Awe Filipi malala mwana angu
- Mafolda Chipeca, Chopi women, Tracey, Hugh
- Authors: Mafolda Chipeca , Chopi women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193160 , vital:45304 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-02
- Description: "You Filipe do not say anything. I, your mother, will tell you what to do." Songs such as this are ccomposed and sung exclusively by the women of the village. Drinking song with hand clapping.
- Full Text: false
- Date Issued: 1963
- Authors: Mafolda Chipeca , Chopi women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193160 , vital:45304 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-02
- Description: "You Filipe do not say anything. I, your mother, will tell you what to do." Songs such as this are ccomposed and sung exclusively by the women of the village. Drinking song with hand clapping.
- Full Text: false
- Date Issued: 1963
Msitso wo mune. 4th Introduction
- Malengwani waMasingita (Leader), Tracey, Hugh
- Authors: Malengwani waMasingita (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Quissico f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194719 , vital:45484 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR208-05
- Description: This Ngodo of Zavala's village was played and danced in the year following the composer Katini's death. It had been composed by him mostly during the months when he felt himself to be slowly dying of tuberclosis and was fast losing his strenght but never his passion for his Timbila music. The leadership of the village orchestra was taken over by his son, Katinyane, assisted by two other villagers, Hafu wa Maba and Pondekane. In time new compositions replaced those of the old master. The opening numbers of this Ngodo are not up to the old standard but the Mzeno, Mtsumeto and final Chiriri show clearly the stamp of Katini. The first three Msitso have not been included in this disc for lack of space. Orchestral dance.
- Full Text: false
- Date Issued: 1949
- Authors: Malengwani waMasingita (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Quissico f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194719 , vital:45484 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR208-05
- Description: This Ngodo of Zavala's village was played and danced in the year following the composer Katini's death. It had been composed by him mostly during the months when he felt himself to be slowly dying of tuberclosis and was fast losing his strenght but never his passion for his Timbila music. The leadership of the village orchestra was taken over by his son, Katinyane, assisted by two other villagers, Hafu wa Maba and Pondekane. In time new compositions replaced those of the old master. The opening numbers of this Ngodo are not up to the old standard but the Mzeno, Mtsumeto and final Chiriri show clearly the stamp of Katini. The first three Msitso have not been included in this disc for lack of space. Orchestral dance.
- Full Text: false
- Date Issued: 1949
Woyahahai zhembulane
- Maria Taime, Chopi women, Tracey, Hugh
- Authors: Maria Taime , Chopi women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193226 , vital:45311 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-07
- Description: The song is addressed to a girl of easy virture. The singer adds at the end of the song that she is the daughter of Taime (Time) Regulo Zavala. Morality song with clapping.
- Full Text: false
- Date Issued: 1963
- Authors: Maria Taime , Chopi women , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193226 , vital:45311 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-07
- Description: The song is addressed to a girl of easy virture. The singer adds at the end of the song that she is the daughter of Taime (Time) Regulo Zavala. Morality song with clapping.
- Full Text: false
- Date Issued: 1963
Makarita
- Men and women of Nhamaxaxa, Tracey, Hugh
- Authors: Men and women of Nhamaxaxa , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189605 , vital:44912 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-05
- Description: Introduced by the 'Hino Nacional', the Portuguese national anthem. Women came out in pairs and danced opposite each other, each doing a violent dance du ventre. As soon as they are tired, their places would be taken by two others. The singing horns here are usually manufactured by a local tin smith from galvanised flat iron usually taken from old kerosine tins. One of the horns used was the horn of an old acoustic gramophone. The use of singing horns made of metal is a speciality of the GiTonga. They are played with very noisy drums and struck iron, and the result is deafening rather than musical. Party dance for men and women, with 1 brass drum Bombo, 1 small steel drum made from a bucket, 1 Chingomane flat iron, 4 Puundu singing horns, 1 rattle.
- Full Text: false
- Date Issued: 1963
- Authors: Men and women of Nhamaxaxa , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189605 , vital:44912 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-05
- Description: Introduced by the 'Hino Nacional', the Portuguese national anthem. Women came out in pairs and danced opposite each other, each doing a violent dance du ventre. As soon as they are tired, their places would be taken by two others. The singing horns here are usually manufactured by a local tin smith from galvanised flat iron usually taken from old kerosine tins. One of the horns used was the horn of an old acoustic gramophone. The use of singing horns made of metal is a speciality of the GiTonga. They are played with very noisy drums and struck iron, and the result is deafening rather than musical. Party dance for men and women, with 1 brass drum Bombo, 1 small steel drum made from a bucket, 1 Chingomane flat iron, 4 Puundu singing horns, 1 rattle.
