Ngoma
- Group of Tonga men and women, Hugh Tracey
- Authors: Group of Tonga men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138810 , vital:37674 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR045-05
- Description: The tuning of the horns seems to be entirely hapharzard and is controlled by the fortuitous length and shape of the horns employed. The smaller boys played the shorter horns and the larger boys the longer horns. The bass horns needing more breath to blow them. This is a very wild kind of dance, with everyone dancing madly in a mob. The step is a short staccato, jigging step to and fro, very simple. Noise seems to be the main object and the dust thrown up by their feet in the alluvial soil of the river valley almost obscured the tight knot of dancers. The celeste caused by the treble pipes in deafening to an observer, but too high pitched to record. The names of the 7 drums from smal to large were:- 1) Gogogo, 2) Kingaridi, 3) Chamutanda, 4) Muntunda, 5) Mujinji, 6) Pininga, 7) Pati. The first four are played with sticks and the three others with hands. They are all the same basic shape being an almost square cut rectangular cylinder for a body and a hollow pipe of wood without foot for a base. They are all sung across the shoulder or held between the thighs for playing. Ngoma dance with Nyele end-blown antelope horn and set of Ngoma drum.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Tonga men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138810 , vital:37674 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR045-05
- Description: The tuning of the horns seems to be entirely hapharzard and is controlled by the fortuitous length and shape of the horns employed. The smaller boys played the shorter horns and the larger boys the longer horns. The bass horns needing more breath to blow them. This is a very wild kind of dance, with everyone dancing madly in a mob. The step is a short staccato, jigging step to and fro, very simple. Noise seems to be the main object and the dust thrown up by their feet in the alluvial soil of the river valley almost obscured the tight knot of dancers. The celeste caused by the treble pipes in deafening to an observer, but too high pitched to record. The names of the 7 drums from smal to large were:- 1) Gogogo, 2) Kingaridi, 3) Chamutanda, 4) Muntunda, 5) Mujinji, 6) Pininga, 7) Pati. The first four are played with sticks and the three others with hands. They are all the same basic shape being an almost square cut rectangular cylinder for a body and a hollow pipe of wood without foot for a base. They are all sung across the shoulder or held between the thighs for playing. Ngoma dance with Nyele end-blown antelope horn and set of Ngoma drum.
- Full Text: false
- Date Issued: 1957
Nkunte njinga Andre Ciku (Andrew Ciku urged us to pedal fast on our bicycles)
- M. Sashi and group of Lumbo men, Hugh Tracey
- Authors: M. Sashi and group of Lumbo men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Music--Zambia , Field recordings , Folk songs, Bemba , Bemba (African people) , Africa Zambia Mufulira mine f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151743 , vital:39166 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR065-09
- Description: "Andrwew Ciku urged us to pedal hard. We wanted to cross the Luwongo river to get to the copperbelt, but on the way we broke down, to our regret!" This type of parallel singing is called "Kalela" and is commonly used, they say, for topical songs. These boys were actually singing in a mixture of Bemba and Aushi. Topical song
- Full Text: false
- Date Issued: 1957
- Authors: M. Sashi and group of Lumbo men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Music--Zambia , Field recordings , Folk songs, Bemba , Bemba (African people) , Africa Zambia Mufulira mine f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151743 , vital:39166 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR065-09
- Description: "Andrwew Ciku urged us to pedal hard. We wanted to cross the Luwongo river to get to the copperbelt, but on the way we broke down, to our regret!" This type of parallel singing is called "Kalela" and is commonly used, they say, for topical songs. These boys were actually singing in a mixture of Bemba and Aushi. Topical song
- Full Text: false
- Date Issued: 1957
Ki mangi ya uawize mali (Who stole the money?)
- Group of Lozi men, Hugh Tracey
- Authors: Group of Lozi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Lozi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Mangu f-sa
- Language: Lozi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139718 , vital:37772 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR051-02
- Description: This recording was received with enthusiasm by the large good-natured crowd. Siyomboka dance song with 1 xylophone on a stand, 3 Milupa drums, conical and pegged.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Lozi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Lozi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Mangu f-sa
- Language: Lozi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139718 , vital:37772 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR051-02
- Description: This recording was received with enthusiasm by the large good-natured crowd. Siyomboka dance song with 1 xylophone on a stand, 3 Milupa drums, conical and pegged.
