Marhaban sheikhlwa dhifa
- Sheik Mohammed Bin Isa with Arab/Swahili boys, Hugh Tracey
- Authors: Sheik Mohammed Bin Isa with Arab/Swahili boys , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Music--Kenya , Songs, Swahili--Kenya , Songs, Swahili--Tanzania , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
- Language: Arabic
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179999 , vital:43290 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR171-13
- Description: Chant in praise of Allah. It is commonly believed by Mohammedans that by constantly repeating the name of the a dead Sheik you could see him in a vision. The capacity for "seeing" eidetic images is found all over the world. This kind of 'grunting' is found in many African tribes who have experienced the influence of Mohammedanism. It is also used among the Xhosa of the transkei although they are said to have left East Africa about 400 years ago and have no trace of that religion today. Praise of Allah.
- Full Text: false
- Date Issued: 1950
- Authors: Sheik Mohammed Bin Isa with Arab/Swahili boys , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Music--Kenya , Songs, Swahili--Kenya , Songs, Swahili--Tanzania , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
- Language: Arabic
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179999 , vital:43290 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR171-13
- Description: Chant in praise of Allah. It is commonly believed by Mohammedans that by constantly repeating the name of the a dead Sheik you could see him in a vision. The capacity for "seeing" eidetic images is found all over the world. This kind of 'grunting' is found in many African tribes who have experienced the influence of Mohammedanism. It is also used among the Xhosa of the transkei although they are said to have left East Africa about 400 years ago and have no trace of that religion today. Praise of Allah.
- Full Text: false
- Date Issued: 1950
Alhamdulilla
- Salim Zeydan with Arab men, Hugh Tracey
- Authors: Salim Zeydan with Arab men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Music--Kenya , Songs, Swahili--Kenya , Songs, Swahili--Tanzania , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
- Language: Arabic
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180012 , vital:43292 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR171-14
- Description: A song which is sung when the bridegroom is having his head and beard shaved. "We have shaved him by force. Let us rejoice together." Wedding song, with 1 Hayir bass drum, 1 Maras bass drum, played with hands, 2 Tasa bowl drums, laced, played with sticks and clapping (-12.02-).
- Full Text: false
- Date Issued: 1950
- Authors: Salim Zeydan with Arab men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Music--Kenya , Songs, Swahili--Kenya , Songs, Swahili--Tanzania , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
- Language: Arabic
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180012 , vital:43292 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR171-14
- Description: A song which is sung when the bridegroom is having his head and beard shaved. "We have shaved him by force. Let us rejoice together." Wedding song, with 1 Hayir bass drum, 1 Maras bass drum, played with hands, 2 Tasa bowl drums, laced, played with sticks and clapping (-12.02-).
- Full Text: false
- Date Issued: 1950
Nitunde upi, kula nitundao una nana
- Mwana Bibi with Swahili women, Hugh Tracey
- Authors: Mwana Bibi with Swahili women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Music--Kenya , Songs, Swahili--Kenya , Songs, Swahili--Tanzania , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180039 , vital:43297 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR171-17
- Description: The double reed Arab aboe accompanies an essentially African style of song. These Zumali oboes are bought from the Arab sailors who come down the coast every year in their dhows, sailing before the monsoon winds in each direction between the African east coast ports and the Persian Gulf. The calls and answers with which the women start their song contains a local variations of the English "Hip-hip-hurrah!" "hipo-hipo hure." Vugo dance song for women, with horn rattles, horns played with sticks, 2 cylindrical drums, double sided, laced, played with hands, 5 holed Zumali oboe.
- Full Text: false
- Date Issued: 1950
- Authors: Mwana Bibi with Swahili women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Music--Kenya , Songs, Swahili--Kenya , Songs, Swahili--Tanzania , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180039 , vital:43297 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR171-17
- Description: The double reed Arab aboe accompanies an essentially African style of song. These Zumali oboes are bought from the Arab sailors who come down the coast every year in their dhows, sailing before the monsoon winds in each direction between the African east coast ports and the Persian Gulf. The calls and answers with which the women start their song contains a local variations of the English "Hip-hip-hurrah!" "hipo-hipo hure." Vugo dance song for women, with horn rattles, horns played with sticks, 2 cylindrical drums, double sided, laced, played with hands, 5 holed Zumali oboe.
