Youth sub-cultures: the case of izikhothane amongst youth in Port Elizabeth townships
- Authors: Laqwela, Bayanda B
- Date: 2021-12
- Subjects: Port Elizabeth (South Africa) , Eastern Cape (South Africa) , South Africa
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10948/54694 , vital:47442
- Description: The studies on youth subcultures have always attracted scholars and media, both locally and internationally. Specifically, in South Africa, we have witnessed subcultural youth formations, such as amapantsula1 , umswenko2 , the smarteez, zef, emmos and so forth. In the past few years, we saw the rise of a certain subcultural youth formation, popularly known as izikhothane3 , in South African townships. Owing to an escalation in izikhothane, this study was undertaken among the youth in Port Elizabeth townships. The study sought to explore and describe the significance of izikhothane membership and the rituals that are performed during their meetings. The qualitative approach was used for the study and semi-structured interviews, focus groups and observations were employed as data collection tools. The study used the explorative, descriptive and contextual design. The population for the study was the youth who are involved in the youth subculture of izikhothane in Port Elizabeth townships. The themes, which answered the questions, were identified as follows: the definition of isikhothane according to izikhothane, pulling or attraction factors, izikhothane rituals, the significance of isikhothane membership, the stopping age and the perceptions of community members about izikhothane. One of the main findings of this study is the age at which the youth join izikhothane. , Thesis (MA) -- Faculty of Humanities, School of Governmental and Social Sciences, 2021
- Full Text:
- Date Issued: 2021-12
- Authors: Laqwela, Bayanda B
- Date: 2021-12
- Subjects: Port Elizabeth (South Africa) , Eastern Cape (South Africa) , South Africa
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10948/54694 , vital:47442
- Description: The studies on youth subcultures have always attracted scholars and media, both locally and internationally. Specifically, in South Africa, we have witnessed subcultural youth formations, such as amapantsula1 , umswenko2 , the smarteez, zef, emmos and so forth. In the past few years, we saw the rise of a certain subcultural youth formation, popularly known as izikhothane3 , in South African townships. Owing to an escalation in izikhothane, this study was undertaken among the youth in Port Elizabeth townships. The study sought to explore and describe the significance of izikhothane membership and the rituals that are performed during their meetings. The qualitative approach was used for the study and semi-structured interviews, focus groups and observations were employed as data collection tools. The study used the explorative, descriptive and contextual design. The population for the study was the youth who are involved in the youth subculture of izikhothane in Port Elizabeth townships. The themes, which answered the questions, were identified as follows: the definition of isikhothane according to izikhothane, pulling or attraction factors, izikhothane rituals, the significance of isikhothane membership, the stopping age and the perceptions of community members about izikhothane. One of the main findings of this study is the age at which the youth join izikhothane. , Thesis (MA) -- Faculty of Humanities, School of Governmental and Social Sciences, 2021
- Full Text:
- Date Issued: 2021-12
Youth development: a case study of vision4 mentorship programme for teenage girls in Port Elizabeth
- Authors: Gqabe, Ongeziwe Sharon
- Date: 2021-12
- Subjects: Port Elizabeth (South Africa) , Eastern Cape (South Africa) , South Africa
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10948/54343 , vital:46477
