Maye moyo wangu-e
- Alume Achavo with Giryama men, Hugh Tracey
- Authors: Alume Achavo with Giryama men , Hugh Tracey
- Date: 1950
- Subjects: Giryama (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kafulani f-ke
- Language: Giryama
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176647 , vital:42724 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR162-14
- Description: A simple clapping song which usually accompanies the Kimungwe dance, but may also be sung after dinner as they sit around before goinf to sleep. Kimungwe dance song for men and women with clapping.
- Full Text: false
- Date Issued: 1950
- Authors: Alume Achavo with Giryama men , Hugh Tracey
- Date: 1950
- Subjects: Giryama (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kafulani f-ke
- Language: Giryama
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176647 , vital:42724 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR162-14
- Description: A simple clapping song which usually accompanies the Kimungwe dance, but may also be sung after dinner as they sit around before goinf to sleep. Kimungwe dance song for men and women with clapping.
- Full Text: false
- Date Issued: 1950
Muganda
- Chad Obuyi with Giryama men, Hugh Tracey
- Authors: Chad Obuyi with Giryama men , Hugh Tracey
- Date: 1950
- Subjects: Giryama (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
- Language: Giryama
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176680 , vital:42739 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR163-03
- Description: The Gonda was danced by a small group of dark skinned boys and girls who were dressed in the equivalent of the ballet dancers 'Tutu', a short multiple skirt made of banana stalk fibres which exaggerated every movement of the hips. It was one of the most pleasing and attractive dance displays by child dancers in the whole of East Africa, all of whom were expert performers. The excessive noise of the drums and the somewhat shrill voices of the singers do not do justice to the expert dancing which went with them. Gonda dance song for men and women, with 4 Mabumbumbu cylindrical drums, pegged and footed (-14.01101-), 1 Mushondo conical drum (-14.21201-). 1 Kaamuri goblet drum (-14.51101-).
- Full Text: false
- Date Issued: 1950
- Authors: Chad Obuyi with Giryama men , Hugh Tracey
- Date: 1950
- Subjects: Giryama (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
- Language: Giryama
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176680 , vital:42739 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR163-03
- Description: The Gonda was danced by a small group of dark skinned boys and girls who were dressed in the equivalent of the ballet dancers 'Tutu', a short multiple skirt made of banana stalk fibres which exaggerated every movement of the hips. It was one of the most pleasing and attractive dance displays by child dancers in the whole of East Africa, all of whom were expert performers. The excessive noise of the drums and the somewhat shrill voices of the singers do not do justice to the expert dancing which went with them. Gonda dance song for men and women, with 4 Mabumbumbu cylindrical drums, pegged and footed (-14.01101-), 1 Mushondo conical drum (-14.21201-). 1 Kaamuri goblet drum (-14.51101-).
- Full Text: false
- Date Issued: 1950
Bazungu banashindana Malindi
- Chad Obuyi with Giryama men, Hugh Tracey
- Authors: Chad Obuyi with Giryama men , Hugh Tracey
- Date: 1950
- Subjects: Giryama (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
- Language: Giryama
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176689 , vital:42740 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR163-04
- Description: The Gonda was danced by a small group of dark skinned boys and girls who were dressed in the equivalent of the ballet dancers 'Tutu', a short multiple skirt made of banana stalk fibres which exaggerated every movement of the hips. It was one of the most pleasing and attractive dance displays by child dancers in the whole of East Africa, all of whom were expert performers. The excessive noise of the drums and the somewhat shrill voices of the singers do not do justice to the expert dancing which went with them. Gonda dance song for men and women, with 4 Mabumbumbu cylindrical drums, pegged and footed (-14.01101-), 1 Mushondo conical drum (-14.21201-). 1 Kaamuri goblet drum (-14.51101-).
- Full Text: false
- Date Issued: 1950
- Authors: Chad Obuyi with Giryama men , Hugh Tracey
- Date: 1950
- Subjects: Giryama (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
- Language: Giryama
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176689 , vital:42740 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR163-04
- Description: The Gonda was danced by a small group of dark skinned boys and girls who were dressed in the equivalent of the ballet dancers 'Tutu', a short multiple skirt made of banana stalk fibres which exaggerated every movement of the hips. It was one of the most pleasing and attractive dance displays by child dancers in the whole of East Africa, all of whom were expert performers. The excessive noise of the drums and the somewhat shrill voices of the singers do not do justice to the expert dancing which went with them. Gonda dance song for men and women, with 4 Mabumbumbu cylindrical drums, pegged and footed (-14.01101-), 1 Mushondo conical drum (-14.21201-). 1 Kaamuri goblet drum (-14.51101-).
