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194923 , vital:45510 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-12
- Description: This Msitso, orchestral introductions to the Ngodo dance are fine examples of the classical style of starting the performance. Each Msitso is composed as pure music without a lyric base and Komukomu who dies in 1962 was a master of his craft, both as leader of his orchestra and a composer for over 30 years (See "Chopi Musicians" page 39). Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
- Authors: Komukomu wa Simbi (Leader) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194923 , vital:45510 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-12
- Description: This Msitso, orchestral introductions to the Ngodo dance are fine examples of the classical style of starting the performance. Each Msitso is composed as pure music without a lyric base and Komukomu who dies in 1962 was a master of his craft, both as leader of his orchestra and a composer for over 30 years (See "Chopi Musicians" page 39). Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
1st Movement "Msitso" IV
- Komukomu wa Simbi (Leader), Tracey, Hugh
- Authors: Komukomu wa Simbi (Leader) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194931 , vital:45511 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-13
- Description: This Msitso, orchestral introductions to the Ngodo dance are fine examples of the classical style of starting the performance. Each Msitso is composed as pure music without a lyric base and Komukomu who dies in 1962 was a master of his craft, both as leader of his orchestra and a composer for over 30 years (See "Chopi Musicians" page 39). Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
- Authors: Komukomu wa Simbi (Leader) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194931 , vital:45511 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-13
- Description: This Msitso, orchestral introductions to the Ngodo dance are fine examples of the classical style of starting the performance. Each Msitso is composed as pure music without a lyric base and Komukomu who dies in 1962 was a master of his craft, both as leader of his orchestra and a composer for over 30 years (See "Chopi Musicians" page 39). Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
1st Movement "Msitso" V
- Komukomu wa Simbi (Leader), Tracey, Hugh
- Authors: Komukomu wa Simbi (Leader) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194941 , vital:45512 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-14
- Description: This Msitso, orchestral introductions to the Ngodo dance are fine examples of the classical style of starting the performance. Each Msitso is composed as pure music without a lyric base and Komukomu who dies in 1962 was a master of his craft, both as leader of his orchestra and a composer for over 30 years (See "Chopi Musicians" page 39). Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
- Authors: Komukomu wa Simbi (Leader) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194941 , vital:45512 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-14
- Description: This Msitso, orchestral introductions to the Ngodo dance are fine examples of the classical style of starting the performance. Each Msitso is composed as pure music without a lyric base and Komukomu who dies in 1962 was a master of his craft, both as leader of his orchestra and a composer for over 30 years (See "Chopi Musicians" page 39). Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
2nd Movement "Msitso wembidi"
- Katini we Nyamombe (Leader), Tracey, Hugh
- Authors: Katini we Nyamombe (Leader) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194829 , vital:45500 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-02
- Description: This is the first Chopi Ngodo ever recorded and published. It is described in my book "Chopi Muscians" Oxford University Press. The recordings were taken on glass based acetate discs in November 1943 and copied onto tape in October 1963. With the exception of a few verses omitted from one or two of the lyrics this version, performed away from home in the broadcasting studios of SABC Durban, Natal, is the same as a village performance but without the dancers. The players themselves sang all the words which are normally sung by the dancers. As there were no dance routines to be completed during the performance, each item is rather shorter than it would have been in the home village. With these minor exceptions the Ngodo is the complete work; all of it the composition of its leader Katini, a leading figure in Chopi music for 40 years. He died in 1948 about 60 years old. Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
- Authors: Katini we Nyamombe (Leader) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194829 , vital:45500 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-02