- Full Text: false
- Date Issued: 1963
Makarita nyaku hakanye
- Men and women of Nhamaxaxa, Tracey, Hugh
- Authors: Men and women of Nhamaxaxa , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189620 , vital:44913 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-06
- Description: Introduced by the 'Hino Nacional', the Portuguese national anthem. Women came out in pairs and danced opposite each other, each doing a violent dance du ventre. As soon as they are tired, their places would be taken by two others. The singing horns here are usually manufactured by a local tin smith from galvanised flat iron usually taken from old kerosine tins. One of the horns used was the horn of an old acoustic gramophone. The use of singing horns made of metal is a speciality of the GiTonga. They are played with very noisy drums and struck iron, and the result is deafening rather than musical. Party dance for men and women, with 1 brass drum Bombo, 1 small steel drum made from a bucket, 1 Chingomane flat iron, 4 Puundu singing horns, 1 rattle.
- Full Text: false
- Date Issued: 1963
- Authors: Men and women of Nhamaxaxa , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189620 , vital:44913 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-06
- Description: Introduced by the 'Hino Nacional', the Portuguese national anthem. Women came out in pairs and danced opposite each other, each doing a violent dance du ventre. As soon as they are tired, their places would be taken by two others. The singing horns here are usually manufactured by a local tin smith from galvanised flat iron usually taken from old kerosine tins. One of the horns used was the horn of an old acoustic gramophone. The use of singing horns made of metal is a speciality of the GiTonga. They are played with very noisy drums and struck iron, and the result is deafening rather than musical. Party dance for men and women, with 1 brass drum Bombo, 1 small steel drum made from a bucket, 1 Chingomane flat iron, 4 Puundu singing horns, 1 rattle.
- Full Text: false
- Date Issued: 1963
Hino Nacional
- Men and women of Nhamaxaxa, Tracey, Hugh
- Authors: Men and women of Nhamaxaxa , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189600 , vital:44911 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-04
- Description: Introduced by the 'Hino Nacional', the Portuguese national anthem. Women came out in pairs and danced opposite each other, each doing a violent dance du ventre. As soon as they are tired, their places would be taken by two others. The singing horns here are usually manufactured by a local tin smith from galvanised flat iron usually taken from old kerosine tins. One of the horns used was the horn of an old acoustic gramophone. The use of singing horns made of metal is a speciality of the GiTonga. They are played with very noisy drums and struck iron, and the result is deafening rather than musical. Party dance for men and women, with 1 brass drum Bombo, 1 small steel drum made from a bucket, 1 Chingomane flat iron, 4 Puundu singing horns, 1 rattle.
- Full Text: false
- Date Issued: 1963
- Authors: Men and women of Nhamaxaxa , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Regulo Nhabanda f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189600 , vital:44911 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-04
- Description: Introduced by the 'Hino Nacional', the Portuguese national anthem. Women came out in pairs and danced opposite each other, each doing a violent dance du ventre. As soon as they are tired, their places would be taken by two others. The singing horns here are usually manufactured by a local tin smith from galvanised flat iron usually taken from old kerosine tins. One of the horns used was the horn of an old acoustic gramophone. The use of singing horns made of metal is a speciality of the GiTonga. They are played with very noisy drums and struck iron, and the result is deafening rather than musical. Party dance for men and women, with 1 brass drum Bombo, 1 small steel drum made from a bucket, 1 Chingomane flat iron, 4 Puundu singing horns, 1 rattle.
- Full Text: false
- Date Issued: 1963
Mzeno wa Katini
- Migodo of Zavala and Nyakutowo, Katini Zavala, Tracey, Hugh
- Authors: Migodo of Zavala and Nyakutowo , Katini Zavala , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/190201 , vital:44973 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR197-06
- Description: Composed in 1943, 20 years before, this Mxeno is still played and loved all over Chopiland. It was recorded on this occasion under almost impossible conditions with a high wind and driving showers of rain. It was intended to demonstrate the singing rather than the Timbila playing which in fact was not very good. The words of this Mzeno, almost unaltered since it was first composed by Katini, appear in my book "Chopi Muscians" P24 and 25. It will be noticed that the present players and singers end the Mxeno on the last verse of the lyric without repaeating the first stanza as a coda, which Katini himself used to do. Each verse, by tradition, is repeated. The Timbila of the leader was not well strapped up, hence the rattle of the slats against the beaerers. Orchestral dance, with 15 Timbila xylophones and 4 Njele rattles.