- Description: Investment in youth development for a country like South Africa, where social issues such as unemployment, lack of quality education, high levels of school dropouts, difficulty in accessing post-secondary education and training are of high prevalence is crucial. There are different strategies that key players in youth development such as the government, private sector and NGOs can implement in advancing the youth. This study sought to examine one of these strategies which is mentorship. Consequently, the purpose of this study was to scrutinize the essential role that a mentorship program can play in progressing youth development. The objectives of this study are as follows: to investigate the key challenges facing the teenage girls that participated on the Vision4 Mentorship Program; to investigate the effectiveness of the strategy of using mentorship programs as a tool in achieving youth development in Motherwell, Port Elizabeth and to come up with the recommendations with the view of addressing some of the problems faced by the youth in Motherwell, Port Elizabeth. The research methodology used in this study include among others, individual interviews of participants that has been previously gone through the Vision4 Mentorship Program. Furthermore, relevant scholarly published work has been consulted to supplement the interviews. Mentorship has been used as a conceptual framework to understand the impact of mentoring to the young girls at Vision4 Mentorship Program. , Thesis (MA) -- Faculty of Humanities, Department of Sociology and Anthropology, 2021
- Full Text:
- Date Issued: 2021-12
- Authors: Gqabe, Ongeziwe Sharon
- Date: 2021-12
- Subjects: Port Elizabeth (South Africa) , Eastern Cape (South Africa) , South Africa
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10948/54343 , vital:46477
- Description: Investment in youth development for a country like South Africa, where social issues such as unemployment, lack of quality education, high levels of school dropouts, difficulty in accessing post-secondary education and training are of high prevalence is crucial. There are different strategies that key players in youth development such as the government, private sector and NGOs can implement in advancing the youth. This study sought to examine one of these strategies which is mentorship. Consequently, the purpose of this study was to scrutinize the essential role that a mentorship program can play in progressing youth development. The objectives of this study are as follows: to investigate the key challenges facing the teenage girls that participated on the Vision4 Mentorship Program; to investigate the effectiveness of the strategy of using mentorship programs as a tool in achieving youth development in Motherwell, Port Elizabeth and to come up with the recommendations with the view of addressing some of the problems faced by the youth in Motherwell, Port Elizabeth. The research methodology used in this study include among others, individual interviews of participants that has been previously gone through the Vision4 Mentorship Program. Furthermore, relevant scholarly published work has been consulted to supplement the interviews. Mentorship has been used as a conceptual framework to understand the impact of mentoring to the young girls at Vision4 Mentorship Program. , Thesis (MA) -- Faculty of Humanities, Department of Sociology and Anthropology, 2021
- Full Text:
- Date Issued: 2021-12
Wo yo yo
- Mpondo men led by Lahloma (Performer), Composer not specified
- Authors: Mpondo men led by Lahloma (Performer) , Composer not specified
- Subjects: Mpondo dance song , No instrumentation , Clapping , Stamping , Cries , CMR Mine , South Africa
- Type: Sound , Music
- Identifier: vital:15193 , http://hdl.handle.net/10962/d1017314 , MOA13
- Description: Mpondo dance song (version of Ndhlamu dance) by Mpondo men led by Lahloma, with stamping and clapping , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
- Authors: Mpondo men led by Lahloma (Performer) , Composer not specified
- Subjects: Mpondo dance song , No instrumentation , Clapping , Stamping , Cries , CMR Mine , South Africa
- Type: Sound , Music
- Identifier: vital:15193 , http://hdl.handle.net/10962/d1017314 , MOA13
- Description: Mpondo dance song (version of Ndhlamu dance) by Mpondo men led by Lahloma, with stamping and clapping , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
Wayengwa yintab’ eshayo
- Princess Constance Magogo KaDinuzulu (Performer), Composer not specified
- Authors: Princess Constance Magogo KaDinuzulu (Performer) , Composer not specified
- Subjects: Morality song , Jealousy , Ugubu bow , Indigenous folk music , Kwapindangene , Natal (KwaZulu-Natal) , South Africa
- Type: Sound , Music
- Identifier: vital:15496 , MOA37-08 , http://hdl.handle.net/10962/d1017854 , MOA37
- Description: English translation of title: 'The burnt mountain' , Morality song, or song of jealousy, by Princess Constance Magogo KaDinuzulu, accompanied by ugubu bow , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
- Authors: Princess Constance Magogo KaDinuzulu (Performer) , Composer not specified