- Full Text: false
- Date Issued: 1950
Marhaban sheikhlwa dhifa
- Sheik Mohammed Bin Isa with Arab/Swahili boys, Hugh Tracey
- Authors: Sheik Mohammed Bin Isa with Arab/Swahili boys , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Music--Kenya , Songs, Swahili--Kenya , Songs, Swahili--Tanzania , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
- Language: Arabic
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179995 , vital:43291 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR171-13
- Description: Chant in praise of Allah. It is commonly believed by Mohammedans that by constantly repeating the name of the a dead Sheik you could see him in a vision. The capacity for "seeing" eidetic images is found all over the world. This kind of 'grunting' is found in many African tribes who have experienced the influence of Mohammedanism. It is also used among the Xhosa of the transkei although they are said to have left East Africa about 400 years ago and have no trace of that religion today. Praise of Allah.
- Full Text: false
- Date Issued: 1950
- Authors: Sheik Mohammed Bin Isa with Arab/Swahili boys , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Music--Kenya , Songs, Swahili--Kenya , Songs, Swahili--Tanzania , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
- Language: Arabic
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179995 , vital:43291 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR171-13
- Description: Chant in praise of Allah. It is commonly believed by Mohammedans that by constantly repeating the name of the a dead Sheik you could see him in a vision. The capacity for "seeing" eidetic images is found all over the world. This kind of 'grunting' is found in many African tribes who have experienced the influence of Mohammedanism. It is also used among the Xhosa of the transkei although they are said to have left East Africa about 400 years ago and have no trace of that religion today. Praise of Allah.
- Full Text: false
- Date Issued: 1950
Wangu ukhutina
- Jauharah Orchestra, Shariff Twahir Ahmed (Leader) and Mbarak Rashid (Singer), Hugh Tracey
- Authors: Jauharah Orchestra, Shariff Twahir Ahmed (Leader) and Mbarak Rashid (Singer) , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Music--Kenya , Songs, Swahili--Kenya , Songs, Swahili--Tanzania , Field recordings , Africa, Sub-Saharan , Africa Kenya Mombasa f-ke
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180089 , vital:43308 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR171-20
- Description: There appears to be a tendency to distort the Swahili language when singing in the Arab style, just as there is when African words are set to an English tune. An interesting melody sung by a young man with a deep bass voice. This was recorded in a back street of Mombasa outside the musicians club in the shade of the trees.
- Full Text: false
- Date Issued: 1950
- Authors: Jauharah Orchestra, Shariff Twahir Ahmed (Leader) and Mbarak Rashid (Singer) , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Music--Kenya , Songs, Swahili--Kenya , Songs, Swahili--Tanzania , Field recordings , Africa, Sub-Saharan , Africa Kenya Mombasa f-ke
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180089 , vital:43308 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR171-20
- Description: There appears to be a tendency to distort the Swahili language when singing in the Arab style, just as there is when African words are set to an English tune. An interesting melody sung by a young man with a deep bass voice. This was recorded in a back street of Mombasa outside the musicians club in the shade of the trees.
- Full Text: false
- Date Issued: 1950
Allah, Allah
- Sheik Mohammed Bin Isa with Arab/Swahili boys, Hugh Tracey
- Authors: Sheik Mohammed Bin Isa with Arab/Swahili boys , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Music--Kenya , Songs, Swahili--Kenya , Songs, Swahili--Tanzania , Field recordings , Africa, Sub-Saharan , Africa Tanzania Zanzibar f-tz
- Language: Arabic
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179984 , vital:43289 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR171-12
- Description: Chant in praise of Allah. It is commonly believed by Mohammedans that by constantly repeating the name of the a dead Sheik you could see him in a vision. The capacity for "seeing" eidetic images is found all over the world. This kind of 'grunting' is found in many African tribes who have experienced the influence of Mohammedanism. It is also used among the Xhosa of the transkei although they are said to have left East Africa about 400 years ago and have no trace of that religion today. Praise of Allah.
- Full Text: false
- Date Issued: 1950
- Authors: Sheik Mohammed Bin Isa with Arab/Swahili boys , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Music--Kenya , Songs, Swahili--Kenya , Songs, Swahili--Tanzania , Field recordings , Africa, Sub-Saharan , Africa Tanzania Zanzibar f-tz
- Language: Arabic
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179984 , vital:43289 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR171-12
- Description: Chant in praise of Allah. It is commonly believed by Mohammedans that by constantly repeating the name of the a dead Sheik you could see him in a vision. The capacity for "seeing" eidetic images is found all over the world. This kind of 'grunting' is found in many African tribes who have experienced the influence of Mohammedanism. It is also used among the Xhosa of the transkei although they are said to have left East Africa about 400 years ago and have no trace of that religion today. Praise of Allah.
