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Indilimbo y' Ingeruzabahizi (The song of the 'Ingeruzabahizi)

- 3 Hutu men and Bijyiobenda Simeon, Hugh Tracey

  • Authors: 3 Hutu men and Bijyiobenda Simeon , Hugh Tracey
  • Date: 1957
  • Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
  • Language: Kinyarwanda
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136902 , vital:37439 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-12
  • Description: The song refers to the recruiting of the men of Ruanda-Urundi for work on the cooper mines of the Katanga Province in the south of the Congo Belge. The Union Miniere asked the Mwami of Ruanda for strong men for this work and when they arrived at the airfield they asked their leader which way they would travel. "It was not by land nor by water, he replied, but by air they would go." So they were taken from Usumbura to Elisabethville by air. Topical song
  • Full Text: false
  • Date Issued: 1957

Impunguza matwi (Open your ears)

- 3 Hutu men and Bijyiobenda Simeon, Hugh Tracey

Imilishyo y'ingoma - Umuganura (Rhythms of drums)

- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey

  • Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
  • Date: 1957
  • Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
  • Language: Kinyarwanda
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136865 , vital:37436 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-09
  • Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
  • Full Text: false
  • Date Issued: 1957

Imilishyo y'ingoma - Imilindi (Rhythms of drums)

- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey

  • Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
  • Date: 1957
  • Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
  • Language: Kinyarwanda
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136893 , vital:37438 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-11
  • Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
  • Full Text: false
  • Date Issued: 1957

Imilishyo y'ingoma - Agasiga k'i gaseke (Rhythms of drums)

- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey

  • Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
  • Date: 1957
  • Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
  • Language: Kinyarwanda
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136834 , vital:37432 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-05
  • Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
  • Full Text: false
  • Date Issued: 1957

Imilishyo y'ingoma - Umosuko (Rhythms of drums)

- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey

  • Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
  • Date: 1957
  • Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
  • Language: Kinyarwanda
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136811 , vital:37429 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-02
  • Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. The 11 tattos are;- 1. Ibiteyo, 2. Umosuko, 3. Zigezikaragwe, 4. Agasiga, 5. Agasiga k'i gaseke, 6. Akanimba, 7. Urukina, 8. Urukantege, 9. Umuganura, 10. Umusambi, 11. Imilindi. Ekeven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
  • Full Text: false
  • Date Issued: 1957

Imilishyo y'ingoma - Urukantege (Rhythms of drums)

- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey

  • Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
  • Date: 1957
  • Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
  • Language: Kinyarwanda
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136860 , vital:37435 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-08
  • Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
  • Full Text: false
  • Date Issued: 1957

Imilishyo y'ingoma - Zigezikaragwe (Rhythms of drums)

- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey

  • Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
  • Date: 1957
  • Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
  • Language: Kinyarwanda
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136816 , vital:37430 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-03
  • Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
  • Full Text: false
  • Date Issued: 1957

Imilishyo y'ingoma - Akanimba (Rhythms of drums)

- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey

  • Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
  • Date: 1957
  • Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
  • Language: Kinyarwanda
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136847 , vital:37433 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-06
  • Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
  • Full Text: false
  • Date Issued: 1957

Imilishyo y'ingoma - Agasiga (Rhythms of drums)

- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey

  • Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
  • Date: 1957
  • Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
  • Language: Kinyarwanda
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136829 , vital:37431 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-04
  • Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
  • Full Text: false
  • Date Issued: 1957

Imilishyo y'ingoma - Umusambi (Rhythms of drums)

- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey

  • Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
  • Date: 1957
  • Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
  • Language: Kinyarwanda
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136870 , vital:37437 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-10
  • Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
  • Full Text: false
  • Date Issued: 1957

Imilishyo y'ingoma - Urukina (Rhythms of drums)

- 8 Hutu men and Bijyiobenda Simeon, Hugh Tracey

  • Authors: 8 Hutu men and Bijyiobenda Simeon , Hugh Tracey
  • Date: 1957
  • Subjects: World music , Anthropology , Performing arts , Cultural anthropology , Drum--Performance , Africa Democratic Republic of Congo Katanga f-cg
  • Language: Kinyarwanda
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/136855 , vital:37434 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR034-07
  • Description: This group of Hutu drummers who call themselves the "Ingeruzabahizi", "The Terrifiers", were recorded by us in 1952 and their tattoos were published in the Music of Africa Series on LP records No. 1120 "Drums of Africa." The present recording shows an improvement in technique since that day, under the same leader Bijiyobyenda Simeon. Eleven drum rhythms with 2 conical drums, 5 cylindrical drums, laced, closed, with wooden beaters , 1 treble drum, cylindrical, laced, wooden beaters.
  • Full Text: false
  • Date Issued: 1957

