Mwe baiyashi cenjeleni (My parents take care)
- B. Kabushi and D. Mwenya, Hugh Tracey
- Authors: B. Kabushi and D. Mwenya , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Music--Zambia , Field recordings , Folk songs, Bemba , Bemba (African people) , Africa Zambia Mufulira Copper Mine f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151707 , vital:39162 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR065-04
- Description: This is a warning to bring up their children carefully or they will go to the bad. "I have 2 children, the boy is a 'tsotsi' (vagabond) and the girl is a Kapenta (a painted one) so I have given birth to 2 useless children." Mortality sing with guitar.
- Full Text: false
- Date Issued: 1957
- Authors: B. Kabushi and D. Mwenya , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Music--Zambia , Field recordings , Folk songs, Bemba , Bemba (African people) , Africa Zambia Mufulira Copper Mine f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151707 , vital:39162 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR065-04
- Description: This is a warning to bring up their children carefully or they will go to the bad. "I have 2 children, the boy is a 'tsotsi' (vagabond) and the girl is a Kapenta (a painted one) so I have given birth to 2 useless children." Mortality sing with guitar.
- Full Text: false
- Date Issued: 1957
Amano yabula noko wemwana niwe nyatumbe? (Your mother is not very wise, how do you expect to be any wiser?)
- Stephen Tsotsi Kasumali and friends, Hugh Tracey
- Authors: Stephen Tsotsi Kasumali and friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ushi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Kitwe f-za
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140096 , vital:37832 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-06
- Description: Names of his friends:- E. Soko, B. Singowani and J. Meleki. Humorous song with guitar and bottle.
- Full Text: false
- Date Issued: 1957
- Authors: Stephen Tsotsi Kasumali and friends , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ushi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Kitwe f-za
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140096 , vital:37832 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-06
- Description: Names of his friends:- E. Soko, B. Singowani and J. Meleki. Humorous song with guitar and bottle.
- Full Text: false
- Date Issued: 1957
Kalele kiwetu yamba mwana ambaya
- Large group of Kasai women, Hugh Tracey
- Authors: Large group of Kasai women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kasai f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137821 , vital:37563 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR039-11
- Description: The recording starts with the sound of the four women sounding and singing into their singing gourds. The vibration of their lips can be heard clearly in parts of the recording. The style of melody is typical of their district of origin-the Kasai Province of Southern Congo. Tuhuri dance with 4 singing gourds, 1 basket rattle (-12.54-) and beating on gourds with hands.
- Full Text: false
- Date Issued: 1957
- Authors: Large group of Kasai women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kasai f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137821 , vital:37563 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR039-11
- Description: The recording starts with the sound of the four women sounding and singing into their singing gourds. The vibration of their lips can be heard clearly in parts of the recording. The style of melody is typical of their district of origin-the Kasai Province of Southern Congo. Tuhuri dance with 4 singing gourds, 1 basket rattle (-12.54-) and beating on gourds with hands.
- Full Text: false
- Date Issued: 1957
Ananga kwa amai ndikanenaiyi (My children, what shall I say to my mother)
- Six elderly women, Hugh Tracey
- Authors: Six elderly women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Tengani, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155757 , vital:39913 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-10
- Description: There were certain children of this village who were killed by a lion on their way home and the event was perpetuated in song by the girl who had to break the news to their mother. The players shake their rattles in unison until one gives the sign for the routine to begin. When they complete it and return to the beginning of the verse again. One woman was clapping. Chitsukulumwe dance with gourd rattles and clapping.
- Full Text: false
- Date Issued: 1958
- Authors: Six elderly women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Tengani, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155757 , vital:39913 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-10
- Description: There were certain children of this village who were killed by a lion on their way home and the event was perpetuated in song by the girl who had to break the news to their mother. The players shake their rattles in unison until one gives the sign for the routine to begin. When they complete it and return to the beginning of the verse again. One woman was clapping. Chitsukulumwe dance with gourd rattles and clapping.
