A buthu wa cimbira
- Nancy Luhoma, Mwenela Kaunda, Hugh Tracey
- Authors: Nancy Luhoma , Mwenela Kaunda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185204 , vital:44339 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-18
- Description: "The girls have run away." Buthu refers to girls living at a boarding school. Pounding song with mortar and two pestles
- Full Text: false
- Date Issued: 1950
- Authors: Nancy Luhoma , Mwenela Kaunda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185204 , vital:44339 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-18
- Description: "The girls have run away." Buthu refers to girls living at a boarding school. Pounding song with mortar and two pestles
- Full Text: false
- Date Issued: 1950
A Luwe
- Taines Chirwa, Nancy Luhana, Tumbuka girls, Hugh Tracey
- Authors: Taines Chirwa , Nancy Luhana , Tumbuka girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185168 , vital:44335 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-14
- Description: Luwe was the name of a certain man who had no children. He had married a woman who bore him no babes. The pre-occupation in the African mind with the question of offspring is frequently the subject of songs. The 'A' before the proper name is the equivalent of the English 'Mr.' (Mister). Pounding song with mortar and two pestles
- Full Text: false
- Date Issued: 1950
- Authors: Taines Chirwa , Nancy Luhana , Tumbuka girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185168 , vital:44335 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-14
- Description: Luwe was the name of a certain man who had no children. He had married a woman who bore him no babes. The pre-occupation in the African mind with the question of offspring is frequently the subject of songs. The 'A' before the proper name is the equivalent of the English 'Mr.' (Mister). Pounding song with mortar and two pestles
- Full Text: false
- Date Issued: 1950
A pongozi mbanonoko
- Nancy Luhoma, Mwenela Kaunda, Hugh Tracey
- Authors: Nancy Luhoma , Mwenela Kaunda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185190 , vital:44338 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-17
- Description: In the this song one of the girls pounding became quite breathless with the effort and she could hardly sing the response. "My husband's people are difficult." Pounding song with mortar and two pestles
- Full Text: false
- Date Issued: 1950
- Authors: Nancy Luhoma , Mwenela Kaunda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185190 , vital:44338 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-17
- Description: In the this song one of the girls pounding became quite breathless with the effort and she could hardly sing the response. "My husband's people are difficult." Pounding song with mortar and two pestles
- Full Text: false
- Date Issued: 1950
A speech
- Authors: Chief Bianoko , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombe f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168413 , vital:41579 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-08
- Description: The chief made this speech to all the assembled dancers, musicians and people who replied with enthusiasm in the traditional manner. Responses with ivory horn.
- Full Text: false
- Date Issued: 1952
- Authors: Chief Bianoko , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombe f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168413 , vital:41579 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-08
- Description: The chief made this speech to all the assembled dancers, musicians and people who replied with enthusiasm in the traditional manner. Responses with ivory horn.
- Full Text: false
- Date Issued: 1952
A Tembo
- Taines Chirwa, Nancy Luhana, Tumbuka girls, Hugh Tracey
- Authors: Taines Chirwa , Nancy Luhana , Tumbuka girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185177 , vital:44336 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-15
- Description: The grain for the midday meal at this mission is ground by machine, but for the evening meal it is still done by the girls in a mortar. They say the mortar meal is more tasty. "The old woman runs down the hill to help pound." Pounding song with mortar and two pestles
- Full Text: false
- Date Issued: 1950
- Authors: Taines Chirwa , Nancy Luhana , Tumbuka girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185177 , vital:44336 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-15
- Description: The grain for the midday meal at this mission is ground by machine, but for the evening meal it is still done by the girls in a mortar. They say the mortar meal is more tasty. "The old woman runs down the hill to help pound." Pounding song with mortar and two pestles
- Full Text: false
- Date Issued: 1950
A Yotamu amati andimange
- Ganizani Nyirenda, Hugh Tracey
- Authors: Ganizani Nyirenda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186585 , vital:44514 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-14
- Description: "Yotamu wanted the the chief to imprison me." The plaer sings, not in unison with his instrument, but in paraell with it. Tuning:- 792, 720, 592, 536, 476, 456, 396, 360, 296, 228. The player learnt his playing from a Nshenga at Fort Jameson called Jeremia Phiri in 1931. Self delectative song with 10 note Kalimba (Mbira)
- Full Text: false
- Date Issued: 1950
- Authors: Ganizani Nyirenda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186585 , vital:44514 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-14
- Description: "Yotamu wanted the the chief to imprison me." The plaer sings, not in unison with his instrument, but in paraell with it. Tuning:- 792, 720, 592, 536, 476, 456, 396, 360, 296, 228. The player learnt his playing from a Nshenga at Fort Jameson called Jeremia Phiri in 1931. Self delectative song with 10 note Kalimba (Mbira)
- Full Text: false
- Date Issued: 1950
Aba Mukama
- Ernest Kibuka with Haya men, Hugh Tracey
- Authors: Ernest Kibuka with Haya men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Bibanja / Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172289 , vital:42184 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR145-08
- Description: The laced drum is called Ngoma, the general name of any drum. It only receives a special name when it is part of a set of drums such as the Enkoito set. David Rugomola is said by his men to be the best chief in the whole Bibanja area and the people like him very much. He is a tall man with finely drawn features common to many aristocratic Hima people who rule over several lesser tribes in this part of East Africa. Praise song, with conical laced drum, beaten with sticks, and clapping (-12.03-).
