Kwimba Kalimba (To play the Kalimba)
- Authors: E. A. Nkuzana , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Tumbuka , Songs, Tonga (Nyasa) , Tumbuka (African people) , Folk music , Africa Malawi Dowa, Mzimba District f-rh
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156273 , vital:39970 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR090-08
- Description: "To play the 'Kalimba' is to be happy. I remember long ago when I was a small child when I thought a breast was made of bone. But my mother told me that the breast was not bone, but flesh only. I was fooled long ago, I thought the breast was bone but it is flesh only. Listen my friends, the breast is flesh only." It seems that the obvious meaning of the words is intended to serve a secondary one. Perhaps the revelation of the begining of his natural sex life. Self delectative song.
- Full Text: false
- Date Issued: 1958
- Authors: E. A. Nkuzana , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Tumbuka , Songs, Tonga (Nyasa) , Tumbuka (African people) , Folk music , Africa Malawi Dowa, Mzimba District f-rh
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156273 , vital:39970 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR090-08
- Description: "To play the 'Kalimba' is to be happy. I remember long ago when I was a small child when I thought a breast was made of bone. But my mother told me that the breast was not bone, but flesh only. I was fooled long ago, I thought the breast was bone but it is flesh only. Listen my friends, the breast is flesh only." It seems that the obvious meaning of the words is intended to serve a secondary one. Perhaps the revelation of the begining of his natural sex life. Self delectative song.
- Full Text: false
- Date Issued: 1958
Nkamuona nkadamphwetheka (If I see him I will hurt him)
- E. J. Mbewe and I. K. Mwale, Hugh Tracey
- Authors: E. J. Mbewe and I. K. Mwale , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Karongs, Salima, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153597 , vital:39484 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-08
- Description: These drinking songs are ideal for singing between friends as reality recedes into oblivion. Half way through the song they call for more beer. Drinking song.
- Full Text: false
- Date Issued: 1958
- Authors: E. J. Mbewe and I. K. Mwale , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Karongs, Salima, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153597 , vital:39484 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-08
- Description: These drinking songs are ideal for singing between friends as reality recedes into oblivion. Half way through the song they call for more beer. Drinking song.
- Full Text: false
- Date Issued: 1958
Ntakhala ndi mlongo (If only I had a sister)
- E. J. Mbewe and I. K. Mwale, Hugh Tracey
- Authors: E. J. Mbewe and I. K. Mwale , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Karongs, Salima, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153587 , vital:39483 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-07
- Description: A man complaining that he was born the only child and has no sister. He expresses his sorrow and surprise that it should be so. Usually sung with women to do the mangombe. To be without a sister in this society, a matrilocal one, means the risk of being deprived of a home after the death of the parents. Drinking song.
- Full Text: false
- Date Issued: 1958
- Authors: E. J. Mbewe and I. K. Mwale , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Karongs, Salima, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153587 , vital:39483 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR077-07
- Description: A man complaining that he was born the only child and has no sister. He expresses his sorrow and surprise that it should be so. Usually sung with women to do the mangombe. To be without a sister in this society, a matrilocal one, means the risk of being deprived of a home after the death of the parents. Drinking song.
- Full Text: false
- Date Issued: 1958
Mpaka (The Cat)
- Eddington Kwanjana and boys, Hugh Tracey
- Authors: Eddington Kwanjana and boys , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Mzengera, Lilongwe, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153962 , vital:39548 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR079-01
- Description: The response after each phrase of the story is "Tirirose". S. "Mai tsegulire, mai tsegulire, CH. Kayendayenda eyaye kayenda. S. Ndatsala ndeka, ndiribe mai, CH Kayendayenda eyaye kayenda." A cat whose mother was named Damati lived in a forest where there were hyenas who wanted to eat the cats, and the cats did their best to protect themselves. The hyena (fai) started a dance and planned to eat whoever came to see ot. The cat had rattles on his legs and his mother taught him a song to sing whenever he got into trouble. The cat went to the hyena's dance and escaped into the mortar when the hyena wanted to eat him. Cat got at hyena's eyes, scratched them out and escaped. Story and song (Nthanu).
