Usione kwenda mbele, kurudi nyuma si kazi
- Saadani Abdu Kandoro, Hugh Tracey
- Authors: Saadani Abdu Kandoro , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Tanzania , Swahili-speaking peoples , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kigoma f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179455 , vital:43066 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR169-09
- Description: "Think not that as you now go on. You will not yet go back." Short poem revealing an interesting side of the African poet's mind. Mashairi sung poem
- Full Text: false
- Date Issued: 1950
- Authors: Saadani Abdu Kandoro , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Tanzania , Swahili-speaking peoples , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kigoma f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179455 , vital:43066 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR169-09
- Description: "Think not that as you now go on. You will not yet go back." Short poem revealing an interesting side of the African poet's mind. Mashairi sung poem
- Full Text: false
- Date Issued: 1950
Dawa mziwanda kula,kula upata afia
- Kaluta Amri Bin Abedi, Hugh Tracey
- Authors: Kaluta Amri Bin Abedi , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Tanzania , Swahili-speaking peoples , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kigoma f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179259 , vital:43024 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR160-02
- Description: "Oh! my yongest child, take medicine, take it so that you may be healthy." This poem as sent in a letter in reply to his friend Saadani Abdu Kandoro's Poem "Sili nisichotamani". Mashairi sung poems.
- Full Text: false
- Date Issued: 1950
- Authors: Kaluta Amri Bin Abedi , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Tanzania , Swahili-speaking peoples , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kigoma f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179259 , vital:43024 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR160-02
- Description: "Oh! my yongest child, take medicine, take it so that you may be healthy." This poem as sent in a letter in reply to his friend Saadani Abdu Kandoro's Poem "Sili nisichotamani". Mashairi sung poems.
- Full Text: false
- Date Issued: 1950
Chin'ombe. Kukowa wala, 1st movement
- Benson Phiri, Chewa young men, Tracey, Hugh
- Authors: Benson Phiri , Chewa young men , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187254 , vital:44591 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-04
- Description: The dancers were composed of about 50 young men from the ages of 10 to 20 years. Three dancers pranced in front. A notable feature was the large butterfly bows tied onto the top of the heads of several of the dancers. Muganda dance with Malipenga singing gourds (-11.14-) and two bass drums
- Full Text: false
- Date Issued: 1950
- Authors: Benson Phiri , Chewa young men , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187254 , vital:44591 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-04
- Description: The dancers were composed of about 50 young men from the ages of 10 to 20 years. Three dancers pranced in front. A notable feature was the large butterfly bows tied onto the top of the heads of several of the dancers. Muganda dance with Malipenga singing gourds (-11.14-) and two bass drums
- Full Text: false
- Date Issued: 1950
Malaya
- Witmani Phiri, Chewa young men, Tracey, Hugh
- Authors: Witmani Phiri , Chewa young men , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187263 , vital:44592 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-05
- Description: "We have no clothes to wear, which is very disappointing. If we work hard we will get money but it will not be enough to buy all the clothes we need." The great economic incentive in many parts of Africa among the young men is fine clothes. Many indeed go to the towns and mines for this primary purpose. Muganda dance with Malipenga singing gourds (-11.14-) and two bass drums
- Full Text: false
- Date Issued: 1950
- Authors: Witmani Phiri , Chewa young men , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187263 , vital:44592 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-05
- Description: "We have no clothes to wear, which is very disappointing. If we work hard we will get money but it will not be enough to buy all the clothes we need." The great economic incentive in many parts of Africa among the young men is fine clothes. Many indeed go to the towns and mines for this primary purpose. Muganda dance with Malipenga singing gourds (-11.14-) and two bass drums
- Full Text: false
- Date Issued: 1950
Ndarama zao kusowa
- Benson Phiri, Chewa men, Tracey, Hugh
- Authors: Benson Phiri , Chewa men , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187245 , vital:44589 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-03
- Description: Melody for the 2nd movement. There are two movements in the Muganda dance, the second is performed with drums only and without the Malipenga gourds. Muganda dance, with 1 Bass drum (rubber beaters), I small bass drum (stick beaters) and Malipenga singing gourds with mirliton (-11.14-)
- Full Text: false
- Date Issued: 1950
- Authors: Benson Phiri , Chewa men , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187245 , vital:44589 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-03
- Description: Melody for the 2nd movement. There are two movements in the Muganda dance, the second is performed with drums only and without the Malipenga gourds. Muganda dance, with 1 Bass drum (rubber beaters), I small bass drum (stick beaters) and Malipenga singing gourds with mirliton (-11.14-)
- Full Text: false
- Date Issued: 1950
Nkono Liyande
- Linilesi Sadiki with Yao girls, Hugh Tracey
- Authors: Linilesi Sadiki with Yao girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Field recordings , Yao (African people) , Arts, Malawi , Folk music , Africa Malawi Blantyre Nyasaland f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154784 , vital:39775 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR083-13
- Description: Once upon a time there lived a giant which had one leg, one arm and one of everything. The giant had a son who was born and grew in one day. The sons name was Apaka. One day Apaka went to play with his friends and came back singing so that the mother would let him in and here is the song, "Mbugulire mama, kaindeindei yate eja, Ndine Apaka, kaindeindei yate eja." A hyena learnt this song so that when he sang it to Apaka's mother she would open for him. Apaka's mother did not let the hyena in. She knew the voice was different from that of Apaka although it was the same song. Nkonoliyande was the giants name. Story song.