- Subjects: Morality song , Jealousy , Ugubu bow , Indigenous folk music , Kwapindangene , Natal (KwaZulu-Natal) , South Africa
- Type: Sound , Music
- Identifier: vital:15496 , MOA37-08 , http://hdl.handle.net/10962/d1017854 , MOA37
- Description: English translation of title: 'The burnt mountain' , Morality song, or song of jealousy, by Princess Constance Magogo KaDinuzulu, accompanied by ugubu bow , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
Water and Life: The Fountain
- Authors: Tracey, Hugh
- Subjects: Water , Life , Fountain , Music , Folk music , Prayer for rain , Singing , Pula , Choral , Orchestra , Stringed instruments , Harps , Trumpets , Whistling , Flutes , Dancing , Drums , Horns , Rattles , Claves , Sticks , Yodelling , Clapping , Ululation , Violin , Musical elements , Israel , Hawaii , Greece , Bulgaria , Togoland , United States of America , South Africa , Yugoslavia , Japan , India , Rhodesia , Pakistan , Australia , The International Folk Music Council , Folklore societies , Broadcasting organizations
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15141 , http://hdl.handle.net/10962/d1012600 , Reel number: BC174
- Description: Description: 1st and 2nd programme of six radio folk music series entitled 'Water and Life: The Stream', produced in association with International Folk Music Councils and 24 folklore societies or broadcasting organizations , Description: For further details refer to the ILAM Document Collection: Hugh Tracey Broadcast Collection
- Full Text: false
- Authors: Tracey, Hugh
- Subjects: Water , Life , Fountain , Music , Folk music , Prayer for rain , Singing , Pula , Choral , Orchestra , Stringed instruments , Harps , Trumpets , Whistling , Flutes , Dancing , Drums , Horns , Rattles , Claves , Sticks , Yodelling , Clapping , Ululation , Violin , Musical elements , Israel , Hawaii , Greece , Bulgaria , Togoland , United States of America , South Africa , Yugoslavia , Japan , India , Rhodesia , Pakistan , Australia , The International Folk Music Council , Folklore societies , Broadcasting organizations
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15141 , http://hdl.handle.net/10962/d1012600 , Reel number: BC174
- Description: Description: 1st and 2nd programme of six radio folk music series entitled 'Water and Life: The Stream', produced in association with International Folk Music Councils and 24 folklore societies or broadcasting organizations , Description: For further details refer to the ILAM Document Collection: Hugh Tracey Broadcast Collection
- Full Text: false
Wanga muthanga hadini
- Balanyalani Muzanani and friends (Performer), Composer not specified
- Authors: Balanyalani Muzanani and friends (Performer) , Composer not specified
- Subjects: Young boys dance , Mbira dza madeza , Nsako , Johannesburg , Transvaal Province (Gauteng Province) , South Africa
- Type: Sound , Music
- Identifier: vital:15254 , MOA18-14 , http://hdl.handle.net/10962/d1017413 , MOA18
- Description: English translation of title: 'My boyfriend doesn't love me' , Young boys dance accompanied by mbira dza madeza , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
- Authors: Balanyalani Muzanani and friends (Performer) , Composer not specified
- Subjects: Young boys dance , Mbira dza madeza , Nsako , Johannesburg , Transvaal Province (Gauteng Province) , South Africa
- Type: Sound , Music
- Identifier: vital:15254 , MOA18-14 , http://hdl.handle.net/10962/d1017413 , MOA18
- Description: English translation of title: 'My boyfriend doesn't love me' , Young boys dance accompanied by mbira dza madeza , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
Wamthinta uPhefeni
- Princess Constance Magogo KaDinuzulu accompanied by Chief Gatsha Buthelezi and a few men (Performer), Composer not specified
- Authors: Princess Constance Magogo KaDinuzulu accompanied by Chief Gatsha Buthelezi and a few men (Performer) , Composer not specified
- Subjects: Warning song , Ugubu bow , Indigenous folk music , Kwapindangene , Natal (KwaZulu-Natal) , South Africa
- Type: Sound , Music
- Identifier: vital:15492 , MOA37-04 , http://hdl.handle.net/10962/d1017850 , MOA37
- Description: English translation of title: 'Touch a snake and you ask for trouble' , Warning song by Princess Constance Magogo KaDinuzulu accompanied by Chief Gatsha Buthelezi and a few men, with ugubu bow , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
- Authors: Princess Constance Magogo KaDinuzulu accompanied by Chief Gatsha Buthelezi and a few men (Performer) , Composer not specified
