List of Titles

Aspects of form and style in Beethoven's string quartets

Authors: Biesheuvel, Barbara
Date: 1963
Subjects: Beethoven, Ludwig van, 1770-1827 -- Quartets -- strings
Language: English
Type: Thesis , Masters , MMus
Identifier: vital:2678 , http://hdl.handle.net/10962/d1007645
Description: Many books have been written which deal with the subject of form and style in Beethoven's works. Most writers, however, seem to be satisfied with superficial descriptions - in some cases merely programatic - which do not explain the underlying problems and treatment of form. Furthermore, no book exists, to my knowledge, which delves so deeply and with such detail as to deduce with almost certain accuracy the inner coherency of the form. It is the aim of this analysis to approach the problem in this way. The edition used for this purpose is that one published by Ernst Eulenberg Ltd. London WI, which was edited from the autograph M.S. by Professor Dr. Wilhelm Altman. No comparisons are made with other editions, and possible printer's and other errors are not considered. I chose the works to be studied here, the three quartets Op. 59, for two reasons: 1) the string quartet medium is one of the most suitable types of instrumental music for the study of form, 2) the Op. 59 quartets belong to a period in Beethoven's life when he was particularly intent upon experimentation in form and development of dimension.
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Date Issued: 1963

An investigation into the importance of rhythmic and melodic variation for Brahm's development sections, with special reference to his four symphonies

- Schoeman, Delene Letitia

Authors: Schoeman, Delene Letitia
Date: 1966
Subjects: Brahms, Johannes, 1833-1897 -- Symphonies , Variations -- History and criticism
Language: English
Type: Thesis , Masters , MMus
Identifier: vital:2690 , http://hdl.handle.net/10962/d1013170
Description: "Variation is one of the oldest and most elemental types of music, beloved and practised by all musicians since the early lute and keyboard composers." The principle of the variation is that of "variety within unity, secured by the reproduction of limited musical material in changing aspects and is fundamental to composition." Typical instances are the use of fugal themes in changing combinations and with changing counter-material; continuous sequential expansion of a single motif in the baroque sonata or suite; the symphonic development in classical sonata form; ornamentation, compression, extension or elaboration of recapitulated sections. Intro., p. 1.
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Date Issued: 1966

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An investigation into the preservation and development of the human voice with special reference to children and adolescents

- Gruber, I M S

Authors: Gruber, I M S
Date: 1967
Subjects: Voice Voice culture -- Exercises Voice -- Care and hygiene Singing -- Studies & exercises
Language: English
Type: Thesis , Masters , MMus
Identifier: vital:2681 , http://hdl.handle.net/10962/d1012103
Description: The voice is the only natural and, when properly trained, also the most perfect instrument. Any other instrument, be it string, wind or percussion, is a separate entity, an object devised by man, and over the years altered, improved and perfected. None of those, from primitive pipes to the most intricate electronic apparatus can produce a single sound without human aid. It needs someone to play it manually and/or orally. Intro., p. 1.
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Date Issued: 1967

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Contributions to the development of the piano sonata : the sonatas of W.F. Bach, C.P.E. Bach and G. Benda

- Heuschneider, Karin

Authors: Heuschneider, Karin
Date: 1968
Subjects: Bach, Wilhelm Friedemann, 1710-1784 Bach, Carl Philipp Emanuel, 1714-1788 Benda, Georg, 1722-1795 Sonatas (Piano)
Language: English
Type: Thesis , Masters , MMus
Identifier: vital:2683 , http://hdl.handle.net/10962/d1012263
Description: This investigation deals with three leading representatives of the North German Pre-Clasaical School. The sonatas of W.F. Bach and G. Benda have as yet received little attention. E .Bach, on the other hand, was always regarded as the most influential composer in the early history of the German piano sonata. Nevertheless, the existing literature on C.P.E. Bach is concerned with certain aspects or his works only or is devoted to introductory discussions. The aims of this research is to trace the development of the piano sonata and in particular the evolution of the 'sonata form' within the German Pre-Classical School. The works of W.F. Bach present the earliest stage in this development, which reaches its culmination with C.P.E. Bach. The final consolidation of the sonata form is then achieved in the piano sonatas of G. Benda.
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Date Issued: 1968

