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Stepps a dikgomo di teng (Steeps, are there cattle in this place)

- Mokgele Mokgejane and group of 24 Hurutshe men, Hugh Tracey

  • Authors: Mokgele Mokgejane and group of 24 Hurutshe men , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Motswedi f-sa
  • Language: Tswana/Hurutshe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165583 , vital:41259 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0113-08
  • Description: "Stepps, are there cattle in this place? Come, let us take them. We must take them from Mokwena and drive them into a cave." The woman at the end of the song spoke the praises of the successful cattle-raiders. It appears to be a local custom to recite praise verses at the conclusion of each song. How the name 'Steeps' originated is not known. Cattle raiding song.
  • Full Text: false
  • Date Issued: 1959

Mpyaile entongo

- Atanasi Gamanya with Haya men, Hugh Tracey

  • Authors: Atanasi Gamanya with Haya men , Hugh Tracey
  • Date: 1950
  • Subjects: Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Bukoba f-tz
  • Language: Nyoro , Haya
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/172595 , vital:42225 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR146-11
  • Description: "I have planted my seeds and if I reap six of them it will be enough." "Should anyone steal my crops I would be very hungry." This item was recorded by a group of Haya men who were working on the diamond mines near Shinyanga at Mwadui. Like several other Haya items it gives the impression of having strong affinity if not its origin with Arab music. Ngoma yawakazi dance song for women, with metal cylindrical laced drum.
  • Full Text: false
  • Date Issued: 1950

Mitambu yalagala kumchuzi Part I

- Mashaka Kawambwa, and Kitamba Kilaka with Zaramo men, Hugh Tracey

  • Authors: Mashaka Kawambwa, and Kitamba Kilaka with Zaramo men , Hugh Tracey
  • Date: 1950
  • Subjects: Nyakyusa (African people) , Zaramo (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
  • Language: Nyakyusa , Zaramo
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/175430 , vital:42576 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR158-17
  • Description: 1 x - 14.52104 -; 4 x - 14.25103 -; 4 x - 14.02101 -. This set of 9 drums was very carefully tuned before playing particularly the four small goblet drums which were played by one man and were tuned approximately to 840, 672, 568, 464 vs. Between items the drums would be taken to a fire, wetted and returned by heat, but naturally the tuning can only be approximately correct. If the above tuning was correct the intervals would be approximately 386, 291, 350 cents or about a 7th in all. The drums were made from wood of the Mukongo tree. Madogoli dance song for men and women, with 5 Goblet pegged and footed drums, 4 cylindrical pegged drums and tin rattles (-12.54-).
  • Full Text: false
  • Date Issued: 1950

Peny gi Polo

- Elisha Nyakango, Hugh Tracey

Seeta le kgwale mosesetho (Visit the partridge)

- Jemina Pheha and 24 women, Hugh Tracey

Bwomera envu

- Mulobo Maswa and Soga men, Hugh Tracey

Mzeno without sanji notes 1986

- Venancio Mbande and his slow version for learning Timbila orchestra of Wildebeesfontein, Tracey, Andrew T N

Timbila dance of 1980

- Venancio Mbande and his timbila xylophone orchestra group of 25, Tracey, Andrew T N

Mwemiso 1986

- Venancio Mbande and his Chopi Timbila xylophone orchestra players of Wildebeesfontein Mine, Tracey, Andrew T N

Sigowuli tunes

- Three chopi girls (Performers), Composer not specified, Hugh Tracey

Mande

- Group of Karanga men and women, Hugh Tracey

  • Authors: Group of Karanga men and women , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Folk music--Zimbabwe , Karanga (African people) , Folk songs, Shona , Folk music , Africa Zimbabwe Chibi District, Southern Rhodesia f-rh
  • Language: Shona, Karanga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/154631 , vital:39756 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR082-16
  • Description: One of the Mashawi 9souls) dances. The Mujukwa are considered in the local mythology to represent the entities who act as go-betweens, or media, between man and the High-God: Especially in connection with their pleading for rain. Some would call them 'Angels'. The dances and songs of the Majukwa are therefore intended to concentrate attention upon aspect of social necessity. Rain, without which the people would perish. With the opening up of communications by white people the effects of draught and subsequent famine have been lessened and therefore the cult or belief in Majukwa and their functions has been proportianately diminished. A Majukwa dance with 3 Dumba drums, 1 Nyeri flute, leg rattles and clapping.
  • Full Text: false
  • Date Issued: 1958