- Subjects: Warning song , Ugubu bow , Indigenous folk music , Kwapindangene , Natal (KwaZulu-Natal) , South Africa
- Type: Sound , Music
- Identifier: vital:15492 , MOA37-04 , http://hdl.handle.net/10962/d1017850 , MOA37
- Description: English translation of title: 'Touch a snake and you ask for trouble' , Warning song by Princess Constance Magogo KaDinuzulu accompanied by Chief Gatsha Buthelezi and a few men, with ugubu bow , This recording is held at the International Library of African Music. For further information contact ilamlibrary@ru.ac.za , This recording was digitised by the International Library of African Music , Original format: 15ips reel , Equipment used in digitisation: Studer B 67 Tape Recorder; Nagra III , Software: Sound Forge V.6 , Sample rate: 44100Hz 16Bit Stereo
- Full Text: false
Visual narratives portraying the lived experience of women with invisible illnesses
- Authors: Scholtz, Micaela
- Date: 2020-04
- Subjects: Port Elizabeth (South Africa) , Eastern Cape (South Africa) , South Africa
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10948/55207 , vital:49596
- Description: Stereotypical views and misrepresentation impact on how women experience ‘invisible’ gynaecological illnesses such as endometriosis. Patriarchal society forces a particular set of roles and standards upon women to which they must adhere and thus, a limited understanding exists as to how they experience their lived realities with endometriosis. This study consists of two components. The first component is a theoretical component in which I analyse how a visual narrative approach can be utilised in order to portray the lived experiences of women with an invisible illness. In support of this research I reflect on the work of Frida Kahlo, Georgie Wileman and Ellie Kammer in order to determine how these artists addressed the experiences of their illnesses within visual representation. The second part is the practical component informed by theory, interviews and auto-ethnographic data. This study established that women with endometriosis are largely influenced by the societal expectations placed on women as well as how the female body is represented by the media. By visually presenting the lived realities of women with endometriosis, the misperceptions of the disease and its effects are better understood. This study concludes having created a series of visual narratives which expresses internalised pain and emotions, and makes visible that which is invisible about endometriosis. Furthermore, the practical component challenges the stereotypical ideals and representations of femininity through presenting that which is often deemed as taboo. , Thesis (MA) -- Faculty of Arts, School of Visual and Performing Arts, 2020
- Full Text:
- Date Issued: 2020-04
- Authors: Scholtz, Micaela
- Date: 2020-04
- Subjects: Port Elizabeth (South Africa) , Eastern Cape (South Africa) , South Africa
- Language: English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10948/55207 , vital:49596
- Description: Stereotypical views and misrepresentation impact on how women experience ‘invisible’ gynaecological illnesses such as endometriosis. Patriarchal society forces a particular set of roles and standards upon women to which they must adhere and thus, a limited understanding exists as to how they experience their lived realities with endometriosis. This study consists of two components. The first component is a theoretical component in which I analyse how a visual narrative approach can be utilised in order to portray the lived experiences of women with an invisible illness. In support of this research I reflect on the work of Frida Kahlo, Georgie Wileman and Ellie Kammer in order to determine how these artists addressed the experiences of their illnesses within visual representation. The second part is the practical component informed by theory, interviews and auto-ethnographic data. This study established that women with endometriosis are largely influenced by the societal expectations placed on women as well as how the female body is represented by the media. By visually presenting the lived realities of women with endometriosis, the misperceptions of the disease and its effects are better understood. This study concludes having created a series of visual narratives which expresses internalised pain and emotions, and makes visible that which is invisible about endometriosis. Furthermore, the practical component challenges the stereotypical ideals and representations of femininity through presenting that which is often deemed as taboo. , Thesis (MA) -- Faculty of Arts, School of Visual and Performing Arts, 2020