- Full Text: false
- Date Issued: 1950
- Authors: Linilesi Sadiki with Yao girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Field recordings , Yao (African people) , Arts, Malawi , Folk music , Africa Malawi Blantyre Nyasaland f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/154784 , vital:39775 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR083-13
- Description: Once upon a time there lived a giant which had one leg, one arm and one of everything. The giant had a son who was born and grew in one day. The sons name was Apaka. One day Apaka went to play with his friends and came back singing so that the mother would let him in and here is the song, "Mbugulire mama, kaindeindei yate eja, Ndine Apaka, kaindeindei yate eja." A hyena learnt this song so that when he sang it to Apaka's mother she would open for him. Apaka's mother did not let the hyena in. She knew the voice was different from that of Apaka although it was the same song. Nkonoliyande was the giants name. Story song.
- Full Text: false
- Date Issued: 1950
Mnapowacha madogo
- Saadani Abdu Kandoro, Hugh Tracey
- Authors: Saadani Abdu Kandoro , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Tanzania , Swahili-speaking peoples , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kigoma f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179424 , vital:43062 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR169-06
- Description: "If you neglect small things, you will also neglect the larger." The poets who compose and recite Mashairi are very conscious of their high purpose. It is interesting to see the African mind unfolding in this Arab art form, and using the poem for moral teaching. Mashairi sung poems
- Full Text: false
- Date Issued: 1950
- Authors: Saadani Abdu Kandoro , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Tanzania , Swahili-speaking peoples , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kigoma f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179424 , vital:43062 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR169-06
- Description: "If you neglect small things, you will also neglect the larger." The poets who compose and recite Mashairi are very conscious of their high purpose. It is interesting to see the African mind unfolding in this Arab art form, and using the poem for moral teaching. Mashairi sung poems
- Full Text: false
- Date Issued: 1950
Dua
- Kaluta Amir Bin Abedi, Hugh Tracey
- Authors: Kaluta Amir Bin Abedi , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Tanzania , Swahili-speaking peoples , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kigoma f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179408 , vital:43059 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR160-04
- Description: "I seek refuge with the Lord. That I may be safe from the troublesome one who whispers in the heart. The devil who is stoned." The poet and reciter (Staharaki) is a moslem missionary and is headmaster of the Moslem school at Tabora. Mashairi sung poems
- Full Text: false
- Date Issued: 1950
- Authors: Kaluta Amir Bin Abedi , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Tanzania , Swahili-speaking peoples , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kigoma f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179408 , vital:43059 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR160-04
- Description: "I seek refuge with the Lord. That I may be safe from the troublesome one who whispers in the heart. The devil who is stoned." The poet and reciter (Staharaki) is a moslem missionary and is headmaster of the Moslem school at Tabora. Mashairi sung poems
- Full Text: false
- Date Issued: 1950
Hinya nade
- Gindiloni Ngoma, Hugh Tracey
- Authors: Gindiloni Ngoma , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185240 , vital:44356 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-02
- Description: The Ugubu was a popular instrument with the Zulu of Natal several generations ago but few are now left in Natal. With the exception of one or two minor details this instrument is in the same as that of the Zulu. The chief modification is the use of a straining bridge to increase the tension of the bark string. This bow was made of a lenght of Tete reed 5 ft. 2 1/4 inches long and about 1 1/4 ins. diameter, and had an unusual method of straining the single string. There was a small bridge inserted between the reed and the string near the lower end and the resonating gourd was attached by means of a wore which also acted as a moveable tuning device dividing the string into two segements. The top segement was 3 ft. 10 ins. long and emitted a note of 71 vs. (81 vs. when stopped by clasping between the finger and thumb). The lower segment was not used. The interval between the two notes used is 220 cents. Self delectative song with Ugubu, musical bow, stressed and resonated
