Huwa lero (Huwa-today)
- Authors: 7 small boys , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kachere, Dedza, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153551 , vital:39477 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-03
- Description: Herd boys are one of Africa's sources of original songs. The life of thee youngsters is full of the intimate knowledge of creatures and their ways. The discomforts of nature and the constant search for food or sweet things. A herd boy's education is second to none at that tender age and the pleasures are never forgotten. They use a well known proverb concerning their food, referring to their work for other people's cattle. "The one who cooks does not eat the food." "Huwa, somebody's child is your child, so do not be jealous of him." Herd boy song.
- Full Text: false
- Date Issued: 1958
- Authors: 7 small boys , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kachere, Dedza, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153551 , vital:39477 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-03
- Description: Herd boys are one of Africa's sources of original songs. The life of thee youngsters is full of the intimate knowledge of creatures and their ways. The discomforts of nature and the constant search for food or sweet things. A herd boy's education is second to none at that tender age and the pleasures are never forgotten. They use a well known proverb concerning their food, referring to their work for other people's cattle. "The one who cooks does not eat the food." "Huwa, somebody's child is your child, so do not be jealous of him." Herd boy song.
- Full Text: false
- Date Issued: 1958
Angelo
- Authors: 7 small boys , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kachere, Dedza, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153560 , vital:39478 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-04
- Description: Herd boys are one of Africa's sources of original songs. The life of thee youngsters is full of the intimate knowledge of creatures and their ways. The discomforts of nature and the constant search for food or sweet things. A herd boy's education is second to none at that tender age and the pleasures are never forgotten. They use a well known proverb concerning their food, referring to their work for other people's cattle. "The one who cooks does not eat the food." "Oh, Angelo, just smell he relish!" (A vivid picture of small boys with mouths watering). Herd boy song. The setting of this song is familiar to most African villages. Small boys are herding their goats, whistling and calling to them while they sing
- Full Text: false
- Date Issued: 1958
- Authors: 7 small boys , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kachere, Dedza, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153560 , vital:39478 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-04
- Description: Herd boys are one of Africa's sources of original songs. The life of thee youngsters is full of the intimate knowledge of creatures and their ways. The discomforts of nature and the constant search for food or sweet things. A herd boy's education is second to none at that tender age and the pleasures are never forgotten. They use a well known proverb concerning their food, referring to their work for other people's cattle. "The one who cooks does not eat the food." "Oh, Angelo, just smell he relish!" (A vivid picture of small boys with mouths watering). Herd boy song. The setting of this song is familiar to most African villages. Small boys are herding their goats, whistling and calling to them while they sing
- Full Text: false
- Date Issued: 1958
Coka Coka (Go away, go away)
- Authors: 9 small girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153491 , vital:39458 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-20
- Description: The 9 small girls put their 5 mortars in one row and with osne exception two girls pounded in each mortar. "Go away, go away. I don't go! Why shoild I leave this place? An orpahn child is difficult to nurse. Where shall I, an orphan, go? No. no. no, I am sorry for you." The difficulty of bringing up an orphan child is often referred to in African songs. Pounding song with pestle and mortar.
- Full Text: false
- Date Issued: 1958
- Authors: 9 small girls , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153491 , vital:39458 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR076-20
- Description: The 9 small girls put their 5 mortars in one row and with osne exception two girls pounded in each mortar. "Go away, go away. I don't go! Why shoild I leave this place? An orpahn child is difficult to nurse. Where shall I, an orphan, go? No. no. no, I am sorry for you." The difficulty of bringing up an orphan child is often referred to in African songs. Pounding song with pestle and mortar.
- Full Text: false
- Date Issued: 1958
Meri, Meri (Mary Mary)
- Adija Nyamkhomo and Chewa women and children, Hugh Tracey
- Authors: Adija Nyamkhomo and Chewa women and children , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kota Kota, Lake Nyasa, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153699 , vital:39501 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-18
- Description: The statement is usually sung by 2 women together with the others joining in the chorus. The words of the song are mixed being sung both in Chewa and Tonga (Ny.). Topical song.
- Full Text: false
- Date Issued: 1958
- Authors: Adija Nyamkhomo and Chewa women and children , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kota Kota, Lake Nyasa, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153699 , vital:39501 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-18
- Description: The statement is usually sung by 2 women together with the others joining in the chorus. The words of the song are mixed being sung both in Chewa and Tonga (Ny.). Topical song.
