Mzeno Kenge 1973
- Venancio Mbanda, Chopi Timbila xylophone orchestra group, Composer not specified, Tracey, Hugh
- Authors: Venancio Mbanda , Chopi Timbila xylophone orchestra group , Composer not specified , Tracey, Hugh
- Date: 1973
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/397930 , vital:69353 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ROLL03-01
- Description: Indigenous music
- Full Text: false
- Date Issued: 1973
- Authors: Venancio Mbanda , Chopi Timbila xylophone orchestra group , Composer not specified , Tracey, Hugh
- Date: 1973
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/397930 , vital:69353 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ROLL03-01
- Description: Indigenous music
- Full Text: false
- Date Issued: 1973
Coleridge on drama
- Authors: Wagstaff, Brian John
- Date: 1973
- Subjects: Coleridge, Samuel Taylor, 1772-1834 -- Dramatic works , Coleridge, Samuel Taylor, 1772-1834 -- Criticism and interpretation , English drama -- 18th century -- History and criticism
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2276 , http://hdl.handle.net/10962/d1007255 , Coleridge, Samuel Taylor, 1772-1834 -- Dramatic works , Coleridge, Samuel Taylor, 1772-1834 -- Criticism and interpretation , English drama -- 18th century -- History and criticism
- Description: From Introduction: In the Preface to his book The idea of Coleridge's Criticism, Richard Harter Fogle states: There is... I am confident, a need for such a study as I here introduce; a study of Coleridge's criticism in itself, tentatively accepting the metaphysical assumptions on which it is based and focusing upon its central principles and inner relationship; endeavouring without direct regard for its external connections to the past and the present to see it as a whole, yet at the same time anxiously regardful of its permanent significance and its bearing upon practical criticism. These are the principles on which I have based this thesis, applied more particularly to Coleridge's criticism of drama.
- Full Text:
- Date Issued: 1973
- Authors: Wagstaff, Brian John
- Date: 1973
- Subjects: Coleridge, Samuel Taylor, 1772-1834 -- Dramatic works , Coleridge, Samuel Taylor, 1772-1834 -- Criticism and interpretation , English drama -- 18th century -- History and criticism
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2276 , http://hdl.handle.net/10962/d1007255 , Coleridge, Samuel Taylor, 1772-1834 -- Dramatic works , Coleridge, Samuel Taylor, 1772-1834 -- Criticism and interpretation , English drama -- 18th century -- History and criticism
- Description: From Introduction: In the Preface to his book The idea of Coleridge's Criticism, Richard Harter Fogle states: There is... I am confident, a need for such a study as I here introduce; a study of Coleridge's criticism in itself, tentatively accepting the metaphysical assumptions on which it is based and focusing upon its central principles and inner relationship; endeavouring without direct regard for its external connections to the past and the present to see it as a whole, yet at the same time anxiously regardful of its permanent significance and its bearing upon practical criticism. These are the principles on which I have based this thesis, applied more particularly to Coleridge's criticism of drama.