- Description: This is the first Chopi Ngodo ever recorded and published. It is described in my book "Chopi Muscians" Oxford University Press. The recordings were taken on glass based acetate discs in November 1943 and copied onto tape in October 1963. With the exception of a few verses omitted from one or two of the lyrics this version, performed away from home in the broadcasting studios of SABC Durban, Natal, is the same as a village performance but without the dancers. The players themselves sang all the words which are normally sung by the dancers. As there were no dance routines to be completed during the performance, each item is rather shorter than it would have been in the home village. With these minor exceptions the Ngodo is the complete work; all of it the composition of its leader Katini, a leading figure in Chopi music for 40 years. He died in 1948 about 60 years old. Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
3rd Movement "Ndano" Mahungwa a Filipe
- Komukomu wa Simbi (Leader), Tracey, Hugh
- Authors: Komukomu wa Simbi (Leader) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194951 , vital:45513 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-15
- Description: This Msitso, orchestral introductions to the Ngodo dance are fine examples of the classical style of starting the performance. Each Msitso is composed as pure music without a lyric base and Komukomu who dies in 1962 was a master of his craft, both as leader of his orchestra and a composer for over 30 years (See "Chopi Musicians" page 39). "Mahungwa a Filipe". The full text of the lyric and translation are on Pages 40 to 42 of "Chopi Musicians." For lack of his dancers to sing the lyric, Komukomu, who never pretended to having a voice, had to sing the words himself. Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
- Authors: Komukomu wa Simbi (Leader) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194951 , vital:45513 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-15
- Description: This Msitso, orchestral introductions to the Ngodo dance are fine examples of the classical style of starting the performance. Each Msitso is composed as pure music without a lyric base and Komukomu who dies in 1962 was a master of his craft, both as leader of his orchestra and a composer for over 30 years (See "Chopi Musicians" page 39). "Mahungwa a Filipe". The full text of the lyric and translation are on Pages 40 to 42 of "Chopi Musicians." For lack of his dancers to sing the lyric, Komukomu, who never pretended to having a voice, had to sing the words himself. Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
3rd Movement "Ngeniso" 'Ye Dawoti'
- Katini we Nyamombe (Leader), Komukomu, Sekalani, Bokisi, Madoshimani and Majanyana (5 players), Tracey, Hugh
- Authors: Katini we Nyamombe (Leader) , Komukomu, Sekalani, Bokisi, Madoshimani and Majanyana (5 players) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194842 , vital:45501 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-03
- Description: This is the first Chopi Ngodo ever recorded and published. It is described in my book "Chopi Muscians" Oxford University Press. The recordings were taken on glass based acetate discs in November 1943 and copied onto tape in October 1963. With the exception of a few verses omitted from one or two of the lyrics this version, performed away from home in the broadcasting studios of SABC Durban, Natal, is the same as a village performance but without the dancers. The players themselves sang all the words which are normally sung by the dancers. As there were no dance routines to be completed during the performance, each item is rather shorter than it would have been in the home village. With these minor exceptions the Ngodo is the complete work; all of it the composition of its leader Katini, a leading figure in Chopi music for 40 years. He died in 1948 about 60 years old. Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
- Authors: Katini we Nyamombe (Leader) , Komukomu, Sekalani, Bokisi, Madoshimani and Majanyana (5 players) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194842 , vital:45501 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-03
- Description: This is the first Chopi Ngodo ever recorded and published. It is described in my book "Chopi Muscians" Oxford University Press. The recordings were taken on glass based acetate discs in November 1943 and copied onto tape in October 1963. With the exception of a few verses omitted from one or two of the lyrics this version, performed away from home in the broadcasting studios of SABC Durban, Natal, is the same as a village performance but without the dancers. The players themselves sang all the words which are normally sung by the dancers. As there were no dance routines to be completed during the performance, each item is rather shorter than it would have been in the home village. With these minor exceptions the Ngodo is the complete work; all of it the composition of its leader Katini, a leading figure in Chopi music for 40 years. He died in 1948 about 60 years old. Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
4th Movement "Mdano" 'Lawanani zhentu Zavala'
- Katini we Nyamombe (Leader), Komukomu, Sekalani, Bokisi, Madoshimani and Majanyana (5 players), Tracey, Hugh
- Authors: Katini we Nyamombe (Leader) , Komukomu, Sekalani, Bokisi, Madoshimani and Majanyana (5 players) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194851 , vital:45502 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-04