- Full Text: false
- Date Issued: 1950
Hoe hoe
- Mwana Bibi with Swahili women, Hugh Tracey
- Authors: Mwana Bibi with Swahili women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Music--Kenya , Songs, Swahili--Kenya , Songs, Swahili--Tanzania , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180048 , vital:43300 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR171-18
- Description: This is an amusing farewell song with typical cries from the gay veiled ladies of the Arab households of Malindi. Farewell song.
- Full Text: false
- Date Issued: 1950
- Authors: Mwana Bibi with Swahili women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Music--Kenya , Songs, Swahili--Kenya , Songs, Swahili--Tanzania , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180048 , vital:43300 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR171-18
- Description: This is an amusing farewell song with typical cries from the gay veiled ladies of the Arab households of Malindi. Farewell song.
- Full Text: false
- Date Issued: 1950
Yauma nalat
- Sheik Bunu Bin Shahamadi with Arab men, Hugh Tracey
- Authors: Sheik Bunu Bin Shahamadi with Arab men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Music--Kenya , Songs, Swahili--Kenya , Songs, Swahili--Tanzania , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180061 , vital:43303 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR171-19
- Description: "Amina Binti Wahab was especially blessed by giving birth to the Prophet Mohammed. She was the most fortunate of all women." The sound of the swifts, twittering, as they fly in and out of the palm trees can be heard in the background. Hamzia History of the Prophet Mohammed with Tari tambourine drum, pinned.
- Full Text: false
- Date Issued: 1950
- Authors: Sheik Bunu Bin Shahamadi with Arab men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Music--Kenya , Songs, Swahili--Kenya , Songs, Swahili--Tanzania , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180061 , vital:43303 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR171-19
- Description: "Amina Binti Wahab was especially blessed by giving birth to the Prophet Mohammed. She was the most fortunate of all women." The sound of the swifts, twittering, as they fly in and out of the palm trees can be heard in the background. Hamzia History of the Prophet Mohammed with Tari tambourine drum, pinned.
- Full Text: false
- Date Issued: 1950
Hamolo
- Salim Zeydan with Arab men, Hugh Tracey
- Authors: Salim Zeydan with Arab men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Music--Kenya , Songs, Swahili--Kenya , Songs, Swahili--Tanzania , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
- Language: Arabic
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180021 , vital:43294 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR171-15
- Description: A song which is sung when the bridegroom is having his head and beard shaved. "We have shaved him by force. Let us rejoice together." Wedding song, with 1 Hayir bass drum, 1 Maras bass drum, played with hands, 2 Tasa bowl drums, laced, played with sticks and clapping (-12.02-).
- Full Text: false
- Date Issued: 1950
- Authors: Salim Zeydan with Arab men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Music--Kenya , Songs, Swahili--Kenya , Songs, Swahili--Tanzania , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
- Language: Arabic
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180021 , vital:43294 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR171-15
- Description: A song which is sung when the bridegroom is having his head and beard shaved. "We have shaved him by force. Let us rejoice together." Wedding song, with 1 Hayir bass drum, 1 Maras bass drum, played with hands, 2 Tasa bowl drums, laced, played with sticks and clapping (-12.02-).
- Full Text: false
- Date Issued: 1950
Mwache aukareze mvuma
- Mwana Bibi with Swahili women, Hugh Tracey
- Authors: Mwana Bibi with Swahili women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Music--Kenya , Songs, Swahili--Kenya , Songs, Swahili--Tanzania , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180030 , vital:43296 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR171-16
- Description: The double reed Arab aboe accompanies an essentially African style of song. These Zumali oboes are bought from the Arab sailors who come down the coast every year in their dhows, sailing before the monsoon winds in each direction between the African east coast ports and the Persian Gulf. Vugo dance song for women, with horn rattles, horns played with sticks, 2 cylindrical drums, double sided, laced, played with hands, 5 holed Zumali oboe.
- Full Text: false
- Date Issued: 1950
- Authors: Mwana Bibi with Swahili women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Music--Kenya , Songs, Swahili--Kenya , Songs, Swahili--Tanzania , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180030 , vital:43296 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR171-16
- Description: The double reed Arab aboe accompanies an essentially African style of song. These Zumali oboes are bought from the Arab sailors who come down the coast every year in their dhows, sailing before the monsoon winds in each direction between the African east coast ports and the Persian Gulf. Vugo dance song for women, with horn rattles, horns played with sticks, 2 cylindrical drums, double sided, laced, played with hands, 5 holed Zumali oboe.
- Full Text: false
- Date Issued: 1950
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