- Full Text:
- Date Issued: 1973
Mtsitso II Zandamela 1973
- Timbila orchestra Ngodo of Zandamela, Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Timbila orchestra Ngodo of Zandamela , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1973
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/398151 , vital:69376 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ROLL09-02
- Description: Indigenous music
- Full Text: false
- Date Issued: 1973
- Authors: Timbila orchestra Ngodo of Zandamela , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1973
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/398151 , vital:69376 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ROLL09-02
- Description: Indigenous music
- Full Text: false
- Date Issued: 1973
Mwemiso of Kanda 1973
- Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1973
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/398539 , vital:69423 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ROLL14-01
- Description: Indigenous music
- Full Text: false
- Date Issued: 1973
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1973
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/398539 , vital:69423 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ROLL14-01
- Description: Indigenous music
- Full Text: false
- Date Issued: 1973
An enquiry into some present-day attitudes in art education and their relationship to the current alienation of artist from society
- Authors: Rodger, John Neil
- Date: 1973
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:21146 , http://hdl.handle.net/10962/6574
- Description: From Introduction: "We can't teach these kids anything, man, they are so pure and unspoiled. Anything we show them or any discipline we impose upon them will only corrupt their purity. It's best if they just stay home and do their own thing”. "If your instructor says he knows what art is, watch out.” These two statements, the first by an instructor at a prominent New York art school, the second by one of America's respected critics, are the sort of talk one might expect to hear at any gathering of the avent-garde . To hear them said in and about the art school puts things in a different light. They are indicative -of the sort of thing that is preached and practised by a sufficient proportion of the art- educational force in the Western world to constitute a crisis unparalleled in the entire history of art education. Unopposed, such views must rapidly spell death for the institution. They must also, if they reached the proportions their authors appear to hope for, ensure a universal visual illiteracy unequalled in any other age. Of course statements like this, archly delivered by the very people who would suffer the most immediate loss at their implementation, are not at all true reflections of the whole state of art education in our time, or those people would simply not be in a position to make them. There are a great many people in the profession who would wholeheartedly reject such statements, and this faction is by no means confined to the older members.
- Full Text:
- Date Issued: 1973
- Authors: Rodger, John Neil
- Date: 1973
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:21146 , http://hdl.handle.net/10962/6574
- Description: From Introduction: "We can't teach these kids anything, man, they are so pure and unspoiled. Anything we show them or any discipline we impose upon them will only corrupt their purity. It's best if they just stay home and do their own thing”. "If your instructor says he knows what art is, watch out.” These two statements, the first by an instructor at a prominent New York art school, the second by one of America's respected critics, are the sort of talk one might expect to hear at any gathering of the avent-garde . To hear them said in and about the art school puts things in a different light. They are indicative -of the sort of thing that is preached and practised by a sufficient proportion of the art- educational force in the Western world to constitute a crisis unparalleled in the entire history of art education. Unopposed, such views must rapidly spell death for the institution. They must also, if they reached the proportions their authors appear to hope for, ensure a universal visual illiteracy unequalled in any other age. Of course statements like this, archly delivered by the very people who would suffer the most immediate loss at their implementation, are not at all true reflections of the whole state of art education in our time, or those people would simply not be in a position to make them. There are a great many people in the profession who would wholeheartedly reject such statements, and this faction is by no means confined to the older members.
- Full Text:
- Date Issued: 1973
Aloe distans, Saldanha Bay
- Authors: Findlay, Dick
- Date: 1973
- Subjects: Aloe -- South Africa -- Illustrations , Botanical illustration -- South Africa
- Language: English
- Type: mixed material , illustrations , botanical illustrations
- Identifier: http://hdl.handle.net/10962/72604 , vital:30089
- Description: Caption: "Aloe distans, Saldanha Bay. Strandaalwyn, Saldanhabaai. 1973"
- Full Text: false
- Date Issued: 1973
- Authors: Findlay, Dick
- Date: 1973
- Subjects: Aloe -- South Africa -- Illustrations , Botanical illustration -- South Africa
- Language: English
- Type: mixed material , illustrations , botanical illustrations
- Identifier: http://hdl.handle.net/10962/72604 , vital:30089
- Description: Caption: "Aloe distans, Saldanha Bay. Strandaalwyn, Saldanhabaai. 1973"
- Full Text: false
- Date Issued: 1973
Rhodes University Graduation Ceremony 1973
- Authors: Rhodes University
- Date: 1973
- Language: English
- Type: text
- Identifier: vital:8107 , http://hdl.handle.net/10962/d1004562
- Description: Rhodes University Graduation Ceremonies on Friday 13th April 1973 at 8 p.m. [and] on Saturday 14th April 1973 at 10:30 a.m. in the University Great Hall.
- Full Text:
- Date Issued: 1973
- Authors: Rhodes University
- Date: 1973
- Language: English
- Type: text
- Identifier: vital:8107 , http://hdl.handle.net/10962/d1004562
- Description: Rhodes University Graduation Ceremonies on Friday 13th April 1973 at 8 p.m. [and] on Saturday 14th April 1973 at 10:30 a.m. in the University Great Hall.