- Full Text:
- Date Issued: 2020-04
Vhoro tenda vhone
- Kruger, Jaco (Recorded by), Lambani family (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Lambani family (Performer) , Composer unknown
- Subjects: Halambani , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Instrumental , Mbila , Xylophone
- Type: Music , Sound
- Identifier: vital:16068 , JKC14a-23 , http://hdl.handle.net/10962/d1009257 , Tape number: JKC14 , Original tape number: 14 , Track number: 23
- Description: Traditional Venda tune with 21 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 149
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Lambani family (Performer) , Composer unknown
- Subjects: Halambani , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Instrumental , Mbila , Xylophone
- Type: Music , Sound
- Identifier: vital:16068 , JKC14a-23 , http://hdl.handle.net/10962/d1009257 , Tape number: JKC14 , Original tape number: 14 , Track number: 23
- Description: Traditional Venda tune with 21 key xylophone accompaniment , For further details refer to Jaco Kruger recording card: 149
- Full Text: false
Vhoro tenda vhone
- Kruger, Jaco (Recorded by), Mashandule (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Mashandule (Performer) , Composer unknown
- Subjects: Levubu , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Malende dance
- Type: Music , Sound
- Identifier: vital:16069 , JKC16a-11 , http://hdl.handle.net/10962/d1009258 , Tape number: JKC16 , Original tape number: 16 , Track number: 11
- Description: Unaccompanied Malende Venda traditional dance song , For further details refer to Jaco Kruger recording card: 175
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Mashandule (Performer) , Composer unknown
- Subjects: Levubu , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Malende dance
- Type: Music , Sound
- Identifier: vital:16069 , JKC16a-11 , http://hdl.handle.net/10962/d1009258 , Tape number: JKC16 , Original tape number: 16 , Track number: 11
- Description: Unaccompanied Malende Venda traditional dance song , For further details refer to Jaco Kruger recording card: 175
- Full Text: false
Vhoro tenda vhone
- Kruger, Jaco (Recorded by), Petros Rambofheni and group (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Petros Rambofheni and group (Performer) , Composer unknown
- Subjects: Tshandani , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Bow , Tshizambi , Mbila
- Type: Music , Sound
- Identifier: vital:16065 , JKC09a-17 , http://hdl.handle.net/10962/d1009254 , Tape number: JKC09 , Original tape number: 9 , Track number: 17
- Description: Traditional Shangaan song accompanied by the tshizambi friction musical bow , For further details refer to Jaco Kruger recording card: 110
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Petros Rambofheni and group (Performer) , Composer unknown
- Subjects: Tshandani , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Bow , Tshizambi , Mbila
- Type: Music , Sound
- Identifier: vital:16065 , JKC09a-17 , http://hdl.handle.net/10962/d1009254 , Tape number: JKC09 , Original tape number: 9 , Track number: 17
- Description: Traditional Shangaan song accompanied by the tshizambi friction musical bow , For further details refer to Jaco Kruger recording card: 110
- Full Text: false
Vhoro tenda vhone
- Kruger, Jaco (Recorded by), Venda people (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Venda people (Performer) , Composer unknown
- Subjects: Ngudza , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Malende dance song , Drum , Clapping
- Type: Music , Sound
- Identifier: vital:16066 , JKC10a-12 , http://hdl.handle.net/10962/d1009255 , Tape number: JKC10 , Original tape number: 10 , Track number: 12
- Description: Traditional Malende Venda dance song with clapping and drum accompaniment , For further details refer to Jaco Kruger recording card: 116
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Venda people (Performer) , Composer unknown
- Subjects: Ngudza , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Malende dance song , Drum , Clapping
- Type: Music , Sound
- Identifier: vital:16066 , JKC10a-12 , http://hdl.handle.net/10962/d1009255 , Tape number: JKC10 , Original tape number: 10 , Track number: 12
- Description: Traditional Malende Venda dance song with clapping and drum accompaniment , For further details refer to Jaco Kruger recording card: 116
- Full Text: false
Vhonani zwidenzhe vhonani zwanda