- Full Text: false
- Date Issued: 1950
- Authors: Gindiloni Ngoma , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185240 , vital:44356 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-02
- Description: The Ugubu was a popular instrument with the Zulu of Natal several generations ago but few are now left in Natal. With the exception of one or two minor details this instrument is in the same as that of the Zulu. The chief modification is the use of a straining bridge to increase the tension of the bark string. This bow was made of a lenght of Tete reed 5 ft. 2 1/4 inches long and about 1 1/4 ins. diameter, and had an unusual method of straining the single string. There was a small bridge inserted between the reed and the string near the lower end and the resonating gourd was attached by means of a wore which also acted as a moveable tuning device dividing the string into two segements. The top segement was 3 ft. 10 ins. long and emitted a note of 71 vs. (81 vs. when stopped by clasping between the finger and thumb). The lower segment was not used. The interval between the two notes used is 220 cents. Self delectative song with Ugubu, musical bow, stressed and resonated
- Full Text: false
- Date Issued: 1950
Bwezi langa
- Authors: Hodede Homwale , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186489 , vital:44504 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-08
- Description: "I had a friend but the high God has taken him away." The pauses in the music are caused by the necessity of having to apply spittle to the bow. The fingering of the single string is done by the inside of the 2nd segment of the fingers of the left hand and not by the tips of the fingers. The open string was tuned to 182 vs. The string was made of twisted Wazi bark, it had a small friction pad of Ilala palm leaf (koko) wound onto where the reed bow (uta) was applied to the string. A loop of bark string was used near the Mtowo peg for fine tuning straining the string downwards the Mpini neck. The goat skin membrane was pinned onto a carved wooden bowl with a sound hole cut into its side. Lament, with 1 stringed Karigo lute
- Full Text: false
- Date Issued: 1950
- Authors: Hodede Homwale , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186489 , vital:44504 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-08
- Description: "I had a friend but the high God has taken him away." The pauses in the music are caused by the necessity of having to apply spittle to the bow. The fingering of the single string is done by the inside of the 2nd segment of the fingers of the left hand and not by the tips of the fingers. The open string was tuned to 182 vs. The string was made of twisted Wazi bark, it had a small friction pad of Ilala palm leaf (koko) wound onto where the reed bow (uta) was applied to the string. A loop of bark string was used near the Mtowo peg for fine tuning straining the string downwards the Mpini neck. The goat skin membrane was pinned onto a carved wooden bowl with a sound hole cut into its side. Lament, with 1 stringed Karigo lute
- Full Text: false
- Date Issued: 1950
Nidapalamula I
- Mami Nakwenda, Belifa Nyabanda, Two Chewa girls, Hugh Tracey
- Authors: Mami Nakwenda , Belifa Nyabanda , Two Chewa girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186424 , vital:44497 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-02
- Description: "I do not like this never ending pounding." Simple pounding song in which the one girl echoes the other as they pound in the same mortar with alternate strokes. This echoing style of singing is also used for their rain songs and at first hearing leaves an impression of confusion rather than intent. Pounding song, with mortar and two pestles
- Full Text: false
- Date Issued: 1950
- Authors: Mami Nakwenda , Belifa Nyabanda , Two Chewa girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186424 , vital:44497 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-02
- Description: "I do not like this never ending pounding." Simple pounding song in which the one girl echoes the other as they pound in the same mortar with alternate strokes. This echoing style of singing is also used for their rain songs and at first hearing leaves an impression of confusion rather than intent. Pounding song, with mortar and two pestles
- Full Text: false
- Date Issued: 1950
Mwele mwele
- Tumbuka women and girls, Hugh Tracey
- Authors: Tumbuka women and girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185064 , vital:44323 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-03
- Description: The initiation dance appears to be the more enjoyable event and not all a solemn occassion. Girls initiation song (uzamba dance) with 2 Mpanje goblet drums and clapping (-12.03-)
