Poppehysie
- Authors: Arendse, Ashwin Albert
- Date: 2021-04
- Subjects: Swartlandse Kaaps poetry -- 21st century , Creative writing (Higher education) -- South Africa , Diaries -- Authorship , Afrikaans poetry -- 21st century , African literature -- History and criticism
- Language: Afrikaans
- Type: thesis , text , Masters , MA
- Identifier: http://hdl.handle.net/10962/178259 , vital:42925
- Description: My thesis, is geskryf in Swartlandse Kaaps, ’n streeksvariant van Kaaps. Die poems is free verses wat afspeel tien ie backdrop van Malmesbury en Stellenbosch se “Coloured areas” mette analysis van dialect en ideolect wat eie is annie mense wat ampe altyd feature innie stories wat ek vertel. Die thesis explore die liefde asse konsep. Dit kyk na hoe die desperate need vi absent liefde ’n toxic relationship feed tussen ’n jong couple ennie destructive impact van liefde oppe pesoon wie nooit geleer was hoe om lief te wies vi annes ie. Dan kyk ek oek na hoe die previous generations, dit van my ma en pa liefde reject et asse unaffordable excess inne community wat brutal en harsh is. Antonio Gramsci se konsep vannie organic intellectual, dien asse philosophical underpinning virrie thesis d.w.s die hoofkarakter dien asse orator virrie intellectual en cultural insights wattie everyman in sy community nie self kan express ie. Die organic intellectual express díe thoughts innie cultural taal van sy social class. Die thesis explore stories soes it vetel wôd dee mense soes my oupa en mense wattie altyd aware is dat hulle stories in hulle in hettie. In dai way val it tot some degree binne die terrain van oral traditions. Die thesis wil dip into die collective conscious vanne social group wat die worst aspects van liewe in Syd-Afrika experience et. Ek voel free verse is ie ideal form van expression vi my in regards tot die skryf van die thesis, omdat ek daamee die line successfully kan blur tussen ie ‘language of the people’ en my eie individual leaning toward poetic language en forms. In terms van style draw ek op vorige digbundels in Kaaps, most notably op Nathan Trantraal se baie controlled, free verse digbundel, ‘Alles het niet kom wôd,’en Ronelda S. Kamfer se technique van ‘oorvertel’, in haa digbundel ‘grond/Santekraam’. , Thesis (MA) -- Faculty of Humanities, School of Languages and Literatures, 2021
- Full Text:
- Date Issued: 2021-04
- Authors: Arendse, Ashwin Albert
- Date: 2021-04
- Subjects: Swartlandse Kaaps poetry -- 21st century , Creative writing (Higher education) -- South Africa , Diaries -- Authorship , Afrikaans poetry -- 21st century , African literature -- History and criticism
- Language: Afrikaans
- Type: thesis , text , Masters , MA
- Identifier: http://hdl.handle.net/10962/178259 , vital:42925
- Description: My thesis, is geskryf in Swartlandse Kaaps, ’n streeksvariant van Kaaps. Die poems is free verses wat afspeel tien ie backdrop van Malmesbury en Stellenbosch se “Coloured areas” mette analysis van dialect en ideolect wat eie is annie mense wat ampe altyd feature innie stories wat ek vertel. Die thesis explore die liefde asse konsep. Dit kyk na hoe die desperate need vi absent liefde ’n toxic relationship feed tussen ’n jong couple ennie destructive impact van liefde oppe pesoon wie nooit geleer was hoe om lief te wies vi annes ie. Dan kyk ek oek na hoe die previous generations, dit van my ma en pa liefde reject et asse unaffordable excess inne community wat brutal en harsh is. Antonio Gramsci se konsep vannie organic intellectual, dien asse philosophical underpinning virrie thesis d.w.s die hoofkarakter dien asse orator virrie intellectual en cultural insights wattie everyman in sy community nie self kan express ie. Die organic intellectual express díe thoughts innie cultural taal van sy social class. Die thesis explore stories soes it vetel wôd dee mense soes my oupa en mense wattie altyd aware is dat hulle stories in hulle in hettie. In dai way val it tot some degree binne die terrain van oral traditions. Die thesis wil dip into die collective conscious vanne social group wat die worst aspects van liewe in Syd-Afrika experience et. Ek voel free verse is ie ideal form van expression vi my in regards tot die skryf van die thesis, omdat ek daamee die line successfully kan blur tussen ie ‘language of the people’ en my eie individual leaning toward poetic language en forms. In terms van style draw ek op vorige digbundels in Kaaps, most notably op Nathan Trantraal se baie controlled, free verse digbundel, ‘Alles het niet kom wôd,’en Ronelda S. Kamfer se technique van ‘oorvertel’, in haa digbundel ‘grond/Santekraam’. , Thesis (MA) -- Faculty of Humanities, School of Languages and Literatures, 2021
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- Date Issued: 2021-04
Die aktualiteit in die poësie van A Roland Holst
- Bezuidenhout, Gertruida Catharina
- Authors: Bezuidenhout, Gertruida Catharina
- Date: 1954
- Subjects: Roland Holst, Adrianus, 1888-1976 -- Criticism and interpretation , Dutch poetry -- 20th century -- History and criticism
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3639 , http://hdl.handle.net/10962/d1013499
- Description: From Verantwoording: By die ondersoek na die rol wat die aktualiteit in die poësie van A. Roland Holst speel, wou ons veral nagaan of die gedigte waarin elemente van die aktualiteit aanwesig is, in wese van sy orige werk verskil. Hoofstuk II, “Teen die Wereld” gaan veral sover dit die inhoud betref, op hierdie vraag in. In die derde en vierde hoofstukke is na aanleiding van ‘n aantal verteenwoordigende gedigte getrag om meer in besonderhede, en ook wat die vorm aangaan, die saak van nader te beskou, en die resultate van die ondersoek is in die Slotbeskouing saamgevat.
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- Date Issued: 1954
- Authors: Bezuidenhout, Gertruida Catharina
- Date: 1954
- Subjects: Roland Holst, Adrianus, 1888-1976 -- Criticism and interpretation , Dutch poetry -- 20th century -- History and criticism
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3639 , http://hdl.handle.net/10962/d1013499
- Description: From Verantwoording: By die ondersoek na die rol wat die aktualiteit in die poësie van A. Roland Holst speel, wou ons veral nagaan of die gedigte waarin elemente van die aktualiteit aanwesig is, in wese van sy orige werk verskil. Hoofstuk II, “Teen die Wereld” gaan veral sover dit die inhoud betref, op hierdie vraag in. In die derde en vierde hoofstukke is na aanleiding van ‘n aantal verteenwoordigende gedigte getrag om meer in besonderhede, en ook wat die vorm aangaan, die saak van nader te beskou, en die resultate van die ondersoek is in die Slotbeskouing saamgevat.