- Kruger, Jaco (Recorded by), and Ronald Netshifhefhe (Leader), Children of Tsianda (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , and Ronald Netshifhefhe (Leader) , Children of Tsianda (Performer) , Composer unknown
- Subjects: Tsianda , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Children's song , Venda lashu , Choral , Nyimbo dza vhana
- Type: Music , Sound
- Identifier: vital:16061 , JKC16a-15 , http://hdl.handle.net/10962/d1009250 , Tape number: JKC16 , Original tape number: 16 , Track number: 15
- Description: Unaccompanied traditional Venda children's song , For further details refer to Jaco Kruger recording card: 210
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , and Ronald Netshifhefhe (Leader) , Children of Tsianda (Performer) , Composer unknown
- Subjects: Tsianda , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Children's song , Venda lashu , Choral , Nyimbo dza vhana
- Type: Music , Sound
- Identifier: vital:16061 , JKC16a-15 , http://hdl.handle.net/10962/d1009250 , Tape number: JKC16 , Original tape number: 16 , Track number: 15
- Description: Unaccompanied traditional Venda children's song , For further details refer to Jaco Kruger recording card: 210
- Full Text: false
Vho Nyamuofhe
- Kruger, Jaco (Recorded by), Musisinyani, Piet (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Musisinyani, Piet (Performer) , Composer unknown
- Subjects: Mangaya , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Bow , Mbila , Tshizambi
- Type: Music , Sound
- Identifier: vital:16058 , JKC09b-09 , http://hdl.handle.net/10962/d1009247 , Tape number: JKC09 , Original tape number: 9 , Track number: 09
- Description: Traditional Shangaan song accompanied by the tshizambi friction musical bow , For further details refer to Jaco Kruger recording card: 112
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Musisinyani, Piet (Performer) , Composer unknown
- Subjects: Mangaya , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Bow , Mbila , Tshizambi
- Type: Music , Sound
- Identifier: vital:16058 , JKC09b-09 , http://hdl.handle.net/10962/d1009247 , Tape number: JKC09 , Original tape number: 9 , Track number: 09
- Description: Traditional Shangaan song accompanied by the tshizambi friction musical bow , For further details refer to Jaco Kruger recording card: 112
- Full Text: false
Vho Nyamasindi manda kulovha
- Kruger, Jaco (Recorded by), Nagana, Nyawasedza (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Nagana, Nyawasedza (Performer) , Composer unknown
- Subjects: Malavuhe , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Bow , Lugube , Solo
- Type: Music , Sound
- Identifier: vital:16057 , JKC07b-15 , http://hdl.handle.net/10962/d1009246 , Tape number: JKC07 , Original tape number: 7 , Track number: 15
- Description: Traditional Venda song accompanied by the lugube musical bow , For further details refer to Jaco Kruger recording card: 97
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Nagana, Nyawasedza (Performer) , Composer unknown
- Subjects: Malavuhe , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Bow , Lugube , Solo
- Type: Music , Sound
- Identifier: vital:16057 , JKC07b-15 , http://hdl.handle.net/10962/d1009246 , Tape number: JKC07 , Original tape number: 7 , Track number: 15
- Description: Traditional Venda song accompanied by the lugube musical bow , For further details refer to Jaco Kruger recording card: 97
- Full Text: false
Vho nwa rangani
- Kruger, Jaco (Recorded by), Ndou, Elias (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Ndou, Elias (Performer) , Composer unknown
- Subjects: Mangaya , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Dende , Braced gourd bow , Solo
- Type: Music , Sound
- Identifier: vital:16055 , JKC05a-05 , http://hdl.handle.net/10962/d1009244 , Tape number: JKC05 , Original tape number: 5 , Track number: 05
- Description: Traditional Venda song accompanied by the dende braced gourd-bow , For further details refer to Jaco Kruger recording card: 75
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Ndou, Elias (Performer) , Composer unknown
- Subjects: Mangaya , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Dende , Braced gourd bow , Solo
- Type: Music , Sound
- Identifier: vital:16055 , JKC05a-05 , http://hdl.handle.net/10962/d1009244 , Tape number: JKC05 , Original tape number: 5 , Track number: 05
- Description: Traditional Venda song accompanied by the dende braced gourd-bow , For further details refer to Jaco Kruger recording card: 75
- Full Text: false