- Description: This is the first Chopi Ngodo ever recorded and published. It is described in my book "Chopi Muscians" Oxford University Press. The recordings were taken on glass based acetate discs in November 1943 and copied onto tape in October 1963. With the exception of a few verses omitted from one or two of the lyrics this version, performed away from home in the broadcasting studios of SABC Durban, Natal, is the same as a village performance but without the dancers. The players themselves sang all the words which are normally sung by the dancers. As there were no dance routines to be completed during the performance, each item is rather shorter than it would have been in the home village. With these minor exceptions the Ngodo is the complete work; all of it the composition of its leader Katini, a leading figure in Chopi music for 40 years. He died in 1948 about 60 years old. Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
- Authors: Katini we Nyamombe (Leader) , Komukomu, Sekalani, Bokisi, Madoshimani and Majanyana (5 players) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194851 , vital:45502 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-04
- Description: This is the first Chopi Ngodo ever recorded and published. It is described in my book "Chopi Muscians" Oxford University Press. The recordings were taken on glass based acetate discs in November 1943 and copied onto tape in October 1963. With the exception of a few verses omitted from one or two of the lyrics this version, performed away from home in the broadcasting studios of SABC Durban, Natal, is the same as a village performance but without the dancers. The players themselves sang all the words which are normally sung by the dancers. As there were no dance routines to be completed during the performance, each item is rather shorter than it would have been in the home village. With these minor exceptions the Ngodo is the complete work; all of it the composition of its leader Katini, a leading figure in Chopi music for 40 years. He died in 1948 about 60 years old. Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
5th Movement "Doosinya"
- Katini we Nyamombe (Leader), Komukomu, Sekalani, Bokisi, Madoshimani and Majanyana (5 players), Tracey, Hugh
- Authors: Katini we Nyamombe (Leader) , Komukomu, Sekalani, Bokisi, Madoshimani and Majanyana (5 players) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194860 , vital:45503 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-05
- Description: For full details see "Chopi Musicians" Pages 22 to 29. Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
- Authors: Katini we Nyamombe (Leader) , Komukomu, Sekalani, Bokisi, Madoshimani and Majanyana (5 players) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194860 , vital:45503 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-05
- Description: For full details see "Chopi Musicians" Pages 22 to 29. Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
6th Movement "Jibudu"
- Katini we Nyamombe (Leader), Komukomu, Sekalani, Bokisi, Madoshimani and Majanyana (5 players), Tracey, Hugh
- Authors: Katini we Nyamombe (Leader) , Komukomu, Sekalani, Bokisi, Madoshimani and Majanyana (5 players) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194865 , vital:45504 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-06
- Description: For full details see "Chopi Musicians" Pages 22 to 29. Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
- Authors: Katini we Nyamombe (Leader) , Komukomu, Sekalani, Bokisi, Madoshimani and Majanyana (5 players) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194865 , vital:45504 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-06
- Description: For full details see "Chopi Musicians" Pages 22 to 29. Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
7th Movement "Mzeno"
- Katini we Nyamombe (Leader), Komukomu, Sekalani, Bokisi, Madoshimani and Majanyana (5 players), Tracey, Hugh
- Authors: Katini we Nyamombe (Leader) , Komukomu, Sekalani, Bokisi, Madoshimani and Majanyana (5 players) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194878 , vital:45505 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-07
- Description: For full details see "Chopi Musicians" Pages 22 to 29. Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
- Authors: Katini we Nyamombe (Leader) , Komukomu, Sekalani, Bokisi, Madoshimani and Majanyana (5 players) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194878 , vital:45505 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-07
- Description: For full details see "Chopi Musicians" Pages 22 to 29. Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
7th Movement "Mzeno" Hingane malala
- Komukomu wa Simbi (Leader), Tracey, Hugh
- Authors: Komukomu wa Simbi (Leader) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194961 , vital:45514 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-16