- Full Text: false
- Date Issued: 1963
- Authors: Migodo of Zavala and Nyakutowo , Katini Zavala , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zavala f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/190201 , vital:44973 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR197-06
- Description: Composed in 1943, 20 years before, this Mxeno is still played and loved all over Chopiland. It was recorded on this occasion under almost impossible conditions with a high wind and driving showers of rain. It was intended to demonstrate the singing rather than the Timbila playing which in fact was not very good. The words of this Mzeno, almost unaltered since it was first composed by Katini, appear in my book "Chopi Muscians" P24 and 25. It will be noticed that the present players and singers end the Mxeno on the last verse of the lyric without repaeating the first stanza as a coda, which Katini himself used to do. Each verse, by tradition, is repeated. The Timbila of the leader was not well strapped up, hence the rattle of the slats against the beaerers. Orchestral dance, with 15 Timbila xylophones and 4 Njele rattles.
- Full Text: false
- Date Issued: 1963
Eto, hangane maha
- Miliya Bukulane, Rude Wache, Amelia Faduko, Tracey, Hugh
- Authors: Miliya Bukulane , Rude Wache , Amelia Faduko , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193276 , vital:45317 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-11
- Description: Note the change of rhythm as third girl joins in with her pestle. The names of the three women who sang were:- Miliya Bukulane, Rude Wache, Amelia Faduko. Other women were singing in the background. Three women's pounding song, with pestles and mortar.
- Full Text: false
- Date Issued: 1963
- Authors: Miliya Bukulane , Rude Wache , Amelia Faduko , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193276 , vital:45317 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-11
- Description: Note the change of rhythm as third girl joins in with her pestle. The names of the three women who sang were:- Miliya Bukulane, Rude Wache, Amelia Faduko. Other women were singing in the background. Three women's pounding song, with pestles and mortar.
- Full Text: false
- Date Issued: 1963
Wi-wi-wi-wi mirongo
- Miliya Bukulane, Rude Wache, Amelia Faduko, Tracey, Hugh
- Authors: Miliya Bukulane , Rude Wache , Amelia Faduko , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193281 , vital:45318 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-12
- Description: Note the change of rhythm as third girl joins in with her pestle. The names of the three women who sang were:- Miliya Bukulane, Rude Wache, Amelia Faduko. Other women were singing in the background. Three women's pounding song, with pestles and mortar.
- Full Text: false
- Date Issued: 1963
- Authors: Miliya Bukulane , Rude Wache , Amelia Faduko , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193281 , vital:45318 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-12
- Description: Note the change of rhythm as third girl joins in with her pestle. The names of the three women who sang were:- Miliya Bukulane, Rude Wache, Amelia Faduko. Other women were singing in the background. Three women's pounding song, with pestles and mortar.
- Full Text: false
- Date Issued: 1963
Ho, niihondile
- Miliya Bukulane, Rude Wache, Amelia Faduko, Tracey, Hugh
- Authors: Miliya Bukulane , Rude Wache , Amelia Faduko , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193271 , vital:45315 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-10
- Description: Note the change of rhythm as third girl joins in with her pestle. The names of the three women who sang were:- Miliya Bukulane, Rude Wache, Amelia Faduko. Other women were singing in the background. Three women's pounding song, with pestles and mortar.
- Full Text: false
- Date Issued: 1963
- Authors: Miliya Bukulane , Rude Wache , Amelia Faduko , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193271 , vital:45315 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-10
- Description: Note the change of rhythm as third girl joins in with her pestle. The names of the three women who sang were:- Miliya Bukulane, Rude Wache, Amelia Faduko. Other women were singing in the background. Three women's pounding song, with pestles and mortar.