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- Date Issued: 1954
'n Sintaktiese ondersoek na die gebruik van die neweskikkende voegwoord in Afrikaans
- Authors: Bosch, Agnes Barbara
- Date: 1980
- Subjects: Afrikaans language -- Conjunctions Afrikaans language -- Syntax
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3600 , http://hdl.handle.net/10962/d1002184
- Full Text:
- Date Issued: 1980
- Authors: Bosch, Agnes Barbara
- Date: 1980
- Subjects: Afrikaans language -- Conjunctions Afrikaans language -- Syntax
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3600 , http://hdl.handle.net/10962/d1002184
- Full Text:
- Date Issued: 1980
'n Sintaktiese ondersoek na die gebruik van onderskikkende voegwoorde en sinsverbindende woorde in Afrikaans
- Authors: Bosch, Agnes Barbara
- Date: 1984
- Subjects: Afrikaans language -- Conjunctions , Afrikaans language -- Syntax
- Language: Afrikaans
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3613 , http://hdl.handle.net/10962/d1005906 , Afrikaans language -- Conjunctions , Afrikaans language -- Syntax
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- Date Issued: 1984
- Authors: Bosch, Agnes Barbara
- Date: 1984
- Subjects: Afrikaans language -- Conjunctions , Afrikaans language -- Syntax
- Language: Afrikaans
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3613 , http://hdl.handle.net/10962/d1005906 , Afrikaans language -- Conjunctions , Afrikaans language -- Syntax
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- Date Issued: 1984
Op hom die groot hosannas : enkele aspekte van die modern Christelike poësie in Afrikaans
- Authors: Bosman, Maria Elizabeth
- Date: 1989
- Subjects: Afrikaans poetry -- History and criticism , Religious poetry, Afrikaans -- History and criticism , Christian poetry, Afrikaans , Calvinism in literature , Blum, Peter, 1925-1990 , Rousseau, Ina , Cussons, Sheila , De Villiers, I. L., 1936-2009 , Cloete, T. T. (Theunis Theodorus), 1924-2015 , Spies, Lina , Müller, Petra, 1935-
- Language: Afrikaans
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3566 , http://hdl.handle.net/10962/d1002089 , Afrikaans poetry -- History and criticism , Religious poetry, Afrikaans -- History and criticism
- Description: This study is concerned with modern Christian poetry in Afrikaans. Afrikaans poetry, which initially carried the clear stamp of the Afrikaner's Calvinistic view of life, gradually assumed a new image to the extent that it could no longer be recognised as religious and specifically Calvinistic poetry. To the contrary, modern Afrikaans Christian poetry is the expression of a contemporary conceptualisation of the very same gospel. The occasional violent reaction especially of conservative institutions to so called "unchristian" modern poetry in Afrikaans during the past three decades, has prompted this study which attempts to illustrate that modern Afrikaans poetry still exhibits a strong Christian element. The essential qualities of contemporary Christian poetry in Afrikaans are illustrated in the discussion of the works of particular leading Afrikaans poets. Chapter 3 attempts to indicate a transitional stage between traditional and modern Christian poetry by means of an overview of the latest tendencies and approaches, with brief references to the recent poetry of the Louws, the poetry of Peter Blum as the initial exponent of the poetry of the Sixties, and the poetry of Ina Rousseau. The work of Sheila Cussons, eminent Roman Catholic (and thus also Christian) poet who is probably the most impressive contemporary exponent of metaphysical/mystic poetry in Afrikaans, is discussed in chapter 4. Chapter 5 illustrates the traditional Calvinistic Christian point of view and Christian experience as represented in the poetry of I.L. de Villiers. The poetification of the ministry adds new dimension to religions poetry in Afrikaans. Chapter 6 constitutes a discussion of the works of T.T . Cloete, the most significant contemporary Reformed poet in Afrikaans indicating the extent to which the many related facets embodied in his poetry consistently reflect a Christian attitude and are unified in and encompassed by the principle of Soli Deo Gloria. Chapter 7, by way of conclusion, reviews the religious poetry of Lina Spies and Petra Müller who write accessible popular poetry, nevertheless exploring interesting references. In conjunction with the poetry of Ina Rosseau, this poetry represents a contribution to modern Afrikaans religious poetry from a feminine point of view
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- Date Issued: 1989
- Authors: Bosman, Maria Elizabeth
- Date: 1989
- Subjects: Afrikaans poetry -- History and criticism , Religious poetry, Afrikaans -- History and criticism , Christian poetry, Afrikaans , Calvinism in literature , Blum, Peter, 1925-1990 , Rousseau, Ina , Cussons, Sheila , De Villiers, I. L., 1936-2009 , Cloete, T. T. (Theunis Theodorus), 1924-2015 , Spies, Lina , Müller, Petra, 1935-
- Language: Afrikaans
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3566 , http://hdl.handle.net/10962/d1002089 , Afrikaans poetry -- History and criticism , Religious poetry, Afrikaans -- History and criticism
- Description: This study is concerned with modern Christian poetry in Afrikaans. Afrikaans poetry, which initially carried the clear stamp of the Afrikaner's Calvinistic view of life, gradually assumed a new image to the extent that it could no longer be recognised as religious and specifically Calvinistic poetry. To the contrary, modern Afrikaans Christian poetry is the expression of a contemporary conceptualisation of the very same gospel. The occasional violent reaction especially of conservative institutions to so called "unchristian" modern poetry in Afrikaans during the past three decades, has prompted this study which attempts to illustrate that modern Afrikaans poetry still exhibits a strong Christian element. The essential qualities of contemporary Christian poetry in Afrikaans are illustrated in the discussion of the works of particular leading Afrikaans poets. Chapter 3 attempts to indicate a transitional stage between traditional and modern Christian poetry by means of an overview of the latest tendencies and approaches, with brief references to the recent poetry of the Louws, the poetry of Peter Blum as the initial exponent of the poetry of the Sixties, and the poetry of Ina Rousseau. The work of Sheila Cussons, eminent Roman Catholic (and thus also Christian) poet who is probably the most impressive contemporary exponent of metaphysical/mystic poetry in Afrikaans, is discussed in chapter 4. Chapter 5 illustrates the traditional Calvinistic Christian point of view and Christian experience as represented in the poetry of I.L. de Villiers. The poetification of the ministry adds new dimension to religions poetry in Afrikaans. Chapter 6 constitutes a discussion of the works of T.T . Cloete, the most significant contemporary Reformed poet in Afrikaans indicating the extent to which the many related facets embodied in his poetry consistently reflect a Christian attitude and are unified in and encompassed by the principle of Soli Deo Gloria. Chapter 7, by way of conclusion, reviews the religious poetry of Lina Spies and Petra Müller who write accessible popular poetry, nevertheless exploring interesting references. In conjunction with the poetry of Ina Rosseau, this poetry represents a contribution to modern Afrikaans religious poetry from a feminine point of view
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- Date Issued: 1989
'n Studie van die houding en gesindheid teenoor spesiale onderwys soos geopenbaar deur 'n groep ouers van spesiale klas-leerlinge in Oos-Kaapland
- Bouwer, Jeremia Cornelius Esias
- Authors: Bouwer, Jeremia Cornelius Esias
- Date: 1979
- Subjects: Special education -- South Africa -- Eastern Cape
- Language: Afrikaans
- Type: Thesis , Doctoral , PhD
- Identifier: vital:1361 , http://hdl.handle.net/10962/d1001427
- Description: Die weerstand wat ouers soms teen Spesiale Onderwys bied, kan stremmend inwerk op leerlinge. Om insig in die gesindheid van ouers van Spesiale Klas-Ieerlinge te verkry, is 'n gewysigde vorm van die Thurston Sentence Completion Form gebruik. Die vorms is deur ouers van leerlinge in 'n aantal Spesiale Klasse in Oos-Kaapland voltooi en die response is in positiewe en negatiewe reaksies ingedeel. Ook is elke item ontleed. Daar is tot die gevolgtrekking gekom dat die meeste ouers tog weI positief ingesteld is teenoor Spesiale Onderwys en inderdaad erkenning verleen aan die werk wat in die klasse gedoen word. Die behoefte aan 'n nouer skakeling tussen die betrokke ouers en die skole het duidelik na vore gekom
- Full Text:
- Date Issued: 1979
- Authors: Bouwer, Jeremia Cornelius Esias
- Date: 1979
- Subjects: Special education -- South Africa -- Eastern Cape
- Language: Afrikaans
- Type: Thesis , Doctoral , PhD
- Identifier: vital:1361 , http://hdl.handle.net/10962/d1001427
- Description: Die weerstand wat ouers soms teen Spesiale Onderwys bied, kan stremmend inwerk op leerlinge. Om insig in die gesindheid van ouers van Spesiale Klas-Ieerlinge te verkry, is 'n gewysigde vorm van die Thurston Sentence Completion Form gebruik. Die vorms is deur ouers van leerlinge in 'n aantal Spesiale Klasse in Oos-Kaapland voltooi en die response is in positiewe en negatiewe reaksies ingedeel. Ook is elke item ontleed. Daar is tot die gevolgtrekking gekom dat die meeste ouers tog weI positief ingesteld is teenoor Spesiale Onderwys en inderdaad erkenning verleen aan die werk wat in die klasse gedoen word. Die behoefte aan 'n nouer skakeling tussen die betrokke ouers en die skole het duidelik na vore gekom
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- Date Issued: 1979
Oor die kortkuns van John Miles
- Authors: De Beer, Marésa
- Date: 1988
- Subjects: Miles, John, 1938- -- Criticism and interpretation
- Language: Afrikaans
- Type: text , Thesis , Masters , MA
- Identifier: vital:3569 , http://hdl.handle.net/10962/d1002092