- Full Text:
- Date Issued: 1973
Title not specified
- Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1973
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/397905 , vital:69350 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ROLL02a-02
- Description: Indigenous music
- Full Text: false
- Date Issued: 1973
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1973
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/397905 , vital:69350 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ROLL02a-02
- Description: Indigenous music
- Full Text: false
- Date Issued: 1973
Evolutionary significance of Holapogon, a new genus of cardinal fishes (Apogonidae), with a redescription of its type-species, Apogon maximus
- Fraser, Thomas H, Rhodes University. J.L.B. Smith Institute of Ichthyology
- Authors: Fraser, Thomas H , Rhodes University. J.L.B. Smith Institute of Ichthyology
- Date: 1973-04
- Subjects: Holapogon , Holapogon maximus , Fishes -- Classification , Fishes -- Indian Ocean
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/69640 , vital:29562 , Margaret Smith Library (South African Institute for Aquatic Biodiversity (SAIAB)) Periodicals Margaret Smith Library (South African Institute for Aquatic Biodiversity (SAIAB))
- Description: Online version of original print edition of the Special Publication of the J.L.B. Smith Institute of Ichthyology; No. 10 , A new genus is erected for Apogon maximus, a deep water cardinal fish occurring off the coast of southern Arabia in the Indian Ocean. Holapogon is a primitive genus near the ancestor which gave rise to all the living Apogoninae. The type-species, Apogon maximus Boulenger, 1887, is redescribed and aspects of its anatomy are investigated.
- Full Text:
- Date Issued: 1973-04
- Authors: Fraser, Thomas H , Rhodes University. J.L.B. Smith Institute of Ichthyology
- Date: 1973-04
- Subjects: Holapogon , Holapogon maximus , Fishes -- Classification , Fishes -- Indian Ocean
- Language: English
- Type: text , book
- Identifier: http://hdl.handle.net/10962/69640 , vital:29562 , Margaret Smith Library (South African Institute for Aquatic Biodiversity (SAIAB)) Periodicals Margaret Smith Library (South African Institute for Aquatic Biodiversity (SAIAB))
- Description: Online version of original print edition of the Special Publication of the J.L.B. Smith Institute of Ichthyology; No. 10 , A new genus is erected for Apogon maximus, a deep water cardinal fish occurring off the coast of southern Arabia in the Indian Ocean. Holapogon is a primitive genus near the ancestor which gave rise to all the living Apogoninae. The type-species, Apogon maximus Boulenger, 1887, is redescribed and aspects of its anatomy are investigated.
- Full Text:
- Date Issued: 1973-04
The voice of protest in English poetry : with special reference to poets of the first three decades of the twentieth century
- Authors: Verschoor, Edith N E
- Date: 1973
- Subjects: Protest poetry, English -- History and criticism , English poetry -- History and criticism , English poetry -- 20th century -- History and criticism
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2277 , http://hdl.handle.net/10962/d1007270
- Description: Poetry, like every other form of art, reflects the values of the artist himself as well as the values of the age in which he lives. "I would say that the poet may write about anything provided that the thing matters to him to start with, for then it will bring with it into the poem the intellectual or moral significance which it has for him in life". (Louis MacNeice). This thesis sets out to uncover some of the things which, in the long pageant of English poetry, have "mattered" to poets to such an extent that they have felt compelled to voice their protest against any violation of such things perceived by them in life around them. The basic study has been a search for the different kinds of values and codes of conduct, in social, political and moral spheres, which have been unacceptable to some of the major poets in English, and to examine particularly the manner and the tone of voice in which each one has expressed his disapproval. "Poetry was the mental rattle that awakened the attention of intellect in the infancy of civil society." (T.L.Peacock). English poets who have protested against whatever they regarded as worthy of protest have continued up to the maturity of civil society to be rattles (some soft and mellow, others loud and harsh), to awaken both the intellect and the conscience of their readers.