- Full Text: false
- Date Issued: 1950
- Authors: Ernest Kibuka with Haya men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Bibanja / Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172289 , vital:42184 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR145-08
- Description: The laced drum is called Ngoma, the general name of any drum. It only receives a special name when it is part of a set of drums such as the Enkoito set. David Rugomola is said by his men to be the best chief in the whole Bibanja area and the people like him very much. He is a tall man with finely drawn features common to many aristocratic Hima people who rule over several lesser tribes in this part of East Africa. Praise song, with conical laced drum, beaten with sticks, and clapping (-12.03-).
- Full Text: false
- Date Issued: 1950
Aba Seveni abada
- Zakaria Kasasa, 'Endongo za Baganda'., Hugh Tracey
- Authors: Zakaria Kasasa, 'Endongo za Baganda'. , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170475 , vital:41926 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0136-10
- Description: "The 'Aba Seveni', the soilders of the 7th King's African Rifles, are back from the war, but they have no money left. The ones who stayed are better off than the soilders." A story with a familiar aftermath theme. Topical song, with Endongo bowl lyre with 8 strings, Ndingidi one string bowed lute, and one Ntenga conical drum, laced, single.
- Full Text: false
- Date Issued: 1950
- Authors: Zakaria Kasasa, 'Endongo za Baganda'. , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170475 , vital:41926 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0136-10
- Description: "The 'Aba Seveni', the soilders of the 7th King's African Rifles, are back from the war, but they have no money left. The ones who stayed are better off than the soilders." A story with a familiar aftermath theme. Topical song, with Endongo bowl lyre with 8 strings, Ndingidi one string bowed lute, and one Ntenga conical drum, laced, single.
- Full Text: false
- Date Issued: 1950
Abagenyi baizire
- Stephen Kaholya and Nyoro men, Hugh Tracey
- Authors: Stephen Kaholya and Nyoro men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169747 , vital:41795 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-16
- Description: "The visitors have arrived", a welcome to the visitors at a party. The Engwara horns are built up of sections of gourds bound together with plantain string and re-inforced longitudinally by lathes of bamboo. The are side blown and have a hole at the small end so as to produce two notes each. They vary in size from about 12 inches to approximately 36 inches. Engwara N'orunyege dance song for men, with Engwara side blown horns, Ebinyege rattles and clapping.
- Full Text: false
- Date Issued: 1950
- Authors: Stephen Kaholya and Nyoro men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169747 , vital:41795 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-16
- Description: "The visitors have arrived", a welcome to the visitors at a party. The Engwara horns are built up of sections of gourds bound together with plantain string and re-inforced longitudinally by lathes of bamboo. The are side blown and have a hole at the small end so as to produce two notes each. They vary in size from about 12 inches to approximately 36 inches. Engwara N'orunyege dance song for men, with Engwara side blown horns, Ebinyege rattles and clapping.