- Full Text: false
- Date Issued: 1958
- Authors: Eddington Kwanjana and boys , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Mzengera, Lilongwe, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153962 , vital:39548 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR079-01
- Description: The response after each phrase of the story is "Tirirose". S. "Mai tsegulire, mai tsegulire, CH. Kayendayenda eyaye kayenda. S. Ndatsala ndeka, ndiribe mai, CH Kayendayenda eyaye kayenda." A cat whose mother was named Damati lived in a forest where there were hyenas who wanted to eat the cats, and the cats did their best to protect themselves. The hyena (fai) started a dance and planned to eat whoever came to see ot. The cat had rattles on his legs and his mother taught him a song to sing whenever he got into trouble. The cat went to the hyena's dance and escaped into the mortar when the hyena wanted to eat him. Cat got at hyena's eyes, scratched them out and escaped. Story and song (Nthanu).
- Full Text: false
- Date Issued: 1958
Mwana wanga (My child)
- Edess Nyalongwe, Hugh Tracey
- Authors: Edess Nyalongwe , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159681 , vital:40326 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-14
- Description: There is a Chewa custom that when a girl is old enough she is taught how to become a good wife and mother by a groub of the elder women. Now there was a girl who married but did not have herself properly towards her husband. So he complained to the group of women who took her and taught her again. That was always our custom. This story is in fact, a kind of simple morality story told with the object of impressing upon the youth the necessity of virtue. The singers who wrote out the words of the songs failed to appreciate the sequence of phrases in the verse they sang. Story song.
- Full Text: false
- Date Issued: 1958
- Authors: Edess Nyalongwe , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159681 , vital:40326 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-14
- Description: There is a Chewa custom that when a girl is old enough she is taught how to become a good wife and mother by a groub of the elder women. Now there was a girl who married but did not have herself properly towards her husband. So he complained to the group of women who took her and taught her again. That was always our custom. This story is in fact, a kind of simple morality story told with the object of impressing upon the youth the necessity of virtue. The singers who wrote out the words of the songs failed to appreciate the sequence of phrases in the verse they sang. Story song.
- Full Text: false
- Date Issued: 1958
Nyandalalani (The disobedient girl)
- Edess Nyalongwe and Chewa women, Hugh Tracey
- Authors: Edess Nyalongwe and Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159694 , vital:40327 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-15
- Description: The explanation provided was as follows;- Long ago when a grown girl did not behave herself properly there were persons who had the duty of instructing her in deportment and manners. Is she did not obey her instructors she would be punished or beaten by the elder women. The girl in the stroy was just such one. Story song.
- Full Text: false
- Date Issued: 1958
- Authors: Edess Nyalongwe and Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/159694 , vital:40327 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-15
- Description: The explanation provided was as follows;- Long ago when a grown girl did not behave herself properly there were persons who had the duty of instructing her in deportment and manners. Is she did not obey her instructors she would be punished or beaten by the elder women. The girl in the stroy was just such one. Story song.
- Full Text: false
- Date Issued: 1958
Thano ya Timba (The story of Timba 'small bird')
- Authors: Edwin Tengani , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa f-mw
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/157939 , vital:40131 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR093-05
- Description: "Once there was a small bird called Timba. Timba made his living on a certain tree called Nkankande. He put a notice on the tree because he knew that the tree was beside the main path which all the animals took to drink water at the river. The notice said "Everyone who passes must look out because mu hut is here, anyone who does not heed my notice will die." After a while the elephants passed by and knocked down Timba's nest because the Nkankande tree is the natural food of elephants. At the time Timba was away looking after his cotton field. When he got back his house had gone. From the foot prints all around he knew it was the elephants and he said "I will see them on their way back". When the elephants came along Timba said, "which of you broke down my house?" "He had better confess at once or one of you will die, I am sure." Before the elephants arrived home one of them was already unhappy and his friend asked him what was the matter. "I am unhappy about what Timba said to us." He replied, "well if you are the one who spoiled Timba's nest we had better go back and tell him." But he refused and later that day he lay down and died. Messages were sent far and wide that an elephant had died and all the animals came to attend his funeral. Timba knew that the elephant had died on account of his notice, so when he came to the funeral Timba said, "I warned you about my tree, so let this be a warning to everyone that it is better to obey than to disobey because in this way a young man can make bad things right again." Story.