- Full Text:
- Date Issued: 1973
- Authors: Verschoor, Edith N E
- Date: 1973
- Subjects: Protest poetry, English -- History and criticism , English poetry -- History and criticism , English poetry -- 20th century -- History and criticism
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2277 , http://hdl.handle.net/10962/d1007270
- Description: Poetry, like every other form of art, reflects the values of the artist himself as well as the values of the age in which he lives. "I would say that the poet may write about anything provided that the thing matters to him to start with, for then it will bring with it into the poem the intellectual or moral significance which it has for him in life". (Louis MacNeice). This thesis sets out to uncover some of the things which, in the long pageant of English poetry, have "mattered" to poets to such an extent that they have felt compelled to voice their protest against any violation of such things perceived by them in life around them. The basic study has been a search for the different kinds of values and codes of conduct, in social, political and moral spheres, which have been unacceptable to some of the major poets in English, and to examine particularly the manner and the tone of voice in which each one has expressed his disapproval. "Poetry was the mental rattle that awakened the attention of intellect in the infancy of civil society." (T.L.Peacock). English poets who have protested against whatever they regarded as worthy of protest have continued up to the maturity of civil society to be rattles (some soft and mellow, others loud and harsh), to awaken both the intellect and the conscience of their readers.
- Full Text:
- Date Issued: 1973
Ngeniso of Kanda 1973
- Timbila orchestra Ngodo of Kanda, Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Timbila orchestra Ngodo of Kanda , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1973
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/398512 , vital:69420 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ROLL13-04
- Description: Indigenous music
- Full Text: false
- Date Issued: 1973
- Authors: Timbila orchestra Ngodo of Kanda , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1973
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/398512 , vital:69420 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ROLL13-04
- Description: Indigenous music
- Full Text: false
- Date Issued: 1973
Chibhudhu of Zandamela 1973
- Timbila orchestra Ngodo of Zandamela, Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Timbila orchestra Ngodo of Zandamela , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1973
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/398260 , vital:69389 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ROLL10-02
- Description: Indigenous music
- Full Text: false
- Date Issued: 1973
- Authors: Timbila orchestra Ngodo of Zandamela , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1973
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/398260 , vital:69389 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ROLL10-02
- Description: Indigenous music
- Full Text: false
- Date Issued: 1973
Mtsitso movement IV of Mgodo for the chief at Kenge 1973
- Venancio Mbanda, Chopi Timbila xylophone orchestra group, Composer not specified, Tracey, Hugh
- Authors: Venancio Mbanda , Chopi Timbila xylophone orchestra group , Composer not specified , Tracey, Hugh
- Date: 1973
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/397819 , vital:69341 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ROLL01b-04
- Description: Indigenous music
- Full Text: false
- Date Issued: 1973
- Authors: Venancio Mbanda , Chopi Timbila xylophone orchestra group , Composer not specified , Tracey, Hugh
- Date: 1973
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/397819 , vital:69341 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ROLL01b-04
- Description: Indigenous music
- Full Text: false
- Date Issued: 1973
Ndamo Nyakutowo 1973
- Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1973
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/397859 , vital:69345 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ROLL02-01
- Description: Indigenous music
- Full Text: false
- Date Issued: 1973
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1973
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/397859 , vital:69345 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ROLL02-01
- Description: Indigenous music
- Full Text: false
- Date Issued: 1973
Chibhudhu Nyakutowo 1973
- Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1973
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/397877 , vital:69347 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ROLL02-03
- Description: Indigenous music
- Full Text: false
- Date Issued: 1973
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1973
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/397877 , vital:69347 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ROLL02-03
- Description: Indigenous music
- Full Text: false
- Date Issued: 1973
Some properties of magnetospheric electrons observed west of Sanae
- Authors: Greener, James G
- Date: 1973
- Subjects: Magnetosphere
- Language: English
- Type: Thesis , Masters , MSc
- Identifier: vital:5523 , http://hdl.handle.net/10962/d1012091 , Magnetosphere
- Description: The southern hemisphere has always been the neglected twin in the field ot geophysical research. The reasons for this are certainly not in the realm of science but in the history of man and his development in the northern half of the globe. Geophysically, however, our southern half provides a wealth of interesting problems and anomalies. Roederer (1966) explains the use of this word 'anomaly' by showing what some of the oddities of the southern hemisphere are, and by contrasting them with the corresponding regions of the earth across the equator. The principal feature is of course the geomagnetic surface field strength minimum at a point in the South Atlantic ocean very near the coast of Brazil. Intro., p. 1.