- Description: This thesis involves intensive analyses of some of the short-short stories in John Miles's Liefs nie op straat nie, in order to reveal the narrative strategies employed in each. In other words, it is geared to "the rules that govern ... textual actualization and, consequently, those rules that govern the way literary discourse functions as communication" (Riffaterre 1983: 158). Subsequently, attention is given to the interrelationship among the texts, the way in which they act upon one another and interact with the title of the volume, in order to establish the function of such relations. The following texts are analysed in consecutive chapters: "Lucy", "Lappies, kan jy my hoor, Lappies?", "Voorgevoel", "Dom Nakkie, my Dom Nakkie" and "Wie het nog Dom Nakkie gesien?", "Hy staan by die deur en hy klop", "Gustav gaan speel", and "Liefs nie op straat nie". In a concluding chapter the implications of the title are discussed with reference to all the texts in the volume, including those not analysed individually. It is concluded that, on the one hand, the expectations raised by the title are ironicized because the title is never "completed" explicitly, and because that which, by implication, should not be seen in public ("op straat"), is specifically situated in the street and scrutinized in close-up. But on the other hand the title also evokes a peculiar mentality present in all the texts, either in the narrators, or in the characters, or in both. The discussion of "Lucy" is focussed mainly on the contrast and interaction between the world of the child and that of the adult and on the way in which this interaction is actualized within the text through the contrast in the experience of time, the use of "mémoire involontaire", "durée" and the contrasts between (and overlapping of) narrative perspective and focalization. In respect of "Lappies, kan jy my hoor, Lappies?" special attention is paid to similarities and contrasts between this text and the traditional suspense story, notably the way in which conventional techniques are employed to create suspense, as well as to generate an entire subtext which eventually "relocates" the text on the niveau of the murderer's psychological dilemma. In discussing "Voorgevoel" emphasis is not placed primarily on what is conveyed by the narrator, but on the way in which his intentions are subverted both by the window pane through which he is looking and by the narration as such. In this way he is foregrounded and revealed as narrator, just as the text is foregrounded and revealed as literature, with the emphasis, in both cases, not only on their defence mechanisms but also on their impotence. "Dom Nakkie, my Dom Nakkie" and "Wie het nog Dom Nakkie gesien?" are grouped together in one chapter in order to illuminate the interaction between the two narratives in the first text, as well as the interaction between the two texts. Ultimately, they may be seen as three narratives juxtaposed through irony and relativism. The "triumph" of the "preferably not in public" mentality, both in the text and in society, is also illustrated by the interaction between the three narratives. In chapter, 5, in which "Hy staan by die deur en hy klop" is discussed, attention is focussed on the ironic function of the Biblical references, the contrast between Jan and the rest of society, and the way in which the "climax" is located within the Iserian "blank" in the text, so that the entire process of decoding is based on a filling in of that "blank" and its implications. "Gustav gaan speel" is based loosely on Barthes's lexia model, in order to determine the signifying process in the text, and also to demonstrate the way in which the text presupposes rereading. In the discussion of the title text it is revealed how the text is centered in the basic dichotomy between the narrator-as-writer and the journalist, and the way in which this polarity is relativized by the text as such. The text is demonstrated to be the credo of the volume as a whole as well as of the fiction of the Seventies in Afrikaans.
- Full Text:
- Date Issued: 1988
- Authors: De Beer, Marésa
- Date: 1988
- Subjects: Miles, John, 1938- -- Criticism and interpretation
- Language: Afrikaans
- Type: text , Thesis , Masters , MA
- Identifier: vital:3569 , http://hdl.handle.net/10962/d1002092
- Description: This thesis involves intensive analyses of some of the short-short stories in John Miles's Liefs nie op straat nie, in order to reveal the narrative strategies employed in each. In other words, it is geared to "the rules that govern ... textual actualization and, consequently, those rules that govern the way literary discourse functions as communication" (Riffaterre 1983: 158). Subsequently, attention is given to the interrelationship among the texts, the way in which they act upon one another and interact with the title of the volume, in order to establish the function of such relations. The following texts are analysed in consecutive chapters: "Lucy", "Lappies, kan jy my hoor, Lappies?", "Voorgevoel", "Dom Nakkie, my Dom Nakkie" and "Wie het nog Dom Nakkie gesien?", "Hy staan by die deur en hy klop", "Gustav gaan speel", and "Liefs nie op straat nie". In a concluding chapter the implications of the title are discussed with reference to all the texts in the volume, including those not analysed individually. It is concluded that, on the one hand, the expectations raised by the title are ironicized because the title is never "completed" explicitly, and because that which, by implication, should not be seen in public ("op straat"), is specifically situated in the street and scrutinized in close-up. But on the other hand the title also evokes a peculiar mentality present in all the texts, either in the narrators, or in the characters, or in both. The discussion of "Lucy" is focussed mainly on the contrast and interaction between the world of the child and that of the adult and on the way in which this interaction is actualized within the text through the contrast in the experience of time, the use of "mémoire involontaire", "durée" and the contrasts between (and overlapping of) narrative perspective and focalization. In respect of "Lappies, kan jy my hoor, Lappies?" special attention is paid to similarities and contrasts between this text and the traditional suspense story, notably the way in which conventional techniques are employed to create suspense, as well as to generate an entire subtext which eventually "relocates" the text on the niveau of the murderer's psychological dilemma. In discussing "Voorgevoel" emphasis is not placed primarily on what is conveyed by the narrator, but on the way in which his intentions are subverted both by the window pane through which he is looking and by the narration as such. In this way he is foregrounded and revealed as narrator, just as the text is foregrounded and revealed as literature, with the emphasis, in both cases, not only on their defence mechanisms but also on their impotence. "Dom Nakkie, my Dom Nakkie" and "Wie het nog Dom Nakkie gesien?" are grouped together in one chapter in order to illuminate the interaction between the two narratives in the first text, as well as the interaction between the two texts. Ultimately, they may be seen as three narratives juxtaposed through irony and relativism. The "triumph" of the "preferably not in public" mentality, both in the text and in society, is also illustrated by the interaction between the three narratives. In chapter, 5, in which "Hy staan by die deur en hy klop" is discussed, attention is focussed on the ironic function of the Biblical references, the contrast between Jan and the rest of society, and the way in which the "climax" is located within the Iserian "blank" in the text, so that the entire process of decoding is based on a filling in of that "blank" and its implications. "Gustav gaan speel" is based loosely on Barthes's lexia model, in order to determine the signifying process in the text, and also to demonstrate the way in which the text presupposes rereading. In the discussion of the title text it is revealed how the text is centered in the basic dichotomy between the narrator-as-writer and the journalist, and the way in which this polarity is relativized by the text as such. The text is demonstrated to be the credo of the volume as a whole as well as of the fiction of the Seventies in Afrikaans.
- Full Text:
- Date Issued: 1988
'n Leesgesentreerde ondersoek na sosiopolitiese elemente in die poësie aan die hand van enkele gedigte van Wilma Stockensẗrom
- Authors: De Jong, Maria Johanna
- Date: 1981
- Subjects: Stockensẗrom, Wilma -- Criticism and interpretation
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3615 , http://hdl.handle.net/10962/d1006333
- Description: "Now let us refrain, I said, from calling Homer or any other poet to account regarding those arts to which his poems incidentally refer: we will not ask them, in case any poet has been a doctor and not a mere imitator of medical parlance, to show what patients have been restored to health by a poet" (Plato 1979 19). (1) Soos alle lesers van literatuur weet Plato dat die digter weinig bewys kan lewer dat die werklikheid waaroor hy skryf ook deur hom verander is. Uiteindelik sit hy net met die" sweet influence" van sy welluidende gedig (ibid . 21). Tog word hy verbied, en nie net, soos Plato wou veronderstel, omdat hy die irrasionele, die emosionele, die "laere" in die mens stimuleer nie.
- Full Text:
- Date Issued: 1981
- Authors: De Jong, Maria Johanna
- Date: 1981
- Subjects: Stockensẗrom, Wilma -- Criticism and interpretation
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3615 , http://hdl.handle.net/10962/d1006333
- Description: "Now let us refrain, I said, from calling Homer or any other poet to account regarding those arts to which his poems incidentally refer: we will not ask them, in case any poet has been a doctor and not a mere imitator of medical parlance, to show what patients have been restored to health by a poet" (Plato 1979 19). (1) Soos alle lesers van literatuur weet Plato dat die digter weinig bewys kan lewer dat die werklikheid waaroor hy skryf ook deur hom verander is. Uiteindelik sit hy net met die" sweet influence" van sy welluidende gedig (ibid . 21). Tog word hy verbied, en nie net, soos Plato wou veronderstel, omdat hy die irrasionele, die emosionele, die "laere" in die mens stimuleer nie.