- Full Text: false
- Date Issued: 1958
Charo Charo (The country, country)
- Adija Nyamkhomo and Chewa women and children, Hugh Tracey
- Authors: Adija Nyamkhomo and Chewa women and children , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kota Kota, Lake Nyasa, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153694 , vital:39500 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-17
- Description: "Come and see how Mr. Gower is mending the roads in the country." Mr. Gower is a member of the Agricultural Department and has been responsible for making in the Kota Kota district near the lake. Topical song.
- Full Text: false
- Date Issued: 1958
- Authors: Adija Nyamkhomo and Chewa women and children , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kota Kota, Lake Nyasa, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153694 , vital:39500 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-17
- Description: "Come and see how Mr. Gower is mending the roads in the country." Mr. Gower is a member of the Agricultural Department and has been responsible for making in the Kota Kota district near the lake. Topical song.
- Full Text: false
- Date Issued: 1958
Yai lero (Not today)
- Adija Nyankhomo and G. Coffee, Hugh Tracey
- Authors: Adija Nyankhomo and G. Coffee , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota District, Lake Nyasa, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153913 , vital:39537 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR078-12
- Description: There was once a husband and wife and the and the man went out to drink beer and come back late at night. He left his young child at home, sleeping in bed. Now a wife with a very young child must not ne touched. But when he came back he started to touch her until the child woke up. So in the morning the wife went and told her friends about the shocking behaviour of her husband. Then they all came over to her home, stood outside and sang this song, mocking the husband for forgetting his good manners. "Natikhorowa n'ndiwo Yai yai yai, lelo, Yai lero ai mwanileka ndikale, Mwana akadagona, tsopano wanka ndipu m kuti taleka, Yai lero Yai lero ai." "Sweet potatoe leaves! Forbidden fruit at some of the time. You left me a long time a ago when the Child was still asleep and now he is awake and you say, "let me" No, no, no, not today." Story song.
- Full Text: false
- Date Issued: 1958
- Authors: Adija Nyankhomo and G. Coffee , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota District, Lake Nyasa, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153913 , vital:39537 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR078-12
- Description: There was once a husband and wife and the and the man went out to drink beer and come back late at night. He left his young child at home, sleeping in bed. Now a wife with a very young child must not ne touched. But when he came back he started to touch her until the child woke up. So in the morning the wife went and told her friends about the shocking behaviour of her husband. Then they all came over to her home, stood outside and sang this song, mocking the husband for forgetting his good manners. "Natikhorowa n'ndiwo Yai yai yai, lelo, Yai lero ai mwanileka ndikale, Mwana akadagona, tsopano wanka ndipu m kuti taleka, Yai lero Yai lero ai." "Sweet potatoe leaves! Forbidden fruit at some of the time. You left me a long time a ago when the Child was still asleep and now he is awake and you say, "let me" No, no, no, not today." Story song.
- Full Text: false
- Date Issued: 1958
Mkhwangwa yatena (The axe has cut him)
- Adija Nyankhomo and G. Coffee, Hugh Tracey
- Authors: Adija Nyankhomo and G. Coffee , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota District, Lake Nyasa, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153933 , vital:39538 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR078-13
- Description: A husband and wife went to hoe in their garden and the man had his axe with him. When they were there he started to play a game with her, forgetting he had his axe over his shoulder which fell off and cut him. So the woman when she got home quickly began to say that her husband had been cut by his axe in order to avoid people thinking that they had been playing in the garden. So she sang this song:- A! e! a! e!e! Nkhwangwa yatera Nkhwangwangwa letena mwendo." "A-eee. The axe has cut my husband, my husband, the axe has cut him in the leg." Story song.
- Full Text: false
- Date Issued: 1958
- Authors: Adija Nyankhomo and G. Coffee , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota District, Lake Nyasa, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153933 , vital:39538 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR078-13
- Description: A husband and wife went to hoe in their garden and the man had his axe with him. When they were there he started to play a game with her, forgetting he had his axe over his shoulder which fell off and cut him. So the woman when she got home quickly began to say that her husband had been cut by his axe in order to avoid people thinking that they had been playing in the garden. So she sang this song:- A! e! a! e!e! Nkhwangwa yatera Nkhwangwangwa letena mwendo." "A-eee. The axe has cut my husband, my husband, the axe has cut him in the leg." Story song.
