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Showing items 1 - 6 of 6

Your selections:

  • Tonga (Zambezi people)
  • Africa Zimbabwe Mkota, Mtoko, Southern Rhodesia f-rh
Creator
2Murira, Madzikuminga, Muzengedza and Madera 2Young Tonga men and girls 1S. Murira, C. Madzikuminga, Z. Muzengedza and S. Madera 1Sani Madera
CDDate
31958 31959
Facets
Creator
2Murira, Madzikuminga, Muzengedza and Madera 2Young Tonga men and girls 1S. Murira, C. Madzikuminga, Z. Muzengedza and S. Madera 1Sani Madera
CDDate
31958 31959
  • Title
  • Creator
  • Date

Quick View

Ai-ye! Nzara yakabora (Ai-ye! Famine has come)

- Young Tonga men and girls, Hugh Tracey


  • Authors: Young Tonga men and girls , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko, Southern Rhodesia f-rh
  • Language: Tonga/Sena
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/179125 , vital:39861 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-05
  • Description: The reed pipe players both sang and blowed their pipes alternately each having a distinct part in the complex whole. This recording omitted the usual drum accompaniment for clarity's sake only. Gororombe dance with 4 sets of end blown pipes, rattles and drums.
  • Full Text: false
  • Date Issued: 1958

Ai-ye! Nzara yakabora (Ai-ye! Famine has come)

  • Authors: Young Tonga men and girls , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko, Southern Rhodesia f-rh
  • Language: Tonga/Sena
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/179125 , vital:39861 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-05
  • Description: The reed pipe players both sang and blowed their pipes alternately each having a distinct part in the complex whole. This recording omitted the usual drum accompaniment for clarity's sake only. Gororombe dance with 4 sets of end blown pipes, rattles and drums.
  • Full Text: false
  • Date Issued: 1958
Quick View

Ngoma dze ngororombe

- Sani Madera, Hugh Tracey


  • Authors: Sani Madera , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko, Southern Rhodesia f-rh
  • Language: Tonga/Sena
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/179245 , vital:39864 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-07
  • Description: This remarkably efficient syncopating drummer gives a brilliant display on two drums, Mutumba and Jenje, accompanied by a ground played on Usindi and Karipi-Karipi. The player of the latter was blind. For details of the drums see TR085-03 and TR085-04. Drum rhythms with 4 drums.
  • Full Text: false
  • Date Issued: 1958

Ngoma dze ngororombe

  • Authors: Sani Madera , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko, Southern Rhodesia f-rh
  • Language: Tonga/Sena
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/179245 , vital:39864 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-07
  • Description: This remarkably efficient syncopating drummer gives a brilliant display on two drums, Mutumba and Jenje, accompanied by a ground played on Usindi and Karipi-Karipi. The player of the latter was blind. For details of the drums see TR085-03 and TR085-04. Drum rhythms with 4 drums.
  • Full Text: false
  • Date Issued: 1958
Quick View

Tsuro Wa siye mwana (The rabbit has left its child)

- Young Tonga men and girls, Hugh Tracey


  • Authors: Young Tonga men and girls , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko, Southern Rhodesia f-rh
  • Language: Tonga/Sena
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/179177 , vital:39862 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-06
  • Description: This item was recorded to demonstrate the way the drums fitted into the scheme of the Gororombe dance. The raising and lowering of the pitch of the Jenje drum with the heel of the player can be clearly heard. Gororombe dance with 4 sets of end blown pipes, rattles and drums.
  • Full Text: false
  • Date Issued: 1958

Tsuro Wa siye mwana (The rabbit has left its child)

  • Authors: Young Tonga men and girls , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko, Southern Rhodesia f-rh
  • Language: Tonga/Sena
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/179177 , vital:39862 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-06
  • Description: This item was recorded to demonstrate the way the drums fitted into the scheme of the Gororombe dance. The raising and lowering of the pitch of the Jenje drum with the heel of the player can be clearly heard. Gororombe dance with 4 sets of end blown pipes, rattles and drums.
  • Full Text: false
  • Date Issued: 1958
Quick View

Endai kwenyu watonga, usare machinda (Go away home Watonga, leaving the sons of Chiefs)