- Full Text: false
- Date Issued: 1958
- Authors: Edwin Tengani , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa f-mw
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/157939 , vital:40131 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR093-05
- Description: "Once there was a small bird called Timba. Timba made his living on a certain tree called Nkankande. He put a notice on the tree because he knew that the tree was beside the main path which all the animals took to drink water at the river. The notice said "Everyone who passes must look out because mu hut is here, anyone who does not heed my notice will die." After a while the elephants passed by and knocked down Timba's nest because the Nkankande tree is the natural food of elephants. At the time Timba was away looking after his cotton field. When he got back his house had gone. From the foot prints all around he knew it was the elephants and he said "I will see them on their way back". When the elephants came along Timba said, "which of you broke down my house?" "He had better confess at once or one of you will die, I am sure." Before the elephants arrived home one of them was already unhappy and his friend asked him what was the matter. "I am unhappy about what Timba said to us." He replied, "well if you are the one who spoiled Timba's nest we had better go back and tell him." But he refused and later that day he lay down and died. Messages were sent far and wide that an elephant had died and all the animals came to attend his funeral. Timba knew that the elephant had died on account of his notice, so when he came to the funeral Timba said, "I warned you about my tree, so let this be a warning to everyone that it is better to obey than to disobey because in this way a young man can make bad things right again." Story.
- Full Text: false
- Date Issued: 1958
Ufuno musebeti (He wants work)
- Efraim Hlope and three friends, Hugh Tracey
- Authors: Efraim Hlope and three friends , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Havelock Mine f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152992 , vital:39370 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR073-07
- Description: This is a humorous sketch of a boy whi is looking for work, how he is bullied into indiscretions by his friends and how he gets out of his dilemma. Excellently performed by amateur actors who know how to use their voices to good effect. Sketch.
- Full Text: false
- Date Issued: 1958
- Authors: Efraim Hlope and three friends , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Havelock Mine f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152992 , vital:39370 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR073-07
- Description: This is a humorous sketch of a boy whi is looking for work, how he is bullied into indiscretions by his friends and how he gets out of his dilemma. Excellently performed by amateur actors who know how to use their voices to good effect. Sketch.
- Full Text: false
- Date Issued: 1958
Umkulumo yase kaya (Home talk)
- Efraim Hlope and three friends, Hugh Tracey
- Authors: Efraim Hlope and three friends , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Havelock Mine f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152983 , vital:39369 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR073-06
- Description: This sketch portrayed the dilemma of a man who has not less than six wives (Mafati). It was entirely impromptu and excellently sustained by the four actors. Sketch.
- Full Text: false
- Date Issued: 1958
- Authors: Efraim Hlope and three friends , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Swazi , Folk music , Africa Eswatini Havelock Mine f-sq
- Language: Swati
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152983 , vital:39369 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR073-06
- Description: This sketch portrayed the dilemma of a man who has not less than six wives (Mafati). It was entirely impromptu and excellently sustained by the four actors. Sketch.
- Full Text: false
- Date Issued: 1958
Kumtandizi (Mtandizi is not sorry)
- Eight Chewa women, Hugh Tracey
- Authors: Eight Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160048 , vital:40376 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-09
- Description: Mtandizi is one of the local labour recuriting organizations. "Mtandizi is not sorry for taking my husband away from work." Chintala dance.
- Full Text: false
- Date Issued: 1958
- Authors: Eight Chewa women , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160048 , vital:40376 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR096-09
- Description: Mtandizi is one of the local labour recuriting organizations. "Mtandizi is not sorry for taking my husband away from work." Chintala dance.
- Full Text: false
- Date Issued: 1958
Kumenda Sanabwere (He has not come to the garden)
- Eight elderly women and two drummers, Hugh Tracey
- Authors: Eight elderly women and two drummers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155793 , vital:39917 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-14
- Description: Kwakwala stayed out in his garded an did not come back into the village as they went off to see what he was doing. He was dressed only in leaves and even ate leaves. When they got to his garden he was not there but at a place where an elephant had died and he was eating it. "He has not come to the garden, I thought I might go and see. He has not come. The elephant died at Magala, I wanted to see it, Kwakwala." The gourd rattles themselves give their name Chitsukulumwe to the dance which they accompany. Chitsukulumwe dance with gourd rattles, drums and clapping.