- Full Text: false
- Date Issued: 1963
Chiriri Movement Heleweda chigubu
- Mkoma Mahiketa wa Gwelana (Leader), Tracey, Hugh
- Authors: Mkoma Mahiketa wa Gwelana (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Kanda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194602 , vital:45467 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR207-05
- Description: Note how the opening Cadenza is a brief summary of the main musical ideas to be treated in the body of the work (Chiriri movement). The woman who ululates in this piece used to take a shield and dance with the men in her young days, an unusual practice but done on rare occassions as the Ngodo is essentially an athletic dance for men only. Orchestral dances with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Mkoma Mahiketa wa Gwelana (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Kanda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194602 , vital:45467 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR207-05
- Description: Note how the opening Cadenza is a brief summary of the main musical ideas to be treated in the body of the work (Chiriri movement). The woman who ululates in this piece used to take a shield and dance with the men in her young days, an unusual practice but done on rare occassions as the Ngodo is essentially an athletic dance for men only. Orchestral dances with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
Msitso Msungiso wasiwaka II
- Mkoma Ramao Mtoti, Tracey, Hugh
- Authors: Mkoma Ramao Mtoti , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Kanda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/${Handle} , vital:45464 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR207-03
- Description: The orchestral tuning was as follows:- 536, 488, 440, 400, 364, 328, 300, 268 vs. A compelling melody 'for tying on the dance leggings' or for calling dancers, and one of the best Msitso of the season. Leggings of white mohair goat skins are commonly used by Chopi dancers. Orchestral introductions with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Mkoma Ramao Mtoti , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Kanda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/${Handle} , vital:45464 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR207-03
- Description: The orchestral tuning was as follows:- 536, 488, 440, 400, 364, 328, 300, 268 vs. A compelling melody 'for tying on the dance leggings' or for calling dancers, and one of the best Msitso of the season. Leggings of white mohair goat skins are commonly used by Chopi dancers. Orchestral introductions with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
Msitso woKata I
- Mkoma Ramao Mtoti, Tracey, Hugh
- Authors: Mkoma Ramao Mtoti , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Kanda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194555 , vital:45461 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR207-01
- Description: The orchestral tuning was as follows:- 536, 488, 440, 400, 364, 328, 300, 268 vs. This is a Ngilishi's orchestra. but he was ill at the time and unable to lead his musicians for this recording. The dances in this Ngodo were striking for their variations and vigour. Orchestral introductions with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Mkoma Ramao Mtoti , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Kanda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194555 , vital:45461 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR207-01
- Description: The orchestral tuning was as follows:- 536, 488, 440, 400, 364, 328, 300, 268 vs. This is a Ngilishi's orchestra. but he was ill at the time and unable to lead his musicians for this recording. The dances in this Ngodo were striking for their variations and vigour. Orchestral introductions with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
Msitso woMbidi II
- Mkoma Ramao Mtoti, Tracey, Hugh
- Authors: Mkoma Ramao Mtoti , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Kanda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194564 , vital:45462 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR207-02
- Description: The orchestral tuning was as follows:- 536, 488, 440, 400, 364, 328, 300, 268 vs. An excellent Msitso with a good descant player. Orchestral introductions with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Mkoma Ramao Mtoti , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Kanda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194564 , vital:45462 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR207-02
- Description: The orchestral tuning was as follows:- 536, 488, 440, 400, 364, 328, 300, 268 vs. An excellent Msitso with a good descant player. Orchestral introductions with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
Maria e madala
- Muwane, Armando Saule, Tracey, Hugh
- Authors: Muwane, Armando Saule , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189688 , vital:44921 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-13
- Description: The perfomer was his own rattle player holding the rattle in his right hand. He is typical of the casual entertainer who use two or three chords repeated endlessly on their topical allusions which nowadays pass for serious song making. They frequently advertise themsleves, constantly mentioning their own names during the course of the song or as an introduction, as in this case. Topical song with guitar and rattle.
- Full Text: false
- Date Issued: 1963
- Authors: Muwane, Armando Saule , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189688 , vital:44921 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-13
- Description: The perfomer was his own rattle player holding the rattle in his right hand. He is typical of the casual entertainer who use two or three chords repeated endlessly on their topical allusions which nowadays pass for serious song making. They frequently advertise themsleves, constantly mentioning their own names during the course of the song or as an introduction, as in this case. Topical song with guitar and rattle.
- Full Text: false
- Date Issued: 1963
He wena mani
- Muwane, Armando Saule, Tracey, Hugh
- Authors: Muwane, Armando Saule , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189697 , vital:44922 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-14
- Description: Both instruments were played by the performer who also had two littlehome made marionettes dangling on the end of a string from the neck of his guitar which danced opposite each other with the shaking of the guitar, and made their miniature foot prints on the loose sand. He is addressing his remarks to the two little wooden figures and the music itself is of secondary importance. Topical song, with guitar and rattle.
- Full Text: false
- Date Issued: 1963
- Authors: Muwane, Armando Saule , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Tonga language (Inhambane) , Folk dance music , Field recordings , Africa, Sub-Saharan , Africa Mozambique Maxixe f-mz
- Language: Gitonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/189697 , vital:44922 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR196-14
- Description: Both instruments were played by the performer who also had two littlehome made marionettes dangling on the end of a string from the neck of his guitar which danced opposite each other with the shaking of the guitar, and made their miniature foot prints on the loose sand. He is addressing his remarks to the two little wooden figures and the music itself is of secondary importance. Topical song, with guitar and rattle.