- Full Text: false
- Date Issued: 1950
- Authors: Tumbuka women and girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185064 , vital:44323 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-03
- Description: The initiation dance appears to be the more enjoyable event and not all a solemn occassion. Girls initiation song (uzamba dance) with 2 Mpanje goblet drums and clapping (-12.03-)
- Full Text: false
- Date Issued: 1950
Nidapalamula II
- Mami Nakwenda, Belifa Nyabanda, Two Chewa girls, Hugh Tracey
- Authors: Mami Nakwenda , Belifa Nyabanda , Two Chewa girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186435 , vital:44498 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-03
- Description: Complaining of continous pounding. Simple pounding ounding song which help to lighten the day's hard work. The mortar was loaded with maize and a little water and as the pounding proceeded the sharp sound of the full grain becomes duller as the corn is broken into small pieces and eventually into meal. Pounding song, with mortar and two pestles
- Full Text: false
- Date Issued: 1950
- Authors: Mami Nakwenda , Belifa Nyabanda , Two Chewa girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186435 , vital:44498 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-03
- Description: Complaining of continous pounding. Simple pounding ounding song which help to lighten the day's hard work. The mortar was loaded with maize and a little water and as the pounding proceeded the sharp sound of the full grain becomes duller as the corn is broken into small pieces and eventually into meal. Pounding song, with mortar and two pestles
- Full Text: false
- Date Issued: 1950
Tikumbuka Vifya
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184597 , vital:44239 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-04
- Description: The line of great hills which run up along the North Western flank of the Lake Nyasa is called Vipya in the south and Vifya among the Tongs in the north. The song refers to the tragic loss of the Lake steamer 'Vipya' in 1947, which was named after the hills, while she was carrying pilgrims crossing the lake to go to Dar-es-Salaam. Lament
- Full Text: false
- Date Issued: 1950
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184597 , vital:44239 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-04
- Description: The line of great hills which run up along the North Western flank of the Lake Nyasa is called Vipya in the south and Vifya among the Tongs in the north. The song refers to the tragic loss of the Lake steamer 'Vipya' in 1947, which was named after the hills, while she was carrying pilgrims crossing the lake to go to Dar-es-Salaam. Lament
- Full Text: false
- Date Issued: 1950
Hijazai Bashraf
- Egyptian musical club, Hugh Tracey
- Authors: Egyptian musical club , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Tanzania , Swahili-speaking peoples , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179514 , vital:43073 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR169-14
- Description: Taarab is the name given to an air after the Arab style composed and played Swahili musicians. The name of the club does not reflect its origin which is entirely local and composed of Swahili men all living in Dar-es-Salaam. The Arab 'Oud' is locally called 'Udi'. Instrumental Air, with 1 Oud (Arabic guitar), 3 violins, 1 Mandoline, 1 Kayamba flat grass rattle, 1 earthern ware drum, Damba, 1 Duff tambourine.
- Full Text: false
- Date Issued: 1950
- Authors: Egyptian musical club , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Tanzania , Swahili-speaking peoples , Field recordings , Africa, Sub-Saharan , Africa Tanzania Dar-es-Salaam f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179514 , vital:43073 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR169-14
- Description: Taarab is the name given to an air after the Arab style composed and played Swahili musicians. The name of the club does not reflect its origin which is entirely local and composed of Swahili men all living in Dar-es-Salaam. The Arab 'Oud' is locally called 'Udi'. Instrumental Air, with 1 Oud (Arabic guitar), 3 violins, 1 Mandoline, 1 Kayamba flat grass rattle, 1 earthern ware drum, Damba, 1 Duff tambourine.
- Full Text: false
- Date Issued: 1950
Hoe hoe
- Mwana Bibi with Swahili women, Hugh Tracey
- Authors: Mwana Bibi with Swahili women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Music--Kenya , Songs, Swahili--Kenya , Songs, Swahili--Tanzania , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180048 , vital:43300 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR171-18
- Description: This is an amusing farewell song with typical cries from the gay veiled ladies of the Arab households of Malindi. Farewell song.