- Full Text: false
- Date Issued: 1950
Abagungu
- Samuiri Bitadwa and Nyoro men, Hugh Tracey
- Authors: Samuiri Bitadwa and Nyoro men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169914 , vital:41838 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0133-17
- Description: The Bagungu people are fishermen and live near the eastern shore of Lake Albert. They are renowned for their cheerful rhythmic dancing with leg rattles. The water lizard skin membranes of their drums make for high quality drumming and clear finger work. The 'Legevans' or iguana are found near the lake shore, they say. Orunyege dance song for men and women with Ebinyege leg rattles and Goblet drum long stem pegged open.
- Full Text: false
- Date Issued: 1950
- Authors: Samuiri Bitadwa and Nyoro men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169914 , vital:41838 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0133-17
- Description: The Bagungu people are fishermen and live near the eastern shore of Lake Albert. They are renowned for their cheerful rhythmic dancing with leg rattles. The water lizard skin membranes of their drums make for high quality drumming and clear finger work. The 'Legevans' or iguana are found near the lake shore, they say. Orunyege dance song for men and women with Ebinyege leg rattles and Goblet drum long stem pegged open.
- Full Text: false
- Date Issued: 1950
Abakaikula kitulayeza twena tucome Mlekule
- Siluvesitere Ilaliya, Hugh Tracey
- Authors: Siluvesitere Ilaliya , Hugh Tracey
- Date: 1950
- Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Nyalubungo f-tz
- Language: Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172689 , vital:42271 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR147-04
- Description: "When we harvest our crops we shall all enjoy dancing the Mlekule." Mlekule is a dance perfromed for the chief at his village. The microphone started beneath the instrument and was moved above when he started singing in order to show the difference of tone between the upper and lower surfaces of the resonator. It is interesting to note that unlike the Likembe Mbira further south, the resonator of this instrument is broader at the top than at the bottom, i.e. the bridge end is the broader. The scale was:- 332, 308, 280, 252, 228, 204, 184, 166 vs. Self delecatative tune, with Marimbe Likembe, box resonated, 18 notes.
- Full Text: false
- Date Issued: 1950
- Authors: Siluvesitere Ilaliya , Hugh Tracey
- Date: 1950
- Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Nyalubungo f-tz
- Language: Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172689 , vital:42271 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR147-04
- Description: "When we harvest our crops we shall all enjoy dancing the Mlekule." Mlekule is a dance perfromed for the chief at his village. The microphone started beneath the instrument and was moved above when he started singing in order to show the difference of tone between the upper and lower surfaces of the resonator. It is interesting to note that unlike the Likembe Mbira further south, the resonator of this instrument is broader at the top than at the bottom, i.e. the bridge end is the broader. The scale was:- 332, 308, 280, 252, 228, 204, 184, 166 vs. Self delecatative tune, with Marimbe Likembe, box resonated, 18 notes.
- Full Text: false
- Date Issued: 1950
Abakazi okuzandhda
- Waibi and Soga men, Hugh Tracey
- Authors: Waibi and Soga men , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bugabula County f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171292 , vital:42042 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-14
- Description: "Women like playing very much. Oh! yes the women do like playing. Women should not be trusted. For if you give one a present, she gives it to her lover." This song was much appreciated by the audience which was sitting all around the players. Humorous song, with Budongo Likembe and Nsaasi tin rattle.
- Full Text: false
- Date Issued: 1952
- Authors: Waibi and Soga men , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bugabula County f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171292 , vital:42042 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR140-14
- Description: "Women like playing very much. Oh! yes the women do like playing. Women should not be trusted. For if you give one a present, she gives it to her lover." This song was much appreciated by the audience which was sitting all around the players. Humorous song, with Budongo Likembe and Nsaasi tin rattle.
- Full Text: false
- Date Issued: 1952
Abalogo balnanira Daudi
- Kuruseni with Soga men, Hugh Tracey
- Authors: Kuruseni with Soga men , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Jinja f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171419 , vital:42058 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR141-05
- Description: Legends in this part of Africa, around the great lakes are often told to a rippling instrumental accompaniment especially to the trough zither. This song refers to the death of a certain Saza chief called Daudi. Rumour has it that after he was buried certain men (said to be socerers) went to the grave to dig him up. But just at the moment it began to rain and they diagreed so violently that they failed in their purpose and went away. The cries in the background from one of the spectators, they said, had nothing to do with the legend. The narrator unfortunately had a very husky voice. Legend in song, with 6 Budongo Likembe and 1 flat Nsaasi tin rattle.