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The life and work of Benjamin Tyamzashe: a contemporary Xhosa composer

- Hansen, Deirdre Doris

Authors: Hansen, Deirdre Doris
Date: 1968
Subjects: Tyamzashe, Benjamin, 1890 -- Criticism and interpretation Xhosa (African people) -- Music Hymns, Xhosa Composers, Black -- South Africa
Language: English
Type: Thesis , Masters , MMus
Identifier: vital:2639 , http://hdl.handle.net/10962/d1002304
Description: In this study I have tried to show what Tyamzashe has achieved without the solid musical training any composer worthy of the name should undergo. I have also tried to show the forming of his own musical style under the impact of outside influences. This study is therefore not to teach one anything new, but simply to communicate the results of three years research. In it I have attempted to set the scene in which Tyamzashe's life unfolded itself under the influences of people and circumstances. In doing so I have tried to bear in mind the main theme - Tyamzashe himself. My problem was not so much what to include but what to leave out; thus I have not provided the scene with a detailed background. The section on missionary contact is necessary for an understanding of the great changes brought about by culture contact, as well as for putting Tyamzashe into his historical background. I have also stressed Lovedale because musical change as exemplified in the music of early Bantu converts was centralized there. Finally, the thesis of this study is: despite the changes introduced into Bantu music by culture contact, one perceives, in the works of Tyamzashe, the beginnings of a new pattern of integration. p. 2-3.
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Date Issued: 1968

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Wood-wind instruments at the cross-roads : a survey of recent changes

- Honey, Albert Edward

Authors: Honey, Albert Edward
Date: 1969
Subjects: Woodwind instruments Woodwind instruments -- History
Language: English
Type: Thesis , Masters , MMus
Identifier: vital:2685 , http://hdl.handle.net/10962/d1012331
Description: Since the rise of the "Stile Rappresentative" early in the seventeenth century, the composer has made definite and increasing demands on specific performance and tonal combination of instrumentalists which has materially affected the developnent in technique and, consequently, the improvement in construction and design of every musical instrument. The monodic "Stile Rappresentative" required expressive instruments with an extensive range to match the singers and, consequently, many instruments of the Renaissance period were rendered obsolescent. For instance, the shawms, pommers and crumhorns disappeared from concerted music-making with the exception of military and outdoor use, mainly in German windbands. More flexible instruments were required, and thus cornetts, flutes (mainly recorders and fipple-flutes), oboes and bassoons came gradually into their places, which for the main part they have occupied in the orchestra ever since that time. The String sections, too, underwent radical changes. A gradual metamorphosis from the Consort of Viols to the Violin Family took place following the work of the craftsmen Gasparo da Salố (1540 - 1609) and Giovanni Paolo Maggini of Brescia, perfected by the famous Cremonese school founded by Andrea Amati and continued by Stradivarius.
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Date Issued: 1969

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An investigation into the application of Austrian didactics and methods of elementary musical education in South African school

- Nowotny, Ingrid Heidelinde

Authors: Nowotny, Ingrid Heidelinde
Date: 1970
Subjects: School music -- Instruction and study -- South Africa , Music -- Study and teaching (Elementary) , Music theory -- Elementary works
Language: English
Type: Thesis , Masters , MMus
Identifier: vital:2688 , http://hdl.handle.net/10962/d1012970
Description: Why teach music? To answer this question one has to be able to see the full value of musical education. One has to recognize its effect on the unfolding of character and personality on the one hand and, on the other, its value for the development and sharpening of the intellect. In ancient Greece, the cradle of Western culture, the significance of music for man, the people, and the state was frequently emphasized. The Greeks regarded music almost as a magic force, the inherent harmony of which was capable of transforming things and creating order by reconciling contrarieties. Similarly they believed that the power of music could restore the harmony in man's soul. Intro., p.1.
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Date Issued: 1970

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The classical guitar : a study in structural, technical and musical evolution