- Full Text: false
- Date Issued: 1958
- Authors: Eight elderly women and two drummers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155793 , vital:39917 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-14
- Description: Kwakwala stayed out in his garded an did not come back into the village as they went off to see what he was doing. He was dressed only in leaves and even ate leaves. When they got to his garden he was not there but at a place where an elephant had died and he was eating it. "He has not come to the garden, I thought I might go and see. He has not come. The elephant died at Magala, I wanted to see it, Kwakwala." The gourd rattles themselves give their name Chitsukulumwe to the dance which they accompany. Chitsukulumwe dance with gourd rattles, drums and clapping.
- Full Text: false
- Date Issued: 1958
Gebede-gebede ulendo wasabwera (Pack-pack, to go and not return)
- Eight elderly women and two drummers, Hugh Tracey
- Authors: Eight elderly women and two drummers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155784 , vital:39916 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-13
- Description: Gebede, gebede is the sound of putting ones things together and the banging together of boxes preparing for a journey. This said to be the most typical of all the Mang'anja dances. "Pack, pack, to go and not come back is like the journey when you do not say goodbye." Chitsukulumwe dance with gourd rattles, drums and clapping.
- Full Text: false
- Date Issued: 1958
- Authors: Eight elderly women and two drummers , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Nyanja , Nyanja (African people) , Folk music , Africa Malawi Mpatsa, Port Herald f-rh
- Language: Nyanja/Mang'anja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/155784 , vital:39916 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR087-13
- Description: Gebede, gebede is the sound of putting ones things together and the banging together of boxes preparing for a journey. This said to be the most typical of all the Mang'anja dances. "Pack, pack, to go and not come back is like the journey when you do not say goodbye." Chitsukulumwe dance with gourd rattles, drums and clapping.
- Full Text: false
- Date Issued: 1958
Wazizwa zitini zindata (What did you hear of the trouble)
- Elderly men of Chief Kachere, Hugh Tracey
- Authors: Elderly men of Chief Kachere , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Dedza and Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154856 , vital:39786 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-06
- Description: An old regimental song of the Ngoni fighting men during the days when they first came up into Nyasaland during the 19th century. The fighting men were forbidden to marry early in Nguni tribes and this perhaps reflects the same regulation. "What did you hear about the wife of that man? Leave those scandals alone." Regimental song.
- Full Text: false
- Date Issued: 1959
- Authors: Elderly men of Chief Kachere , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Dedza and Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154856 , vital:39786 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-06
- Description: An old regimental song of the Ngoni fighting men during the days when they first came up into Nyasaland during the 19th century. The fighting men were forbidden to marry early in Nguni tribes and this perhaps reflects the same regulation. "What did you hear about the wife of that man? Leave those scandals alone." Regimental song.
- Full Text: false
- Date Issued: 1959
Buyani Sangweni (Come to the gate)
- Elderly men of Chief Njolomole, Hugh Tracey
- Authors: Elderly men of Chief Njolomole , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Dedza and Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154865 , vital:39787 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-07
- Description: The old Nguni fighting song calls out the men of the village to come and fight, having had the good wishes and blessing of the Isangoma, the woman diviner, assuring them of victory like the prophets of Baal in the Bible story "Go up and prosper." "Ayaye Eye! Come to the gate. There goes the diviner. Yes we hear! What kind of a thing is this and how have you heard it from the wife of a man. It is right, it is right, we agree. Regimental song.
- Full Text: false
- Date Issued: 1959
- Authors: Elderly men of Chief Njolomole , Hugh Tracey
- Date: 1959
- Subjects: Folk music--Africa , Field recordings , Ngoni (African people) , Arts, Malawi , Folk music , Africa Malawi Dedza and Ncheu District, Central Nyasaland f-mw
- Language: Ngoni
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154865 , vital:39787 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR084-07
- Description: The old Nguni fighting song calls out the men of the village to come and fight, having had the good wishes and blessing of the Isangoma, the woman diviner, assuring them of victory like the prophets of Baal in the Bible story "Go up and prosper." "Ayaye Eye! Come to the gate. There goes the diviner. Yes we hear! What kind of a thing is this and how have you heard it from the wife of a man. It is right, it is right, we agree. Regimental song.