- Full Text: false
- Date Issued: 1963
Mzeno of Cabo Mtoti
- Mzeno of Cabo Mtoti, Lambo Diki Muchinga (Leader), Tracey, Hugh
- Authors: Mzeno of Cabo Mtoti , Lambo Diki Muchinga (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193109 , vital:45299 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-08
- Description: This Mzeno was composed by the son of the best Timbila maker in the district, Ngalishi Muchinga. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Mzeno of Cabo Mtoti , Lambo Diki Muchinga (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193109 , vital:45299 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-08
- Description: This Mzeno was composed by the son of the best Timbila maker in the district, Ngalishi Muchinga. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Msitso wombidi. 2nd Movement
- Ngodo of Cabo Mahamba, Kingi Zulu, Chiponi Kwapeni (Leader), Tracey, Hugh
- Authors: Ngodo of Cabo Mahamba , Kingi Zulu , Chiponi Kwapeni (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Cabo Mahamba f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/191609 , vital:45123 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR201-10
- Description: Orchestral dance with 14 Timbila xylophones - 2 Chilanzane (Treble), 8 Sange (Alto), 1 Doli (Tenor), 1 Debiinda (Bass), 2 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Cabo Mahamba , Kingi Zulu , Chiponi Kwapeni (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Cabo Mahamba f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/191609 , vital:45123 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR201-10
- Description: Orchestral dance with 14 Timbila xylophones - 2 Chilanzane (Treble), 8 Sange (Alto), 1 Doli (Tenor), 1 Debiinda (Bass), 2 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Msitso woKata. 1st Movement
- Ngodo of Cabo Mahamba, Chiponi Kwapeni (Leader), Tracey, Hugh
- Authors: Ngodo of Cabo Mahamba , Chiponi Kwapeni (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Cabo Mahamba f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/191600 , vital:45122 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR201-09
- Description: 1st Movement - Msitso wo Kata by Chiponi Kwapeni. 2nd Movement - Msitso wawombidi by Kingi Zulu. 3rd Movement - Msitso wa woraru by Chiponi Kwapeni. 4th Movement - Msitso wawomune by Chiponi Kwapeni. 5th Movement - Mungeniso by Chiponi Kwapeni. 6th Movement - Mdano by Kingi Zulu. 7th Movement - Chibudu by Kingi Zulu. 8th Movement - Mzeno by Chiponi Kwapeni. 9th Movement - Msumeto by Chiponi Kwapeni. 10th Movement - Mabandhla by Faiele Sikotchimani. 11th Movement - Msitso wo Kata by Chiponi Kwapeni. Orchestral dance with 14 Timbila xylophones - 2 Chilanzane (Treble), 8 Sange (Alto), 1 Doli (Tenor), 1 Debiinda (Bass), 2 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Cabo Mahamba , Chiponi Kwapeni (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Cabo Mahamba f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/191600 , vital:45122 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR201-09
- Description: 1st Movement - Msitso wo Kata by Chiponi Kwapeni. 2nd Movement - Msitso wawombidi by Kingi Zulu. 3rd Movement - Msitso wa woraru by Chiponi Kwapeni. 4th Movement - Msitso wawomune by Chiponi Kwapeni. 5th Movement - Mungeniso by Chiponi Kwapeni. 6th Movement - Mdano by Kingi Zulu. 7th Movement - Chibudu by Kingi Zulu. 8th Movement - Mzeno by Chiponi Kwapeni. 9th Movement - Msumeto by Chiponi Kwapeni. 10th Movement - Mabandhla by Faiele Sikotchimani. 11th Movement - Msitso wo Kata by Chiponi Kwapeni. Orchestral dance with 14 Timbila xylophones - 2 Chilanzane (Treble), 8 Sange (Alto), 1 Doli (Tenor), 1 Debiinda (Bass), 2 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Msumeto. 9th Movement
- Ngodo of Cabo Mahamba, Chiponi Kwapeni (Leader), Tracey, Hugh
- Authors: Ngodo of Cabo Mahamba , Chiponi Kwapeni (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Cabo Mahamba f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/192612 , vital:45242 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR202-05
- Description: Orchestral dance with 14 Timbila xylophones - 2 Chilanzane (Treble), 8 Sange (Alto), 1 Doli (Tenor), 1 Debiinda (Bass), 2 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Cabo Mahamba , Chiponi Kwapeni (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Cabo Mahamba f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/192612 , vital:45242 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR202-05
- Description: Orchestral dance with 14 Timbila xylophones - 2 Chilanzane (Treble), 8 Sange (Alto), 1 Doli (Tenor), 1 Debiinda (Bass), 2 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963