- Full Text: false
- Date Issued: 1958
Fedina (Name of a man)
- Jason Kafunda and Chewa boys, Hugh Tracey
- Authors: Jason Kafunda and Chewa boys , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Mwadzama, Kotakota, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153990 , vital:39551 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR079-04
- Description: "Fedina and John went to Salisbury. On their way John killed Fedina to get hold of his cloth which was better than his own. From Fedina's blood sprang a bird which sang a song telling of Fedina's death. So John was killed because of what he did, and the bird disappeared into the ground as the blood had done." The bird in circumstances such as this is constantly featured as a form of conscience or sense of guilt which brings the malefactor to justice. The blood of his friend brings the murderer to his end. "Fedina. Fedina is dead. He was dead because of a cloth."
- Full Text: false
- Date Issued: 1958
- Authors: Jason Kafunda and Chewa boys , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Mwadzama, Kotakota, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153990 , vital:39551 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR079-04
- Description: "Fedina and John went to Salisbury. On their way John killed Fedina to get hold of his cloth which was better than his own. From Fedina's blood sprang a bird which sang a song telling of Fedina's death. So John was killed because of what he did, and the bird disappeared into the ground as the blood had done." The bird in circumstances such as this is constantly featured as a form of conscience or sense of guilt which brings the malefactor to justice. The blood of his friend brings the murderer to his end. "Fedina. Fedina is dead. He was dead because of a cloth."
- Full Text: false
- Date Issued: 1958
Tikaone mwana (Let us see the child)
- Young Chewa girls, Hugh Tracey
- Authors: Young Chewa girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160547 , vital:40473 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR098-02
- Description: This dance is usually accompanied by drums and is done at parties, weddings and other happy occasions. The drums were not available at the time of recording. "Let us go and see a child at Kachere. The child who likes to move about. You young maid, go to sleep nicely, if you don't I will beat you. White people are clever because they have made aeroplanes." Kasodo girls dance, with clapping.
- Full Text: false
- Date Issued: 1958
- Authors: Young Chewa girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160547 , vital:40473 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR098-02
- Description: This dance is usually accompanied by drums and is done at parties, weddings and other happy occasions. The drums were not available at the time of recording. "Let us go and see a child at Kachere. The child who likes to move about. You young maid, go to sleep nicely, if you don't I will beat you. White people are clever because they have made aeroplanes." Kasodo girls dance, with clapping.
- Full Text: false
- Date Issued: 1958
Ngqika (A Xhosa Chief)
- Authors: Jury Mpelho , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Grahamstown f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/135900 , vital:37310 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR027-03
- Description: The song is about the cattle of Ngqika, a famous Xhosa chief, and how beautiful they were. "We, the Africans of Ngqika, we pay our lobola in cattle. Our cattle are beautiful with well-shaped spreading horns, and we drive them like this, like this. (senjenje, senjenje) to the kraal of the girl's father." Town dance with small band including a piano, saxaphone, trumpet, guitar and drum.
- Full Text: false
- Date Issued: 1957
- Authors: Jury Mpelho , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Xhosa , Africa South Africa Grahamstown f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/135900 , vital:37310 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR027-03
- Description: The song is about the cattle of Ngqika, a famous Xhosa chief, and how beautiful they were. "We, the Africans of Ngqika, we pay our lobola in cattle. Our cattle are beautiful with well-shaped spreading horns, and we drive them like this, like this. (senjenje, senjenje) to the kraal of the girl's father." Town dance with small band including a piano, saxaphone, trumpet, guitar and drum.
- Full Text: false
- Date Issued: 1957
Bankulu ne yumba
- Group of 7 Luba men and 1 woman, Hugh Tracey
- Authors: Group of 7 Luba men and 1 woman , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kabongo f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137840 , vital:37565 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR039-13
- Description: The singers make use of organum in their harmonies. The two drums are complimentary to each other with quite distinctive tones, the one having a clear hollow tone and the other a buzzing tone. Fwila dance song with 1 smaill goblet drum, closed, pinned, hand beaten, and 1 box drum, hand beaten and tapped on side.
- Full Text: false
- Date Issued: 1957
- Authors: Group of 7 Luba men and 1 woman , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Cultural anthropology , Luba-Lulua language , Africa Democratic Republic of Congo Kabongo f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137840 , vital:37565 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR039-13
- Description: The singers make use of organum in their harmonies. The two drums are complimentary to each other with quite distinctive tones, the one having a clear hollow tone and the other a buzzing tone. Fwila dance song with 1 smaill goblet drum, closed, pinned, hand beaten, and 1 box drum, hand beaten and tapped on side.