- Description: This Msitso, orchestral introductions to the Ngodo dance are fine examples of the classical style of starting the performance. Each Msitso is composed as pure music without a lyric base and Komukomu who dies in 1962 was a master of his craft, both as leader of his orchestra and a composer for over 30 years (See "Chopi Musicians" page 39). "Hingane malala". Full text and translation are on pages 47 and 51 of "Chopi Musicians. Owing to the shortage of acetate discs in South Africa during the 1939-45 war, this Ngodo was not recorded in full. Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
- Authors: Komukomu wa Simbi (Leader) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194961 , vital:45514 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-16
- Description: This Msitso, orchestral introductions to the Ngodo dance are fine examples of the classical style of starting the performance. Each Msitso is composed as pure music without a lyric base and Komukomu who dies in 1962 was a master of his craft, both as leader of his orchestra and a composer for over 30 years (See "Chopi Musicians" page 39). "Hingane malala". Full text and translation are on pages 47 and 51 of "Chopi Musicians. Owing to the shortage of acetate discs in South Africa during the 1939-45 war, this Ngodo was not recorded in full. Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
8th Movement "Mabandhla"
- Katini we Nyamombe (Leader), Komukomu, Sekalani, Bokisi, Madoshimani and Majanyana (5 players), Tracey, Hugh
- Authors: Katini we Nyamombe (Leader) , Komukomu, Sekalani, Bokisi, Madoshimani and Majanyana (5 players) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194883 , vital:45506 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-08
- Description: For full details see "Chopi Musicians" Pages 22 to 29. Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
- Authors: Katini we Nyamombe (Leader) , Komukomu, Sekalani, Bokisi, Madoshimani and Majanyana (5 players) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194883 , vital:45506 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-08
- Description: For full details see "Chopi Musicians" Pages 22 to 29. Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
9th Movement "Njiriri"
- Katini we Nyamombe (Leader), Komukomu, Sekalani, Bokisi, Madoshimani and Majanyana (5 players), Tracey, Hugh
- Authors: Katini we Nyamombe (Leader) , Komukomu, Sekalani, Bokisi, Madoshimani and Majanyana (5 players) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194888 , vital:45507 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-09
- Description: For full details see "Chopi Musicians" Pages 22 to 29. Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
- Authors: Katini we Nyamombe (Leader) , Komukomu, Sekalani, Bokisi, Madoshimani and Majanyana (5 players) , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194888 , vital:45507 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-09
- Description: For full details see "Chopi Musicians" Pages 22 to 29. Orchestral dance with six Timbila xylophones.
- Full Text: false
- Date Issued: 1943
Mzeno (Left and right hand techniques)
- Komukomu wa Simbi (Leader), Katini, Sekelani, Madochimani, Bokisi, Majanyana, Tracey, Hugh
- Authors: Komukomu wa Simbi (Leader) , Katini, Sekelani, Madochimani, Bokisi, Majanyana , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/195071 , vital:45524 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR210-02
- Description: This is a slighltly abbreviated version of the item. It was at that time (1943) difficult to record an item of over 4 minutes duration on the one side of an acetate disc as this was before the advent of microgroove, or of tape recording. Orchestral dance with 6 Timbila xylophones, including, 1 Chilanzane (Treble), 3 Sanje (Alto), 1 Debiinda (Bass and 1 Gulu (Double bass).
- Full Text: false
- Date Issued: 1943
- Authors: Komukomu wa Simbi (Leader) , Katini, Sekelani, Madochimani, Bokisi, Majanyana , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/195071 , vital:45524 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR210-02
- Description: This is a slighltly abbreviated version of the item. It was at that time (1943) difficult to record an item of over 4 minutes duration on the one side of an acetate disc as this was before the advent of microgroove, or of tape recording. Orchestral dance with 6 Timbila xylophones, including, 1 Chilanzane (Treble), 3 Sanje (Alto), 1 Debiinda (Bass and 1 Gulu (Double bass).
- Full Text: false
- Date Issued: 1943
Mzeno Hingane malala
- Komukomu wa Simbi (Leader), Katini, Sekelani, Madochimani, Bokisi, Majanyana, Tracey, Hugh
- Authors: Komukomu wa Simbi (Leader) , Katini, Sekelani, Madochimani, Bokisi, Majanyana , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/195076 , vital:45525 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR210-03
- Description: This is a slighltly abbreviated version of the item. It was at that time (1943) difficult to record an item of over 4 minutes duration on the one side of an acetate disc as this was before the advent of microgroove, or of tape recording. An exposition of left and right melodies on three of six Timbila xylophones. Orchestral dance with 6 Timbila xylophones, including, 1 Chilanzane (Treble), 3 Sanje (Alto), 1 Debiinda (Bass and 1 Gulu (Double bass).
