Showing items 41 - 60 of 88

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Ndaboola oko ( I am on my way there)

- H. G. Habanyama and group of Tonga men, Hugh Tracey

  • Authors: H. G. Habanyama and group of Tonga men , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138928 , vital:37686 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR045-13
  • Description: "I am lonely, I wish you would come and help me-who shall sing me my mother's song before I die-I am ashamed because there is nobody who will sing my mother's song." Chiyema party song for men and women with 2 goblet and 1 cylindrical drum, hand beaten and 1 Kayanda tin rattle.
  • Full Text: false
  • Date Issued: 1957

E-we-we-we babule (Carrying the child)

- H. G. Habanyama and group of Tonga men, Hugh Tracey

  • Authors: H. G. Habanyama and group of Tonga men , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138907 , vital:37684 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR045-12
  • Description: The leader Habanyama, who also played one of the drums, was Chief Councillor to the Gwembe Native Authorities Board and an official of the treasury. The dance song is based upon a woman's song for carrying her baby on her back. The song is made up as the dance proceeds with no set words except the refrain "E-we-we-we babule", so the singer maintained. Chiyema party song for men and women with 2 goblet and I cylindrical drum, hand beaten and 1 Kayanda tin rattle.
  • Full Text: false
  • Date Issued: 1957

Zakanaka musikana e yeye (It is all right, girl)

- Jerevani Siakuteka, Hugh Tracey

  • Authors: Jerevani Siakuteka , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/139010 , vital:37695 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR046-08
  • Description: The onlookers occassionally make comments especially if they like the song. "Chabota" - good or "Play well, so that the children will listen to you." And, "I will sit all day and smoke while you play," Chief Chipepo made this last remark. The chief in these parts is addressed as "Mwami" , as in Ruanda-Urundi. Tuning of the instrument as follows: 384, 352, 316, 288, 256, 232, 208, 192 vps. Self-delectative song with Deza mbira, board and external resonator.
  • Full Text: false
  • Date Issued: 1957

Ngano zwano twokuruma (The story of the people who were digging)

- Jobi Chaliwepa, Hugh Tracey

  • Authors: Jobi Chaliwepa , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138526 , vital:37646 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR044-04
  • Description: The response is "Kalanga-ti". The burden of this story is that a certain man with only one testicle could not walk like other men, but walked with a limp on account of his physical peculiarity. Story with song.
  • Full Text: false
  • Date Issued: 1957

Maiyongwe (The owl's eggs)

- Joseph Munyeme and friends, Hugh Tracey

  • Authors: Joseph Munyeme and friends , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138261 , vital:37616 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR042-14
  • Description: "The owl's eggs have flown up. Now has anyone else ever seen such a thing? Ho, ho, ho! I am the only person who has ever seen owl's eggs flying." Tuning of the instrument as follows:- 592, 528, 480, 432, 400, 356, 320, 296, 264, 240 vps. Humorous song with Kankowela mbira, with external resonator.
  • Full Text: false
  • Date Issued: 1957

Kwabula undiyanda (Nobody loves me)

- Joseph Munyeme and friends, Hugh Tracey

  • Authors: Joseph Munyeme and friends , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138362 , vital:37626 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR043-02
  • Description: The Chief, who, they said was fond of drinking wished to take part in this song himself. The rest of the words are: "You might as well kill a dog." There was a large crowd as this is a large village and chief's headquarters. The Tonga make nicely constructed carved stools and many people in the crowd had brought their own tools to sit on. The Chief's clerk who acted as interpreter was called Robinson Siameja. Drinking song with clapping and 1 small goblet drum (Mundundu).
  • Full Text: false
  • Date Issued: 1957

Kujeya shiankori umparuti (Kill the wild pig and cook him on the fire)

- Mangwato Penge, Hugh Tracey

Sigorira (Who is crying)

- Mangwato Penge, Hugh Tracey

Karikambo? (What shall I do?)

- Masaria and other Tonga women, Hugh Tracey

  • Authors: Masaria and other Tonga women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138148 , vital:37599 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR042-04
  • Description: This song were taken during the actual grinding of millet into meal outside a hut. The millet was a fine brown variety known as Munga in Rhodesia. This small work song is sometimes well known by everyone in the village and commonly used by the women as they grind their corn on the stone outside their hut, or they are individual compositions without a name and with few words to the lyrics. Grinding song accompanied by the sound of grindstone.
  • Full Text: false
  • Date Issued: 1957

Karikambo? (What shall I do?)