- Full Text: false
- Date Issued: 1957
Ulawika
- Authors: Four Tonga men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138471 , vital:37640 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR043-12
- Description: Towards the end the Mwani of Sinefwala leaned forward and said over the shoulders of the men: "These are the riddles of my country." It is clear from the recording that the rest of the villagers enjoyed it very much. Riddles.
- Full Text: false
- Date Issued: 1957
- Authors: Four Tonga men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138471 , vital:37640 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR043-12
- Description: Towards the end the Mwani of Sinefwala leaned forward and said over the shoulders of the men: "These are the riddles of my country." It is clear from the recording that the rest of the villagers enjoyed it very much. Riddles.
- Full Text: false
- Date Issued: 1957
Tulila menda (We are crying for rain)
- Tonga women led by Maria Musange, Hugh Tracey
- Authors: Tonga women led by Maria Musange , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138062 , vital:37589 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR041-10
- Description: The Chief stood behind the leader and spoke over her shoulder. The clapping is complex. This song, they said. was one of those sung by women to help bring the rain at the beginning of the summer season in October, November and December. Rain song, with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Tonga women led by Maria Musange , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138062 , vital:37589 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR041-10
- Description: The Chief stood behind the leader and spoke over her shoulder. The clapping is complex. This song, they said. was one of those sung by women to help bring the rain at the beginning of the summer season in October, November and December. Rain song, with clapping.
- Full Text: false
- Date Issued: 1957
Ndoba bieena wisi Mbozi (I am afraid, Father of Mbozi)
- Group of Tonga women, Hugh Tracey
- Authors: Group of Tonga women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138026 , vital:37585 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR041-06
- Description: This was an actual funeral dance for an old woman. The dance was a circle dance and a few men joined in, one of them singing the verses. The woman wear clothes knotted on the shoulder (black), leaving one shoulder bare. A string tied round the head. Some of them just wore kilts or skirts and very few beads. "What can I do, As I have lost my mother, oh, what are all these sorrows upon me-" The chorus repeats - "O-yeyeye!" Womens' funeral dance-after burial.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Tonga women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138026 , vital:37585 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR041-06
- Description: This was an actual funeral dance for an old woman. The dance was a circle dance and a few men joined in, one of them singing the verses. The woman wear clothes knotted on the shoulder (black), leaving one shoulder bare. A string tied round the head. Some of them just wore kilts or skirts and very few beads. "What can I do, As I have lost my mother, oh, what are all these sorrows upon me-" The chorus repeats - "O-yeyeye!" Womens' funeral dance-after burial.
- Full Text: false
- Date Issued: 1957
Drum rhythms for "Ngoma dzi ya wontiwe" dance
- Seven Tonga drummers, Hugh Tracey
- Authors: Seven Tonga drummers , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138481 , vital:37641 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR043-13
- Description: An experimental recording of drums only. The seven drums were placed in line and each introduced in turn. At the end each was taken out in turn. Drum rhythm. 7 drums "Ngoma dzi ya wontiwe."
- Full Text: false
- Date Issued: 1957
- Authors: Seven Tonga drummers , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138481 , vital:37641 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR043-13
- Description: An experimental recording of drums only. The seven drums were placed in line and each introduced in turn. At the end each was taken out in turn. Drum rhythm. 7 drums "Ngoma dzi ya wontiwe."
- Full Text: false
- Date Issued: 1957
Bamba nzi munyika (What they are saying in the country)
- Chakobola Sheni, Hugh Tracey
- Authors: Chakobola Sheni , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139082 , vital:37703 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR046-14
- Description: The singer had his noise pierced (the tip of the septum), which until recently was a common practice among Tonga. Self-delectative song with Kalumbo bow vertical, braced and gourd resonated.
- Full Text: false
- Date Issued: 1957
- Authors: Chakobola Sheni , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139082 , vital:37703 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR046-14
- Description: The singer had his noise pierced (the tip of the septum), which until recently was a common practice among Tonga. Self-delectative song with Kalumbo bow vertical, braced and gourd resonated.