- Full Text: false
- Date Issued: 1943
- Authors: Komukomu wa Simbi (Leader) , Katini, Sekelani, Madochimani, Bokisi, Majanyana , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/195076 , vital:45525 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR210-03
- Description: This is a slighltly abbreviated version of the item. It was at that time (1943) difficult to record an item of over 4 minutes duration on the one side of an acetate disc as this was before the advent of microgroove, or of tape recording. An exposition of left and right melodies on three of six Timbila xylophones. Orchestral dance with 6 Timbila xylophones, including, 1 Chilanzane (Treble), 3 Sanje (Alto), 1 Debiinda (Bass and 1 Gulu (Double bass).
- Full Text: false
- Date Issued: 1943
Mzeno Lawanani
- Komukomu wa Simbi (Leader), Katini, Sekelani, Madochimani, Bokisi, Majanyana, Tracey, Hugh
- Authors: Komukomu wa Simbi (Leader) , Katini, Sekelani, Madochimani, Bokisi, Majanyana , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/195060 , vital:45523 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR210-01
- Description: This is a slighltly abbreviated version of the item. It was at that time (1943) difficult to record an item of over 4 minutes duration on the one side of an acetate disc as this was before the advent of microgroove, or of tape recording. Orchestral dance with 6 Timbila xylophones, including, 1 Chilanzane (Treble), 3 Sanje (Alto), 1 Debiinda (Bass and 1 Gulu (Double bass).
- Full Text: false
- Date Issued: 1943
- Authors: Komukomu wa Simbi (Leader) , Katini, Sekelani, Madochimani, Bokisi, Majanyana , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/195060 , vital:45523 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR210-01
- Description: This is a slighltly abbreviated version of the item. It was at that time (1943) difficult to record an item of over 4 minutes duration on the one side of an acetate disc as this was before the advent of microgroove, or of tape recording. Orchestral dance with 6 Timbila xylophones, including, 1 Chilanzane (Treble), 3 Sanje (Alto), 1 Debiinda (Bass and 1 Gulu (Double bass).
- Full Text: false
- Date Issued: 1943
Mzeno Manganakana
- Katini wa Nyamombe (Leader), Komukomu, Sekelani, Madochimani, Bokisi, Majanyana, Tracey, Hugh
- Authors: Katini wa Nyamombe (Leader) , Komukomu, Sekelani, Madochimani, Bokisi, Majanyana , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/195089 , vital:45526 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR210-04
- Description: This is one of the items which was recorded in Durban, Natal, some 400 miles South of their home villages. It was recorded on acetate disc in November 1943. The full lyric and its translation are printed in 'Chopi Musicians' pages 15 to 18, and had been written down on a previous visit to their home district. This Mzeno had already been replaced by the new one "Hinganyengisa" but was still fresh in their memories, or as Katini put it "in their hands". Orchestral dance with 6 Timbila xylophones.
- Full Text: false
- Date Issued: 1943
- Authors: Katini wa Nyamombe (Leader) , Komukomu, Sekelani, Madochimani, Bokisi, Majanyana , Tracey, Hugh
- Date: 1943
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/195089 , vital:45526 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR210-04
- Description: This is one of the items which was recorded in Durban, Natal, some 400 miles South of their home villages. It was recorded on acetate disc in November 1943. The full lyric and its translation are printed in 'Chopi Musicians' pages 15 to 18, and had been written down on a previous visit to their home district. This Mzeno had already been replaced by the new one "Hinganyengisa" but was still fresh in their memories, or as Katini put it "in their hands". Orchestral dance with 6 Timbila xylophones.
- Full Text: false
- Date Issued: 1943