- Full Text: false
- Date Issued: 1959
Wenda m'manja manja (Go in the hands)
- Elefala Jeremiah Mbewe, Hugh Tracey
- Authors: Elefala Jeremiah Mbewe , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kudaiza, Karonga, Salima District f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156761 , vital:40047 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-03
- Description: This is based upon a song used at the initiation of girls and the reference to Manja indicates that part of the ceremony when the officiators carry the initiate on their hands (manja) during the dance. "Snakes come and bite her, ants come and bite her." Indicating disciplines enforced during the initiation. This instrument was without its 17th string. The tuning of the six strings was:- 656, 616, 576, 520, 488, 432. Self delectative songs with Bangwe board zither.
- Full Text: false
- Date Issued: 1958
- Authors: Elefala Jeremiah Mbewe , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kudaiza, Karonga, Salima District f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156761 , vital:40047 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-03
- Description: This is based upon a song used at the initiation of girls and the reference to Manja indicates that part of the ceremony when the officiators carry the initiate on their hands (manja) during the dance. "Snakes come and bite her, ants come and bite her." Indicating disciplines enforced during the initiation. This instrument was without its 17th string. The tuning of the six strings was:- 656, 616, 576, 520, 488, 432. Self delectative songs with Bangwe board zither.
- Full Text: false
- Date Issued: 1958
Lote-lote (Lote)
- Elefala Jeremiah Mbewe, Hugh Tracey
- Authors: Elefala Jeremiah Mbewe , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Mubvi, Salima District f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156752 , vital:40046 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-02
- Description: He calls his sister Lote to come with him to find the place where his mother was cast out after she was murdered so that they can bury her. The constant reference to 'sisters' in Chewa songs appears to stem from their matrilocal system. The Bangwe has wire strings. Self delectative songs with Bangwe board zither.
- Full Text: false
- Date Issued: 1958
- Authors: Elefala Jeremiah Mbewe , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Arts, Malawi , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Mubvi, Salima District f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/156752 , vital:40046 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-02
- Description: He calls his sister Lote to come with him to find the place where his mother was cast out after she was murdered so that they can bury her. The constant reference to 'sisters' in Chewa songs appears to stem from their matrilocal system. The Bangwe has wire strings. Self delectative songs with Bangwe board zither.
- Full Text: false
- Date Issued: 1958
Ngoza (The disobedient girl)
- Elias Mengezi and Chewa boys, Hugh Tracey
- Authors: Elias Mengezi and Chewa boys , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kongwa, Dowa, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153980 , vital:39550 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR079-03
- Description: A man had a disobedient child named Ngonza, who would not do the work her father or mother gave her to do. The mother put her into a mortar and pounded her into powder and then threw her away. She was carried away to the lake by the rain. Ngoza's younger sister went to the lake side together with other children. All the others picked up their pots but Ngoza's sister could not and sang her song, crying for Ngoza to come and help her. Ngoza, having been made whole again by a crocodile to be his wife, came out of the water to help her sister. The village people then came to catch Ngoza and took her home, but the crocodile dug a hole from the water underground all the way to the village and took Ngoza back again. Story song (Nthanu).
- Full Text: false
- Date Issued: 1958
- Authors: Elias Mengezi and Chewa boys , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kongwa, Dowa, Central Nyasaland f-mw
- Language: Nyanja, Chewa, Chichewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153980 , vital:39550 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR079-03
- Description: A man had a disobedient child named Ngonza, who would not do the work her father or mother gave her to do. The mother put her into a mortar and pounded her into powder and then threw her away. She was carried away to the lake by the rain. Ngoza's younger sister went to the lake side together with other children. All the others picked up their pots but Ngoza's sister could not and sang her song, crying for Ngoza to come and help her. Ngoza, having been made whole again by a crocodile to be his wife, came out of the water to help her sister. The village people then came to catch Ngoza and took her home, but the crocodile dug a hole from the water underground all the way to the village and took Ngoza back again. Story song (Nthanu).