- Nock, Howard James

Authors: Nock, Howard James
Date: 1974
Subjects: Guitar , Guitar -- Construction
Language: English
Type: Thesis , Masters , MMus
Identifier: vital:2687 , http://hdl.handle.net/10962/d1012966
Description: Although complete works have been written dealing with the structural development of the guitar, to the best of my knowledge no attempt has yet been made to incorporate in one work an account in which structure, playing technique and musical style are correlated. Therefore the aim of this work has been to provide a compendium on these three main aspects of the historical development of the guitar ... The object of Part I is to try and establish the mainstream of the development of the guitar from the earliest beginnings of string instruments to the present day. Since little information and evidence of early instruments (i.e. before 1500 A.D.) is available, it has been necessary to formulate theories on how these developments may have taken place. Intro., p. 1.
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Date Issued: 1974

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The keyboard sonatas of Pietro Augusto : an investigation into their formal and stylistic apsects

- Radloff, Timothy Edward Kingswell

Authors: Radloff, Timothy Edward Kingswell
Date: 1976
Subjects: Augusto, Pietro , Sonatas (Piano)
Language: English
Type: Thesis , Masters , MMus
Identifier: vital:2689 , http://hdl.handle.net/10962/d1013047
Description: This thesis supplements "The Piano Sonata of the Eighteenth Century in Germany" (Vol. 2 in the publication series "Contributions to the development of the Piano Sonata"). It does not aim at a comparative study between Pieto Augusto and his contemporaries but intends to establish the composer's individual characteristics in the light of the general development of the piano sonata during the eighteenth century.
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Date Issued: 1976

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Music in Grahamstown, 1880-1900

- Sparrow, Marion Janet

Authors: Sparrow, Marion Janet
Date: 1978
Subjects: Music -- South Africa -- Grahamstown -- History Music -- South Africa -- Eastern Cape -- History
Language: English
Type: Thesis , Masters , MMus
Identifier: vital:2674 , http://hdl.handle.net/10962/d1007402
Description: From Introduction: The previous thesis on the study of music in Grahamstown took the development to the point in history which marked the end of the Kaffir Wars on the Eastern Frontier. From 1880 - 1900, the Military Tradition of Grahamstown remained a strong factor in the daily life of the growing community. During the first decade of this thesis, there were years of retrenching and depression and the rural community, who supported many of the musical concerts, were also hard hit by drought and rinderpest. These problems are noticeable during the course of many of the chapters. The difficulties were overcome. The community grew and new schools were established and the effects of the First City Volunteers being away on minor War efforts, followed by the commencement of the Anglo-Boer War, were only temporarily felt in the musical life of the City. There must be to some extent duplication of information already submitted in an earlier thesis on Church Music. Chapter II - on Music in the Churches - is indispensable, as it reveals much of the heart and soul of the community, and without it the overall picture of the development of music in all spheres, would lose its true balance. It has been impossible to trace all the composers represented on the programmes, particularly those of all the glees and popular songs of the day. In some cases possible composers may perhaps have been suggested. There are obvious misprints which have been hinted at in footnotes. The primary source of information for this thesis has been "The Journal". As virtually all the material has been taken from that source and almost every footnote would have read Ibid . .. , I have dispensed with the abbreviation and merely given the date. Where the source of information changed, this was indicated. Throughout I have adhered to the facts and my deductions and suppositions have been reduced to a minimum .
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Date Issued: 1978

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Aspects of the theory and practice of choral training in South African schools

- Radue, Robin R

Authors: Radue, Robin R
Date: 1980
Subjects: Choral music -- Scores Choral music -- Instruction and study Choirs (Music) -- Instruction and study , Choral singing , Scores , Children's choirs , Choral training
Language: English
Type: Thesis , Masters , MMus
Identifier: vital:2629 , http://hdl.handle.net/10962/d1001974
Description: Firstly, the matter of constituting a choir is discussed. This involves auditioning, with its attendant problems of nervousness and self-consciousness on the part of the children, and assessment on that of the trainer. In the final analysis, after enthusiastically advertising the rewards to be gained from choral singing, and after trying to create an environment which is seen to be conducive to this philosophy, the trainer has to make the best of the willing forces available. Rehearsals are probably more important than performances, since the time devoted to preparation is much longer. Moreover, the educational value of carefully preparing the music and of becoming acquainted with the techniques of singing and with the aesthetic niceties of style and interpretation should by no means be underestimated. The choir and trainer get to know not only the music but also each other, and the trainer has to use his skills wisely in developing the human and musical resources available to him, in order to realize their greatest potential (Introduction, p. ii-iii)
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Date Issued: 1980