- Full Text: false
- Date Issued: 1950
- Authors: Mwana Bibi with Swahili women , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Music--Kenya , Songs, Swahili--Kenya , Songs, Swahili--Tanzania , Field recordings , Africa, Sub-Saharan , Africa Kenya Malindi f-ke
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180048 , vital:43300 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR171-18
- Description: This is an amusing farewell song with typical cries from the gay veiled ladies of the Arab households of Malindi. Farewell song.
- Full Text: false
- Date Issued: 1950
A Yotamu amati andimange
- Ganizani Nyirenda, Hugh Tracey
- Authors: Ganizani Nyirenda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186585 , vital:44514 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-14
- Description: "Yotamu wanted the the chief to imprison me." The plaer sings, not in unison with his instrument, but in paraell with it. Tuning:- 792, 720, 592, 536, 476, 456, 396, 360, 296, 228. The player learnt his playing from a Nshenga at Fort Jameson called Jeremia Phiri in 1931. Self delectative song with 10 note Kalimba (Mbira)
- Full Text: false
- Date Issued: 1950
- Authors: Ganizani Nyirenda , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186585 , vital:44514 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-14
- Description: "Yotamu wanted the the chief to imprison me." The plaer sings, not in unison with his instrument, but in paraell with it. Tuning:- 792, 720, 592, 536, 476, 456, 396, 360, 296, 228. The player learnt his playing from a Nshenga at Fort Jameson called Jeremia Phiri in 1931. Self delectative song with 10 note Kalimba (Mbira)
- Full Text: false
- Date Issued: 1950
Chief Gidion Magak
- Authors: Daudi Otuoma , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Kenya , Luo (Kenya and Tanzanian people) , Field recordings , Africa, Sub-Saharan , Africa Kenya South Nyanza Province f-ke
- Language: Luo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/178790 , vital:42986 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR168-06
- Description: Daudi praises the chief Gidion Magak for his public work in the location for which he was specially honoured by the government. Praise song, with Thum 8 string lyre and Gara leg bells (-12.55-).
- Full Text: false
- Date Issued: 1950
- Authors: Daudi Otuoma , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Kenya , Luo (Kenya and Tanzanian people) , Field recordings , Africa, Sub-Saharan , Africa Kenya South Nyanza Province f-ke
- Language: Luo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/178790 , vital:42986 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR168-06
- Description: Daudi praises the chief Gidion Magak for his public work in the location for which he was specially honoured by the government. Praise song, with Thum 8 string lyre and Gara leg bells (-12.55-).
- Full Text: false
- Date Issued: 1950
Tahadhari, tahadhari, dunia ina maahara
- Saadani Abdu Kandoro, Hugh Tracey
- Authors: Saadani Abdu Kandoro , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Tanzania , Swahili-speaking peoples , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kigoma f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179360 , vital:43034 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR160-03
- Description: "Beware, beware! The world is full of troubles." The reciter of these Mashairi poems, the poets themselves are known as "Staharaki". They take their art seriously and beleive implicity in its moral purpose. Mashairi sung poems.
- Full Text: false
- Date Issued: 1950
- Authors: Saadani Abdu Kandoro , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Tanzania , Swahili-speaking peoples , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kigoma f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179360 , vital:43034 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR160-03
- Description: "Beware, beware! The world is full of troubles." The reciter of these Mashairi poems, the poets themselves are known as "Staharaki". They take their art seriously and beleive implicity in its moral purpose. Mashairi sung poems.
- Full Text: false
- Date Issued: 1950
Sili nisichotamani sili ongawa ni dawa
- Saadani Abdu Kandoro, Hugh Tracey
- Authors: Saadani Abdu Kandoro , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Kenya , Swahili-speaking peoples , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kigoma f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179250 , vital:43022 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR160-01
- Description: "I do not eat what I do not desire, I do not eat it, though it may be medicine." This poem was sent as a letter to his friend, Kaluta Amri who replied in Mashairi poetry form in 'Dawa Mziwanda Kula". Mashairi sung poems.
- Full Text: false
- Date Issued: 1950
- Authors: Saadani Abdu Kandoro , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Kenya , Swahili-speaking peoples , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kigoma f-tz
- Language: Swahili
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/179250 , vital:43022 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR160-01
- Description: "I do not eat what I do not desire, I do not eat it, though it may be medicine." This poem was sent as a letter to his friend, Kaluta Amri who replied in Mashairi poetry form in 'Dawa Mziwanda Kula". Mashairi sung poems.
- Full Text: false
- Date Issued: 1950