Enanga rwanzira

- Evanise Kanengere and Toro men and girls, Hugh Tracey

Inkuntse

- Group of young boys and girls, Hugh Tracey

Pulana yoo rara bule (Let there be gentle rain)

- Meini Mokgosi and about 30 women, Hugh Tracey

  • Authors: Meini Mokgosi and about 30 women , Hugh Tracey
  • Date: 1959
  • Subjects: Folk songs, Tswana , Tswana (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa South Africa Ramoutsa f-sa
  • Language: Tswana/Lete
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/165475 , vital:41247 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0112-08
  • Description: "Let there be gentle rain upon the earth, clouds on earth, rain on earth. We are pierced by thorns. Clouds on earth. Herd of cattle bring themselves home." This rain song is sung from October to December and in times of drought, but also sung on festive or ceremonial occassions. Sung by both men and women. This song has a particularly long melolic line. Rain song.
  • Full Text: false
  • Date Issued: 1959

Bunya

- Baiyani Medureki with Arusha men and women, Hugh Tracey

Boyoka Malinga II

- Albert Yenie and Alex Singoma, Hugh Tracey

Arimau

- Njenje and Medje tipoyi carriers, Hugh Tracey

  • Authors: Njenje and Medje tipoyi carriers , Hugh Tracey
  • Date: 1952
  • Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Medje f-cg
  • Language: Mangbetu
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/166797 , vital:41405 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0120-06
  • Description: "We are the Tipoyi carriers of the Chief." This song was performed by the tipoyi carriers of Chief Ebandrombi. In this heavily wooded country of central and north eastern Congo most of the Chiefs, notables and officials use the sedanchair as their principal means of transport along the narrow forest paths. This is an attractive melody reminiscent of melodies composed by the Bemba of Northern Rhodesia which are also characterized by singing in parallel thirds. Work song with basket rattle.
  • Full Text: false
  • Date Issued: 1952

Musengu

- Saini Murira, Chingaipa Madzikuminga and Zhogi Muzengedza, Hugh Tracey

Mukunge Stefano

- Festo Mburabwikyo and Nyoro men and women, Hugh Tracey

  • Authors: Festo Mburabwikyo and Nyoro men and women , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kikali f-ug
  • Language: Nyoro
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169865 , vital:41832 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0133-12
  • Description: Stefano was a policeman. Festo was arrested by him for being in illegal possession of a rifle and he served three months in gaol. Festo bears a grudge against the policeman and made up this song about him. Since poaching elephants for their ivory is a big racket in this district, the loss of a rifle would rankle in the mind of a happy law breaker. Incidentally, the policeman was given, they say, a reward of 400 shillings for arresting the man. Igulya dance song, with ankle gourd rattles and clapping.
  • Full Text: false
  • Date Issued: 1950

Tanganyika Part I

- Yobwa Chapi with Gogo men and women, Hugh Tracey

  • Authors: Yobwa Chapi with Gogo men and women , Hugh Tracey
  • Date: 1950
  • Subjects: Gogo (African people) , Songs, Gogo , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mvumi f-tz
  • Language: Gogo
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/174272 , vital:42461 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR155-04
  • Description: "Let us play the Zeze lute so that we can remember our old songs. Do not sing in a hurry. Take your time. We, the Gogo are singing in Tanganyika the land of our birth. Why do people sing all my tunes?" A lovely slow chant in which all the people joined, men, women and chidldren. It is clear that the Gogo are a poetic people with great lyrical ability. The local composer comes forward and starts each line for the people to follow. The song was recorded out in the open in the village of Mvumi without reharsal of any kind. It seems likely that it could have continued almost indefinitely, but the exigencies of the recording apparatus and the fact that it was taken before the advent of long playing records made abbreviation necessary. The unexpected loud passages were unfortunately slightly over modulated but, with the technical faults except this recording gives a fair idea of the artistic ca[abilities of these remarkable performers. The recording is in two parts, the second pitched lower than the first and accompanied by a flute obligato which has little if any direct bearing on the melody itself. Nindo praise song with Mulanzi flute in Part II.
  • Full Text: false
  • Date Issued: 1950
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