- Full Text: false
- Date Issued: 1957
Heehee ndithe gebelele
- Group of Qwathi women, Hugh Tracey
- Authors: Group of Qwathi women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Folk songs, Xhosa , Herbalists , Africa South Africa Engcobo f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134841 , vital:37211 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0022-02
- Description: In the course of this divination song, they broke off for a woman to call out after the fashion of the diviners, to which everyone clapped their hands replying "siya vuma", "we agree". Song for diviner's ceremony with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Qwathi women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Folk songs, Xhosa , Herbalists , Africa South Africa Engcobo f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134841 , vital:37211 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0022-02
- Description: In the course of this divination song, they broke off for a woman to call out after the fashion of the diviners, to which everyone clapped their hands replying "siya vuma", "we agree". Song for diviner's ceremony with clapping.
- Full Text: false
- Date Issued: 1957
Leka nzunule
- Andurosi Banda, Tumbuka boys and girls, Hugh Tracey
- Authors: Andurosi Banda , Tumbuka boys and girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185086 , vital:44326 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-05
- Description: A new young people's dance. The boys dance in a group and the girls in another within the circle, the two drummers standing on one side. It consists of a number of simple rhythmic steps. The sound of the drums and whistle overshadows the voices in the recording, which in fact is the impression gained by spectators outside the circle of dancers. Saca dance song for boys and girls with two Maanje goblet drums, clapping (-12.03-) and whistles (-11.515-)
- Full Text: false
- Date Issued: 1950
- Authors: Andurosi Banda , Tumbuka boys and girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185086 , vital:44326 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-05
- Description: A new young people's dance. The boys dance in a group and the girls in another within the circle, the two drummers standing on one side. It consists of a number of simple rhythmic steps. The sound of the drums and whistle overshadows the voices in the recording, which in fact is the impression gained by spectators outside the circle of dancers. Saca dance song for boys and girls with two Maanje goblet drums, clapping (-12.03-) and whistles (-11.515-)
- Full Text: false
- Date Issued: 1950
Zaina wasala madembe (Those that are left behind)
- Authors: Simenti Phiri , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Songs, Tonga (Nyasa) , Tonga (Zambezi people) , Sena (African people) , Folk music , Africa Malawi Malindi f-mw
- Language: Sena , Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156568 , vital:40022 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-16
- Description: The tune orginated from the Southern side of the Zambezi valley from the Sena/Tonga people, so the singer said. If so it is likely that the original tune was played upon some instrument other than the Bangwe board zither which normally does not penetrate across the Zambezi. Self delectative song with board zither (Bangwe).
- Full Text: false
- Date Issued: 1958
- Authors: Simenti Phiri , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Sena , Songs, Tonga (Nyasa) , Tonga (Zambezi people) , Sena (African people) , Folk music , Africa Malawi Malindi f-mw
- Language: Sena , Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156568 , vital:40022 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR091-16
- Description: The tune orginated from the Southern side of the Zambezi valley from the Sena/Tonga people, so the singer said. If so it is likely that the original tune was played upon some instrument other than the Bangwe board zither which normally does not penetrate across the Zambezi. Self delectative song with board zither (Bangwe).
- Full Text: false
- Date Issued: 1958
Juma pembe
- Simai Bini Ali with Swahili men, Hugh Tracey
- Authors: Simai Bini Ali with Swahili men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Tanzania , Swahili-speaking peoples , Field recordings , Africa, Sub-Saharan , Africa Tanzania Zanzibar f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179889 , vital:43246 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR171-02
- Description: This short song is used for waking up the people for their last meal-the second of the night during the fast of Ramadhan. The singers go around singing and playing the drum at about 1-2 a.m. It is a picturesque Swahili/Mohammedan custom. The to membranes of the bass drum are tuned to different notes. Kigoma cha daku songs, with 2 tin rattles, 1 double-sided bass drum.
- Full Text: false
- Date Issued: 1950
- Authors: Simai Bini Ali with Swahili men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Tanzania , Swahili-speaking peoples , Field recordings , Africa, Sub-Saharan , Africa Tanzania Zanzibar f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179889 , vital:43246 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR171-02
- Description: This short song is used for waking up the people for their last meal-the second of the night during the fast of Ramadhan. The singers go around singing and playing the drum at about 1-2 a.m. It is a picturesque Swahili/Mohammedan custom. The to membranes of the bass drum are tuned to different notes. Kigoma cha daku songs, with 2 tin rattles, 1 double-sided bass drum.