- Full Text: false
- Date Issued: 1950
Zamani mwaya
- Chandarwa Waya with Giryama men, Hugh Tracey
- Authors: Chandarwa Waya with Giryama men , Hugh Tracey
- Date: 1950
- Subjects: Giryama (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
- Language: Giryama
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176656 , vital:42737 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR163-01
- Description: This Msego dance started with the sound of the horn, followed by the leader of the group who sings the first verse. This is repeated by the dancers whistling the melody twice over after which the dance proper begins with rattles. Msego mourning dance song with Kayamba raft rattles, a gourd horn (-11.121-) and whistling.
- Full Text: false
- Date Issued: 1950
- Authors: Chandarwa Waya with Giryama men , Hugh Tracey
- Date: 1950
- Subjects: Giryama (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
- Language: Giryama
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176656 , vital:42737 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR163-01
- Description: This Msego dance started with the sound of the horn, followed by the leader of the group who sings the first verse. This is repeated by the dancers whistling the melody twice over after which the dance proper begins with rattles. Msego mourning dance song with Kayamba raft rattles, a gourd horn (-11.121-) and whistling.
- Full Text: false
- Date Issued: 1950
Ndkapiga sinu kulwitu (Keep yourself ready)
- Chandarwa Waya with Giryama men, Hugh Tracey
- Authors: Chandarwa Waya with Giryama men , Hugh Tracey
- Date: 1950
- Subjects: Giryama (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
- Language: Giryama
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176661 , vital:42738 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR163-02
- Description: This Msego dance started with the sound of the horn, followed by the leader of the group who sings the first verse. This is repeated by the dancers whistling the melody twice over after which the dance proper begins with rattles. Msego mourning dance song with Kayamba raft rattles, a gourd horn (-11.121-) and whistling.
- Full Text: false
- Date Issued: 1950
- Authors: Chandarwa Waya with Giryama men , Hugh Tracey
- Date: 1950
- Subjects: Giryama (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
- Language: Giryama
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176661 , vital:42738 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR163-02
- Description: This Msego dance started with the sound of the horn, followed by the leader of the group who sings the first verse. This is repeated by the dancers whistling the melody twice over after which the dance proper begins with rattles. Msego mourning dance song with Kayamba raft rattles, a gourd horn (-11.121-) and whistling.
- Full Text: false
- Date Issued: 1950
Gari yangu
- Jaji Simba with Giryama men, Hugh Tracey
- Authors: Jaji Simba with Giryama men , Hugh Tracey
- Date: 1950
- Subjects: Giryama (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kaloleni f-ke
- Language: Giryama
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176563 , vital:42715 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR162-09
- Description: "My love has left me and I am sad. But it does not matter for she stayed with me for a long time, and I thank her for her kind heart." The Msego dance when performed by experts, either young people or children, is among the most attractive in East Africa. Msego dance song for men and women with Kayamba raft rattles.
- Full Text: false
- Date Issued: 1950
- Authors: Jaji Simba with Giryama men , Hugh Tracey
- Date: 1950
- Subjects: Giryama (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kaloleni f-ke
- Language: Giryama
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176563 , vital:42715 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR162-09
- Description: "My love has left me and I am sad. But it does not matter for she stayed with me for a long time, and I thank her for her kind heart." The Msego dance when performed by experts, either young people or children, is among the most attractive in East Africa. Msego dance song for men and women with Kayamba raft rattles.
- Full Text: false
- Date Issued: 1950
Balozi na upange
- Jaji Simba with Giryama men, Hugh Tracey
- Authors: Jaji Simba with Giryama men , Hugh Tracey
- Date: 1950
- Subjects: Giryama (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kaloleni f-ke
- Language: Giryama
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176572 , vital:42717 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR162-09
- Description: Chandaluwa is said to be the best composer and dancer in Kaloleni. He has a 'panga' - a knife, they say which cuts into the voices of all the other singers and so he always wins the competitions. Msego dance song for men and women with Kayamba raft rattles.
- Full Text: false
- Date Issued: 1950
- Authors: Jaji Simba with Giryama men , Hugh Tracey
- Date: 1950
- Subjects: Giryama (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kaloleni f-ke
- Language: Giryama
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176572 , vital:42717 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR162-09
- Description: Chandaluwa is said to be the best composer and dancer in Kaloleni. He has a 'panga' - a knife, they say which cuts into the voices of all the other singers and so he always wins the competitions. Msego dance song for men and women with Kayamba raft rattles.