- Full Text: false
- Date Issued: 1957
Owe mbale kwa Lyoto (I am going to Lyoto)
- Authors: Mwayulukula , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Music--Zambia , Field recordings , Nyakyusa (African people)--Music , Safwa (African people)--Music , Africa Zambia Mufulira f-za
- Language: Nyakyusa-Ngonde , Safwa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151875 , vital:39182 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR066-07
- Description: The singer was Safwa from Mbeya district of Southern Tanganyika. The tune "Wenela" is sung, they say, when going to join up with the Witswatersrand Native Labour Association organization to work on the mines of South Africa and elsewhere. Self-delectative song with Pango board zither.
- Full Text: false
- Date Issued: 1957
- Authors: Mwayulukula , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Music--Zambia , Field recordings , Nyakyusa (African people)--Music , Safwa (African people)--Music , Africa Zambia Mufulira f-za
- Language: Nyakyusa-Ngonde , Safwa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151875 , vital:39182 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR066-07
- Description: The singer was Safwa from Mbeya district of Southern Tanganyika. The tune "Wenela" is sung, they say, when going to join up with the Witswatersrand Native Labour Association organization to work on the mines of South Africa and elsewhere. Self-delectative song with Pango board zither.
- Full Text: false
- Date Issued: 1957
Kujeya shiankori umparuti (Kill the wild pig and cook him on the fire)
- Authors: Mangwato Penge , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138983 , vital:37692 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR046-05
- Description: The singer was an old man. Self-delectative song with Kankobela mbira, fan-shaped, with external resonator.
- Full Text: false
- Date Issued: 1957
- Authors: Mangwato Penge , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138983 , vital:37692 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR046-05
- Description: The singer was an old man. Self-delectative song with Kankobela mbira, fan-shaped, with external resonator.
- Full Text: false
- Date Issued: 1957
Kwimbo layetu nqwe tulinqa (If we were singing at home, we would be singing better)
- Group of Lozi men, Hugh Tracey
- Authors: Group of Lozi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Lozi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Mangu f-sa
- Language: Lozi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139709 , vital:37771 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR051-01
- Description: The gist of this song is much the same as that of the Jews who say: "How can we sing the songs of Zion in a strange land?" The tuning of this xylophone can be taken from a recording of each note before the item. Siyomboka dance song with 1 xylophone on a stand, 3 Milupa drums, conical and pegged.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Lozi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Lozi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Mangu f-sa
- Language: Lozi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139709 , vital:37771 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR051-01
- Description: The gist of this song is much the same as that of the Jews who say: "How can we sing the songs of Zion in a strange land?" The tuning of this xylophone can be taken from a recording of each note before the item. Siyomboka dance song with 1 xylophone on a stand, 3 Milupa drums, conical and pegged.
- Full Text: false
- Date Issued: 1957
Chiyuninzi chikete mukamba (The chiyuninzi owl is sitting on top of the Mukamba tree)
- Samsoni Mwetwe and group of Tonga men, Hugh Tracey
- Authors: Samsoni Mwetwe and group of Tonga men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138449 , vital:37638 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR043-10
- Description: Drinking songs are among the most popular items in the men's repertory no doubt because so many idle hours are spent in this convivial pastime while the women work. Mayanza drinking song with 1 Gavanda drum, conical, single, open, pegged and 3 sticks tapped on the side of the drum. with Musuntu drum, cylindrical and clapping.
- Full Text: false
- Date Issued: 1957
- Authors: Samsoni Mwetwe and group of Tonga men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138449 , vital:37638 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR043-10
- Description: Drinking songs are among the most popular items in the men's repertory no doubt because so many idle hours are spent in this convivial pastime while the women work. Mayanza drinking song with 1 Gavanda drum, conical, single, open, pegged and 3 sticks tapped on the side of the drum. with Musuntu drum, cylindrical and clapping.