- Full Text: false
- Date Issued: 1952
- Authors: Kuruseni with Soga men , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Jinja f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171419 , vital:42058 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR141-05
- Description: Legends in this part of Africa, around the great lakes are often told to a rippling instrumental accompaniment especially to the trough zither. This song refers to the death of a certain Saza chief called Daudi. Rumour has it that after he was buried certain men (said to be socerers) went to the grave to dig him up. But just at the moment it began to rain and they diagreed so violently that they failed in their purpose and went away. The cries in the background from one of the spectators, they said, had nothing to do with the legend. The narrator unfortunately had a very husky voice. Legend in song, with 6 Budongo Likembe and 1 flat Nsaasi tin rattle.
- Full Text: false
- Date Issued: 1952
Abamalaya
- Salima with Haya women, Hugh Tracey
- Authors: Salima with Haya women , Hugh Tracey
- Date: 1950
- Subjects: Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Bukoba f-tz
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172604 , vital:42227 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR146-12
- Description: The subject of this song refers to the burning question in Bukoba at the time (1950), that of the recent rebellion on the part of the women against virtual enslavement by the men. It has given rise to the most interesting social complications. The rattle is played with a circular movement of the wrist. Ngondo dance song for girls, with 1 laced conical drum and gourd rattle (-12.54-) and clapping (-12.03-).
- Full Text: false
- Date Issued: 1950
- Authors: Salima with Haya women , Hugh Tracey
- Date: 1950
- Subjects: Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Bukoba f-tz
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172604 , vital:42227 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR146-12
- Description: The subject of this song refers to the burning question in Bukoba at the time (1950), that of the recent rebellion on the part of the women against virtual enslavement by the men. It has given rise to the most interesting social complications. The rattle is played with a circular movement of the wrist. Ngondo dance song for girls, with 1 laced conical drum and gourd rattle (-12.54-) and clapping (-12.03-).
- Full Text: false
- Date Issued: 1950
Abana ba Baganda batabale
- Muliama Namale and Ganda people, Hugh Tracey
- Authors: Muliama Namale and Ganda people , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170914 , vital:41983 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0138-08
- Description: The singer praises the Ganda people for winning the last World War aided perhaps by a few friends). Topical song, with two conical drums and hand clapping, one drum 34" x 9", one 19" x 15 1/2".
- Full Text: false
- Date Issued: 1952
- Authors: Muliama Namale and Ganda people , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170914 , vital:41983 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0138-08
- Description: The singer praises the Ganda people for winning the last World War aided perhaps by a few friends). Topical song, with two conical drums and hand clapping, one drum 34" x 9", one 19" x 15 1/2".
- Full Text: false
- Date Issued: 1952
Abarinda nibarwana
- Eria Rubanda and Nkole men, Hugh Tracey
- Authors: Eria Rubanda and Nkole men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbarara f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170029 , vital:41850 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0134-08
- Description: "The people who protect this country are away fighting." This refers to old tribal fighting before the Europeans came and stopped it all, i.e. before 1890. Ekitagururo dance song.
- Full Text: false
- Date Issued: 1950
- Authors: Eria Rubanda and Nkole men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbarara f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170029 , vital:41850 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0134-08
- Description: "The people who protect this country are away fighting." This refers to old tribal fighting before the Europeans came and stopped it all, i.e. before 1890. Ekitagururo dance song.