- Full Text:
- Date Issued: 1981
Verkenninge in die woordeskat van die poësie met spesiale verwysing na N. P. van Wyk Louw
- Authors: De Villiers, Aart
- Date: 1957
- Subjects: Louw, N. P. van Wyk (Nicolaas Petrus van Wyk), 1906-1970 -- Criticism and interpretation , Afrikaans poetry -- History and criticism
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3644 , http://hdl.handle.net/10962/d1014742
- Description: [From Introduction]. Soos die titel aandui, wil hierdie skripsie bloot verkenninge wees. Dit sal vir die leser duidelik wees dat dieselfde metode van benadering wat ek hier op sekere aspekte van die woordeskat van van Wyk Louw se poësie toegepas het, ook op ander woordsoorte toegepas sou kan word, en ook op die werk van ander digters. As 'n mens die gegewens wat jy so verkry, histories sou beskou, sou jy 'n baie interessante kykie kry op die ontwikkeling van die woordeskat in die Afrikaanse poësie. ln die beste van een skripsie is so iets egter, soos duidelik sal blyk, nie moontlik nie. Later, voel ek, sou miskien met vrug op dié grondslag voortgebou kan word.
- Full Text:
- Date Issued: 1957
- Authors: De Villiers, Aart
- Date: 1957
- Subjects: Louw, N. P. van Wyk (Nicolaas Petrus van Wyk), 1906-1970 -- Criticism and interpretation , Afrikaans poetry -- History and criticism
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3644 , http://hdl.handle.net/10962/d1014742
- Description: [From Introduction]. Soos die titel aandui, wil hierdie skripsie bloot verkenninge wees. Dit sal vir die leser duidelik wees dat dieselfde metode van benadering wat ek hier op sekere aspekte van die woordeskat van van Wyk Louw se poësie toegepas het, ook op ander woordsoorte toegepas sou kan word, en ook op die werk van ander digters. As 'n mens die gegewens wat jy so verkry, histories sou beskou, sou jy 'n baie interessante kykie kry op die ontwikkeling van die woordeskat in die Afrikaanse poësie. ln die beste van een skripsie is so iets egter, soos duidelik sal blyk, nie moontlik nie. Later, voel ek, sou miskien met vrug op dié grondslag voortgebou kan word.
- Full Text:
- Date Issued: 1957
Engel en aarde : gedagtes oor "natuur en bo-natuur" by die lees van Sheila Cussons
- Authors: De Villiers, Johanna Helena
- Date: 1985
- Subjects: Cussons, Sheila -- Criticism and interpretation
- Language: Afrikaans
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3619 , http://hdl.handle.net/10962/d1006960
- Description: Hierdie studie is In poging om uit die veelgeskakeerde digwerk van Sheila Cussons een draad te neem en dit deur te volg; in die hoop dat dit 'n Ariadne-draad mag word tot beter besef van die ryk gestruktureerdheid en diepte van haar verwysingsveld, en die betekenis daarvan vir ons tyd. Dis dan primer die beeld van die engel wat nagespeur word, as bonatuurlike wese wat nie tot die vlak van die fisiese inkorporeer nie. (From Ch. 1)
- Full Text:
- Date Issued: 1985
- Authors: De Villiers, Johanna Helena
- Date: 1985
- Subjects: Cussons, Sheila -- Criticism and interpretation
- Language: Afrikaans
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3619 , http://hdl.handle.net/10962/d1006960
- Description: Hierdie studie is In poging om uit die veelgeskakeerde digwerk van Sheila Cussons een draad te neem en dit deur te volg; in die hoop dat dit 'n Ariadne-draad mag word tot beter besef van die ryk gestruktureerdheid en diepte van haar verwysingsveld, en die betekenis daarvan vir ons tyd. Dis dan primer die beeld van die engel wat nagespeur word, as bonatuurlike wese wat nie tot die vlak van die fisiese inkorporeer nie. (From Ch. 1)
- Full Text:
- Date Issued: 1985
'n Evaluering van onderwysvoorsienings en onderwysfasiliteite in die Karoo-distrikte Aberdeen, Graaff-Reinet, Jansenville-Klipplaat en Murraysburg vir die hoofbevolkingsgroepe Blank, Kleurling en Bantoe
- Authors: Dreyer, J N
- Date: 1973
- Subjects: School facilities -- South Africa -- Eastern Cape Colored people (South Africa) -- Education Black people -- Education -- South Africa -- Eastern Cape White people -- Education -- South Africa -- Eastern Cape
- Language: Afrikaans
- Type: Thesis , Masters , MEd
- Identifier: vital:1963 , http://hdl.handle.net/10962/d1011490
- Description: Die ondersoek handel oor onderwysaangeleenthede in die vier Karoo-distrikte Aberdeen, Graaff-Reinet, (wat Adendorp insluit), Jansenville-Klipplaat en Murraysburg. Die ondersoek wil ten aanvang wys op n verskynsel waaroor Morton hom soos volg uitlaat: "There is an inevitable time-lag between the evolution of an educational system and the society and the culture that it serves, and from which it stems". Chapter 1, p. 1.
- Full Text:
- Date Issued: 1973
- Authors: Dreyer, J N
- Date: 1973
- Subjects: School facilities -- South Africa -- Eastern Cape Colored people (South Africa) -- Education Black people -- Education -- South Africa -- Eastern Cape White people -- Education -- South Africa -- Eastern Cape
- Language: Afrikaans
- Type: Thesis , Masters , MEd
- Identifier: vital:1963 , http://hdl.handle.net/10962/d1011490
- Description: Die ondersoek handel oor onderwysaangeleenthede in die vier Karoo-distrikte Aberdeen, Graaff-Reinet, (wat Adendorp insluit), Jansenville-Klipplaat en Murraysburg. Die ondersoek wil ten aanvang wys op n verskynsel waaroor Morton hom soos volg uitlaat: "There is an inevitable time-lag between the evolution of an educational system and the society and the culture that it serves, and from which it stems". Chapter 1, p. 1.
- Full Text:
- Date Issued: 1973
'n Ondersoek na die vorm wat die opvoering in die primêre skool kan aanneem : met spesiale verwysing na geselekteerde primêre skole in die Westelike Provinsie
- Du Plessis, Philippus Lodewicus
- Authors: Du Plessis, Philippus Lodewicus
- Date: 1979
- Subjects: Drama in education
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:2128 , http://hdl.handle.net/10962/d1002030 , Drama in education
- Description: Watter vorm moet die opvoering in die primêre skool aanneem ? Die opvoering in die skool, en veral in die primêre skool word, veral sedert Peter Slade (1959 : 41-57 ens.) en Brian Way (1970 : 2-3 + 6-8 + 186- 189 + 268-269) gewaarsku het teen die gevare van die opvoering, deur baie beoefenaars van skooldrama afgekeur. Daar het in Engeland, Amerika en ook in Suid-Afrika tweespalt begin ontstaan tussen die aanhangers van die sogenaamde formeIe drama en die sogenaamde informele of vrye drama. Daar behoort nie so 'n tweespalt te wees indien die hele aangeleentheid reg benader word nie. (Heathcote soos opgeneem in Hodgson en Banham 1972 : 41). Daar word beoog om in hierdie studie ondersoek in te stel na die moontlike benaderingswyses asook die wenslikheid van die opvoering in die primêre skool. Die doel van hierdie studie is am opnuut te besin oor die waarde wat die skoolopvoering vir die kind kan hê. Ons durf, as opvoeders, die kind nie uitsluit van 'n aktiwiteit wat 'n bydrae tot sy totale ontwikkeling sou kon lewer nie. Daar word dus gehoop om tot 'n herwaardering van die skoolopvoering te kom wat waardevol sal kan wees in die opvoeding van die kind
