An investigation into nineteenth century book illustration with reference to the movement towards total collaboration in the works of Charles Dickens and his major illustrators
- Authors: Crowe, Richard J J
- Date: 1980
- Subjects: Dickens, Charles, 1812-1870 -- Illustrations Illustrators llustration of books -- Great Britain -- 19th century
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2467 , http://hdl.handle.net/10962/d1009433
- Description: It is necessary to state clearly at the outset of this essay that the field comprising Book Illustration is extremely complex. This is not difficult to appreciate when one considers that the term "Book Illustration" covers both the highly developed art forms such as are found for example in the Book of Kells; and at the same time such cheap and shallow examples as are found in magazines and books that are churned out for the million. Therefore it becomes necessary to draw a sharp distinction between what could be called "inferior" and "superior" quality of Book Illustration. (a) I see this dividing line being drawn between two fundamentally divergent attitudes: the one involves a purely external and decorative approach which lacks real artistic value; (b) and the other, which is the result of the dynamic collaboration between an author and an artist to produce work founded on deep and rich artistic principles. (c) For the sake of clarity I wish to take this idea of a division a step further, and to suggest that within the "superior" bracket there is also a continuing scale of improvement and bettering, which culminates in an idealised state which could be called "TOTAL COLLABORATION" between an author and an artist.
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- Date Issued: 1980
Baudelaire, nature and the artist in society
- Authors: Howell, Jane
- Date: 1980
- Subjects: Baudelaire, Charles, 1821-1867
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2466 , http://hdl.handle.net/10962/d1009432
- Description: From Conclusion: The Artist can regard Baudelaire as a touchstone, as so many of his ideals and maxims are the ideals and maxims of the Artist himself. He teaches us many invaluable secrets of the universe and his lucid rendering of their explanations give us a clear insight into its mystery. He believed that Art was the ‘brainchild’ of Nature’s inspiration and that through its means and ways Natures mysteries will be revealed to us. He fought against all that the modern-day Artist is stiII fighting against. He rebelled against society1s false reasoning and its false morals. He became ‘self-exiled’ so that he could retain his individuality and reasoning. Like the Artist, his most valuable quality was his spontaneity and inspiration, given to him when his spirit moved him. His poems stand complete in themselves and yet all have a mysterious quality binding them. Likewise our paintings must also stand complete, they must be an end in themselves, each with its own singular message and yet a unity must prevaiI throughout. We must strive for that eternal quality that is so obvious in Baudelaire1s work. He can be read today at the distance of a century as if he had written for the present generation, with a knowledge of its problems and interests. His appeal is still vital because he was not fettered by the fashionable opinions and evanescent whims of his own age, and he made no concessions to the spirit of his own time in order to gain popularity.
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- Date Issued: 1980
The visionary artist
- Authors: Lambert, Moira
- Date: 1980
- Subjects: Blake, William, 1757-1827 Blake, William, 1757-1827 -- Symbolism
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2441 , http://hdl.handle.net/10962/d1006113
- Description: Reading and personal experiences have often drawn my attention to the exceptionally high incidence of despair, "nervous disorder", alcoholism, nihilism and even suicide, among modern artists. I would like in this work to look at the visionary, Blake, against the problem of 'breaking the sound-barrier' and against the background of disastrous attempts at this by modern artists.
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- Date Issued: 1980