- Full Text: false
- Date Issued: 1958
Inu mayi (There was a woman)
- Akim Bewe and 2 women, Hugh Tracey
- Authors: Akim Bewe and 2 women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Masula's village, Lilongwe, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153643 , vital:39491 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-12
- Description: A woman had a daughter and was very keen on inviting men to take her daughter in order to get money for her. She did this with 3 or 4 different men and the people of the village said, "You are very bad to do this as these men will start quarraling because of your daughter." It will be noticed that the moral question of giving her daughter to several different men one after the other does not arise. Only the fact that the men may be jealous of each other and so quarrel. Drinking song
- Full Text: false
- Date Issued: 1958
- Authors: Akim Bewe and 2 women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Masula's village, Lilongwe, Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153643 , vital:39491 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-12
- Description: A woman had a daughter and was very keen on inviting men to take her daughter in order to get money for her. She did this with 3 or 4 different men and the people of the village said, "You are very bad to do this as these men will start quarraling because of your daughter." It will be noticed that the moral question of giving her daughter to several different men one after the other does not arise. Only the fact that the men may be jealous of each other and so quarrel. Drinking song
- Full Text: false
- Date Issued: 1958
Mangani mikeka, muzika kwanu (You take your clothes and go away)
- Authors: Alfred Phiri , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Mozambique Furancungo Machanga, Tete District f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156743 , vital:40045 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-01
- Description: "Take your clothes and go, I do not want your clothes, I want a child." Says the woman. Lament with Bangwe resonated board zither.
- Full Text: false
- Date Issued: 1958
- Authors: Alfred Phiri , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Mozambique Furancungo Machanga, Tete District f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156743 , vital:40045 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-01
- Description: "Take your clothes and go, I do not want your clothes, I want a child." Says the woman. Lament with Bangwe resonated board zither.
- Full Text: false
- Date Issued: 1958
O-dressi chivara madona (O the dress of the girl)
- Authors: Alfred Phiri , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Beni Furancungo, Macanga District, Tete f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153685 , vital:39499 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-16
- Description: This item was strummed across the strings. "Oh, the dress of women. She left her child on the road to Nyungwe." (Tete). Topical song with Bangwe board zither, resonated.
- Full Text: false
- Date Issued: 1958
- Authors: Alfred Phiri , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Beni Furancungo, Macanga District, Tete f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153685 , vital:39499 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-16
- Description: This item was strummed across the strings. "Oh, the dress of women. She left her child on the road to Nyungwe." (Tete). Topical song with Bangwe board zither, resonated.
- Full Text: false
- Date Issued: 1958
Tisimbi wa sauka
- Authors: Alfred Phiri , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Macanga f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158481 , vital:40196 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-02
- Description: The Bangwe Zither was resonated with a small gourd through which it was pierced. It was plucked in this item. Each string was tuned by means of a small independent wedge. The strings of the Bangwe were of wire, and about 15 inches long. The Bangwe itself being 21 and hald inches long 5 inches broad. Self delectative song with Bangwe resonated Zither.
- Full Text: false
- Date Issued: 1958
- Authors: Alfred Phiri , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Macanga f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158481 , vital:40196 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-02
- Description: The Bangwe Zither was resonated with a small gourd through which it was pierced. It was plucked in this item. Each string was tuned by means of a small independent wedge. The strings of the Bangwe were of wire, and about 15 inches long. The Bangwe itself being 21 and hald inches long 5 inches broad. Self delectative song with Bangwe resonated Zither.
- Full Text: false
- Date Issued: 1958
Ndaza apa ndaima (I am here waiting)
- Bifi Phiri and friend, Hugh Tracey
- Authors: Bifi Phiri and friend , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Pemba f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158945 , vital:40243 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-13
- Description: "I am here, waiting. Whose child is this that maltreats an oprhan. I am very tired of the Johannesburg road. Because I am left on my own. Kacule, Kacule, save me!" Self delectative song with board zither.
- Full Text: false
- Date Issued: 1958
- Authors: Bifi Phiri and friend , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Pemba f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158945 , vital:40243 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-13
- Description: "I am here, waiting. Whose child is this that maltreats an oprhan. I am very tired of the Johannesburg road. Because I am left on my own. Kacule, Kacule, save me!" Self delectative song with board zither.