- Full Text:
- Date Issued: 1979
- Authors: Du Plessis, Philippus Lodewicus
- Date: 1979
- Subjects: Drama in education
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:2128 , http://hdl.handle.net/10962/d1002030 , Drama in education
- Description: Watter vorm moet die opvoering in die primêre skool aanneem ? Die opvoering in die skool, en veral in die primêre skool word, veral sedert Peter Slade (1959 : 41-57 ens.) en Brian Way (1970 : 2-3 + 6-8 + 186- 189 + 268-269) gewaarsku het teen die gevare van die opvoering, deur baie beoefenaars van skooldrama afgekeur. Daar het in Engeland, Amerika en ook in Suid-Afrika tweespalt begin ontstaan tussen die aanhangers van die sogenaamde formeIe drama en die sogenaamde informele of vrye drama. Daar behoort nie so 'n tweespalt te wees indien die hele aangeleentheid reg benader word nie. (Heathcote soos opgeneem in Hodgson en Banham 1972 : 41). Daar word beoog om in hierdie studie ondersoek in te stel na die moontlike benaderingswyses asook die wenslikheid van die opvoering in die primêre skool. Die doel van hierdie studie is am opnuut te besin oor die waarde wat die skoolopvoering vir die kind kan hê. Ons durf, as opvoeders, die kind nie uitsluit van 'n aktiwiteit wat 'n bydrae tot sy totale ontwikkeling sou kon lewer nie. Daar word dus gehoop om tot 'n herwaardering van die skoolopvoering te kom wat waardevol sal kan wees in die opvoeding van die kind
- Full Text:
- Date Issued: 1979
Die diskoers van kerst en andere liefdesverhalen deur Kristien Hemmerechts
- Authors: Du Plessis, W I
- Date: 1998
- Subjects: Hemmerechts, Kristien, 1955- -- Criticism and interpretation , Discourse analysis, Literary , Structuralism (Literary analysis)
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3601 , http://hdl.handle.net/10962/d1002185
- Description: Die doel van hierdie studie was om aan te toon hoe 'n linguistiese beskouing van 'n literere teks kan meehelp om tot gefundeerde insigte in 'n teks te kom en om langs hierdie weg die beskuldiging dat literatuurstudie grotendeels 'n 'anything-goes-dissipline' is, te omseil. Om hierdie rede is daar van die standpunt uitgegaan dat kennis oor die presiese aard van die tekslinguistiek kan meehelp in die toepassing daarvan. Dit dien as motivering vir die uitgebreide diachroniese situering van die tekslinguistiek van die eerste hoofstuk. Hier word geredeneer dat die tekslinguistiek iets soos 'n pseudo-literatuurteorie is wat kan meehelp in die lees en interpretasie van en kommentaar oor 'n literere teks. Daar is grotendeels gefokus op die literere benaderings wat die ontwikkeling van die tekslinguistiek voorafgegaan en be'invloed het. Daar was drie hoofstrominge t.o.v. tekstuele benadering, nl. (i) tekssentriese (outonomistiese), (ii) linguistiese (taalsentriese), en (iii) lesersentriese benaderings. Die vemaamste tekssentriese (outonomistiese) benaderings is die Russiese Formalisme, New Criticism en Stilistiek op taalkundige grondslag. In die bespreking van hierdie benaderings is dit tel kens in verband gebring met die bestaande teorie oor die tekslinguistiek ten einde die diachroniese aard van die ontwikkelingsgang daarvan, te karteer. Die vernaan1ste eksponente van die linguistiese (taalsentriese) benaderings is die Strukteralisme, Poststrukturalisme en die Semiotiek. Daar is in hierdie afdeling duidelik aangestip hoe die standaarde van tekstualiteit (De Beaugrande en Dressler, 1981), en spesifiek die standaard kohesie, terug te vind is in hierdie benadering tot teksstudie. Die Resepsie-estetika en Referensiele benadering is bespreek as eksponente van die sg. lesersentriese benadering. Die doel hiervan was om aan te dui hoe intertekstualiteit, kontekstualiteit en informatiwiteit as standaarde van tekstualiteit, in hierdie benadering terug te vind is. Met die diachroniese situering in gedagte, is daar in die tweede deel van Hoofstuk Een oorgegaan tot 'n sinchroniese karakterisering van wat die tekslinguistiek behels. In hierdie hoofstuk is daar voortgegaan met die beredenering dat die term diskoerslinguisliek • n meer akkurate benaming is vir 'n dissipline wat meer as net ' teks' in ag neem. Diskoers kan beskou word as 'n reeks taaluitinge wat 'n taalhandeling vorm. Hoewel diskoerslinguisliek die term tekslinguistiek in hierdie studie vervang, is daar duidelik aangetoon dat dit nie die doel het om aardskuddend veranderend te wees nie. Die werkswyse wat in hierdie studie gevolg is, is steeds die van die tekslinguistiek. Om hierdie rede is hierdie gedeelte van die studie grootliks teoreties, dit bespreek die interdissiplinere aard van tekslinguistiekldiskoerslinguistiek, definieer dit, en identifiseer die studieveld van 'teks'. Hierdie identifisering (sintaktiese eenheid, semantiese eenheid en pragmatiese eenheid) funksioneer breedweg as die hoofuiteensetting van hierdie studie. Tog word daar in hierdie studie aangetoon dat daar verskil word van die De Beaugrande en Dressler-aanname dat daar sewe standaarde van tekstualiteit bestaan, en word dit hier gereduseer tot twee superstandaarde, nl. kohesie en koherensie. Koherensie beskik oor sg. 'voorwilardes', nl. intensionaliteit, aanvaarbaarheid, informatiwiteit, kontekstualiteit en intertekstualiteit. Op hierdie wyse word die meganistiese indeling van die oorspronklike sewe standaarde oorkom. In Hoofstuk Twee word die teorie rondom die superstandaard kohesie toegepas op die Nederlandse teks deur Kristien Hemmerechts, Kerst en andere liefdesverhalen. Hierdie hoofstuk het die implisiete doel om aan te toon hoe 'n suiwer strukturalistiese ondersoek na 'n tekstuele gegewe kan meehelp in die identifisering van bepaalde linguistiese patrone wat, indien gesitueer in 'n pragmatiese milieu, bepaalde betekeniswaarde verkry. Verskeie aspekte rondom die konsep 'kohesie' word hier bespreek, o.a. 'n by trek van sg. storiegrammatika van die liefdesverhaal en sprokie ten einde bepaalde taalpatrone te identifiser wat pragmatiese betekenislading het. Hierbenewens word daar suiwer struktureel met die teks omgegaan met 'n identifisering van bepaalde patrone in die adjektief-aanwending, die gebruik van saakname, verwysing, polisemie, sinonimie, teenoorgesteldheid, antonimie, komplementeerbaarheid, ruimtelike opposisie en hiponimie. 'Hierbenewens word kohesiewe-bindingspatronesoos ellips, semantiese rolle en sg. tematiese kontinuHeit bespreek. Die daaropvolgende hoofstuk is 'n bye en bring van die ge"identi±iseerde talige patrone van Hoofstuk Twee en 'n situering daarvan in 'n pragmatiese raamwerk. Koherensie is die somtotaal van eenheid en betekenis soos wat dit in diskoers ervaar word. Dit het betrekking op dit wat bydra dat 'n teks vir taalgebruikers sin maak en samehang vertoon. Aangesien koherensie grootliks steun op die pragmatiek, is die fokus van hierdie afdeling van die studie grootliks pragmaties en word daar aangedui hoe die bestaan van bepaalde koordinate, 'n beginsel van samewerking en 'n spraakhandelingsteorie kan bydra tot gefundeerde insigte in die onderhawige teks.