- Full Text: false
- Date Issued: 1957
Yakonyomba
- Authors: Timoti Sadimbi , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138956 , vital:37689 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR046-02
- Description: Played with 3 notes. The notes were roughly hewn pieces of wood laid across the thighs ans played by means of sticks. In this case, the player stood behind the back of the young man on whose thighs the notes were played and beat the notes bending forward over his shoulders. The man acting as xylophone stand sat on a stool with his feet on another stool. Beneath his thighs was a large pot used as simple external resonator. The instrument is played out in the fields when preparing the winter gardens in May. Once the gardens are planted, the xylophone notes are discarded and used as fire wood, new ones being cut each year. The position of the loose notes was changed with each change of tune to facilitate the playing of the item. The pause during the 3rd recording was caused by one of the notes rolling down the boys's thigh and having to be replaced. Self-delectative song with Chikirekore loose note xylophone x 4 notes, pot resonated.
- Full Text: false
- Date Issued: 1957
- Authors: Timoti Sadimbi , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138956 , vital:37689 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR046-02
- Description: Played with 3 notes. The notes were roughly hewn pieces of wood laid across the thighs ans played by means of sticks. In this case, the player stood behind the back of the young man on whose thighs the notes were played and beat the notes bending forward over his shoulders. The man acting as xylophone stand sat on a stool with his feet on another stool. Beneath his thighs was a large pot used as simple external resonator. The instrument is played out in the fields when preparing the winter gardens in May. Once the gardens are planted, the xylophone notes are discarded and used as fire wood, new ones being cut each year. The position of the loose notes was changed with each change of tune to facilitate the playing of the item. The pause during the 3rd recording was caused by one of the notes rolling down the boys's thigh and having to be replaced. Self-delectative song with Chikirekore loose note xylophone x 4 notes, pot resonated.
- Full Text: false
- Date Issued: 1957
Ndwano uswi yatata (Father's fish)
- Group of young Tonga girls and children, Hugh Tracey
- Authors: Group of young Tonga girls and children , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138499 , vital:37643 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR044-01
- Description: The story was told to a group of about 30 children of all ages by a young girl of about 16 years. The story was clearly a well known favourite as the audience participated in the song without hesitation or teaching. Perhaps it was father's favourite fishing story. Story with songs.
- Full Text: false
- Date Issued: 1957
- Authors: Group of young Tonga girls and children , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138499 , vital:37643 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR044-01
- Description: The story was told to a group of about 30 children of all ages by a young girl of about 16 years. The story was clearly a well known favourite as the audience participated in the song without hesitation or teaching. Perhaps it was father's favourite fishing story. Story with songs.
- Full Text: false
- Date Issued: 1957
Chinjilile mwalyanjo (You had better be careful)
- Group of Lozi men, Hugh Tracey
- Authors: Group of Lozi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Lozi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Mangu f-za
- Language: Lozi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139770 , vital:37780 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR051-06
- Description: When the girl's initiation is at an end, she is led in the evening to a nearby stream to wash, and whilst she is washing, this song is sung. The initiation period amongst the Lozi lasts for 6 months during which time the girl is taught all domestic skills she will need in later life. Girl's initiation song with guitar, and bottle struck by a nail.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Lozi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Lozi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Mangu f-za
- Language: Lozi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139770 , vital:37780 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR051-06
- Description: When the girl's initiation is at an end, she is led in the evening to a nearby stream to wash, and whilst she is washing, this song is sung. The initiation period amongst the Lozi lasts for 6 months during which time the girl is taught all domestic skills she will need in later life. Girl's initiation song with guitar, and bottle struck by a nail.
- Full Text: false
- Date Issued: 1957
Kuma pumaingwe kuma
- Group of Tonga women, Hugh Tracey
- Authors: Group of Tonga women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138625 , vital:37657 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR045-04
- Description: The drummers first went away, gathered some swathes of grass in order to make a fire to heat drum membranes before playing and to bring them up to pitch. The wooden pegs were also hammered firmly into place to increase the tension on the drum heads. Masabe dance with 2 drums, hand beaten, pegged, 1 goblet (-14.5101-), 1 cylindrical.
- Full Text: false
- Date Issued: 1957
- Authors: Group of Tonga women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138625 , vital:37657 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR045-04
- Description: The drummers first went away, gathered some swathes of grass in order to make a fire to heat drum membranes before playing and to bring them up to pitch. The wooden pegs were also hammered firmly into place to increase the tension on the drum heads. Masabe dance with 2 drums, hand beaten, pegged, 1 goblet (-14.5101-), 1 cylindrical.