- Full Text: false
- Date Issued: 1958
Chanta andidaine kaya (God is punishing me)
- Bifi Phiri and friend, Hugh Tracey
- Authors: Bifi Phiri and friend , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Pemba f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158954 , vital:40244 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-14
- Description: "God is punishing me because all my relatives are dead, and I am left alone." "I met a woman along the road whose teeth were as white as rice." The words of these two songs as written may have been interchanged. The tuning of the Bangwe Board Zither was; 400, 380, 368, 332, 312, 284, 200. Self delectative song with board zither.
- Full Text: false
- Date Issued: 1958
- Authors: Bifi Phiri and friend , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Pemba f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158954 , vital:40244 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-14
- Description: "God is punishing me because all my relatives are dead, and I am left alone." "I met a woman along the road whose teeth were as white as rice." The words of these two songs as written may have been interchanged. The tuning of the Bangwe Board Zither was; 400, 380, 368, 332, 312, 284, 200. Self delectative song with board zither.
- Full Text: false
- Date Issued: 1958
Muzungu wanga ndilipile ndizipita (My master, pay me, I want to go home now)
- Authors: Bigton Gombeza , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Songs, Nyanja , Nyanja (African people) , Songs, Chewa , Chewa (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160772 , vital:40536 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-02
- Description: This was recorded at the Wankie Colliery in Southern Rhodesia where the player had gone to work. Self delectative song with Bango seven string board zither.
- Full Text: false
- Date Issued: 1957
- Authors: Bigton Gombeza , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Songs, Nyanja , Nyanja (African people) , Songs, Chewa , Chewa (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160772 , vital:40536 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-02
- Description: This was recorded at the Wankie Colliery in Southern Rhodesia where the player had gone to work. Self delectative song with Bango seven string board zither.
- Full Text: false
- Date Issued: 1957
Ndi shuye ndi kalele mwana
- Authors: Bigton Gombeza , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Songs, Nyanja , Nyanja (African people) , Songs, Chewa , Chewa (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160781 , vital:40537 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-03
- Description: This was recorded at the Wankie Colliery in Southern Rhodesia where the player had gone to work. Self delectative song with Bango seven string board zither.
- Full Text: false
- Date Issued: 1957
- Authors: Bigton Gombeza , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Songs, Nyanja , Nyanja (African people) , Songs, Chewa , Chewa (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160781 , vital:40537 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-03
- Description: This was recorded at the Wankie Colliery in Southern Rhodesia where the player had gone to work. Self delectative song with Bango seven string board zither.
- Full Text: false
- Date Issued: 1957
Namaye Bikitara wakwere bus (We heard the Bikitara has taken a bus)
- Bikitara Banda and friend, Hugh Tracey
- Authors: Bikitara Banda and friend , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Pemba f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158990 , vital:40248 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-17
- Description: "We hear that Bikitara has taken a bus and gone home. And if he should die there we would be very sorry." The tuning of the Bangwe was; 488, 456, 416, 380, 324, 304. The top string (above 488) was not in tune. Self delectative song with Bangwe board zither.
- Full Text: false
- Date Issued: 1958
- Authors: Bikitara Banda and friend , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Pemba f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158990 , vital:40248 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-17
- Description: "We hear that Bikitara has taken a bus and gone home. And if he should die there we would be very sorry." The tuning of the Bangwe was; 488, 456, 416, 380, 324, 304. The top string (above 488) was not in tune. Self delectative song with Bangwe board zither.
- Full Text: false
- Date Issued: 1958
Tilira ife (We cry for those who left Gwero)
- Boys of Chief Mwasi's village, Hugh Tracey
- Authors: Boys of Chief Mwasi's village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159574 , vital:40313 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-03
- Description: "We cry for the boys who have left Gwero (the boma of Kasungu). Such as Kaziyambe Zimba, Mbelere Phiri who went to Lusaka. Stars shone on them, teaching them cleanliness. They are pround in Cape Town." The Muganda dance with Malipenga horns is usually performed in three parts, the first and third parts being with horns and the second, of which this is an example, without horns. Muganda dance (part 2) with brass drum.
- Full Text: false
- Date Issued: 1958
- Authors: Boys of Chief Mwasi's village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159574 , vital:40313 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-03
- Description: "We cry for the boys who have left Gwero (the boma of Kasungu). Such as Kaziyambe Zimba, Mbelere Phiri who went to Lusaka. Stars shone on them, teaching them cleanliness. They are pround in Cape Town." The Muganda dance with Malipenga horns is usually performed in three parts, the first and third parts being with horns and the second, of which this is an example, without horns. Muganda dance (part 2) with brass drum.