- Full Text: false
- Date Issued: 1958
Sikati wena ilya bamba lo fourpiece shiya lo two piece la lo ma piccanie (When you eat take four pieces, but leave two for the children)
- Elias Silaule and Edward Mawelele, Hugh Tracey
- Authors: Elias Silaule and Edward Mawelele , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Tsonga , Ronga language , Tsonga (African people) , Folk music , Africa Mozambique Manica, (Near Lourenco Marques) f-mz
- Language: Ronga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153118 , vital:39396 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR074-06
- Description: Topical song.
- Full Text: false
- Date Issued: 1958
- Authors: Elias Silaule and Edward Mawelele , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Tsonga , Ronga language , Tsonga (African people) , Folk music , Africa Mozambique Manica, (Near Lourenco Marques) f-mz
- Language: Ronga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153118 , vital:39396 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR074-06
- Description: Topical song.
- Full Text: false
- Date Issued: 1958
Ichinenjane lapa mkomponi (How do you get on in the compound)
- Elias Silaule and group of 7 Shangaan men, Hugh Tracey
- Authors: Elias Silaule and group of 7 Shangaan men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Tsonga , Ronga language , Tsonga (African people) , Folk music , Africa Mozambique Manica f-mz
- Language: Ronga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153091 , vital:39392 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR074-03
- Description: The song is about working on the mine. A certain man with a bald head figures largely and one of the episodes in the song is about how the singers saw this bald head shinning like glass. So one of them hit it to seeif it would break, but it bled instead. This skilled form of unison singing must demand considerable rehearsal to get it perfect. It is usually gay, rhythmic and cleverly syncopated eben breaking into speech for dramatic effect as in this example. Kwaya topical song.
- Full Text: false
- Date Issued: 1958
- Authors: Elias Silaule and group of 7 Shangaan men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Tsonga , Ronga language , Tsonga (African people) , Folk music , Africa Mozambique Manica f-mz
- Language: Ronga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153091 , vital:39392 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR074-03
- Description: The song is about working on the mine. A certain man with a bald head figures largely and one of the episodes in the song is about how the singers saw this bald head shinning like glass. So one of them hit it to seeif it would break, but it bled instead. This skilled form of unison singing must demand considerable rehearsal to get it perfect. It is usually gay, rhythmic and cleverly syncopated eben breaking into speech for dramatic effect as in this example. Kwaya topical song.
- Full Text: false
- Date Issued: 1958
Jile ngoma (This is the song)
- Elias Silaule and group of 7 Shangaan men, Hugh Tracey
- Authors: Elias Silaule and group of 7 Shangaan men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Tsonga , Ronga language , Tsonga (African people) , Folk music , Africa Mozambique Manica, (Near Lourenco Marques) f-mz
- Language: Ronga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153100 , vital:39393 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR074-04
- Description: "The people in Johannesburg must hear this song." This kind of recitative singing is typical of the whole Shangaan or Tsonga group of sub-tribes. It is cleverly performed and demands a good memory and plenty of reharsal. In the words, it must prove an effective recreation for the performers or else they would not expend so much creative energy and time upon perfecting their performances. Topical song.
- Full Text: false
- Date Issued: 1958
- Authors: Elias Silaule and group of 7 Shangaan men , Hugh Tracey
- Date: 1958
- Subjects: Folk music--Africa , Field recordings , Folk songs, Tsonga , Ronga language , Tsonga (African people) , Folk music , Africa Mozambique Manica, (Near Lourenco Marques) f-mz
- Language: Ronga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/153100 , vital:39393 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR074-04
- Description: "The people in Johannesburg must hear this song." This kind of recitative singing is typical of the whole Shangaan or Tsonga group of sub-tribes. It is cleverly performed and demands a good memory and plenty of reharsal. In the words, it must prove an effective recreation for the performers or else they would not expend so much creative energy and time upon perfecting their performances. Topical song.
- Full Text: false
- Date Issued: 1958