- S. Murira, C. Madzikuminga, Z. Muzengedza and S. Madera, Hugh Tracey


  • Authors: S. Murira, C. Madzikuminga, Z. Muzengedza and S. Madera , Hugh Tracey
  • Date: 1959
  • Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko, Southern Rhodesia f-rh
  • Language: Tonga/Sena
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/179155 , vital:39868 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-10
  • Description: This item is based upon well known and traditional melody of the region which has changed little, if al all, in the last thirty years when first recorded by me (Hugh Tracey), the only distinguishable difference merely reflecting the relative ability of the various players. This style of playing and the type of Mbira used, the Madebe dza Mondoro, are common both to the Sena/Tonga tribe and the Budya clan of the Korekore tribe in the Mtoko district who live further west. Party song with 3 Matebe dza Mondoro (Mbira) and Murumbi drum.
  • Full Text: false
  • Date Issued: 1959

Endai kwenyu watonga, usare machinda (Go away home Watonga, leaving the sons of Chiefs)

  • Authors: S. Murira, C. Madzikuminga, Z. Muzengedza and S. Madera , Hugh Tracey
  • Date: 1959
  • Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko, Southern Rhodesia f-rh
  • Language: Tonga/Sena
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/179155 , vital:39868 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-10
  • Description: This item is based upon well known and traditional melody of the region which has changed little, if al all, in the last thirty years when first recorded by me (Hugh Tracey), the only distinguishable difference merely reflecting the relative ability of the various players. This style of playing and the type of Mbira used, the Madebe dza Mondoro, are common both to the Sena/Tonga tribe and the Budya clan of the Korekore tribe in the Mtoko district who live further west. Party song with 3 Matebe dza Mondoro (Mbira) and Murumbi drum.
  • Full Text: false
  • Date Issued: 1959
Quick View

Kari muchipfuwa kanaziwa ne mwene wako (What is in your heart only yourself can tell)

- Murira, Madzikuminga, Muzengedza and Madera, Hugh Tracey


  • Authors: Murira, Madzikuminga, Muzengedza and Madera , Hugh Tracey
  • Date: 1959
  • Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko, Southern Rhodesia f-rh
  • Language: Tonga/Sena
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/179105 , vital:39866 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-08
  • Description: The great volume of sound mabe by the Matebe inside their resonators of large gourds gives a grand impression of what it is like to play in a band of this nature. Party song with three Matebe dza Mondoro (Mbira and Murumbi drum).
  • Full Text: false
  • Date Issued: 1959

Kari muchipfuwa kanaziwa ne mwene wako (What is in your heart only yourself can tell)

  • Authors: Murira, Madzikuminga, Muzengedza and Madera , Hugh Tracey
  • Date: 1959
  • Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko, Southern Rhodesia f-rh
  • Language: Tonga/Sena
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/179105 , vital:39866 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-08
  • Description: The great volume of sound mabe by the Matebe inside their resonators of large gourds gives a grand impression of what it is like to play in a band of this nature. Party song with three Matebe dza Mondoro (Mbira and Murumbi drum).
  • Full Text: false
  • Date Issued: 1959
Quick View

Waramba ukuma (He refused the relationship)

- Murira, Madzikuminga, Muzengedza and Madera, Hugh Tracey


  • Authors: Murira, Madzikuminga, Muzengedza and Madera , Hugh Tracey
  • Date: 1959
  • Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko, Southern Rhodesia f-rh
  • Language: Tonga/Sena
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/179072 , vital:39867 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-09
  • Description: "You refused friendship, Machinda. You refused friendship, it is worn out." Machinda was the title given to the sons of the Monomotapa and may well have come down from those days in the sixteenth century when the Monomotapa held sway over this part of what is now Southern Rhodesia. Party song with three Matebe dza Mondoro (Mbira and Murumbi drum).
  • Full Text: false
  • Date Issued: 1959

Waramba ukuma (He refused the relationship)

  • Authors: Murira, Madzikuminga, Muzengedza and Madera , Hugh Tracey
  • Date: 1959
  • Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Sena (African people) , Tonga (Zambezi people) , Folk music , Africa Zimbabwe Mkota, Mtoko, Southern Rhodesia f-rh
  • Language: Tonga/Sena
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/179072 , vital:39867 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR085-09
  • Description: "You refused friendship, Machinda. You refused friendship, it is worn out." Machinda was the title given to the sons of the Monomotapa and may well have come down from those days in the sixteenth century when the Monomotapa held sway over this part of what is now Southern Rhodesia. Party song with three Matebe dza Mondoro (Mbira and Murumbi drum).
  • Full Text: false
  • Date Issued: 1959

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