- Full Text:
- Date Issued: 1998
- Authors: Du Plessis, W I
- Date: 1998
- Subjects: Hemmerechts, Kristien, 1955- -- Criticism and interpretation , Discourse analysis, Literary , Structuralism (Literary analysis)
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3601 , http://hdl.handle.net/10962/d1002185
- Description: Die doel van hierdie studie was om aan te toon hoe 'n linguistiese beskouing van 'n literere teks kan meehelp om tot gefundeerde insigte in 'n teks te kom en om langs hierdie weg die beskuldiging dat literatuurstudie grotendeels 'n 'anything-goes-dissipline' is, te omseil. Om hierdie rede is daar van die standpunt uitgegaan dat kennis oor die presiese aard van die tekslinguistiek kan meehelp in die toepassing daarvan. Dit dien as motivering vir die uitgebreide diachroniese situering van die tekslinguistiek van die eerste hoofstuk. Hier word geredeneer dat die tekslinguistiek iets soos 'n pseudo-literatuurteorie is wat kan meehelp in die lees en interpretasie van en kommentaar oor 'n literere teks. Daar is grotendeels gefokus op die literere benaderings wat die ontwikkeling van die tekslinguistiek voorafgegaan en be'invloed het. Daar was drie hoofstrominge t.o.v. tekstuele benadering, nl. (i) tekssentriese (outonomistiese), (ii) linguistiese (taalsentriese), en (iii) lesersentriese benaderings. Die vemaamste tekssentriese (outonomistiese) benaderings is die Russiese Formalisme, New Criticism en Stilistiek op taalkundige grondslag. In die bespreking van hierdie benaderings is dit tel kens in verband gebring met die bestaande teorie oor die tekslinguistiek ten einde die diachroniese aard van die ontwikkelingsgang daarvan, te karteer. Die vernaan1ste eksponente van die linguistiese (taalsentriese) benaderings is die Strukteralisme, Poststrukturalisme en die Semiotiek. Daar is in hierdie afdeling duidelik aangestip hoe die standaarde van tekstualiteit (De Beaugrande en Dressler, 1981), en spesifiek die standaard kohesie, terug te vind is in hierdie benadering tot teksstudie. Die Resepsie-estetika en Referensiele benadering is bespreek as eksponente van die sg. lesersentriese benadering. Die doel hiervan was om aan te dui hoe intertekstualiteit, kontekstualiteit en informatiwiteit as standaarde van tekstualiteit, in hierdie benadering terug te vind is. Met die diachroniese situering in gedagte, is daar in die tweede deel van Hoofstuk Een oorgegaan tot 'n sinchroniese karakterisering van wat die tekslinguistiek behels. In hierdie hoofstuk is daar voortgegaan met die beredenering dat die term diskoerslinguisliek • n meer akkurate benaming is vir 'n dissipline wat meer as net ' teks' in ag neem. Diskoers kan beskou word as 'n reeks taaluitinge wat 'n taalhandeling vorm. Hoewel diskoerslinguisliek die term tekslinguistiek in hierdie studie vervang, is daar duidelik aangetoon dat dit nie die doel het om aardskuddend veranderend te wees nie. Die werkswyse wat in hierdie studie gevolg is, is steeds die van die tekslinguistiek. Om hierdie rede is hierdie gedeelte van die studie grootliks teoreties, dit bespreek die interdissiplinere aard van tekslinguistiekldiskoerslinguistiek, definieer dit, en identifiseer die studieveld van 'teks'. Hierdie identifisering (sintaktiese eenheid, semantiese eenheid en pragmatiese eenheid) funksioneer breedweg as die hoofuiteensetting van hierdie studie. Tog word daar in hierdie studie aangetoon dat daar verskil word van die De Beaugrande en Dressler-aanname dat daar sewe standaarde van tekstualiteit bestaan, en word dit hier gereduseer tot twee superstandaarde, nl. kohesie en koherensie. Koherensie beskik oor sg. 'voorwilardes', nl. intensionaliteit, aanvaarbaarheid, informatiwiteit, kontekstualiteit en intertekstualiteit. Op hierdie wyse word die meganistiese indeling van die oorspronklike sewe standaarde oorkom. In Hoofstuk Twee word die teorie rondom die superstandaard kohesie toegepas op die Nederlandse teks deur Kristien Hemmerechts, Kerst en andere liefdesverhalen. Hierdie hoofstuk het die implisiete doel om aan te toon hoe 'n suiwer strukturalistiese ondersoek na 'n tekstuele gegewe kan meehelp in die identifisering van bepaalde linguistiese patrone wat, indien gesitueer in 'n pragmatiese milieu, bepaalde betekeniswaarde verkry. Verskeie aspekte rondom die konsep 'kohesie' word hier bespreek, o.a. 'n by trek van sg. storiegrammatika van die liefdesverhaal en sprokie ten einde bepaalde taalpatrone te identifiser wat pragmatiese betekenislading het. Hierbenewens word daar suiwer struktureel met die teks omgegaan met 'n identifisering van bepaalde patrone in die adjektief-aanwending, die gebruik van saakname, verwysing, polisemie, sinonimie, teenoorgesteldheid, antonimie, komplementeerbaarheid, ruimtelike opposisie en hiponimie. 'Hierbenewens word kohesiewe-bindingspatronesoos ellips, semantiese rolle en sg. tematiese kontinuHeit bespreek. Die daaropvolgende hoofstuk is 'n bye en bring van die ge"identi±iseerde talige patrone van Hoofstuk Twee en 'n situering daarvan in 'n pragmatiese raamwerk. Koherensie is die somtotaal van eenheid en betekenis soos wat dit in diskoers ervaar word. Dit het betrekking op dit wat bydra dat 'n teks vir taalgebruikers sin maak en samehang vertoon. Aangesien koherensie grootliks steun op die pragmatiek, is die fokus van hierdie afdeling van die studie grootliks pragmaties en word daar aangedui hoe die bestaan van bepaalde koordinate, 'n beginsel van samewerking en 'n spraakhandelingsteorie kan bydra tot gefundeerde insigte in die onderhawige teks.
- Full Text:
- Date Issued: 1998
Die sielkundige aanpassing van drie groepe Bantoes volgens die Rorschach toets
- Authors: Du Preez, Pieter Hendrik
- Date: 1968
- Subjects: Rorschach test Black people -- South Africa -- Psychology Ethnopsychology
- Language: Afrikaans
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3203 , http://hdl.handle.net/10962/d1011495
- Description: Die huidige belangrike rol wat die Bantoe van Afrika in internasionale sake speel, is welbekend. So ook die belangrikheid van die Suid-Afrikaanse Bantoe. Hierdie belangrikheid van die Bantoe het egter verbasend skielik en vinnig gekom, so vinnig dat wetenskaplike kennis van hom as mens, nie kon tred hou nie, met die gevolg dat die beskaafde wereld hom swak ken. Die doel van hierdie proefskrif is dan ook om meer Iig te probeer werp op die persoonlikheid van die Bantoe en die lnvloed wat die snel veranderende omstandighede op hom uitoefen. Ten einde die maksimum waarde uit die Rorschach toets wat aangewend is, te verkry, is dlt nodig om beide die determinants berekenings sowel as die inhoudsanalise in berekening te bring. Vir navorsingsdoeleindes waar die resultate van verskeie proefpersone saamgevoeg word in verskiIlende groepe, is dit egter 'n moelIike taak om die gegewens kwantitatief hanteerbaar te kry. Dit is die rede waarom in hierdie studie van ordeskale gebruik gemaak is wat vir die doel heel doeltreffend blyk te gewees het.
- Full Text:
- Date Issued: 1968
- Authors: Du Preez, Pieter Hendrik
- Date: 1968
- Subjects: Rorschach test Black people -- South Africa -- Psychology Ethnopsychology
- Language: Afrikaans
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3203 , http://hdl.handle.net/10962/d1011495
- Description: Die huidige belangrike rol wat die Bantoe van Afrika in internasionale sake speel, is welbekend. So ook die belangrikheid van die Suid-Afrikaanse Bantoe. Hierdie belangrikheid van die Bantoe het egter verbasend skielik en vinnig gekom, so vinnig dat wetenskaplike kennis van hom as mens, nie kon tred hou nie, met die gevolg dat die beskaafde wereld hom swak ken. Die doel van hierdie proefskrif is dan ook om meer Iig te probeer werp op die persoonlikheid van die Bantoe en die lnvloed wat die snel veranderende omstandighede op hom uitoefen. Ten einde die maksimum waarde uit die Rorschach toets wat aangewend is, te verkry, is dlt nodig om beide die determinants berekenings sowel as die inhoudsanalise in berekening te bring. Vir navorsingsdoeleindes waar die resultate van verskeie proefpersone saamgevoeg word in verskiIlende groepe, is dit egter 'n moelIike taak om die gegewens kwantitatief hanteerbaar te kry. Dit is die rede waarom in hierdie studie van ordeskale gebruik gemaak is wat vir die doel heel doeltreffend blyk te gewees het.
- Full Text:
- Date Issued: 1968
'n Ondersoek na Afrikaanse beskouings oor die kortverhaal met besondere verwysing na enkele nuwer Afrikaanse verhale
- Authors: Du Toit, P A
- Date: 1974
- Subjects: Short stories, South African (Afrikaans) -- History and criticism
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3628 , http://hdl.handle.net/10962/d1011504 , Short stories, South African (Afrikaans) -- History and criticism
- Description: Dit is reeds deur andere gese: dat die "vernuwing van Sestig" in die Afrikaanse prosa die Afrikaanse prosakritiek tot bestekname gedwing het soos die vernuwing in die poësie van Dertig die kritiek van daardie tyd. En waar die vernuwing in die prosa ook op die gebied van die kort prosakuns so duidelik op die voorgrond was, kan daar wel gevra word: hoe geldig is die teorieDit is reeds deur andere gess: dat die "vernuwing van Sestig" in die Afrikaanse prosa die Afrikaanse prosakritiek tot bestekname gedwing het soos die vernuwing in die poesie van Dertig die kritiek van daardie tyd. 2 En waar die vernuwing in die prosa ook op die gebied van die kort prosakuns so duidelik op die voorgrond was, kan daar wel gevra word: hoe geldig is die teorieë wat in Afrikaans so eksplisit oor die "kortverhaal" opgestel is vir die nuwer Afrikaanse verhaalkuns? en daarby: hoe geldig is die nuwer, meer teksgerigte beskouings in Afrikaans? Die vraag is die kern van die huidige studie.