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A study of piano pedagogy : its history, theory, psychology and practical application

- Keeves, June Kelk

Authors: Keeves, June Kelk
Date: 1984
Subjects: Piano -- Instruction and study Piano -- Methods
Language: English
Type: Thesis , Masters , MMus
Identifier: vital:2662 , http://hdl.handle.net/10962/d1004571
Description: A discourse concerning the importance followed by a study of piano pedagogy; of piano teaching method, its history and general aspects of piano technique; a fully comprehensive method of piano teaching from the very earliest stages to the advanced; a discussion of various important selected concepts incorporated in the method which require particular emphasis; the application of certain concepts in the various style periods, such as dynamics, tempo, tempo rubato, pedalling, ornamentation, to the teaching of a piece; a discussion of the psychology of piano teaching and practising. All of these various branches of study are imperative in the training of the prospective piano teacher. (Preface)
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Date Issued: 1984

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The playing characteristics of American trombones and German-system bassoons

- Galloway, David John

Authors: Galloway, David John
Date: 1985
Subjects: Trombone Bassoon
Language: English
Type: Thesis , Masters , MMus
Identifier: vital:2661 , http://hdl.handle.net/10962/d1004508
Description: Preface: South Africa, a country renowned for its mineral wealth has, perhaps manufacturing paradoxically, no musical wind instrument industry of its own as yet. Thus performers, educators and students alike have either to travel to Europe or America to select an instrument, or to import an expensive instrument that may be both unseen and untried, as very few musical instrument dealers are prepared to outlay capital on stock which appeals to a decided minority of their potential customers. Alternately, a purchase of a particular make or model can be made on the basis of a hearsay opinion; at best, the opportunity for first-hand assessment is minimal. It is the trombone of U. S.A. manufacture and the German bassoon which represent the current state of their respective manufacturing arts, and the yardsticks by which their many imitator's efforts are measured. One of the main aims of this Thesis is to describe in objective terms what has been experienced subjectively over the years of involvement with these instruments -- arguably a task similar to that of the art critic, but operating within more positively defined parameters namely, what works for the student and professional. , and what doesn't. The candidate claims credit for introducing the large-bore Bb/F trombone to South Africa in 1961, following with the introduction of the ·first double-valve bass trombone in 1965, and the first in 1979. The first Schreiber bassoons The advantages and trombone and other bassoon and other such instrument with in-line rotors of the new 5000 series larger-bore was likewise introduced in 1981. pitfalls of " doubling" between the wind instruments , and between the winds, are disc ussed at length in the final section of the Thesis.
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Date Issued: 1985

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The fourteen last rondos of C P E Bach: an investigation into their historic position, their form and their style

- Lewis, Pauline Mary

Authors: Lewis, Pauline Mary
Date: 1987
Subjects: Bach, Carl Philipp Emanuel, 1714-1788 -- Criticism and interpretation
Language: English
Type: Thesis , Masters , MMus
Identifier: vital:2663 , http://hdl.handle.net/10962/d1004608
Description: This thesis deals with a set of compositions by C. P.E. Bach, referred to as "The Last Fourteen Rondos". Thirteen of these are contained in the collections of sonatas, fantasias and rondos for connoisseurs and music lovers. The fourteenth is a separate work, entitled "The Farewell From a Silbermann Clavier in the Form of a Rondo". After establishing the background and the history of these rondos, the thesis then proceeds to a detailed analysis of the various compositional aspects. First, it tries to explain the overall design of the rondos, a design which differs from that normally associated with rondo form. It then deals with the structure of the thematic material and shows Bach's preference for phrase parallelism and a relatively simple melodic and harmonic outline of the various subjects. Special chapters are devoted to the manner in which C.P.E. Bach treats the musical substance, namely, by means of Variation and by systematic development. A short chapter is then devoted to the fantasia sections, which are included into most of the rondos. It is in the field of harmony where C.P.E. Bach emerges as a most important forerunner of nineteenth century musical trends and, consequently, some detailed analyses form a major portion of the chapter dealing with harmony. Special attention is then given to the various aspects of C.P.E. Bach's style and, in particular, to the pianistic · traits. The thesis ends with a brief survey of the influence which C.P.E. Bach exerted on his contemporaries and on later composers.
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Date Issued: 1987

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