Anthropology: PHL 212

- Brouwer, P, Olivier, A

  • Authors: Brouwer, P , Olivier, A
  • Date: 2011-06
  • Subjects: Anthropology
  • Language: English
  • Type: Examination paper
  • Identifier: vital:18216 , http://hdl.handle.net/10353/d1011206
  • Description: Anthropology: PHL 212, degree examinations June 2011.
  • Full Text: false
  • Date Issued: 2011-06

Review of the basic cultural phenomena: ANT 122

- Komani, M P, Duma, V

  • Authors: Komani, M P , Duma, V
  • Date: 2010-01
  • Subjects: Anthropology
  • Language: English
  • Type: Examination paper
  • Identifier: vital:18336 , http://hdl.handle.net/10353/d1011465
  • Description: Review of the basic cultural phenomena: ANT 122, supplementary examination Jan/Feb 2010.
  • Full Text: false
  • Date Issued: 2010-01

Review of the Basic Cultural Phenomena: ANT122

- Komanisi, M P, Duma, V

  • Authors: Komanisi, M P , Duma, V
  • Date: 2011-01
  • Subjects: Anthropology
  • Language: English
  • Type: Examination paper
  • Identifier: vital:18339 , http://hdl.handle.net/10353/d1011468
  • Description: Review of the Basic Cultural Phenomena: ANT122, supplementary examination January 2011.
  • Full Text: false
  • Date Issued: 2011-01

Anthropology, Introduction to the Cultures of Africa and the Pacific Region: ANT 222

- Mongwe, R, Komanisi, M P

  • Authors: Mongwe, R , Komanisi, M P
  • Date: 2012-01
  • Subjects: Anthropology
  • Language: English
  • Type: Examination paper
  • Identifier: vital:18342 , http://hdl.handle.net/10353/d1011471
  • Description: Anthropology, Introduction to the Cultures of Africa and the Pacific Region: ANT 222, supplementary examination January/February 2012.
  • Full Text: false
  • Date Issued: 2012-01

Cultures of South & North America: ANT 321

- Myaluza-Masina, Lamla, C M

  • Authors: Myaluza-Masina , Lamla, C M
  • Date: 2010-01
  • Subjects: Anthropology
  • Language: English
  • Type: Examination paper
  • Identifier: vital:18337 , http://hdl.handle.net/10353/d1011466
  • Description: Cultures of South & North America: ANT 321, Jan 2010-Supp.
  • Full Text: false
  • Date Issued: 2010-01

Cultural Interchange, Acculturation and Applied Anthropology: ANT 322

- Myaluza-Masina, N, Komanisi, M.P, Lalmla, C.M

  • Authors: Myaluza-Masina, N , Komanisi, M.P , Lalmla, C.M
  • Date: 2010-01
  • Subjects: Anthropology
  • Language: English
  • Type: Examination paper
  • Identifier: vital:18338 , http://hdl.handle.net/10353/d1011467
  • Description: Cultural Interchange, Acculturation and Applied Anthropology: ANT 322, supplementary examination January 2010.
  • Full Text: false
  • Date Issued: 2010-01

Hugh Tracey memorial service

- Philip Tobias (Speaker), Tracey, Andrew T N

  • Authors: Philip Tobias (Speaker) , Tracey, Andrew T N
  • Date: 1977
  • Subjects: Tracey, Hugh , Memorial service , Anthropology , Ethnomusicology , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
  • Language: English
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/112597 , vital:33623 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC129a-03
  • Description: Philip Tobias speaking of his first encounter with Hugh Tracey's; Hugh Tracey's contribution on his works of anthropology; his pioneer study of African music termed as ethnomusicology; summary of Hugh Tracey as 'black man with a white face' whose writings were excellent, great communicator and that Hugh Tracey saw music of Africa as the voice of the soul of Africa
  • Full Text: false
  • Date Issued: 1977

Hugh Tracey memorial service

- Philip Tobias (Speaker), Tracey, Andrew T N

  • Authors: Philip Tobias (Speaker) , Tracey, Andrew T N
  • Date: 1977
  • Subjects: Tracey, Hugh , Memorial service , Anthropology , Ethnomusicology , Sub-Saharan African music , Africa South Africa Saronde Farm f-sa
  • Language: English
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/113264 , vital:33737 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC131b-03
  • Description: Philip Tobias speaking of his first encounter with Hugh Tracey's; Hugh Tracey's contribution on his works of anthropology; his pioneer study of African music termed as ethnomusicology; summary of Hugh Tracey as black man with a white face whose writings were excellent, great communicator and that Hugh Tracey saw music of Africa as the voice of the soul of Africa
  • Full Text: false
  • Date Issued: 1977
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