- Full Text:
- Date Issued: 1974
- Authors: Du Toit, P A
- Date: 1974
- Subjects: Short stories, South African (Afrikaans) -- History and criticism
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3628 , http://hdl.handle.net/10962/d1011504 , Short stories, South African (Afrikaans) -- History and criticism
- Description: Dit is reeds deur andere gese: dat die "vernuwing van Sestig" in die Afrikaanse prosa die Afrikaanse prosakritiek tot bestekname gedwing het soos die vernuwing in die poësie van Dertig die kritiek van daardie tyd. En waar die vernuwing in die prosa ook op die gebied van die kort prosakuns so duidelik op die voorgrond was, kan daar wel gevra word: hoe geldig is die teorieDit is reeds deur andere gess: dat die "vernuwing van Sestig" in die Afrikaanse prosa die Afrikaanse prosakritiek tot bestekname gedwing het soos die vernuwing in die poesie van Dertig die kritiek van daardie tyd. 2 En waar die vernuwing in die prosa ook op die gebied van die kort prosakuns so duidelik op die voorgrond was, kan daar wel gevra word: hoe geldig is die teorieë wat in Afrikaans so eksplisit oor die "kortverhaal" opgestel is vir die nuwer Afrikaanse verhaalkuns? en daarby: hoe geldig is die nuwer, meer teksgerigte beskouings in Afrikaans? Die vraag is die kern van die huidige studie.
- Full Text:
- Date Issued: 1974
Aspekte van die Judaïes-Christelike en die Boeddhistiese in die poësie van Breyten Breytenbach
- Authors: Ferreira, Jeanette
- Date: 1988
- Subjects: Breytenbach, Breyten Afrikaans poetry -- History and criticism , Breytenbach, Breyten -- Criticism and interpretation
- Language: Afrikaans
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3574 , http://hdl.handle.net/10962/d1002097
- Description: Concepts of life and death, time and self-denial are investigated in the poetry of Breyten Breytenbach, with specific reference to the similarities and differences between the Judeo-Christian and the Buddhist traditions. Biblical references in the poetry are examined, and their underlying concepts compared to related concepts in Tantric Buddhism and Zen-Buddhism. The conclusion is drawn that the biblical concepts are transposed in the poetry in order to create Buddhist concepts of life and death, time and a form of self-denial. De-sacralisation of the Christian. concepts is inevitable in this creative process. However, the primary intention of the author is not de-sacralisation, but the implementation 'of the Buddhist philosophy of life in which everything is experienced as "totally one". A comparison between the reconstructed intended reader of Breytenbach's poetry and elements of the Afrikaans reading public suggests that political comment on segregated South African society is intended. Breytenbach's poetry is compared to canonized Afrikaans poetry with respect to Buddhist influence, national protest, aspiration to holiness and transposed biblical concepts. The conclusion is that his poetry is highly innovative in these respects. In the broader spectrum of South African literature his poetry is compared, with reference to transposed biblical concepts and national protest, to the poetry of Black poets writing in English, and (where material is available) to those writing in Afrikaans. The conclusion is that Breytenbach's poetry is strongly linked to this poetry. However, the complexity of Breytenbach's poetry, and the advanced aesthetic level and linguistic code required of the intended reader determine his placing within the canon of Afrikaans poetry.
- Full Text:
- Date Issued: 1988
- Authors: Ferreira, Jeanette
- Date: 1988
- Subjects: Breytenbach, Breyten Afrikaans poetry -- History and criticism , Breytenbach, Breyten -- Criticism and interpretation
- Language: Afrikaans
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3574 , http://hdl.handle.net/10962/d1002097
- Description: Concepts of life and death, time and self-denial are investigated in the poetry of Breyten Breytenbach, with specific reference to the similarities and differences between the Judeo-Christian and the Buddhist traditions. Biblical references in the poetry are examined, and their underlying concepts compared to related concepts in Tantric Buddhism and Zen-Buddhism. The conclusion is drawn that the biblical concepts are transposed in the poetry in order to create Buddhist concepts of life and death, time and a form of self-denial. De-sacralisation of the Christian. concepts is inevitable in this creative process. However, the primary intention of the author is not de-sacralisation, but the implementation 'of the Buddhist philosophy of life in which everything is experienced as "totally one". A comparison between the reconstructed intended reader of Breytenbach's poetry and elements of the Afrikaans reading public suggests that political comment on segregated South African society is intended. Breytenbach's poetry is compared to canonized Afrikaans poetry with respect to Buddhist influence, national protest, aspiration to holiness and transposed biblical concepts. The conclusion is that his poetry is highly innovative in these respects. In the broader spectrum of South African literature his poetry is compared, with reference to transposed biblical concepts and national protest, to the poetry of Black poets writing in English, and (where material is available) to those writing in Afrikaans. The conclusion is that Breytenbach's poetry is strongly linked to this poetry. However, the complexity of Breytenbach's poetry, and the advanced aesthetic level and linguistic code required of the intended reader determine his placing within the canon of Afrikaans poetry.
- Full Text:
- Date Issued: 1988
Die begrip verganklikheid as komplekse kode in enkele werke van Hennie Aucamp
- Authors: Garbers, Marius Wolhuter
- Date: 1989
- Subjects: Aucamp, Hennie -- Criticism and interpretation
- Language: Afrikaans
- Type: text , Thesis , Masters , MA
- Identifier: vital:3567 , http://hdl.handle.net/10962/d1002090
- Description: Mortality has always been a popular theme in literature. By means of a semiological and narratological approach, it has been endeavoured in this study to prove that transience comprises a complex code constituted by a whole series of codes. In each of the chosen volumes one specific short story is analysed and all the codes related to transience are defined and described. Then these codes are discussed within the context of the volume as a whole. The following codes have been identified and analysed: death and death related codes, decay, distress, frustration, emptiness, loneliness observe, look and see, reproduction, the code of ageing, youth/ageing, lost love, time. The following texts of Aucamp have been used as the object of study: Die Hartseerwals, Spitsuur and 'n Bruidsbed vir Tant Nonnie. The reason these texts were selected, is twofold: They represent the early works of the author. The continuity is essential for making meaningful deductions. The final conclusions are: Man's bond with an environment which is characterised by continual change, influences his existence and makes his life a tentative experience. Transience involves more than merely ageing, obsolescence and death. Transience is a complex experience, related to the physical and mental in man. Besides ageing, sexuality contributes to man's downfall. Loneliness, isolation and frustration determine his actions and stress his experience of transience. The result is a painful experience of life.
- Full Text:
- Date Issued: 1989
- Authors: Garbers, Marius Wolhuter
- Date: 1989
- Subjects: Aucamp, Hennie -- Criticism and interpretation
- Language: Afrikaans
- Type: text , Thesis , Masters , MA
- Identifier: vital:3567 , http://hdl.handle.net/10962/d1002090
- Description: Mortality has always been a popular theme in literature. By means of a semiological and narratological approach, it has been endeavoured in this study to prove that transience comprises a complex code constituted by a whole series of codes. In each of the chosen volumes one specific short story is analysed and all the codes related to transience are defined and described. Then these codes are discussed within the context of the volume as a whole. The following codes have been identified and analysed: death and death related codes, decay, distress, frustration, emptiness, loneliness observe, look and see, reproduction, the code of ageing, youth/ageing, lost love, time. The following texts of Aucamp have been used as the object of study: Die Hartseerwals, Spitsuur and 'n Bruidsbed vir Tant Nonnie. The reason these texts were selected, is twofold: They represent the early works of the author. The continuity is essential for making meaningful deductions. The final conclusions are: Man's bond with an environment which is characterised by continual change, influences his existence and makes his life a tentative experience. Transience involves more than merely ageing, obsolescence and death. Transience is a complex experience, related to the physical and mental in man. Besides ageing, sexuality contributes to man's downfall. Loneliness, isolation and frustration determine his actions and stress his experience of transience. The result is a painful experience of life.