- Full Text: false
- Date Issued: 1958
M' Sodomo (Sodom was burnt)
- Boys of Chief Mwasi's village, Hugh Tracey
- Authors: Boys of Chief Mwasi's village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159565 , vital:40312 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-02
- Description: "The headquaters of our dance team are here at Gwero and we are going to sing the song Sodom", was the introduction by the young leader. "There was a fire in Sodom." This has been a popular dance since 1927 or thereabouts. The dancers alternately sing openly and sing through their Lipenga horns. How the subject of Sodom and its destruction came to be chosen as a dance motif is a mystery. Maganda dance (Part 1) with 12 Malipenga singing horns.
- Full Text: false
- Date Issued: 1958
- Authors: Boys of Chief Mwasi's village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159565 , vital:40312 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-02
- Description: "The headquaters of our dance team are here at Gwero and we are going to sing the song Sodom", was the introduction by the young leader. "There was a fire in Sodom." This has been a popular dance since 1927 or thereabouts. The dancers alternately sing openly and sing through their Lipenga horns. How the subject of Sodom and its destruction came to be chosen as a dance motif is a mystery. Maganda dance (Part 1) with 12 Malipenga singing horns.
- Full Text: false
- Date Issued: 1958
Tamanga simbi
- Boys of Chief Mwasi's village, Hugh Tracey
- Authors: Boys of Chief Mwasi's village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159585 , vital:40314 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-04
- Description: "We have handcuffed them, we of Linga Boma. Although you are proud today, you will see!" The dancers go in groupd called Boma and challenge each other in the dance and in singing with with the Malipenga horns and boast about their performances. The Malipenga were all made out of gourds with mirlton membranes over the small end. The sound quality of the bass singers was good owing to their use of the gourds of adequate size and shape. Their song is a familiar type of boasting to be found among dance teams in most parts of Africa familiar to us. Muganda dance (part 3) with tweleve Malipenga singing horns and drum.
- Full Text: false
- Date Issued: 1958
- Authors: Boys of Chief Mwasi's village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159585 , vital:40314 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-04
- Description: "We have handcuffed them, we of Linga Boma. Although you are proud today, you will see!" The dancers go in groupd called Boma and challenge each other in the dance and in singing with with the Malipenga horns and boast about their performances. The Malipenga were all made out of gourds with mirlton membranes over the small end. The sound quality of the bass singers was good owing to their use of the gourds of adequate size and shape. Their song is a familiar type of boasting to be found among dance teams in most parts of Africa familiar to us. Muganda dance (part 3) with tweleve Malipenga singing horns and drum.
- Full Text: false
- Date Issued: 1958
Panari mtsikana wina (The girl and the beads)
- Boys of Masula village, Hugh Tracey
- Authors: Boys of Masula village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Lilongwe f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158544 , vital:40205 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-09
- Description: An equivalent story to one in Southern Rhodesia. There were three girls who went to the river to get water. They had big strings of beads but one forgot her beads down by the river and when she got home she told her brothers and asked them to take her back to the river to look for them. They refused, so she went alone. She found a hyena who had taken her beads and put them inside a drum and then when she arrived he caught her and put her inside the drum also. He then went to the village to play the drum. The people of the village heard her singing inside the drum. They cooked food and gave it to the hyena who, as soon as he had eaten the food began to play the drum. He went to another village and did the same. The girl inside the drum got very hot but eventually her brothers saved her by cutting open the drum and the hyena diasppeared. A were-wolf story. Nthano story.
- Full Text: false
- Date Issued: 1958
- Authors: Boys of Masula village , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Lilongwe f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/158544 , vital:40205 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-09
- Description: An equivalent story to one in Southern Rhodesia. There were three girls who went to the river to get water. They had big strings of beads but one forgot her beads down by the river and when she got home she told her brothers and asked them to take her back to the river to look for them. They refused, so she went alone. She found a hyena who had taken her beads and put them inside a drum and then when she arrived he caught her and put her inside the drum also. He then went to the village to play the drum. The people of the village heard her singing inside the drum. They cooked food and gave it to the hyena who, as soon as he had eaten the food began to play the drum. He went to another village and did the same. The girl inside the drum got very hot but eventually her brothers saved her by cutting open the drum and the hyena diasppeared. A were-wolf story. Nthano story.
- Full Text: false
- Date Issued: 1958