A report on the comparative performance of coloured and European factory workers on four tests of ability
- Authors: Gough, Margaret Frances
- Date: 1947
- Subjects: Cross-cultural psychology , Employees -- South Africa , Colored people (South Africa) -- Psychology
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3246 , http://hdl.handle.net/10962/d1014980
- Description: This thesis is a report on the results or four psychological tests, applied to two groups or workers in Port Elizabeth factories; the one group consisting of European, the other of Coloured workers. The abilities selected for testing were believed to be necessary, to some extent, in certain Industrial operations.
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- Date Issued: 1947
Ironie en ek : aspekte van die ironie as struktuurfaktor in die romanwerke van Marnix Gijsen
- Authors: Steyn, Karin
- Date: 1971
- Subjects: Irony in literature , Gijsen, Marnix, 1899-1984 -- Criticism and interpretation , Dutch fiction -- 20th Century
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3635 , http://hdl.handle.net/10962/d1013287
- Description: From Nawoord, p. 182. Ironie word in Gijsen se oeuvre nie alleenlik op 'n besondere wyse gebruik as 'n vorm van spel met woorde ter versiering of tot vermaak van die leser nie, maar irornie vorm ook 'n allerbelangrikste aspek van die struktuur van sy verhale. Gijsen "gebruik" nie in die eerste plaas ironie om die een of ander doel te bereik nie. Sy werke is ironies, en 'n begrip van die ironiese struktuur is in elke verhaal essensieel vir "n begrip van die verhaal self.
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- Date Issued: 1971
Graaff-Reinet and the Great Depression (1929-1933)
- Authors: Minnaar, Anthony de V
- Date: 1979
- Subjects: Graaff-Reinet (South Africa) -- History , South Africa -- Economic conditions -- 1918-1961
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: vital:2518 , http://hdl.handle.net/10962/d1001847
- Description: The Depression of 1929-1933 was a world-wide phenomenon, in which "no aspect of the economy, no part of the world, escaped devastation". ¹ Accordingly the study of a medium sized rural town in South Africa during the period of the Depression, should show effects and reactions that were, in general, indicative of worldwide trends. In choosing Graaff- Reinet, I felt that being a close-knit community , with its urban and rural populations closely associated with each other, and the white, coloured and black sections of the population interdependent, it adequately represented a microcosm of South Africa as a whole. Then, too, Graaff- Reinet was ideally suited to illustrate the reality, that in South Africa during the Depression " the farmers were the most heavily hit of all". ² The single most significant product of the Graaff- Reinet district was wool, which at the time of the Depression was South Africa's second most important export, and consequently the well-being of the whole district depended largely on the market performance of this product . During the Depression the price of wool dropped drastically and the Graaff-Reinet farmers suffered in consequence . Graaff-Reinet also went, almost according to a blueprint, through the general phases of the Depression. The privations of the farming community led to the financial embarrassment of the local financial institutions causing their collapse , which in its turn led to the widespread hardship of everyone in the town. But these events all had a particular Graaff-Reinet quality, and the twists to the general outline are rooted deep in the local character of the district . Historically Graaff-Reinet is extremely interesting. It is the fourth oldest town in South Africa, being established in 1786, and in studying Graaf-Reinet one cannot but become conscious of the immense tradition and the awareness of history , which all its people have. The study itself starts with a general outline of the Worldwide Depre ssion, its causes and results, then moves on to the Depression in South Africa . The study of Graaff-Reinet in the Depression is divided into three basic sections, the Farmers, the Townspeople, and the Politics of Graaff-Reinet during the Depression. All three contain their own sub-divisions dealing with different aspects. In the Graaff-Reinet sections are included references to national events, tying them to, and explaining the course of, local happenings. In short the study becomes the story of how the Depression effected the people of Graaff-Reinet, how they suffered during this period and how they reacted to it. A final concluding section deals with their general recovery from the Depression. ¹ Heaton, H. : Kruger, D. W. The Economic History of Europe. p. 696. ²The Making of a Nation; a history of the Union of South Africa 19l0 - 1960. p. 158.