- Full Text: false
- Date Issued: 1950
Matye rupanga (Fear of the knife)
- Manyika Highlanders (group of singers at St. Augustine's Mission, Penhalonga), Hugh Tracey
- Authors: Manyika Highlanders (group of singers at St. Augustine's Mission, Penhalonga) , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Mutasa f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180718 , vital:43606 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-14
- Description: The 'diatonic progression' (the two similar phrases sung one after the other) is typical of a great number of Shona songs. Installation of a Chief, with rattle and clapping (-12.03-).
- Full Text: false
- Date Issued: 1951
- Authors: Manyika Highlanders (group of singers at St. Augustine's Mission, Penhalonga) , Hugh Tracey
- Date: 1951
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Mutasa f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180718 , vital:43606 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-14
- Description: The 'diatonic progression' (the two similar phrases sung one after the other) is typical of a great number of Shona songs. Installation of a Chief, with rattle and clapping (-12.03-).
- Full Text: false
- Date Issued: 1951
Woca mwana
- Authors: Nezala Shonga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mukotsama f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185285 , vital:44361 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-07
- Description: "She burnt her child, carelessly! She has fine great hips, a delight to the touch!" A song of broad rustic humour by a Ngoni singer in the language of the district-Tumbuka. Humorous song with Bango board zither
- Full Text: false
- Date Issued: 1950
- Authors: Nezala Shonga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mukotsama f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185285 , vital:44361 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-07
- Description: "She burnt her child, carelessly! She has fine great hips, a delight to the touch!" A song of broad rustic humour by a Ngoni singer in the language of the district-Tumbuka. Humorous song with Bango board zither
- Full Text: false
- Date Issued: 1950
Bengiyo shela
- Group of 8 young Swazi men, Hugh Tracey
- Authors: Group of 8 young Swazi men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Emkhuzweni, Northern District f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153042 , vital:39376 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR073-13
- Description: The singers, who were sitting on the ground, all bent their heads on their folded arms while singing this song. It is the first opening movement of this dance before actully dancing. The dance itself is a variation of the Ndlamu stamping dance found all through Zululand and as far south as Thabankulu in the Transkei. "Bengiyo shela. Bengiyo shela ka lo bamba. Ngiyoshele malangena." Youn men's dance. Isibacha.
- Full Text: false
- Date Issued: 1958
- Authors: Group of 8 young Swazi men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Emkhuzweni, Northern District f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153042 , vital:39376 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR073-13
- Description: The singers, who were sitting on the ground, all bent their heads on their folded arms while singing this song. It is the first opening movement of this dance before actully dancing. The dance itself is a variation of the Ndlamu stamping dance found all through Zululand and as far south as Thabankulu in the Transkei. "Bengiyo shela. Bengiyo shela ka lo bamba. Ngiyoshele malangena." Youn men's dance. Isibacha.
- Full Text: false
- Date Issued: 1958
Tuwe-ruwe nzo tsema
- A.T. Mwamosi (Composer), Hugh Tracey
- Authors: A.T. Mwamosi (Composer) , Hugh Tracey
- Date: 1955
- Subjects: Folk music--Africa , Music--Mozambique , Guitar , Instrumental music , Africa Mozambique Inharrime f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132804 , vital:36889 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR008-12
- Description: Story song by Chopi girl and chorus
- Full Text: false
- Date Issued: 1955
- Authors: A.T. Mwamosi (Composer) , Hugh Tracey
- Date: 1955
- Subjects: Folk music--Africa , Music--Mozambique , Guitar , Instrumental music , Africa Mozambique Inharrime f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132804 , vital:36889 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR008-12
- Description: Story song by Chopi girl and chorus
- Full Text: false
- Date Issued: 1955
Mkazi wa mulomo (The talkative woman)
- Lonesi Chewane and Joni Hetara, Hugh Tracey
- Authors: Lonesi Chewane and Joni Hetara , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chikwawa District f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156182 , vital:39960 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR089-19
- Description: The order of the notes can be changed to facilitate playing certain tunes. Numbers' 1, 2 and 3 from the bass were reversed for this tune. One of the players speaks during the playing. This tune is better and a brilliant piece of musical conversation. Tune without lyrics.