- Full Text: false
- Date Issued: 1950
Alume yerani malo
- Kanga Mayele with Giryama men, Hugh Tracey
- Authors: Kanga Mayele with Giryama men , Hugh Tracey
- Date: 1950
- Subjects: Giryama (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
- Language: Giryama
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176603 , vital:42719 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR162-10
- Description: The singer calls to those behind to hurry and catch up with the dance team as they are going to a big dance competition. This item is a fascinating example of the authentic 2 against 3 African cross rhythm. Msego dance song for men and women with Kayamba raft rattles and clapping (-12.03-).
- Full Text: false
- Date Issued: 1950
- Authors: Kanga Mayele with Giryama men , Hugh Tracey
- Date: 1950
- Subjects: Giryama (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
- Language: Giryama
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176603 , vital:42719 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR162-10
- Description: The singer calls to those behind to hurry and catch up with the dance team as they are going to a big dance competition. This item is a fascinating example of the authentic 2 against 3 African cross rhythm. Msego dance song for men and women with Kayamba raft rattles and clapping (-12.03-).
- Full Text: false
- Date Issued: 1950
Achelamukani mulole Msego
- Kanga Mayele with Giryama men, Hugh Tracey
- Authors: Kanga Mayele with Giryama men , Hugh Tracey
- Date: 1950
- Subjects: Giryama (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
- Language: Giryama
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176617 , vital:42721 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR162-12
- Description: "You women come and see Msego." The women are invited to come and see the Msego dance and the audience told to keep quiet upon pain of being roped up. Msego dance song for men and women with Kayamba raft rattles and clapping (-12.03-).
- Full Text: false
- Date Issued: 1950
- Authors: Kanga Mayele with Giryama men , Hugh Tracey
- Date: 1950
- Subjects: Giryama (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
- Language: Giryama
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176617 , vital:42721 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR162-12
- Description: "You women come and see Msego." The women are invited to come and see the Msego dance and the audience told to keep quiet upon pain of being roped up. Msego dance song for men and women with Kayamba raft rattles and clapping (-12.03-).
- Full Text: false
- Date Issued: 1950
Safari ya Msanga-Tifu
- Kanga Mayele with Giryama men, Hugh Tracey
- Authors: Kanga Mayele with Giryama men , Hugh Tracey
- Date: 1950
- Subjects: Giryama (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
- Language: Giryama
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176612 , vital:42720 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR162-11
- Description: "I was so much in love that I found myself in Msanga-Tifu, where my girl lives, without knowing how I had got there." The Msego dance is most attractive to watch and the ingenuity of the rhythm can be guessed from the sound of the dancers in this recording. Msego dance song for men and women with Kayamba raft rattles and clapping (-12.03-).
- Full Text: false
- Date Issued: 1950
- Authors: Kanga Mayele with Giryama men , Hugh Tracey
- Date: 1950
- Subjects: Giryama (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
- Language: Giryama
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176612 , vital:42720 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR162-11
- Description: "I was so much in love that I found myself in Msanga-Tifu, where my girl lives, without knowing how I had got there." The Msego dance is most attractive to watch and the ingenuity of the rhythm can be guessed from the sound of the dancers in this recording. Msego dance song for men and women with Kayamba raft rattles and clapping (-12.03-).
- Full Text: false
- Date Issued: 1950
Bwana Shanua kidzhere nguma inende
- Kanga Mayele with Giryama men, Hugh Tracey
- Authors: Kanga Mayele with Giryama men , Hugh Tracey
- Date: 1950
- Subjects: Giryama (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
- Language: Giryama
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176630 , vital:42722 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR162-13
- Description: Bwana Shanua was an old singer famous in his day for inventing Juba dance steps. In this song they praise the old man for his cleverness. The facination of the Juba dance lies largely in the syncopated clapping which goes with it. Juba dance for men and women.
- Full Text: false
- Date Issued: 1950
- Authors: Kanga Mayele with Giryama men , Hugh Tracey
- Date: 1950
- Subjects: Giryama (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
- Language: Giryama
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/176630 , vital:42722 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR162-13
- Description: Bwana Shanua was an old singer famous in his day for inventing Juba dance steps. In this song they praise the old man for his cleverness. The facination of the Juba dance lies largely in the syncopated clapping which goes with it. Juba dance for men and women.
- Full Text: false
- Date Issued: 1950
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