- Full Text: false
- Date Issued: 1957
Mabulo andeke (The wings of the aeroplane)
- Authors: Samuel Musange , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138599 , vital:37654 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR045-01
- Description: For this dance all the drums are played with sticks and not with hands. The Masabe is danced when a diviner is consulted or called in for a sick person. Msabe dance song with 3 drums. (Mgogo: open, pegged and played with sticks. Masunta and Mpati, open, pegged and played with hands.)
- Full Text: false
- Date Issued: 1957
- Authors: Samuel Musange , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138599 , vital:37654 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR045-01
- Description: For this dance all the drums are played with sticks and not with hands. The Masabe is danced when a diviner is consulted or called in for a sick person. Msabe dance song with 3 drums. (Mgogo: open, pegged and played with sticks. Masunta and Mpati, open, pegged and played with hands.)
- Full Text: false
- Date Issued: 1957
E-we-we-we babule (Carrying the child)
- H. G. Habanyama and group of Tonga men, Hugh Tracey
- Authors: H. G. Habanyama and group of Tonga men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138907 , vital:37684 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR045-12
- Description: The leader Habanyama, who also played one of the drums, was Chief Councillor to the Gwembe Native Authorities Board and an official of the treasury. The dance song is based upon a woman's song for carrying her baby on her back. The song is made up as the dance proceeds with no set words except the refrain "E-we-we-we babule", so the singer maintained. Chiyema party song for men and women with 2 goblet and I cylindrical drum, hand beaten and 1 Kayanda tin rattle.
- Full Text: false
- Date Issued: 1957
- Authors: H. G. Habanyama and group of Tonga men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/138907 , vital:37684 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR045-12
- Description: The leader Habanyama, who also played one of the drums, was Chief Councillor to the Gwembe Native Authorities Board and an official of the treasury. The dance song is based upon a woman's song for carrying her baby on her back. The song is made up as the dance proceeds with no set words except the refrain "E-we-we-we babule", so the singer maintained. Chiyema party song for men and women with 2 goblet and I cylindrical drum, hand beaten and 1 Kayanda tin rattle.
- Full Text: false
- Date Issued: 1957
We nkalemo yachile (The leader (lion) of the dance)
- T. Sibakwe, N. Veleshiano and S. Mwansa, Hugh Tracey
- Authors: T. Sibakwe, N. Veleshiano and S. Mwansa , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ushi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Fort Roseberry f-za
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140123 , vital:37836 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-09
- Description: "How many tribes are there? The Lamba, the Lenje, the Lumbo not forgetting the Kande, because we admire their language. We make fun of the Nyakyusa and the Kasai, on account of their dress; plain dresses are just as good. Look at a girl from the Mumbo region, she does not dress like a Kasai, yet look at her beautiful clothes. When you change over from your country dress, do not take quickly to town dresses and become a prostitute. Kalela dance song.
- Full Text: false
- Date Issued: 1957
- Authors: T. Sibakwe, N. Veleshiano and S. Mwansa , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ushi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Fort Roseberry f-za
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140123 , vital:37836 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-09
- Description: "How many tribes are there? The Lamba, the Lenje, the Lumbo not forgetting the Kande, because we admire their language. We make fun of the Nyakyusa and the Kasai, on account of their dress; plain dresses are just as good. Look at a girl from the Mumbo region, she does not dress like a Kasai, yet look at her beautiful clothes. When you change over from your country dress, do not take quickly to town dresses and become a prostitute. Kalela dance song.
- Full Text: false
- Date Issued: 1957
Nifwe ba four pals (Greetings from the four pals)
- Authors: The Four pals , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Music--Zambia , Field recordings , Folk songs, Bemba , Bemba (African people) , Africa Zambia Nchanga mine f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151788 , vital:39171 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR065-14
- Description: "Greeting to mothers and brothers." Topical song with guitar.
- Full Text: false
- Date Issued: 1957
- Authors: The Four pals , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Music--Zambia , Field recordings , Folk songs, Bemba , Bemba (African people) , Africa Zambia Nchanga mine f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151788 , vital:39171 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR065-14
- Description: "Greeting to mothers and brothers." Topical song with guitar.
- Full Text: false
- Date Issued: 1957