- Full Text: false
- Date Issued: 1958
- Authors: Lonesi Chewane and Joni Hetara , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Chikwawa District f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156182 , vital:39960 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR089-19
- Description: The order of the notes can be changed to facilitate playing certain tunes. Numbers' 1, 2 and 3 from the bass were reversed for this tune. One of the players speaks during the playing. This tune is better and a brilliant piece of musical conversation. Tune without lyrics.
- Full Text: false
- Date Issued: 1958
Musafu sumu (Bible hymn)
- Group of 16 Tonga men and boys, Hugh Tracey
- Authors: Group of 16 Tonga men and boys , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Tumbuka , Malawi , Africa Malawi Chinteche f-mw
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137402 , vital:37520 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR037-11
- Description: The leader is Joni Phiri. "Haye Mwazadi mwanozga." "You have done well to come." The Malipenga dance of the Tonga and other tribes of north central Nyasaland was originated, they say, in military drill where it imitates. With African genius for converting what is normally a drudgery into a game, these Tonga made barrack square drilling into a form of enjoyable dance, with opportunities for all to shine in the grace of their movements. The instruments of the mirliton buzzers so that anyone who can sing a Tonga tune can equally well participate in the Malipenga band. Short gourds or horns are used for the higher pitched voices and longer for the bases. 4 Movements of the Malipenga dance, the first 2 with Chandi and Muganda drums, with 12 singing horns (calabash), 1 bass drum.
- Full Text: false
- Date Issued: 1957
- Authors: Group of 16 Tonga men and boys , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Tumbuka , Malawi , Africa Malawi Chinteche f-mw
- Language: Luvale/Chokwe
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/137402 , vital:37520 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR037-11
- Description: The leader is Joni Phiri. "Haye Mwazadi mwanozga." "You have done well to come." The Malipenga dance of the Tonga and other tribes of north central Nyasaland was originated, they say, in military drill where it imitates. With African genius for converting what is normally a drudgery into a game, these Tonga made barrack square drilling into a form of enjoyable dance, with opportunities for all to shine in the grace of their movements. The instruments of the mirliton buzzers so that anyone who can sing a Tonga tune can equally well participate in the Malipenga band. Short gourds or horns are used for the higher pitched voices and longer for the bases. 4 Movements of the Malipenga dance, the first 2 with Chandi and Muganda drums, with 12 singing horns (calabash), 1 bass drum.
- Full Text: false
- Date Issued: 1957
Wena Gawazane utotekwa himwinyi Kakowane (You, Gawazane, you will be married to Kakowane)
- Authors: Sechene Kowani , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Music--Mozambique , Africa Mozambique Mabote f-mz
- Language: Tswa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136234 , vital:37352 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR029-06
- Description: Kakowane, he said, was a mulatto living in his district (Self-delectative song with friction bow (Chisambi).
- Full Text: false
- Date Issued: 1957
- Authors: Sechene Kowani , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Music--Mozambique , Africa Mozambique Mabote f-mz
- Language: Tswa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/136234 , vital:37352 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR029-06
- Description: Kakowane, he said, was a mulatto living in his district (Self-delectative song with friction bow (Chisambi).
- Full Text: false
- Date Issued: 1957
Subiya
- Muimui Nasirere, Hugh Tracey
- Authors: Muimui Nasirere , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Field recordings , Lozi (African people) , Africa Zambia Mongu district f-za
- Language: Lozi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152080 , vital:39211 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR067-12
- Description: The player has worked in a store in Livingstone for 5 years. He comes from Lyatolo village near Mongu in Barotseland. The mirliton would not stick onto the hole in the board, so he plugged it up with paper. The tuning of the instrument:- 276, 256, 224, 210, (188), 174, (154), 138. Self-delectative song with Kangombio mbira.
- Full Text: false
- Date Issued: 1957
- Authors: Muimui Nasirere , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Field recordings , Lozi (African people) , Africa Zambia Mongu district f-za
- Language: Lozi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152080 , vital:39211 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR067-12
- Description: The player has worked in a store in Livingstone for 5 years. He comes from Lyatolo village near Mongu in Barotseland. The mirliton would not stick onto the hole in the board, so he plugged it up with paper. The tuning of the instrument:- 276, 256, 224, 210, (188), 174, (154), 138. Self-delectative song with Kangombio mbira.
- Full Text: false
- Date Issued: 1957