Showing items 281 - 300 of 1081

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3rd Movement "Ngeniso" 'Ye Dawoti'

  • Authors: Katini we Nyamombe (Leader) , Komukomu, Sekalani, Bokisi, Madoshimani and Majanyana (5 players) , Tracey, Hugh
  • Date: 1943
  • Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/194842 , vital:45501 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-03
  • Description: This is the first Chopi Ngodo ever recorded and published. It is described in my book "Chopi Muscians" Oxford University Press. The recordings were taken on glass based acetate discs in November 1943 and copied onto tape in October 1963. With the exception of a few verses omitted from one or two of the lyrics this version, performed away from home in the broadcasting studios of SABC Durban, Natal, is the same as a village performance but without the dancers. The players themselves sang all the words which are normally sung by the dancers. As there were no dance routines to be completed during the performance, each item is rather shorter than it would have been in the home village. With these minor exceptions the Ngodo is the complete work; all of it the composition of its leader Katini, a leading figure in Chopi music for 40 years. He died in 1948 about 60 years old. Orchestral dance with six Timbila xylophones.
  • Full Text: false
  • Date Issued: 1943

6th Movement "Jibudu"

9th Movement "Njiriri"

4th Movement "Mdano" 'Lawanani zhentu Zavala'

  • Authors: Katini we Nyamombe (Leader) , Komukomu, Sekalani, Bokisi, Madoshimani and Majanyana (5 players) , Tracey, Hugh
  • Date: 1943
  • Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/194851 , vital:45502 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-04
  • Description: This is the first Chopi Ngodo ever recorded and published. It is described in my book "Chopi Muscians" Oxford University Press. The recordings were taken on glass based acetate discs in November 1943 and copied onto tape in October 1963. With the exception of a few verses omitted from one or two of the lyrics this version, performed away from home in the broadcasting studios of SABC Durban, Natal, is the same as a village performance but without the dancers. The players themselves sang all the words which are normally sung by the dancers. As there were no dance routines to be completed during the performance, each item is rather shorter than it would have been in the home village. With these minor exceptions the Ngodo is the complete work; all of it the composition of its leader Katini, a leading figure in Chopi music for 40 years. He died in 1948 about 60 years old. Orchestral dance with six Timbila xylophones.
  • Full Text: false
  • Date Issued: 1943

7th Movement "Mzeno"

2nd Movement "Msitso wembidi"

  • Authors: Katini we Nyamombe (Leader) , Tracey, Hugh
  • Date: 1943
  • Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/194829 , vital:45500 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR209-02
  • Description: This is the first Chopi Ngodo ever recorded and published. It is described in my book "Chopi Muscians" Oxford University Press. The recordings were taken on glass based acetate discs in November 1943 and copied onto tape in October 1963. With the exception of a few verses omitted from one or two of the lyrics this version, performed away from home in the broadcasting studios of SABC Durban, Natal, is the same as a village performance but without the dancers. The players themselves sang all the words which are normally sung by the dancers. As there were no dance routines to be completed during the performance, each item is rather shorter than it would have been in the home village. With these minor exceptions the Ngodo is the complete work; all of it the composition of its leader Katini, a leading figure in Chopi music for 40 years. He died in 1948 about 60 years old. Orchestral dance with six Timbila xylophones.
  • Full Text: false
  • Date Issued: 1943

5th Movement "Doosinya"

Dadada nzana mteka

Eto Ninga Mahwa

Heengisela Nzila Ya Masava

  • Authors: Katini, Katinyane , Ngodo of Zavala , Tracey, Hugh
  • Date: 1949-06-08
  • Subjects: Folk music--Africa , Folk songs, Chopi , Field recordings , Africa, Sub-Saharan , Africa Mozambique Quissico, Zavala District f-rh
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/200702 , vital:46268 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-022 , Research no. CR15
  • Description: Indigenous folk song with timbila xylophones, singing, and intermittent background yodelling, accompanied by rattles. Orchestral dance song for the Chiriri cho Gwitisa movement of the Ngodo of Zavala of 1949.
  • Full Text: false
  • Date Issued: 1949-06-08

Wam'mona Nyavadule Nyabindini

Mtsitso woKata

Mtsumeto Eto ninga mahwa

Chiriri chogwitisa Hengisela

Mzeno Hinganyengisa

  • Authors: Katinyane wa Katini (Leader) , Tracey, Hugh
  • Date: 1949
  • Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Quissico f-mz
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/194803 , vital:45494 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR208-13
  • Description: This recording clearly demonstrates the progress of a single item of music over 20 years among an entirley aural (non-literate) musical people. For purposes of the recording the singers sang each verse only once and not the usual twice each. This was recorded shortly after Katini's death. Note the variations of Katini himself now played by his son Katinyana. Fourteen years later, and twenty years after it was composed. This Mzeno was still a great favourite of the Chopi and although no longer faetured as a dance movement in the more recent Ngodo it was constantly sung for the great pleasure ut gave to the musicians and singers. Orchestral dance with Timbila xylophones.
  • Full Text: false
  • Date Issued: 1949

Ngeniso Dadada nzara mteka

Mabandla Wam'mona Nyavadule Nyabindini

  • Authors: Katinyane wa Katini (Leader) , Tracey, Hugh
  • Date: 1949
  • Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Quissico f-mz
  • Language: Chopi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/194785 , vital:45492 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR208-11
  • Description: This recording clearly demonstrates the progress of a single item of music over 20 years among an entirley aural (non-literate) musical people. For purposes of the recording the singers sang each verse only once and not the usual twice each. As a rule Mabandla movements are not allocated interesting melodies as they are preoccupied with pas-de-deux performances which may last several minutes and the main interest is focussed on the individual dancers rather than the music. Orchestral dance with Timbila xylophones.
  • Full Text: false
  • Date Issued: 1949

Ngodo of Regulo Banguza

Mzeno of Komukomu

Lawanani michanga sika shaip

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