- Full Text:
- Date Issued: 1989
'n Marxisties-feministiese ondersoek van Wilma Stockenström se roman, Die kremetartekspedisie
- Authors: Gardner, Judy Hilary
- Date: 1989
- Subjects: Stockenström, Wilma -- Criticism and interpretation , Stockenström, Wilma. Kremetartekspedisie
- Language: Afrikaans
- Type: text , Thesis , Masters , MA
- Identifier: vital:3568 , http://hdl.handle.net/10962/d1002091
- Description: Chapter is an exploration of the meanings which may underly the title of this novel. I have tried initially to establish what kind of "expedition" is undertaken, and have come to the conclusion that "expedition" has a multidimensional meaning, that it implies a search, an expedition into different things: an expedition to the city of rose-quartz; the slave woman's expeditions from the baobab tree and back; an inner expedition to gain self-knowledge; an expedition into womanhood; an expedition into the history of Africa, into religion, into language. The second part of the chapter examines the nature of "baobab", since this tree, like the "Tree of Life", is regarded as one growing upside-down. It is this upside-down nature of the tree which led me to believe that many existing stereotypes and myths are turned upside-down in the novel: about slaves, about woman, language, the Afrikaans literary tradition, the "traditional" structure of the novel, culture transcending nature, the slave woman's language. In chapter 2 I have examined only one of these expeditions, viz. the slave woman's inner expeditions consisting of her experiences as a slave and her journeys of reminiscence. These journeys at the same time embrace all the other expeditions. Her inner expeditions are signified by a number of codes, which fulfil literally the function of processes of knowledge, of self- knowledge, as well as of systems in which meaning is contained. By undertaking this inner expedition, the woman gains greater clarity of vision concerning her own existence and the existence of man/woman in general. Chapter 3 deals mainly with the concept of possession/ownership, which results in two diametrically opposed groups: the owner class and the owned class. The peculiar institution of slavery has given rise to these two irreconcilable groups, and therefore a brief history of slavery is included in this chapter. The slave woman is initially one of the owned class, but through indoctrination, she too aspires to become a member of the owner class. In the second half of the chapter, then, the woman is discussed as owner. Her position becomes a reflection of the position of her owners, to illustrate the peculiarity of the capitalist system in which there will always be the rulers and the subjects, the oppressor and the oppressed, the owner and the owned.
- Full Text:
- Date Issued: 1989
- Authors: Gardner, Judy Hilary
- Date: 1989
- Subjects: Stockenström, Wilma -- Criticism and interpretation , Stockenström, Wilma. Kremetartekspedisie
- Language: Afrikaans
- Type: text , Thesis , Masters , MA
- Identifier: vital:3568 , http://hdl.handle.net/10962/d1002091
- Description: Chapter is an exploration of the meanings which may underly the title of this novel. I have tried initially to establish what kind of "expedition" is undertaken, and have come to the conclusion that "expedition" has a multidimensional meaning, that it implies a search, an expedition into different things: an expedition to the city of rose-quartz; the slave woman's expeditions from the baobab tree and back; an inner expedition to gain self-knowledge; an expedition into womanhood; an expedition into the history of Africa, into religion, into language. The second part of the chapter examines the nature of "baobab", since this tree, like the "Tree of Life", is regarded as one growing upside-down. It is this upside-down nature of the tree which led me to believe that many existing stereotypes and myths are turned upside-down in the novel: about slaves, about woman, language, the Afrikaans literary tradition, the "traditional" structure of the novel, culture transcending nature, the slave woman's language. In chapter 2 I have examined only one of these expeditions, viz. the slave woman's inner expeditions consisting of her experiences as a slave and her journeys of reminiscence. These journeys at the same time embrace all the other expeditions. Her inner expeditions are signified by a number of codes, which fulfil literally the function of processes of knowledge, of self- knowledge, as well as of systems in which meaning is contained. By undertaking this inner expedition, the woman gains greater clarity of vision concerning her own existence and the existence of man/woman in general. Chapter 3 deals mainly with the concept of possession/ownership, which results in two diametrically opposed groups: the owner class and the owned class. The peculiar institution of slavery has given rise to these two irreconcilable groups, and therefore a brief history of slavery is included in this chapter. The slave woman is initially one of the owned class, but through indoctrination, she too aspires to become a member of the owner class. In the second half of the chapter, then, the woman is discussed as owner. Her position becomes a reflection of the position of her owners, to illustrate the peculiarity of the capitalist system in which there will always be the rulers and the subjects, the oppressor and the oppressed, the owner and the owned.
- Full Text:
- Date Issued: 1989
'n Ondersoek na die funksie van die verteller ten opsigte van die aktualiteit en romanwêreld in sommige Afrikaanse romans
- Authors: Goosen, Ella Johanna
- Date: 1983
- Subjects: Afrikaans fiction -- History and criticism , First person narrative , Point of view (Literature)
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3620 , http://hdl.handle.net/10962/d1007176
- Description: Een van die fundamenteelste en belangrikste aspekte van 'n roman is die verteller. Die verhouding waarin die verteller tot die verhaalstof staan, die verteller se perspektief op die gebeure, die soort verteller en die manier waarop die verteller sy implisiete leser deur die organisasie van die verhaal definieer en betrek is almal bepalende faktore vir die struktuur, die styl en die ontwikkelingsgang van die roman. Joseph T. Shipley (1966:144) stel die saak so: "In die analysis of a speech or literary composition, nothing is more important than to determine precisely the voice or voices presented as speaking and the precise nature of the address (i.e. specific direction to a hearer, an addressee); for in every speech reference to a voice or voices and implication of address (i.e. reference to a process of speech, actual or imagined) is a part of the meaning, for the interpretation of which it supplies an indispensable control ".
- Full Text:
- Date Issued: 1983
- Authors: Goosen, Ella Johanna
- Date: 1983
- Subjects: Afrikaans fiction -- History and criticism , First person narrative , Point of view (Literature)
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3620 , http://hdl.handle.net/10962/d1007176
- Description: Een van die fundamenteelste en belangrikste aspekte van 'n roman is die verteller. Die verhouding waarin die verteller tot die verhaalstof staan, die verteller se perspektief op die gebeure, die soort verteller en die manier waarop die verteller sy implisiete leser deur die organisasie van die verhaal definieer en betrek is almal bepalende faktore vir die struktuur, die styl en die ontwikkelingsgang van die roman. Joseph T. Shipley (1966:144) stel die saak so: "In die analysis of a speech or literary composition, nothing is more important than to determine precisely the voice or voices presented as speaking and the precise nature of the address (i.e. specific direction to a hearer, an addressee); for in every speech reference to a voice or voices and implication of address (i.e. reference to a process of speech, actual or imagined) is a part of the meaning, for the interpretation of which it supplies an indispensable control ".
- Full Text:
- Date Issued: 1983
Die administratiewe funksionering van bewindsinstellings in die Ciskei met besondere verwysing na plaaslike bestuur
- Authors: Groenewald, David Marais
- Date: 1976
- Subjects: Public institutions -- Administration -- South Africa -- Ciskei , Public institutions -- Management -- South Africa -- Ciskei , Public institutions -- Government -- South Africa -- Ciskei
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:2877 , http://hdl.handle.net/10962/d1012099 , Public institutions -- Administration -- South Africa -- Ciskei , Public institutions -- Management -- South Africa -- Ciskei , Public institutions -- Government -- South Africa -- Ciskei
- Description: As gevolg van die ongekonsolideerde aard van die Bantoegebiede in die Ciskei is dit onmoontlik om diè gebied te begrens binne bepaalde relief kenmerke, soos bv. berge en riviere; of selfs binne administratiewe grense soos bv. magistraatsdistrikte. Intro., p. 1
- Full Text:
- Date Issued: 1976
- Authors: Groenewald, David Marais
- Date: 1976
- Subjects: Public institutions -- Administration -- South Africa -- Ciskei , Public institutions -- Management -- South Africa -- Ciskei , Public institutions -- Government -- South Africa -- Ciskei
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:2877 , http://hdl.handle.net/10962/d1012099 , Public institutions -- Administration -- South Africa -- Ciskei , Public institutions -- Management -- South Africa -- Ciskei , Public institutions -- Government -- South Africa -- Ciskei
- Description: As gevolg van die ongekonsolideerde aard van die Bantoegebiede in die Ciskei is dit onmoontlik om diè gebied te begrens binne bepaalde relief kenmerke, soos bv. berge en riviere; of selfs binne administratiewe grense soos bv. magistraatsdistrikte. Intro., p. 1
- Full Text:
- Date Issued: 1976