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- Date Issued: 1979
Elie Wiesel's fictional universe : the paradox of the mute narrator
- Authors: Berman, Mona
- Date: 1986
- Subjects: Wiesel, Elie, 1928- -- Criticism and interpretation , Holocaust, Jewish (1939-1945) -- Personal narratives , Auschwitz , Narration , Silence , English literature , Criticism
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: vital:2178 , http://hdl.handle.net/10962/d1001829
- Description: The approach I have chosen for my study is to analyse the narrative techniques in Wiesel's fiction, with particular emphasis on the role of the narrator and listener in the narratives. This will not only highlight aspects of his authorial strategy involving the reader's response to various dimensions of the Holocaust, but will allow an appraisal of the literary merit of Wiesel's novels. The hushed reverence that tends to accompany allusions to Auschwitz and its literature has impeded certain theoretical investigations, with the result that most critical studies undertaken on Wiesel's works have dealt predominantly with themes and content rather than with form. A narrative approach, however, while it accounts for themes, does so within the narrative process of the work. Form and content are examined as interwoven entities in the particular context of an individual work. My decision to adopt this pursuit is based on the conviction that Wiesel's fiction is a significant contribution to the literature of testimony, not only because of its subject matter, but also because of the way in which his narrators unfold their stories with words suspended by silence in the text. The paradox of the mute narrator, the title of my study, is intended to convey the paradoxical quality of Wiesel's fiction and to show how silence, which is manifested in the themes of his work, is concretized by his strategy of entrusting the transmission of the tale to narrators, who, for various reasons have been silenced. A mute by definition cannot emit an articulate sound. A narrator, on the other hand, is a storyteller who is reliant on verbal articulation for communication. This contradiction in terms is dramatized in the novels and is symptomatic of the dilemma of Wiesel's narrators who are compelled to bear testimony through their silence. In my study of Wiesel's fiction, I will follow the chronological sequence in which the novels were written, although I will not be using a developmental approach, except to point out that the trilogy which marks the beginning of his exploration into narrative strategies, and The Testament, the last book I will be dealing with, are a culmination of his previous fictional techniques. While a developmental analysis of his fiction, particularly from a thematic point of view, enables the reader to gain insight into his background, which is important in a comprehensive study of his works, I feel that this avenue of investigation has been competently dealt with by other critics. Ellen Fine's Legacy of Night, one of the first book-length studies of Wiesel, puts forward a convincing argument for examining his fiction in chronological sequence as a kind of serialized journey from being a witness in l'univers concentrationnaire to bearing - witness in a post-Holocaust world. Furthermore, it is possible to trace the direction Wiesel's fiction follows, as in each book the seeds are sown for new ideas which are expanded upon in subsequent books. My discussion, however, will deal with the narrative process of each novel as an individual work in its own particular context. Apart from the trilogy which is examined in one chapter, and The Testament which serves as a conclusion to the study, I have not used cross references to Wiesel's other fiction when analysing specific books. Moreover, I have deliberately avoided including Wiesel's comments on his works and references to them in his essays, interviews and non-fiction writing. The reason for this approach is that I consider each novel to be a separate narrative work which merits an interpretative response that is independent of the comparative criteria that has up to now influenced the assessment of his fiction. (Introduction, p. 12-14)
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- Date Issued: 1986
Rhodes University during the segregation and apartheid eras, 1933 to 1990
- Authors: Greyling, Sean Andrew
- Date: 2008
- Subjects: Rhodes University -- History Post-apartheid era -- South Africa -- History College students -- South Africa -- Political activity South Africa -- Race relations -- History -- 20th century South Africa -- Politics and government -- 20th century
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2545 , http://hdl.handle.net/10962/d1002397
- Description: In 2004 Rhodes University celebrated its centenary. At a Critical Tradition Colloquium opportunity was given to explore the university’s past. In particular, its liberal image was questioned and its role during apartheid brought under scrutiny. This thesis investigates the questions raised at the Colloquium. It aims to cover the whole apartheid era in one coherent narrative by addressing the history of Rhodes during that era and how it handled issues of race and politics. It begins in 1933, when the first black student applied to Rhodes, and ends in 1990, when apartheid was drawing to a close.
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- Date Issued: 2008
The phenomenolgoical experience of posttraumatic growth in the context of a traumatic bereavement
- Authors: Acheson, Kerry
- Date: 2009 , 2013-07-15
- Subjects: Post-traumatic stress disorder -- Case studies Bereavement -- Psychological aspects Death -- Psychological aspects Phenomenological psychology Grief
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3102 , http://hdl.handle.net/10962/d1004456
- Description: The present study involves an exploration of the phenomenological expenence of posttraumatic growth in the context of a traumatic bereavement. An idiographic case study of a student who had witnessed her mother's death twelve years previously was conducted. Semi-structured interviews elicited data which was analysed using interpretative phenomenological analysis (IP A). Posttraumatic growth was found to have developed with regards to self-perception, relationships, and also in a broader spiritual and existential domain. The findings of this study shed light on the extant posttraumatic growth literature. In particular, findings were discussed in relation to the posttraumatic growth model as proposed by Calhoun and Tedeschi (2006). As posttraumatic growth is a relatively young concept, further research is needed in order to understand the meaning of reported growth more fully. While posttraumatic growth has been investigated in the context of bereavement, future research should distinguish more clearly between growth following traumatic and non-traumatic bereavement. Posttraumatic growth has received minimal empirical attention in South Africa, and therefore exploration of this area is suggested in the future. , KMBT_363 , Adobe Acrobat 9.54 Paper Capture Plug-in
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- Date Issued: 2009
Heroes at the gates appeal and value in the Homeric epics from the archaic through the classical period
- Authors: Fox, Peta Ann
- Date: 2011
- Subjects: Homer. Iliad Homer. Odyssey Homer Criticism and interpretation Homer Influence Epic poetry, Greek -- History and criticism
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3593 , http://hdl.handle.net/10962/d1002168
- Description: This thesis raises and explores questions concerning the popularity of the Homeric poems in ancient Greece. It asks why the Iliad and Odyssey held such continuing appeal among the Greeks of the Archaic and Classical age. Cultural products such as poetry cannot be separated from the sociopolitical conditions in which and for which they were originally composed and received. Working on the basis that the extent of Homer’s appeal was inspired and sustained by the peculiar and determining historical circumstances, I set out to explore the relation of the social, political and ethical conditions and values of Archaic and Classical Greece to those portrayed in the Homeric poems. The Greeks, at the time during which Homer was composing his poems, had begun to establish a new form of social organisation: the polis. By examining historical, literary and philosophical texts from the Archaic and Classical age, I explore the manner in which Greek society attempted to reorganise and reconstitute itself in a different way, developing original modes of social and political activity which the new needs and goals of their new social reality demanded. I then turn to examine Homer’s treatment of and response to this social context, and explore the various ways in which Homer was able to reinterpret and reinvent the inherited stories of adventure and warfare in order to compose poetry that not only looks back to the highly centralised and bureaucratic society of the Mycenaean world, but also looks forward, insistently so, to the urban reality of the present. I argue that Homer’s conflation of a remembered mythical age with the contemporary conditions and values of Archaic and Classical Greece aroused in his audiences a new perception and understanding of human existence in the altered sociopolitical conditions of the polis and, in so doing, ultimately contributed to the development of new ideas on the manner in which the Greeks could best live together in their new social world.
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- Date Issued: 2011