Vho nngwana mulamboni
- Kruger, Jaco (Recorded by), Tshamano, Nngwedzeni (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Tshamano, Nngwedzeni (Performer) , Composer unknown
- Subjects: Phiphidi , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Bow , Tshihwana
- Type: Music , Sound
- Identifier: vital:16054 , JKC04a-17 , http://hdl.handle.net/10962/d1009243 , Tape number: JKC04 , Original tape number: 4 , Track number: 17
- Description: Traditional Venda song with tshihwana bow accompaniment , For further details refer to Jaco Kruger recording card: 68
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Tshamano, Nngwedzeni (Performer) , Composer unknown
- Subjects: Phiphidi , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Bow , Tshihwana
- Type: Music , Sound
- Identifier: vital:16054 , JKC04a-17 , http://hdl.handle.net/10962/d1009243 , Tape number: JKC04 , Original tape number: 4 , Track number: 17
- Description: Traditional Venda song with tshihwana bow accompaniment , For further details refer to Jaco Kruger recording card: 68
- Full Text: false
Vho nndavhelesa mulomo
- Kruger, Jaco (Recorded by), Lukwaroni, Nyamukamadi (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Lukwaroni, Nyamukamadi (Performer) , Composer unknown
- Subjects: Tsianda , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Bow , Tshihwana
- Type: Music , Sound
- Identifier: vital:16053 , JKC13a-06 , http://hdl.handle.net/10962/d1009242 , Tape number: JKC13 , Original tape number: 13 , Track number: 06
- Description: Solo performance of traditional Venda tune with tshihwana musical bow accompaniment , For further details refer to Jaco Kruger recording card: 139
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Lukwaroni, Nyamukamadi (Performer) , Composer unknown
- Subjects: Tsianda , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Bow , Tshihwana
- Type: Music , Sound
- Identifier: vital:16053 , JKC13a-06 , http://hdl.handle.net/10962/d1009242 , Tape number: JKC13 , Original tape number: 13 , Track number: 06
- Description: Solo performance of traditional Venda tune with tshihwana musical bow accompaniment , For further details refer to Jaco Kruger recording card: 139
- Full Text: false
Vho Nndanganeni
- Kruger, Jaco (Recorded by), Petros Rambofheni and group (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Petros Rambofheni and group (Performer) , Composer unknown
- Subjects: Tshandani , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Bow , Tshizambi , Mbila
- Type: Music , Sound
- Identifier: vital:16052 , JKC09b-03 , http://hdl.handle.net/10962/d1009241 , Tape number: JKC09 , Original tape number: 9 , Track number: 03
- Description: Traditional Shangaan song accompanied by the tshizambi friction musical bow , For further details refer to Jaco Kruger recording card: 111
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Petros Rambofheni and group (Performer) , Composer unknown
- Subjects: Tshandani , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional song , Bow , Tshizambi , Mbila
- Type: Music , Sound
- Identifier: vital:16052 , JKC09b-03 , http://hdl.handle.net/10962/d1009241 , Tape number: JKC09 , Original tape number: 9 , Track number: 03
- Description: Traditional Shangaan song accompanied by the tshizambi friction musical bow , For further details refer to Jaco Kruger recording card: 111
- Full Text: false
Vho muthu de phele dzia mangadza
- Kruger, Jaco (Recorded by), Ndou, Elias (Performer), Composer unknown
- Authors: Kruger, Jaco (Recorded by) , Ndou, Elias (Performer) , Composer unknown
- Subjects: Mangaya , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Dende , Braced gourd bow , Solo
- Type: Music , Sound
- Identifier: vital:16051 , JKC05a-04 , http://hdl.handle.net/10962/d1009240 , Tape number: JKC05 , Original tape number: 5 , Track number: 04
- Description: Traditional song accompanied by the dende braced gourd-bow , For further details refer to Jaco Kruger recording card: 75
- Full Text: false
- Authors: Kruger, Jaco (Recorded by) , Ndou, Elias (Performer) , Composer unknown
- Subjects: Mangaya , Transvaal (Limpopo) , South Africa , Indigenous music , Traditional music , Dende , Braced gourd bow , Solo
- Type: Music , Sound
- Identifier: vital:16051 , JKC05a-04 , http://hdl.handle.net/10962/d1009240 , Tape number: JKC05 , Original tape number: 5 , Track number: 04
- Description: Traditional song accompanied by the dende braced gourd-bow , For further details refer to Jaco Kruger recording card: 75
- Full Text: false