- Full Text:
- Date Issued: 1973
- Authors: Greener, James G
- Date: 1973
- Subjects: Magnetosphere
- Language: English
- Type: Thesis , Masters , MSc
- Identifier: vital:5523 , http://hdl.handle.net/10962/d1012091 , Magnetosphere
- Description: The southern hemisphere has always been the neglected twin in the field ot geophysical research. The reasons for this are certainly not in the realm of science but in the history of man and his development in the northern half of the globe. Geophysically, however, our southern half provides a wealth of interesting problems and anomalies. Roederer (1966) explains the use of this word 'anomaly' by showing what some of the oddities of the southern hemisphere are, and by contrasting them with the corresponding regions of the earth across the equator. The principal feature is of course the geomagnetic surface field strength minimum at a point in the South Atlantic ocean very near the coast of Brazil. Intro., p. 1.
- Full Text:
- Date Issued: 1973
Nhemamusasa
- Performer not specified, Tracey, Andrew T N, Paul Berliner
- Authors: Performer not specified , Tracey, Andrew T N , Paul Berliner
- Date: 1973
- Subjects: Folk music--Zimbabwe , Mbira music , Folk dance music , Rattle (Musical instrument) , Instrumental music , Sub-Saharan African music , Africa Zimbabwe Harare f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/115359 , vital:34117 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC141a-01
- Description: Shona traditional mbira dzavadzimu music with rattles accompaniment
- Full Text: false
- Date Issued: 1973
- Authors: Performer not specified , Tracey, Andrew T N , Paul Berliner
- Date: 1973
- Subjects: Folk music--Zimbabwe , Mbira music , Folk dance music , Rattle (Musical instrument) , Instrumental music , Sub-Saharan African music , Africa Zimbabwe Harare f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/115359 , vital:34117 , International Library of African Music, Rhodes University, Grahamstown, South Africa , ATC141a-01
- Description: Shona traditional mbira dzavadzimu music with rattles accompaniment
- Full Text: false
- Date Issued: 1973
Title not specified
- Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1973
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/398088 , vital:69369 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ROLL05-08
- Description: Indigenous music
- Full Text: false
- Date Issued: 1973
- Authors: Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1973
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/398088 , vital:69369 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ROLL05-08
- Description: Indigenous music
- Full Text: false
- Date Issued: 1973
Mtsitso wa Mavila 1973
- Timbila orchestra Ngodo of Mavila, Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Timbila orchestra Ngodo of Mavila , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1973
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/398698 , vital:69441 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ROLL20-02
- Description: Indigenous music
- Full Text: false
- Date Issued: 1973
- Authors: Timbila orchestra Ngodo of Mavila , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1973
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/398698 , vital:69441 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ROLL20-02
- Description: Indigenous music
- Full Text: false
- Date Issued: 1973
Mtsitso II Kanda 1973
- Timbila orchestra Ngodo of Zandamela, Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Timbila orchestra Ngodo of Zandamela , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1973
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/398492 , vital:69418 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ROLL13-02
- Description: Indigenous music
- Full Text: false
- Date Issued: 1973
- Authors: Timbila orchestra Ngodo of Zandamela , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1973
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Mozambique city not specified f-mz
- Language: chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/398492 , vital:69418 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ROLL13-02
- Description: Indigenous music
- Full Text: false
- Date Issued: 1973