- Full Text: false
- Date Issued: 1950
Abasungu balisa-we tata
- Philemon Kalela, Group of Bemba men, Hugh Tracey
- Authors: Philemon Kalela , Group of Bemba men , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Lozi (African people) , Bemba (African people) , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia Fort Roseberry f-za
- Language: Lozi , Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183808 , vital:44071 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR182-17
- Description: "The White people have come, father, they are flying in the sky. They have made the smelter. They have made the shaft. They brought money. They have come here for good, they will never turn back from our country. They have settled in our (Lamba) country, these settlers of the Copper Belt." This refers to great industrial intrusion into this part of Africa where large deposits of copper are now being mined in what used to be a remote and densely wooded part of the country. Topical song
- Full Text: false
- Date Issued: 1952
- Authors: Philemon Kalela , Group of Bemba men , Hugh Tracey
- Date: 1952
- Subjects: Folk music--Africa , Lozi (African people) , Bemba (African people) , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia Fort Roseberry f-za
- Language: Lozi , Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183808 , vital:44071 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR182-17
- Description: "The White people have come, father, they are flying in the sky. They have made the smelter. They have made the shaft. They brought money. They have come here for good, they will never turn back from our country. They have settled in our (Lamba) country, these settlers of the Copper Belt." This refers to great industrial intrusion into this part of Africa where large deposits of copper are now being mined in what used to be a remote and densely wooded part of the country. Topical song
- Full Text: false
- Date Issued: 1952
Abatuga abagalana
- Sergent Joseph Musisi and Bamba men, Hugh Tracey
- Authors: Sergent Joseph Musisi and Bamba men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170466 , vital:41925 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0136-09
- Description: "People born in Uganda should love each other." The tuning with the Endongo lyre in the order of strings from lowest to highest in position of playing is as follows:- 448, 528, 592, 264, 224, 340, 296, 404. The lyre is held with the strings horizontal with the left hand plucking from above, the right hand from below. The order of strings is irregular, but traditionally constant in their placing. Topical song, with Endongo bowl lyre with 8 strings, Ndingidi one string bowed lute, and one Ntenga conical drum, laced, single.
- Full Text: false
- Date Issued: 1950
- Authors: Sergent Joseph Musisi and Bamba men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170466 , vital:41925 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0136-09
- Description: "People born in Uganda should love each other." The tuning with the Endongo lyre in the order of strings from lowest to highest in position of playing is as follows:- 448, 528, 592, 264, 224, 340, 296, 404. The lyre is held with the strings horizontal with the left hand plucking from above, the right hand from below. The order of strings is irregular, but traditionally constant in their placing. Topical song, with Endongo bowl lyre with 8 strings, Ndingidi one string bowed lute, and one Ntenga conical drum, laced, single.
- Full Text: false
- Date Issued: 1950
Abavuga obugali
- William Semogole (Lyre), Lafairi Morindwa and Yuan Wiswa (lutes), Cristof Sebabi (Drum), Hugh Tracey
- Authors: William Semogole (Lyre), Lafairi Morindwa and Yuan Wiswa (lutes), Cristof Sebabi (Drum) , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Busito f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171013 , vital:42008 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0139-03
- Description: In this song to the twittering accompaniment of lutes and lyres the Ganda singers retail to their considerable audiences the events of the day, its humour and tragedies, its scandals and protestations. Topical song, with Endongo lyre, 2 Ndingidi lutes and large conical, laced, headed drum.
- Full Text: false
- Date Issued: 1952
- Authors: William Semogole (Lyre), Lafairi Morindwa and Yuan Wiswa (lutes), Cristof Sebabi (Drum) , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Busito f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171013 , vital:42008 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0139-03
- Description: In this song to the twittering accompaniment of lutes and lyres the Ganda singers retail to their considerable audiences the events of the day, its humour and tragedies, its scandals and protestations. Topical song, with Endongo lyre, 2 Ndingidi lutes and large conical, laced, headed drum.
- Full Text: false
- Date Issued: 1952
Abayinda nguli
- Nekemeya Nenywamu, Hugh Tracey
- Authors: Nekemeya Nenywamu , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kyemere f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171031 , vital:42011 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0139-05
- Description: The singer reflects upon man and the way he looks for money. Nguli (Nubian gin) and its evil effects are also mentioned. Nguli is a clear liquid of high alcohol content made from bananas and sugar, they say. Both banana beer, Pombe and banana gin nguli are very popular drinks in Uganda. Topical song with Ntongoli bowl lyre.
- Full Text: false
- Date Issued: 1952
- Authors: Nekemeya Nenywamu , Hugh Tracey
- Date: 1952
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kyemere f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171031 , vital:42011 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0139-05
- Description: The singer reflects upon man and the way he looks for money. Nguli (Nubian gin) and its evil effects are also mentioned. Nguli is a clear liquid of high alcohol content made from bananas and sugar, they say. Both banana beer, Pombe and banana gin nguli are very popular drinks in Uganda. Topical song with Ntongoli bowl lyre.
- Full Text: false
- Date Issued: 1952