- Masaria and other Tonga women, Hugh Tracey

  • Authors: Masaria and other Tonga women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138137 , vital:37597 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR042-02
  • Description: This song were taken during the actual grinding of millet into meal outside a hut. The millet was a fine brown variety known as Munga in Rhodesia. This small work song is sometimes well known by everyone in the village and commonly used by the women as they grind their corn on the stone outside their hut, or they are individual compositions without a name and with few words to the lyrics. Grinding song accompanied by the sound of grindstone.
  • Full Text: false
  • Date Issued: 1957

Yachipondeka 'owe owe'

- Masaria and other Tonga women, Hugh Tracey

  • Authors: Masaria and other Tonga women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138126 , vital:37596 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR042-01
  • Description: This song were taken during the actual grinding of millet into meal outside a hut. The millet was a fine brown variety known as Munga in Rhodesia. This small work song is sometimes well known by everyone in the village and commonly used by the women as they grind their corn on the stone outside their hut, or they are individual compositions without a name and with few words to the lyrics. Grinding song accompanied by the sound of grindstone.
  • Full Text: false
  • Date Issued: 1957

Mumabale chonga (That one is my friend)

- Masaria and other Tonga women, Hugh Tracey

  • Authors: Masaria and other Tonga women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138154 , vital:37600 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR042-05
  • Description: This song were taken during the actual grinding of millet into meal outside a hut. The millet was a fine brown variety known as Munga in Rhodesia. This small work song is sometimes well known by everyone in the village and commonly used by the women as they grind their corn on the stone outside their hut, or they are individual compositions without a name and with few words to the lyrics. Grinding song accompanied by the sound of grindstone.
  • Full Text: false
  • Date Issued: 1957

Malala (The powerful back)

- Masaria and other Tonga women, Hugh Tracey

  • Authors: Masaria and other Tonga women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138143 , vital:37598 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR042-03
  • Description: This song were taken during the actual grinding of millet into meal outside a hut. The millet was a fine brown variety known as Munga in Rhodesia. This small work song is sometimes well known by everyone in the village and commonly used by the women as they grind their corn on the stone outside their hut, or they are individual compositions without a name and with few words to the lyrics. Grinding song accompanied by the sound of grindstone.
  • Full Text: false
  • Date Issued: 1957

Ndwimo lwa mutetere(Flute tune)

- Mwami Sinefwala Mukuli, Hugh Tracey

Ndafwa bama (I am dying mama)

- Notis Chukwa, Hugh Tracey

Chembere luimbolo (Old people, here is a song)

- Notis Chukwa, Hugh Tracey

Me-me! Warira mpongo, warira mperera (Me-me, the goat is crying for the last piece of green food)

- Pansi Mwetwa and group of Tonga men, Hugh Tracey

  • Authors: Pansi Mwetwa and group of Tonga men , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138306 , vital:37621 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR042-18
  • Description: During the dry season and particulary before the summer rains begin in October to December, green food is scarce in the valley, and the domestic animals yearn for it, especially the goats. The entertainer no doubt likens himself to the goat straining for the tastely green food. Mendicant's song with sounds of stick in the background.
  • Full Text: false
  • Date Issued: 1957

Malala wabila (Malala is crying)

- Ruth, Jane Muchindu and group of Tonga women, Hugh Tracey

  • Authors: Ruth, Jane Muchindu and group of Tonga women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138535 , vital:37647 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR044-05
  • Description: "Malala is crying because she wants a baby. The wife of the headman has run away from her husband, because she has never had a child." Mankuntu dance song for boys and girls with 3 drums (Gogogo, Musunta, Mpati). The 1st was open, pegged and played with a stick. The 2nd and 3rd, open and pegged, and played by hands.
  • Full Text: false
  • Date Issued: 1957

Upendeka kukama (Nicely combed hair)

- Ruth, Jane Muchindu and group of Tonga women, Hugh Tracey

  • Authors: Ruth, Jane Muchindu and group of Tonga women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138544 , vital:37648 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR044-06
  • Description: Pairs of dancers, girl and boy, came out and danced a rather stiff little dance together and then returned to the crowd, as another pair took their place. "When you go to town, do not tell my lover I am nearly a full grown girl, so that he will continue working and come back and find me quite grown up. Mankuntu dance song for boys and girls with 3 drums (Gogogo, Musunta, Mpati). Open and pegged, and played by hands.
  • Full Text: false
  • Date Issued: 1957

Tula manina Kongolos (We are going to Congress)

- Ruth, Jane Muchindu and group of Tonga women, Hugh Tracey

  • Authors: Ruth, Jane Muchindu and group of Tonga women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138563 , vital:37650 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR044-07
  • Description: A girl in the crowd was wearing a circlet of cowrie shells placed flat on the crown of her head. Her hair was covered with red orchre. Another girl wore several tubular bead girdles, beautifully worked, from one which hung a short bead apron. This, they say, is the tribal dress of the Tonga, which is seen at its best on the South Rhodesian side of the river or further up the river. This village had been much affected by the activities of the local political body known as the African National Congress (Kongolos), members of which had tried to persuade the Tonga that the waters of the Kariba Dam would not rise, and collected fees from the villagers. Mankuntu dance song for boys and girls with 3 drums (Gogogo, Musunta, Mpati). Open and pegged, and played by hands.
  • Full Text: false
  • Date Issued: 1957
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